BOOK 822.08.D668S v. 1 c. 1
DODSLEY # SELECT COLLECTION OF
OLD PLAYS
3 T1S3 0D]it,Mb7i 5
}^
This book may be kept
FOURTF^N DAYS
I
OLD PLAYS.
VOLUME L
PREFACES.
HISTORIA HISTRIONICA.
GOD'S PROMISES.
THE FOUR P's.
FERREX AND PORREX.
DAMON AND PITHIAS.
NEW CUSTOME.
iM.DCCG.AAV.
A
SELECT COLLECTION
OF
OLD PLAYS.
IN TWELVE VOLUMES.
VOL. L
A NEW EDITION I
ADDITIONAL NOTES AND CORRECTIONS,
BY THE LATE
ISAAC REED, OCTAVIUS GILCHRLST,
AND THE EDITOR,
LONDON:
SEPTIMUS PROWETT, 23, OLD BOND STREET.
\ w
-i)
\ n
M.BCCC.XXr.
Thomas White, Printer,
Crare Court.
ADVERTISEMENT
THE PRESENT EDITION.
The length of the prefatory matter to the Editions
of this Collection of Old Plays by Mr. Dodsley, in
1744, and by Mr. Reed, in 1780, renders it unne-
cessary now to add more than a very short statement
of what has been done to make the present under-
taking acceptable.
Five and forty years have elapsed since the last
reprint was published, and during that interval
ardour of pursuit in this particular department has
^^considerably increased the stock of knowledge pre-
^ viously obtained regarding the early drama and
j poetry of England. Mr. Reed, by his laborious in-
;j| '.dustry, acquired additional information, appended
■^l^-by him in MS. to a copy of the Old Plays of 1780,
which subsequently devolved into the possession of
the late Mr. Octavius Gilchrist, long known as a
tasteful and patient literary antiquary. He joined
his acquisitions to those of Mr. Reed, and their
-; latest notes and illustrations are here inserted,
b
together with such farther intelligence, connected
with the subject, as the Editor had obtained from
the enquiries of others, or discovered by his own
research.
It is singular that a series of Old Plays, collected
professedly for the purpose of illustrating the rise
and progress of the stage in this country, and
comprising, as Mr. Reed somewhat incautiously
observes, " a specimen of almost every author who
contributed to support it," should not have con-
tained a single performance by such distinguished
poets as Greene, Peele, Nash, and Lodge. The
conjecture of Mr. Malone, and of other biographers
is, that Shakespeare did not begin to write for the
Theatre until about 1591 ; when, therefore, it is men-
tioned that the four authors above named ceased
to produce plays before or very soon after the date
when our great dramatist commenced his career, it
is ^obvious how necessary it must be, with a view to
ascertain the correctness of Dryden's re-echoed as-
sertion, that Shakespeare " created first the stage,"
to examine the efforts of his immediate predeces-
sors. For this purpose, in the present edition, four
plays of great celebrity in their day have been
substituted for others by Ford and Shirley, hitherto
included, but which it was needless to retain,
because reprints of the works of both those poets
are on the eve of publication, under the care of
Mr. Gifford. Recollecting how much each per-
Ill
formance will gain by his editorship, it might be
prudent also to shun comparison.
The arrangement of the plays by Mr. Heed was ac-
cording to the dates when they were printed ; but if
his object were, as he states, ** to shew the progress of
genius," it is quite evident that by this plan he accom-
plished nothing ; since the time of publication was
not unfrequently far distant from that when the piece
was actually written : thus Marlow's Jew of Malta,
the author of which was killed in 159^, obtained a
place in the same volume with May's /ie/r, and
Davenant's Ifits, the one written perhaps thirty and
the other forty years afterwards. Nevertheless,
the success of any attempt to insert them according
to the period when they were first produced must
often depend upon mere conjecture, and such a
plan would likewise be open to other objections.*
Upon the whole, therefore, it was thought best not
to disturb the course followed in 1780 beyond the
insertion of the four plays new to the present
edition, in vacancies occasioned by the omission
of the following :
'Tis Pity she's a Whore, by John Ford.
The Bird in a Cage, by James Shirley.
• In order however, to enable the reader to peruse the
plays chrouolotrically or otherwise, a list of the whole
series has been supplied in the 12th vol. made out according
to the dates wlien they were actually, or may be supposed
to have been written.
IV
The Gamester, by the same,
Andromana, by the same.
Instead of these,
The Wounds of Civil War, by Thomas Lodge.
Friar Bacon and Friar Bungay, by Robt. Greene.
< Summer's Last Will and Testament, by Thomas
Nash, and
Edward I. by George Peele,
have been inserted. To the twelfth volume have
also been added two very early and rare dramatic
specimens — the one an Interlude, called The
Worlde and the Chylde, printed by Wynkin de
Worde, in 1522, and the other. The Tragicall
Comedie of Apins and Virginia, published in 1575.
For the sake of more convenient reference, by
having all the introductory matter together, the
Dialogue on Plays and Players, called Historia
Histrionica , and Sir W. Davenant's Patent of 1662,
have been transferred from the 12th volume of the
last edition to the 1st volume of the present.
Although Mr. Reed bestowed great attention on
his undertaking, and removed many of the imper-
fections of Mr. Dodsley's original collection ; and
although it might be supposed from his preface, that
by consulting earlier and better copies, and collating
all the plays, he had rendered the text sufficiently
perfect, yet the fact is, that he performed this
irksome part of the duty of an Editor with less care
than the rest. Neither do his later MS. notes shew
that he was conscious of the defectiveness of his
labours in this particular ; and excepting in a very
few instances, and as applied to a very few pages,
Mr. Gilchrist did not attempt to remedy it. How
necessary it was that such a collation should be
made will be apparent from the many instances
in which the variations are now marked. In seve-
ral of the plays gross errors of this kind had crept
into almost every page ; and though in others they
were less numerous, still they were frequent
and important. Sometimes the words of all the old
copies were departed from without notice or
necessity, and in several instances, dedications,
songs, and parts of the dialogue were omitted,
while whole speeches were assigned to wrong
characters. The Editor does not make this state-
ment at all to diminish the degree of gratitude due
to Mr. Reed for what he did accomplish, nor to
attract credit to himself for the performance of a
tedious and generally thankless task : he mentions
it merely as a matter of fact.
He is aware how much might yet be done in the
regulation of the metre. The old printers, as is
well known, were often quite regardless of the
verse ; either, because attention to it, by requiring
too much room, did not suit the price at which a play
was published, or because the manuscript, often
surreptitiously obtained, reached them in a very
confused and imperfect state. In several places
VI
Mr. Gilchrist's suggestions in this respect have been
adopted; and in general, wherever the measure
could be distinctly ascertained, and restored without
violence to the text, the attempt has been made. It
has not unfrequently happened that the omission or
insertion of a single unimportant word or syllable
would have accomphshed the object; but the Editor
preferred the observance of fidelity to any trifling
exercise of ingenuity. It may be added that Mr.
Reed paid less attention to punctuation than its
importance to the sense required.
The biographical and preliminary matter to each
play has been rendered more complete than hitherto
by the improved state of information regarding our
early poets and poetry : in some instances it has
been re-written ; in others, it is entirely new, and
in nearly all cases, additional and perhaps useful
notes have been appended. The conciseness of
the plan established in the outset prevented the
introduction of critical remarks.
In the notes generally, the Editor did not feel
himself at liberty to make any change: they are
inserted as they stood in the edition of 1780,
while the farther MS. illustrations of Mr. Reed
and Mr. Gilchrist are given as they left them. Of
the printed notes, a few might have been wholly
omitted, some considerably abbreviated, and others
adfantageously altered; but under all the circum-
stances, it was deemed prudent to reprint them
vu
entire. Those for which the Editor is responsible
are marked with the letter C. He has been anxious
in them to avoid prolixity, and where verbal criti-
cism was necessary he has subjoined no more quo-
tations from contemporary writers than he thought
necessary for illustration. Perhaps the notes on
some of the plays now first re-printed would have
been fewer had the Editor not been desirous to
make the whole work consistent. The new matter
by Mr. Reed and Mr. Gilchrist is distinguished by
the initials of their names.
C.
London, January, 1826.
Mr. REED'S PREFACE.
The Works of our ancient dramatic writers have
suffered a very long, and, some few excepted, a
very general neglect. Though possessed of innu-
merable beauties, they have been known in so
imperfect a manner, that their very names have
almost escaped the readers of the present times.
The merits of writers are not always to be esti-
mated from the reputation which they bear with
the public. Accident and caprice contribute to
advance some authors above their due rank ; and
the same causes as frequently depress below their
proper stations, others who are entitled to a supe-
rior degree of regard. The truth of these obser-
vations might be illustrated by instances without
number. Many productions have been at first
coldly received, which afterwards have met with
the highest applause. Some have been praised and
neglected ; while others, from a concurrence of
circumstances in which excellence hath had no
concern, have for a time acquired a share of favour
which they have been unable to retain. Such hath
MR. reed's preface.
been the revolution of taste, that not a few works
have been both applauded and condemned by the
same persons ; and this will be esteemed the less
extraordinary, when it is considered how many,
who pronounce on the beauties or defects of
authors, decide without any previous knowledge of
what they approve or censure, how many rely on
the opinion of others, and how few are capable of
exercising any judgment of their own.
To whatever cause it is to be ascribed, there can
be no question but that the works of those who
flourished in the reigns of Queen EUzabeth and her
successor were not until lately much studied ; and
the dramatic poets were not less neglected than
their contemporary brethren. Even those who are
now held in the greatest reverence were not exempt
from the same contemptuous treatment, and in
consequence of it were almost suffered to sink into
oblivion and obscurity. Many parts of Shakspeare,
the God of our present idolatry, and some whole
FMays, remained involved in all the darkness which
a change of manners and customs in the lapse of
near two centuries had occasioned ; and the repu-
tation which our favourite author possessed de-
pended in some degree on the frequent representa-
tion of a very few of his plays at the theatres. How
little he was read may be seen by the example of
Sir Richard Steele, who does not appear to have
MR. REED S PREFACE. XI
been acquainted with so popular a play as The
Taming of a Shrew^.
To account for so general a disregard towards
the early writers for the stage may not be an easy
task, though it would not be difficult to prove the
injustice of it. Many causes are to be assigned.
The fanaticism, which prevailed about the middle
of the last century, had a fatal influence over the
theatre for some time. The intemperance of reli-
gious zeal carried destruction along with it wherever
the works of taste were to be met with ; and its
dominion continued so long, that few of the dra-
matic poets, who flourished when the civil wars
broke out, remained at the Restoration. The
convulsions of the times, which had interrupted all
kind of diversions, produced also a change in the
manners of the people ; and those who adhered to
monarchy, on their return from exi^e, brought home
with them a fondness for the French school, which
soon superseded nnd sunk into disrepute the rude,
but nervous, productions of their predecessors.
Those who obtained the direction of dramatic
entertainments at this period, had also been ba-
nished from their country, and had acquired the
same taste- Regularity therefore took place of the
wild native efforts of genius, which were soon
driven from the stage ; the contemporaries and
immediate successors of Shakspeare became obso-
' See last Edition of Shakspeare, vol- III. p. 5»?6.
XU MR. REED S PREFACE
lete, the humour which they possessed was lost,
and all the allusions, which depended on temporary
circumstances, being forgotten, grew tasteless and
insipid. The refinements of French manners also
created a disgust at the coarseness which was com-
mon in the conversation of our forefathers ; and,
though there was no improvement in the morals of
the people, it must be acknowledged, that an affec-
tation of delicacy reigned, totally inconsistent with
those gross and vulgar modes of expression so
frequently to be found in ancient writers.
The first attempts in any art are always rude and
imperfect, more calcul?ted to exercise the sagacity
of an antiquary, than to gratify a taste rendered
delicate by being accustomed to the improvements
which luxury and riches introduce. The polish of
modem fashions ill agrees with the barbarity of
ancient manners. The early efforts of our ances-
tors in the dramatic walk were therefore soon laid
aside : their pictures of human life were exchanged
for scenes displaying the follies of the day ; which,
in their turn, have submitted to the same fate, being
at this time as little adapted to furnish an evening's
entertainment at the theatre, as many of the for-
gotten dramas in the present volumes. Congreve,
Vanbrugh, and Gibber, now exhibit characters
. almost as obsolete as those of Ben Jonson, or
Beaumont and Fletcher ; and if such names as the
latter cannot ensure a continuance of fame, the
MR. REED S PREFACE. xiii
Dekkars, Middletons, ChapmaBS, and Marstons,
their contemporaries, must give up their claim to
immortality without a murmur.
It is a misfortune which must attend all who write
for the stage, that their happiest exertions in deli"
neating life and manners lose their force in the
course of a few years, and the more faithfully they
are painted, the sooner their colouring dies away.
The whimsical caprices of fashion are perpetually
changing, and, as they pass daily before our eyes,
seldom leave any memorial of their existence.
They sometimes are almost literally the children of
a day ; and when they expire, so much of the
attraction as depends on such transient circum-
stances is necessarily lost. That no small stress is
laid on what cannot be long relished, may be seen
by the practice of modern writers. It may be
i^sked, who has with more success than the late Mr.
Foote catched the Jieeting Cynthia of a minute ?
whose dramatic pieces afforded more satisfaction
on the stage ? Yet, with all that unequalled facility
of transferring characters from life to the theatre
which he possessed, his works are already laid
aside, and must, if they are remembered a century
hence, be indebted to the industry of some painful
searcher into antiquity for recovering lost allusions
and forgotten facts. The truth is, there are few
but prefer the applause of those they live with to
the approbation of succeeding times. Their repre-
XIV MR RRED S PREFACE
sentations therefore are often so closely connected
with the fluctuations of fashion, that it has some-
times been necessary for an author to be his own
commentator. Cibber lived to see the characters
of his own coxcombs become obsolete ; and, not
very late in life'^, was obliged to point out the
distinction between the fops he had drawn, and the
new race of these insignificant beings which had
sprung up to succeed them. Can it then be won-
dered at, that we no longer receive pleasure from
the exhibition of the Foppingtons and Fashions,
which afforded so much entertainment to the fre-
quenters of our theatres at the beginning of this
century? That the charm is now lost, must be feit
every time these characters appear on the stage.
The humour of them is so interwoven with fashions
now no longer familiar, that some late attempts to
adapt them to modern manners have only contri-
buted to destroy the remains of spirit and meaning
which were left in them.
If the works of writers so near our own days so
soon lose their effect, and the restoration of them
to the theatre is become a task of such difficulty,
the exclusion of performances of a more remote
period will scarcely be considered as a very for-
midable objection to the merit of them. In fact,
the same causes have had the same effects in both
cases ; and at present the earliest pieces are likely
^ See his Apoloiry, p. 303- edit. 1 750.
MR. REEDS PREFACE. XV
to be more read, and better understood, than even
those of only fifty years standing. At a time when
destruction seemed to threaten most of the pro-
ductions of the early stage, and after, it is to be
feared, many of them were irrecoverably lost, the
explanation of those writers, who may be esteemed
the classics of this country, began to engage the
attention of some of the ablest writers of the pre-
sent times. Struck with the absurd alterations and
wild conjectures of critics, who mangled and dis-
figured their authors, instead of elucidating their
obscurity, they determined to search into contem-
porary writers for a solution of such doubts as had
been created chiefly by time. The success which
attended their enquiries soon shewed the necessity
of an acquaintance with works which had until then
been overlooked, to obtain a perfect knowledge of
some of our most esteemed authors. It shewed
also, that many beauties had long remained un-
known and unnoticed; that fame had not always
accompanied worth ; and that those who wished for
information concerning ancient manners would not
be able to obtain it so well from any other source.
When the value of such kind of performance^
became known, other difficulties arose ; the ma-
terials, which were to answer these excellent pur-
poses, were not to be obtained by those who were
best able to make use of them. Works, which
cease to be popular, are in a short time destroyed ;
Xvi MR. reed's preface.
the fugitive pieces of all ages would soon perish,
on account of the slender form of their publication,
if they wei;e not from time to time collected and
published in a manner more likely to ensure their
duration. As the use of such collections is now-
confessed on all hands, it is to be lamented that
care was not taken sooner to preserve such slight
performances from the ravages of time and acci-
dent. What might have been accomplished with
the greatest ease in the last century is now become
an undertaking of much difficulty. Many works
are totally lost; some are already become as
valuable as manuscripts ; and of several, the best
editions are to be sought after in vain. The
industry of a few persons hath lately been employed,
with much credit to themselves, in forming collec-
tions which have been of singular advantage to the
public, as may be seen in some late publications ;
and the liberality of the present age is in nothing
more remarkable, than in the alacrity with which
the possessors of such curiosities communicate
them to those who have occasion to consult them.
The present volumes were originally compiled
from the only collection then known to exist, that
which had been formed by the Earls of Oxford.
This afterwards came into the possession of the
late Mr. Garrick ; and, with great additions, hath
since been bequeathed by him to The British
Museum. The mention of this gentleman's name
MR. REED S PREFACE. XVll
naturally reminds the Editor, that he should be
deficient in point of f^ratitude, if he omitted to
notice the readiness with which he was allowed the
free use of whatever Mr. Garrick's library contained
for the service of this work. It is no extravagant
compliment to the memory of a man, who hath
contributed more to the public entertainment than
any person of the present age ; that in this parti-
cular he had, as in many other parts of his character,
no superior, and scarcely an equal. His wish to
forward any literary undertaking is too well
known, and hath been too often acknowledged by
those who were obHged to him, to need any eulo-
gium on this subject at present ; and his death
cannot but occasion a sigh to arise in the breast of
every one who had the happiness of his acquaint-
ance.
As the public hath long been in possession of the
present work, it will perhaps be deemed unneces-
sary to take up the reader's time in pointing out
the value of what he is about to peruse. It may,
however, be with decency asserted, that it is cal-
culated to afford a great degree of entertainment to
those who would be acquainted from what shght
beginnings the English theatre arose to its present
state of improvement. It will shew the progress
of genius in the course of more than a century ;
and it will exhibit a specimen of almost every author
who contributed to support the stage during that
xviii MR. reed's preface.
period. The vices aud follies, the maimers, cus-
toms, fashions, caprices, and pursuits of our ances-
tors, will here pass in review before us ; and in so
lively a manner, that he who would draw a com-
parison between the modes of living of the present
and former times, may be furnished with materials
to make his judgment from. If he should chance
to find any thing offensive to delicacy, he will recol-
lect the times in which these Plays appeared are
not to be commended for the observation of a strict
decorum. There are many proofs, that the courts
of Elizabeth, and her two successors, were ex-
tremely licentious in conversation; and it would be
vain to expect a greater degree of chastity at the
public theatres, than was to be found where Royalty
resided, especially when it is known that each
sovereign was in this particular highly censurable.
The first Edition of the present Volumes was one
of the many excellent plans produced by the late
Mr. Robert Dodsley, a man to whom literature is
under so many obligations, that it would be un-
pardonable to neglect this opportunity of informing
those who may have received any pleasure from the
work, that they owe it to a person whose merit and
abilities raised him from an obscure situation in life
to affluence and independence. Modest, sensible,
aud humane, he retained the virtues which first
brought him into notice, after he had obtained
wealth sufiicient to satisfy every wish which could
MR. REED S PREFACE. XIX
arise from the possession of it. He was a generous
friend, an encourager of men of genius ; and ac-
quired the esteem and respect of all who were
acquainted with him. It was his happiness to pass
the greater part of his life with those whose names
will be revered by posterity ; by most of whom he
was loved as much for the virtues of his heart, as
he was admired on account of his excellent
writings. After a life spent in the exercise of every
social duty, he fell a martyr to the gout, at* the
house of a friend^, in the year 1764, when he had
nearly arrived at the age of 61 years.
From this digression, if it may be called one, let
us return to what introduced it, the former edition
of this collection. It hath been customary with
those who have given new editions of works which
have exercised the abilities of other persons, to be
very diffuse in pointing out the defects of their
predecessors, and to dwell with great satisfaction
on mistakes, which the most careful editors cannot
avoid faUing into. This practice is the more to be
condemned, as every person who has had any
concern in undertakings of this kind, must be con-
vinced of the fallibility of all claims to unerring
perfection. When Mr. Dodsley undertook the
present publication, the duties of an editor of English
works were not so well understood as they have
been since. The collation of copies had not at
^ Mr. Speiice, at Durham .
XX MR. reed's preface.
that time been practised in any case that the editor
is informed of (for it is certain neither Theobald,
nor any other editor of Shakespeare, nor either of
the gentlemen who had published Chaucer or
Spenser, had any claim to praise on this account),
and a knowledge of the writings of contemporary
authors was still less deemed necessary. In con-
sequence of these false ideas of the requisites which
an editor ought to possess, there are some imper-
fections in the former edition, which would have
been avoided had the same person lived to super-
intend a repubhcation of his work. One of these
faults arose from his reliance on the first copy of a
play, sometimes the most erroneous one, which
chance put into his hand ; but the most material
was from his want of acquaintance with the litera-
ture of -the last century. This latter circumstance
occasioned many words and phrases which were
obscure, or not understood, to be changed for
others more familiar and intelligible. As fidelity in
publishing any author is an indispensable quality in
an editor, the liberty which Mr. Dodsley ventured
upon is certainly not to be defended or excused.
His several innovations have therefore been silently
removed, without burthening the page with an
unnecessary note, except where the words restored
required an explanation. The different copies by
which the present edition has been collated, are set
down at the end of each play.
MR. REEDS PREFACE. XXI
In printing the text, the Editor hath been
careful not to fall into the error of his predecessor,
and therefore hath scarcely ever indulged himself
in alterations from conjecture. The many experi-
ments of this kind which were made by the first
editors of Shakespeare and other writers, and (he
futility of them all, as hath appeared from the
enquiries of later commentators, have sufficiently
convinced him that such a mode of getting rid of
the difficulties which occur in ancient writers, is
more calculated to shew the boldness of the critic,
than to give credit to his knowledge, either of the
authors, or the habits, fashions, humours, or customs,
of former times. He hath, therefore, in not more
than two or three instances, departed from the
text, and never without noting the variation, that no
one who may choose the rejected words, or is able
to explain them to his satisfaction, may be obliged
to quit the old copies, if they shall be deemed
intitled to a preference.
In commenting on the several plays, the Editor
hath generally had recourse to contemporary
writers, for the explanations of words or phrases
which are peculiar to the times ; and the same
practice hath been observed in elucidating the
particular customs which are referred to in the
several volumes^ In the course of these remarks,
the reader will see how much the present collection
hath been indebted to the late edition of Shake-
XXll MR. REED S PREFACE.
speare. As it cannot be expected that many will
become purchasers of these volumes who are not
possessed of that work, it hath generally been
referred to in the course of the several notes. It
would be some satisfaction to the Editor, if he
could say, that all the obscurities which are to be
found were completely explained; and he is sorry
to acknowledge, that several remain unattempted.
They are, however, not very numerous, and will,
he thinks, be entitled to the pardon of every candid
reader. To throw light on every difficult passage
in such a work as the present, requires more
reading than can be expected from any one person.
It was very soon after this collection went to the
press, that the Editor became convinced how im-
perfectly the task which he had entered upon
would be performed, if he was to depend entirely
on his own endeavours ; and, very fortunately, that
aid which he wished for was offered him, in the
politest manner, by a gentleman to whom he is
under many great obligations, besides his commu-
nications to this work. When it is known, that to
him the public are indebted for all the notes signed
with the letter S, the reader will regret that there
are not a greater proportion of the whole number
under that signature. From another gentleman,
whose knowledge in antiquarian subjects the world
hath been long acquainted with, the notes marked
S. P. were received ; and those which have the
MR. REED S PREFACE. xxiii
letter N annexed to them, are such observations as
occurred to the printer of the first six volumes, in
reading the proof sheets. To all these gentlemen
the editor esteems himself much indebted for their
kindness and attention. From them arises the
principal assistance he hath to boast of. A very
few notes marked with different letters he was
favoured with bv other friends, to whom he bears
here to make his acknowledgments. And he hath
man}^ reasons to flatter himself, that the commen-
tary would have been much enlarged from other
quarters, if a diffidence of his abilities for ihe under-
taking had not deterred him from solicitation.
There are two alterations in the present edition
from the former, which he believes wiU need no
apology. These are, the arrangement of the plays,
now changed according to the chronological order
in which they were published, and the removal of
some, which were formerly printed, for others
which seem to have a fairer claim to being pre-
served. Some of these rejected pieces have been
lately published in a complete edition of one author;
and the others are such as have been thrown out
by the advice of a gentleman whose sentiments
concerning them must be confirmed by every one
who will afford them a perusal *.
* The followiug- is a list of the rejected plays :
1 Mustapha, by Lord Brooke.
2 The Shepherd's Holiday, by Joseph Rutter.
XXvi MR. RE£D*S PREFACE.
received in the course of this work, he hath no
expectation or wish for fame, on account of his
concern in it. The employment hath been a very
agreeable one to him. It hath soothed many an
hour when depressed by sickness and pain ; and
hath contributed, in some measure, to the happi-
ness of his life, by the opportunity which he hath
by means of it enjoyed of becoming known to
several gentlemen, whose friendship and acquaint-
ance he esteems highly honourable to him. To
those who may be dissatisfied with the manner in
which this work is conducted, he can only say, that
the undertaking appeared to him much easier be-
fore he engaged in it, than he found afterwards in
its progress through the press. He might safely
rely on the candour of those who have experienced
the trouble and difficulty attending such perform-
ances as the present; and to those who have not,
could wish to address himself in the words of one
who had, says the gentleman who quotes him, long
laboured in the province of editorial drudgery ;
and who thus appeals to the judgment and bene-
volence of the reader: " If thou ever wert an
'* editor of such books, thou wilt have some com-
•' passion on my failings, being sensible of the toil
** of such sort of creatures ; and, if thou art not
** yet an editor, I beg truce of thee till thou art
*' one before thou censurest my endeavours."
DEDICATION
THE FIRST EDITION,
to sir clement cotterel dormer, knight.
Sir,
If there be anything in this Collection worthy of
being preserved it is to you the public is indebted
for the benefit. Your obliging readiness to com-
municate the stores of which you were possessed,
encouraged me to undertake the design, which
otherwise I should have despaired of prosecuting
with success. Under the sanction of your name,
therefore, I beg leave to shelter the remains of
these old dramatic writers, which but for your
generosity had fallen with their authors into utter
oblivion. To your candour I submit the pains I
have taken to give a tolerably correct edition of
them, and am with great respect,
Sir,
Your most obliged,
and obedient
humble Servant,
R. DODSLEY.
PREFACE
THE FIRST EDITION.
When I first conceived the design of collecting
together the best and scarcest of our old Plays, I
had no intention to do more than search out the
several authors, select what was good from each,
and give as correct an edition of them as 1 could.
This I thought would at once serve as a specimen
of the different merits of the writers, and shew the
himiours and manners of the times in which they
lived. But as the public has been so kind to
favour me with much greater encouragement than
I expected, I thought it my duty to omit nothing
that might conduce either to the greater perfection
of the work, or their better entertainment. It was
this consideration which led me to think of prefix-
ing to each Play, where any materids were to be
had, a brief account of the life and writings of its
' The Notes to this Preface signed D, are those originally
added to it by Mr. Dodsley ; those subscribed I. R. are by
thelr.te Mr. Reed; and the remainder with the initial C.
are by the present Editor.
XXX MR. dodsley's preface.
author ; and also, by way of Preface, a short his-
torical essay on the rise and progress of the EngHsh
stage, from its earliest beginnings; to the death of
king Charles the First, when play-houses were
suppressed. But in the prosecution of both these
designs I have been so crossed with a want of ma-
terials, that I am afraid what I intended should
merit thanks, must barely hope for pardon.
Before I proceed to my principal design, it may
not be unentertaining to the reader just to take a
view of the great similarity that appears in the rise
and progress of the modern stage in all the prin-
cipal countries of Europe.
ITALIAN THEATRE.
The Italian is perhaps the earliest of the modern
theatres ; nay, they pretend it was never entirely
silent from the imperial times. But though there
might be some insipid buffooneries performed by
idle people strolling about from town to town, and
acting in open and public places to the mob they
gathered round them ; yet they had no poetry till
the time of the Provencals^, nor any thing like a
fi Bouche, in his History of Provence, says, the Piovenfal
poets beo^an to be esteemed throuf,diout Europe in the
twelfth century, and were at the hei>^ht of their credit
about the middle of the fourteenth. Tlieir poetry consisted
of Pastorals, Son^-s, Sonnets, Syrvenlts and Tensons, i e.
Satires and Love-disputes And in the list of their poets
MR. DODSLEY S PRRFACL. XXXl
theatre, till they began to exhibit the Mysteries of
Religion. And these, as is affirmed by Octavio
PanciroHi, in his Tesoro Nascosto di Roma, begun
but with the establishment of the fraternity del
Gonfalone in the year 1264 : from the statutes of
which company he quotes the following paragraph :
' The principal design of our fraternity, being to
' represent the passion of Jfesus Christ; we ordain,
' that when the mysteries of the said passion are
' represented, our ancient orders be ever observed ;
* together v ith what shall be prescribed by the
' general congregation.' But Crescimbeni, in his
History of Poetry, says, the first piece of this na-
ture was written by Francis Beliari on the story of
Abraham and Isaac ; and acted at Florence, in the
church of St. Mary Magdalen, about 1449; and
that about the same time, or soon after, the His-
tory of Christ's Passion was first represented in the
are found persons of the first dionlty; in particular the
Emperor Frederick the First, a;id our Kino^ Richard, sur-
nanied Coeur de Lion. This poetry received its fatal stroke
in the death of Joan the First, Queen of Naples, and Coun-
tess of Provence; for neither Lewis the First, her adopted
son, nor Lewis the Second, his successor, shewed any re-
gard to it. Lejin de celte po'esie Jut le coynmencement de celle
des lialieris ; for all there before Danl^ were rather rhimers
than poets : he and Petrarch were les deux vraues fonlaines
de la po'esie Itallienne ; mais fonlaines, qui prirent lears sources
dims la pocsit Proven^nlr. Pasqi^ier Rech. fiOfn D.
xxxii MR. dodsley's preface.
Coliseum at Rome. These two accounts I leave
to be adjusted by the critics.
SPANISH THEATRE.
The Spanish Theatre boasts great antiquity;
but it is difficult to fix its precise aera. Their first
theatrical pieces were small fiarces of one Act
called Eutermises, or Jordafias, which they per-
formed in thorough-fares, or the most public places
of the towns. The action of the piece turned upon
some subject of ridiculous and low life ; which
being heightened with strokes of wit and satire,
and performed with antic gestures, made an enter-
tainment not much unlike the Latin Mimes. To
these succeeded what they called the Autos Sacra-
mentales; being indeed mysteries, but more artifi-
cial than those of the rest of Europe, which were
simple representations, while these were always
allegorical. There are prodigious numbers of
them in Spain, but those of Calderon are reckoned
the best.*
* So strong- a resemblance exists in many points between
the origin, progress, and perfection of the English and
Spanish stages, that it has been thought fit to subjoin a
fuller account, of the latter, drawn from the best sources.
C.
Luzan, the author of the Poetica, a work of much au-
thority in Spain, refers to the Leycs de lapartida dc A/onzo,
MR. dodsley's preface. xxxiii
FRENCH THEATRE.
The French pretend to draw the original of
their drama from the Provencal poets in the thir-
to prove that dramatic representations commenced in Spain
in the middle of the 13th century: one law expressly com-
mands that tlie cleri^-y shall not act juegos de escamios (plays
of scoffing- or ridicule) but permits them torepresent mysteries
of the birth, passion, and resurrection of Christ : it also ex-
pressly forbids the use of the religious habit in the former.
Hence it is deduced that both relii^ious and profane dramatic
representations v.ere then exhibited, and it has been also
asserted that actors by profession were known at the same
time. There can be no doubt that acting- mysteries formed
part of the education of the ecclesiastics in the monasteries
even to a comparatively late date. Bias Nasarre, the
recent Editor of the Plays of Cervantes, states that it was
the custom of the pilgrims of that a^^e to act mysteries in
the market places and even in the churches. The Aulos
SacramenldUs had their origin in these Spanish mysteries
wliich like our own were filled with absurd allegories, and
personitications,and the grossest anachronisms. The jesters
and buffoons of that time were called Zahorroncs and Ileme-
dadores, and were made infamous by the law of Alonzo the
Wise : the Mayas and DiahliUos (little devils) were not
aljrowed to cross the threshold of a church. The Court
of Arragon began to patronize and cultivate poetry
under the name of la gaya cimcia, towards the end of
the 1 4th century ; and the dramatic part of it con-
sisted of dialogues and fancies of various kinds. The
colleges at Toulouse and Barcelona, for the cultivation of
poetry, were reformed and perfected by Don John I., Don
d
XXXIV MR. DODSLEY S PREFACE.
teenth century. I suppose because one Nouez,
who died in the year 1220, is mentioned by Nos-
Martin, and Don Ferdinand the Honest, and the monarchs
themselves assisted in the representation of what were
termed Ditados, Trohas, and Dialogos -. John I. brought from
Provence for this purpose, the most celebrated poets, players,
and dancers. After the college of the Troubadours was re-
moved to Castille the dramatic art seems for some time to
have remained stationary. Cervantes, in the preface to his
plays, claims to be the first who personified the passions on
the stage ; but this pretension seems hardly consistent with
the accounts of the Chroniclers and with what is known of
the productions of Juan de E?icina, who flourished circa
1480. The production about the year 1400, of a pastoral
called Mingo Rebulgo, attributed to Rodrigo de Cota, is con-
sidered an epoch in the history of Spanish dramatic poetry:
he also wrote a piece in no less than twenty-one Acts en-
titled Calisius and Melilxa, which probably, therefore, was
never represented, and of which many imitations were
published. Lope de Rueda, a native of Seville and et
famous actor, is deemed the first who by his writings gave
a distinguishing character to Spanish Comedy. Cervantes
(Preface to his Plays) gives a curious account of the pro-
perties of a theatre l)efore tlie time of Rueda : " all the
** furniture and utensils of the actors were contained in one
*' sack, consisting of four beards and perriwigs, and four
** pastoral crooks." He also mentions that he was the first
to divide plays into three acts, but Lope de Vega in his Arte
de hacer Comedias, assigns this merit to an earlier author
of the name of Virues : others attribute the invention to
Nabarro. From this date the Spanish stage was inundated
with plays divided into Jornadas or acts, and* Moiitalban
says, that Lope de Vega himself wrote 1800 of them.
2
MR. dodsley's preface. xxxlv
tradamus as a good actor. This man, by going
about to the houses of the nobility, singing, danc-
ing, and making faces, gained not only a good
livehhood, but much applause. He had, they tell
us, the art of speaking either in a man's or woman's
key, and by changing his accent, gesture, and
countenance at pleasure, could himself personate
two actors. These kinds of extempore farces, or
dialogues, continued till they were displaced by
the exhibition of the mysteries. The first, of
which we have any account, was the mystery of
the Passion, represented at St. Maur's in 1398.
Luzan separates the history of the Spanish stao^e into the
four following- epochs. 1. The ancient cancio?ies, villanescas,
and diniogos, which during the 14th century, were sung and
acted by the authors, or by public jesters or players : no
material change occurred until the commencement of the
l6th century. 2. Pastorals and humorous colloquies in
which Lope de Rueda gained such reputation, and which
he himself improved : these continued for about 50 years.
3. Farces and pieces of comedy in tliree acts, invented by
Virues, Cervantes, or Nabarro, and for writing which Juan de
la Cueva was also celebrated : this species of entertain-
ment was preserved until tlie close of the 1 6th century.
4. The perfection of the Spanish Drama in the latter end
of the ItJth and beginning of the 17th century, after Lope
de Vega had produced his Jacinlo, followed by the plays of
Calderon and others.
It is evident that Luzan in this division does not profess
to go so far back as the age of mysteries, which preceded
the cancioncs. villatiescas, and dialogos of which he first speaks.
XXXVl MR. DODSLEY S PREFACE.
But the French Theatre, though it got as early rid
of these barbarities as any other, yet continued
long very rude and imperfect, and destitute of all
good comedy till the time of Corneille and Moliere ;
the former born in 1606 ^ the latter in 1621 \
DUTCH THEATRE.
The Dutch Theatre had its original from what
they call in that country Reden Rychkers Kameran,
that is, companies or societies of rhetoricians and
poets, not unlike the academies in Italy. The
members of these societies were the wits of the
place, who, when any one was married, buried,
preferred to an office, &c. were applied to for
epithalamiums, elegies, or panegyric. They also
composed theatrical pieces, which they acted in
the society-room; from whence these old pieces
are called Society Plays, as those of Italy were
called i\cademy Plays. Sometimes the Reden
Rychkers, or poets of one village, went to perform
their pieces at fair times in another ; which, in its
turn, gave the first its revenge. Sometimes
again, the poets of one village disputed the prize
of wit with the poets of another, in extempore
pieces. These kinds of entertainments, if they
can be properly called theatrical, are said to be as
old as the Provinces themselves ; but the most
eminent piece of their more reformed theatre is,
7 He died 1684. ^ He died 1673.
MR. dodsley's preface. xxxvii
De Spiegel der Miiine, the Mirror of Love ; written
by Colin Van Ryssele, and printed at Haerlen in
1561. The Dutch, like all other theatres in their
state of ignorance, had a great passion for the
marvellous. In one of their old tragedies a prin-
cess has her lover's head before her on a plate : to
this she sits down and addresses herself, and re-
ceives as pertinent answers as if it had been still
upon his shoulders. But the Dutch Theatre is
now more refined; and these extravagances are
seldom represented but on some state-holiday, to
please the common people.
GERMAN THEATRE.
The Germans deduce the first rise of their
theatre from the ancient bards^ who used to sing
the eulogies of their heroes ; and 1 believe with
just as much truth as the French do theirs from
the Provengals. To these bards, they tell us, suc-
ceeded their Master Sanger, that is, Master
Singers ; who formed themselves into societies in
all the principal cities of Germany^ One of these
merry societies is actually subsisting at Strasburg
to this day, composed of shoemakers, tailors,
weavers, millers, &c. who enjoy certain privileges,
which they pretend were granted them by Otho
the Great and Maximilian the First : but neither
did these attempt any thing dramatic till after the
SXXVm MR. DODSLEY'S PREFACE.
fifteenth century *. About the middle of the six-
teenth, a shoe-maker at Nuremburgh, named
Haanssacks, composed many dramatic pieces, both
sacred and profane. Amongst the first are Adam
and Eve, Jacob «od EsaUy Esther, lobias, Job,
Judith, the Prodigal Son, and others ; among the
latter are, Jocasta, Charon, Griselda, the Judgment
of Paris, and many others. And this shoe-maker
is now in as much honour amongst them for his
Mysteries in Poetry, as Jacob Behman, another of
the same craft, for his Mysteries in Divinity. But
all these were very rude imperfect pieces ; nor did
the German 1 heatre arrive to any tolerable per-
fection till after the year 162(3, when a company of
Dutch players went to Hambourg, and, by exhibit-
ing some pieces of a more perfect kind, led them
to a better taste. It is not forty years since the
Mystery of the Passion was exhibited at Vienna.
It consisted of five Acts, and represented in order
the Terrestrial Paradise ; the Creation of Adam
and Eve, their Fall; the Death of Abel; Moses
in the Desert ; the Travels of Joseph, Mary, and
* Dr. Percy quotes M. PEnfant, the historian of the
Council of Constance, to shew that the English were the
first to introduce plays into Germany in 1417; the Nativily
of the Saviour, having been represented by the English
fathers before the Emperor on the 31st of January in that
year. C.
MR. dodsley's preface. xxxix
the child Jesus, into Egypt. Jesus was repre-
sented by a full-grown lad ; but to shew that he
was a child, they fed him on the stage with spoon-
meat. Then you saw him disputing with the Doc-
tors in the Temple, his Prayer in the Garden, his
Seizing, his Passion, his Death on the Cross, and
his Burial, which closed the representation. Thus
all the modern theatres in Europe began with
Singing, Dancing, and extempore Dialogues or
Farces ; from thence they proceeded to the Mys-
teries of Religion ; and till the sixteenth century
none of them attempted to exhibit either Tragedy
or Comedy.
ENGLISH THEATRE.
I come now particularly to consider the rise and
progress of the English stage, which was the prin-
cipal design of this Preface. It is generally, I
believe, imagined, that the English stage rose later
than the rest of its neighbours. Those in this
opinion will, perhaps, wonder to be told of theatri-
cal entertainments almost as early as the Conquest ;
and yet nothing is more certain, if you will believe
an honest monk, one William Stephanides, or
Fitz- Stephen, in his Descriptio JSohilissimce Civi-
tatis Londofiia, who writes thus: " ^London, in-
^ Lundonia pro spectaculis theatralibiis, pro hidis sceni-
cis, ludos hadet sauctiores, representationes miraculorum,
quae sancti confessores operati sunt, seu representationes
xl MR. DODSLEY's preface.
•' stead of common interludes belonging to the
*' theatre, hath plays of a more holy subject ; re-
" presentations of those miracles which the holy
" confessors wrought, or of the sufferings wherein
" the glorious constancy of the martyrs did ap-
" pear." This author was a monk of Canterbury,
who wrote in the reign of Henry II. and died in
that of Richard I. ] 191 : and as he does not men-
tion these representations as novelties to the
people f for he is describing all the common diver-
sions in use at that time), we can hardly fix them
lower than the Conquest *. And this, I believe, is
an earher date than any other nation of Europe
can produce for their theatrical representations.
About 140 years after this, in the reign of Ed-
passionum, quilnis claruit constantia martyrum. The
whole piece is preserved in Stow, and is very curious. D.
This curious ancient description of London was repub-
lished with Notes, in 4to. 177-'. I. R.
The author of the dissertation, prefixed to the edition of
1772, conjectures that the work was written by Fitzstephens,
in or about the year 11 7 4, and at all events before 1 182. The
whole description of London has been discovered to be only
part of a larger work, the Life of Thomas h, Becket. C.
* Dr. Percy, in his Essay on the origin of the English
stage, establishes from Matthew of Paris, that the Miracle
Play of Si. Catherine, was acted in the year 1110. It was
written by Geoffrey, Abbot of St. Albans, a Norman.
Matthew of Paris calls it quendam ludum de Sancla Kalerina,
quern Miracula vulgariter appellamus* C.
MR. dodsley's TREFACE. xU
ward III. it was ordained by Act of Parliament,
that a compaDy of men called fagrants, who had
made masquerades through the whole city, should
be whipt out of London, because they represented
scandalous things in the little alehouses, and other
places where the populace assembled. What the
nature of these scandalous things were, we are not
told ; whether lewd and obscene, or impious and
profane : but I should rather think the former, for
the word Masquerades has an ill sound, and, I
believe, they were no better in their infancy than
at present. "I'is true, the Mysteries of Religion
were soon after this period made very free with all
over Europe, being represented in so stupid and
ridiculous a manner, that the stories of the New
Testament in particular were thought to encourage
libertinism and infidelity. In all probability, there-
fore, the actors last mentioned were of that species
called Mummers 'o ; these were wont to stroll about
the country dressed in an antic manner, dancing,
mimicking, and shewing postures. This custom is
still continued in many parts of England ; but it
was formerly so general, and drew the common
people so much from their business, that it was
deemed a very pernicious custom; and as these
'° A word signifying one who masks and disguises himself
to play the fool, without speaking. Hence, perhaps, comes
our country word Mum ; hold your tongue, say nothing. D.
xlii MR. dodsley's preface.
Mummers always went masked and disguised, they
but too frequently encouraged themselves to com-
mit violent outrages, and were guilty of" many
lewd disorders. However, as bad as they were,
they seem to be the true original comedians of
England; and their excellence altogether consisted,
as that of their successors does in part still, in
mimicry and humour.
In an Act of ParUament made the 4th year of
Henry IV. mention is made of certain Wastorsj
Master-Rimours, Minstrels, and other vagabonds,
who infested the land of Wales ; y-Jnd it is enacted>
that no Master- Rimour, Minstrel, or other vaga-
bond, be in any wise sustained in the land of Wales ,
to make Commoiths or Gatherings upon the people
there. What these Master-Rimours were, which
were so troublesome in Wales in particular, I
cannot tell ; possibly they might be the degenerate
descendants of the ancient bards. It is also diffi-
cult to determine what is meant by their making
Commoiths. The word signifies in Welch, any
district, or part of a hundred or cantred, containing
about one half of it ; that is, 50 villages ; and might
possibly be made use of by these Master-Rimours
^^ These disorders afterwards so much increased, that iu
the third year of Henry VIII. an Act was made ag-ainst
Miunmers, in which the penalty for selling visors, or keep-
ing them in any house, was 20 shillings each visor. Vide
Statutes. D.
MR. dodsley's preface. xliii
when they had fixed upon a place to act in, and
gave intimation thereof for ten or twelve miles
round, which is a circuit that I believe will take in
about 50 villages. And that this was conimonly
done, appears from Carew's Survey of Cornwall,
which w^as wrote in Queen Elizabeth's time*.
Speaking of the diversions of the people, " The
" Guar]/- Miracle (says he), in English a Miracle-
'* Play, is a kind of interlude compiled in Cornish,
*' out of some Scripture- History. For represent-
'* ing it they raise an amphitheatre in some open
" field, having the diameter of his inclosed plain,
" some 40 or 50 foot. The country people flock
" from all sides many miles ofi', to see and hear it ;
'* for they have therein devils and devices to de-
** light as well the eye as the ear." Mr. Carew
has not been so exact as to give us the time when
these Guari/- Miracles were exhibited in Cornwall;
but, by the manner of it, the custom seems to be
very ancient.
The year 1378 is the earliest date I can find, in
which express mention is made of the representa-
tion of mysteries in England. In this year the
scholars of Paul's school presented a petition to
Richard II. praying his Majesty ** to prohibit some
" unexpert people from presenting the History of
" the Old Testament, to the great prejudice of the
* And printed in l602. C.
xliv MR. dodsley's preface.
" said clergy, who have been at great expeiice in
*' order to represent it publicly at Christmas."
About twelve years afterwards, viz. in 1390, the
Parish-clerks of London are said to have played
interludes at Skinners Well, July 18, 19, and i20th.
And again, in 1409, the tenth year of Henry IV.
they acted at Clerkenwell (which took its name
from this custom of the Parish-clerks acting plays
there) for eight days successively, a play concern-
ing the Creation of the World, at which were
present most of the nobility and gentry of the
kingdom. These instances are sufficient to prove
that we had the mysteries here very early, though
perhaps not so soon as some of our neighbours.
How long they continued to be exhibited amongst
us, cannot be exactly determined. This period
one might call the dead sleep of the Muses. And
when this was over, they did not presently awake,
but, in a kind of morning dream, produced the
Morcr/iVzes that followed*- However, these jumbled
ideas had some shadow of a meaning. The mys-
teries only represented, in a senseless manner,
some miraculous History from the Old or New
Testament : but in these Moralities something of
* Mr. Malone is of opinion in liis Historical Account of
the English Stage, that the earliest Morality was not produced
before 1460. They did not however by any means super-
sede Mysteries. C.
MR. DODSLEY'S preface. xlv
design appeared, a fable and a moral ; something
also of poetry, the virtues, vices, and other affec-
tions of the mind being frequently personified ^^
^^ In an old Morality, entitled All for Moneys the Persons
of the Drama are :
Theology. Adulation.
Science. Mischievous Help.
Art. Pleasure.
Aloney. Prestfor Pleasure.
Sin. Gregory Graceless.
Swift to Sin. Moneyless.
Damnation. IVilliam with the two Wives.
Satan. Nychol.
Pride. S. I.av^rence.
Gluttony. Mother Crooke.
hearriing with Money. Judas.
Learning without Money, Dives.
Money without Learning. Godly Admonition.
All for Money. Virtue.
NeitherMoney norLearning. Humility.
Moneyless and Friendless. Charity. D.
This Play was written by Thomas Lupton, and printed
iu 4to. B. L, 1578. I R.
At this date Elizal)eth had reigned 20 years ; but from
the subsequent lines in the Epilo<^ue, it may perhaps be in-
ferred, that the Morality was produced earlier in her reign,
" Let us praye for the Queenes Majestie, our soveraigne
governour.
That she may raigne quietly according to Gods will.
Whereby she may suppresse vyce and set foorth Gods
glorie and honour.
And as she hath I'egon godly, so to continue still.
xlvi MR. dodsley's prefac e.
But the Moralities were also very often concerned
wholly in religious matters. For religion then was
every one's concern, and it was no wonder if each
party employed all arts to promote it. Had they
been in use now, they would doubtless have turned
as much upon politics. Thus, the New Custom,
which I have chosen as a specimen of this kind of
writing, was certainly intended to promote the
Reformation, when it was revived in the reign
of Queen Elizabeth. And in the more early
days of the Reformation, it was so common for the
partizans of the old doctrines (and perhaps also of
the new) to defend and illustrate their tenets
this way, that in the 24th year of Henry VIII.
in an Act of Parliament made for the pro-
moting true reHgion, I find a clause restraining
all rimors or players from singing in songs, or
playing in interludes, any thing that should contra-
dict the established doctrines. It was also cus-
tomary at this time to act these moral and religious
dramas in private houses, for edification and im-
provement, as well as the diversion of well-disposed
families; and for this purpose, the appearance of
the '^ Persons of the Drama was so disposed, as
The title is curious, in as much as it states that the
piece was written '* plainly to represent the manners of
'* men, and fashion of the world now-a-days." C.
" Vide New Custom, vol. I.
MR. dodsley's preface. xlvii
that five or six actors might represent twenty
personages.
What has been said of the Mysteries and Mora-
lities, it is hoped, will be sufficient just to shew the
reader what the nature of them was. I should haye
been glad to be more particular ; but where mate-
rials are not to be had, the building must be
deficient. And, to say the truth, a more particular
knowledge of these things, any farther than as it
serves to shew the turn and genius of our ancestors,
and the progressive refinement of our language,
was so little worth preserving, that the loss of it is
scarce to be regretted. I proceed, therefore, with
my subject. The Muse might now be said to be
just awake, when she began to trifle in the old
interludes, and aimed at something like wit and
humour. And for these '4 John Heywood the
epigrammatist undoubtedly claims the earliest, if
not the foremost place. He was jester to king
Henry VIII. but lived till the beginning of queen
Elizabeth's reign. Gammer Gurtoris Needle,
which is generally called our first comedy *, and
** What the nature and merit of his interludes were, may
be guessed by the specimen I have preserved of them in
this collection. Tom Tyler and hh Wife, The Disohedient
Child, and some others of the same cast, were wrote some-
thing later, but not at all better than Heywood, D.
* The word comedy was very indefinitely employed in
the early age of the British Drama, and it did not at all
xlviii MR. dodsley's preface.
not undeservedly, appeared soon after the inter-
ludes : it is, indeed, altogether of a comic cast, and
wants not humour, though of a low and sordid
kind. And now dramatic writers, properly so
called, began to appear, and turn their talents to
the stage. Henry Parker, son of Sir William.
Parker, is said to have wrote several tragedies and
comedies in the reign of Henry VIII. and one
John Hoker, in 1535, wrote a comedy called Pis-
cator, or the Fisher caught. Mr. Richard Edwards,
who was born in 1523, and in the beginning of
queen Elizabeth's reign, was made one of the gen-
tlemen of her majesty's chapel, and master of the
mean wliat we now understand by it. Tragedy was even
more licentiously used, and frequently had no reference
whatever to tlieatrical representation. Thus Markham's
Poem on the death of Sir Richard Grenville, is called
" a Tragedy."
The author of Bisloria Histrionkn calls Gammer Gurlon's
Needle the first production in English " that looks like a
*' regular comedy ;" but he was not acquainted with a
piece, the name of which only was until lately known —
Ralph Roister Dvhter. Although the title-page of the unique
copy recently discovered is lost, yet in the prologue it is
termed " a comedk,ov enterlude ;" and it is regularly divided
into acts and scenes. It was written by Nicholas Udall, many
years before Gammer Gur/on's Needle: he died in all proba-
bility nine years before Gammer Gurton's Needle was
represented. See a note to vol. II. p. 3, of the present
edition of Dodsley's Old Plays. C.
MR. DODSLEy'S preface. xlix
children there, being- both an excellent musician
and a good poet, wrote two comedies, called one
Palcctnofi and Arcite, in which a cry of hounds in
huntinj^ was so well imitated, that the queen and
the audience were extremely delighted : the other
called Damon and Pithias, the two faithf idlest
Friends in the IVorhL This last I have inserted.
After him came Thomas Sackville, Lord Buck-
hurst and Thomas Norton '^ the writers of Gor-
hoduc,^' the first dramatic piece of any considera-
tion in the English lansfuasre. Of these and some
others, hear the judgement of Piittenham, in his
Art oj Poetry, wrote in the reign of queen Eliza-
beth ;t *' I think," says he, " that for tragedy the
'* Ferrex and Porrei, here called Gorioduc, \\as pro])ably
written earlier than Damon and Pilhias. I. R.
* It does not appear where nor by whom Ralph Rvisler
Doisler was acted, but it is clear that neither Gammer
Gurtun^s Needle nor Gurhuduc were represented upon public
stages ; the first having- been played at Clirist's Collef^e,
Cambridge, and the last by the Students of the Inner
Temple. In this view the Tragical Comrdie of Ajnus and
Virginia, as well as in others pointed out in the introductory
obsen^ations to it, [See Vol. 12,] maybe looked upon as
curious. C.
t Puttenham (if such really were his name), printed his
anonymous work in the year 1589 : an excellent reprint of
it was published in 1811, and the merits of the work are
sufficiently discussed in the prefatory matier. Brathwaite
borrowed most of the remarks upon English poets and
poetry in his E-glibh Gtni/eman from Puttenham. O.
e
I MR. DODSLEY'S preface.
'^ Lord of Biickhurst, and Maister Edward Ferrys,
" for such doings as I have seen of theirs, do
** deserve the highest price : the Earl of Oxford,
'* and Maister Edwards of her majesty's chapel,
** for comedy and interlude." And in another
place he says — *' But the principal man in this
'* profession (of poetry) at the same time, (viz.
" Edward VI.) was Maister Edward Ferrys, a
*' man of no less mirth and felicity than John
*' Hey wood, but of much more skill and magni-
" ficence in his metre, and therefore wrote for the
** most part to the stage in tragedy, and sometimes
*' in comedy or interlude ; wherein he gave the
" king so much good recreation, as he had thereby
*' many good rewards." Of this Edward Ferrys,
so considerable a writer, I can find no remains,
nor even the titles of any thing he wrote. After
these followed John Lillie, famous in his time for
wit, and for having greatly improved the English
language, in a romance which he wrote, entitled,
Euphues and his England^^, or The Anatomy of
Wit ; of which it is said by the ^7 publisher of his
Plays, " Our nation are in his debt for a new
" English which he taught them, Euphues and his
^^ Lyly published *' Euphues, The Anatomy of Wit,
" 4to. 1581 ;" and " Euphues and his England, 4to. 1582.'*
They are two distinct works. I. R.
'^ Mr. Blount, who published six of his Plays in the
year 1032. D.
MR. DODSLEY'S PREFACE.
" England began first that language. All our
** ladies were then his scholars, and that beauty in
*' court who could not parle Euphuism, was as
*' little regarded as she which now there speaks not
'• French." This extraordinary romance, so famous
for its wit, so fashionable in the court of Queen
Elizabeth, and which is said to have introduced so
remarkable a change in our language, I have seen
and read 18. It is an unnatural affected jargon, in
'* A few sentences from it, will g-ive a taste of the manner
of its composition.
" There must in every trianf;le be three lines; the first
** beg-inneth, the second au<^menteth, the third concludeth
*' it a figure : so in love three virtues ; affection, which
" draweth the heart ; secresy, wliich encreaseth the hopej
" constancy, which finisheth the work : without any of
"these rules there can be no triangle; without any of
*' these virtues, no love."
Ag'ain, ** Fire cannot be hidden in the flax without
" smoke, nor musk in the bosom without smell, nor love
" in the breast without suspicion."
Once more. " She is the flower of courtesy, the picture
*' of comeliness ; one that shameth Venus, being- somewhat
" fairer, and much more virtuous ; and staineth Diana,
" being as chaste, but much more amiable: but the more
*' beauty she hath, the more pride ; and the more virtue,
** the more preciseness. The peacock is a bird for none
" but Jimo ; the dove for none but Vesta; none must wear
** Venus in a table but Alexander; none Pallas in a ring-
** but Ulysses : for as there is but one phoenix in the world,
•*so there is but one tree in Aral)ia where she buildeth ;
lii MR.
which the perpetual use of metaphors, allusionSy
allegories, and analogies, is to pass for wit; and
stiff bombast for language. And with this nonsense
the court of Queen Elizabeth (whose times afforded
better models for stile and composition, than almost
any since) became miserably infected, and greatly
helped to let in all the vile pedantry of language in
the following reign. So much mischief the most
ridiculous instrument may do, when he proposes to
improve upon the simpUcity of nature.
Though tragedy and comedy began now to lift
up their heads, yet they could do no more for
some time than bluster and quibble ; and how
imperfect they were in all dramatic art, appears
from an excellent criticism of Sir Philip Sidney ^^,
" and as there is but one Camilla to be heard of, so there is
" but one Csesar that she will like of." His Plays are of
the same strain, as may be seen by that I have preserred.
D.
^'■^ Our tra^^edies and comedies, says he, observe rules
neither of honest civility, nor skilful poetry. Here you
shall have Asia of the one side, and Africk of the other,
and so many other under kingdoms, that the player when
he comes in must (^xer begin with telling- where he is, or
else the tale will not be conceived. Now you shall have
three ladies walk to gather flowers, and then we must be-
lieve the stage to be a garden. By and by we liear news of
a shipwreck in the same place, then we are to blame if we
accept it not for a rock. Upon the back of that comes out
a hideous monster with fire and smoke, and then the mise-
MR. dodsley's preface. liii
on the writers of that time. Yet they seem to
have had a disposition to do better had they known
how, as appears by the several efforts they used to
lick the lump into a shape: for some of their
pieces they adorned with dumb shews, some with
choruses, and some they introduced and explained
by an interlocutor. Yet imperfect as they were,
we had made a far better progress at this time than
our neighbours, the French : the Italians indeed,
by early translations of the old dramatic writers,
had arrived to greater perfection ; but we were at
least upon a footing with the other nations of
Europe.
But now, as it were, all at once (as it happened
rable beholders are bound to take it for a cave : while in
the mean time two armies file in, represented with four
swords and bucklers ; and then what hard heart will not
receive it for a pitched field ? Now of time they are much
more liberal. For ordinary it is that two young- princes fall
in love, after many traverses she is got with child, deli-
vered of a fair boy ; he is lost, groweth a man, falleth in
love, and is ready to get another child ; and all this in two
hours space : which how absurd it is in sense, even sense
may imagine. — Defence of Poesy. D.
This tract was first published in 1595, under the title of
An Apologie for Poetries preceded by four sonnets by Henry
Constable to Sir Philip Sidney's soul. It was subsequently
added to the Arcadia when it was called '' A Defence of
Poesie," and Constable's sonnets were omitted. Sir P.
Sidney, as is well known, was killed in 1586. C.
liv MR. DODSLEY'S preface.
in France, though in a much later period) the true
drama received birth and perfection from the creative
genius of Shakspeare, Fletcher, and Jonson, whose
several characters are so well known, that it would
be superfluous to say any more of them.
Having thus traced the dramatic Muse through
all her characters and transformations, till she had
acquired a reasonable figure, let us now return and
lake a more particular view of the stage and actors.
The first company of players we have any account
of in history, are the children of Paul's "" in 13/8,
mentioned before in page xliii.^ About twelve
years afterwards the parish clerks of London are
said to have acted the Mysteries at Skinner's Well.
Which of these two companies have been the
earliest, is not certain; but as the children of Paul's
^ This is not quite accurate. Mr. Steevens has shewn
from the unpublished collections of Rymer, now in the
British Museum, that a patent was granted four years
earlier; viz. in 1574, to James Burbaoe, John Perkyn, John
Lanham, William Johnson, and Robert Wilson, servants to
the earl of Leicester, to act comedies, tragedies, enterludes,
and stage plays, during pleasure. — Dr. Johnson and Mr.
Sleevens's edition of Shakspeare, 1778, vol. I. p. \Q3. I.R.
* Upon this point Mr. Malone remarks that he was
** unable to mark the time when the profession of a
player became common and established." (Mai, Sh. edit,
by Bosw. Ill 42.) He, however, establishes that in the
reign of Henry VH. there was not only a regular troop of
players in London, but also a royal company. C
MR. DODSLEY'S PREFACE. Iv
are first mentioned, we must in justice give the
priority to them. It is certain, the Mysteries and
Moralities were acted by these two societies many
years before any other regular companies appeared.
And the children of Paul's continued to act long
after tragedies and comedies came in vogue, even
till the year ]618, when a comedy called Jack
Drums Entertainment'^^ was acted by them. I
believe the next company regularly established was,
the children of The Royal Chapel, in the beginning
of queen Elizabeth's reign, the direction of which
was given to Mr. Richard Edwards beforemen-
tioned : and some few years afterwards, as the
subjects of the stage became more gay and ludi-
crous, a company was formed under the denomina-
tion of The Children of the Revels. The children of
the Chapel and of the Revels became very famous,
and all LilUe's Plays, and many of "^ Shakspeare's,
2' This is a mistake ; there is an edition of this play printed
in ito. 1601, from which that of IOI8 was taken. I. R.
The edition of 16 18 was copied from that of 1616, for
printers did not much care to consult the best editions and
it was not likely that they should oro so far back as 16OI ',
besides, there is internal evidence of the fact, the errors of
1616 being incorporated with the new blunders of 16I8.
The play contains an eulogistic criticism upon the acting of
the children of Paul's, and upon the genteelness of their
audiences. C.
22 I do not find any play of Shakspeare acted by the
Children of the Revels. I. R.
Dodsley is here speaking generally of the three compa-
Ivi MR. dodsley's preface.
Jonsoii's, and others, were first acted by them.
Nay, so great was their vogue and estimation, that
the common players, as may be gathered from a
scene in Hamlet, grew jealous of them. However,
they served as an excellent nursery for the theatres,
many who afterwards became approved actors
being educated among them.
It is surprising to consider what a number of
playhouses were supported in London about this
time. From the year 15/0 to the year 1621), when
the playhouse in White Friers was finished, no
less than 17 playhouses had been built. * The
names of most of them I have collected from the
Title-pages of Plays ^\ And as the theatres were
nies of the children of St. Paul's, the Chapel, and the Revels,
and not as Mr. Reed concludes, of the two last only, as is
clear from what he observes of Lilly's Plays, for at least six
of those attributed to him were acted by the Children of
Paul's. C.
* Mr. G. Chalmers, in his Supplemev I ai Apology, p. 186,
states that " in 1589 there existed in and about London
only two theatres — the Theatre and the Curtain.^' C.
®^ St. Paul's Singing-school, The Globe on the Bankside,
Southwark, The Swan and The Hope there. The Fort?tne between
Whitecross-street and Golding Lane, which Maitland tells us
was the first playhouse erected in London, The Red Bull
in St. Johns-street, The Cross Keys in Grace-Church-strcet, The
Tuns, The Theater, The Curtain, The Nursery in Barbican, one
in Black Friers, one in White Friers, one in ScUisbury-Court,
and the Cockpit and the Phoenix in Drury-Lane. D.
MR. dodsley's preface. Ivii
so numerous, the companies of players were in
proportion. Besides the Children of the Chapel,
and of the Revels, we are told that Queen Eliza-
beth, at the request of Sir Francis AYalsingham,
established in handsome salaries twelve of the
principal players of that time, who went under the
In the above enumeration, ! suspect there are two play-
houses which are mentioned twice. Those in JFIiile Friers
and Salisbunj- Court seem to be one and the same, as those
called The Cock-Pit and The Phcenix certainly are. See
Historia llistiionica, vol. XII. p. 341. The Curtain was in
Shoreditch, a part of which district still retains the name
The Curtain. The original sign hung out at ibis theatre
was the painting of a curtain striped. (See first volume of
Shakspeare, edit. 1778. vol. I. p. 267. and Sir John Haw-
kins's History of Musick, vol. IV. p. 67) That called The
Theatre, I imagine, was Black Friers. We learn, likewise,
from Prynne's Histriomastix, that in the time of Queen
Elizabeth, there were two other playhouses, the one called
The Be/l-Sauvage (situated very probably on Ludgate-Hill),
the other in Bishopsgate-streetj though this latter might
be The Curtain. Taylor, the water poet, in The true Cause
of the fVatennan's Suit concerning Players, l6l3, mentions
another theatre, called The Rose. I- R.
The Rose stood on the Bankside, and by the discovery of
Philip Henslowe's accounts in IMS. at Dulwich College,
it has of late years acquired considerable notoriety Hen-
slowe was the proprietor of it. Mr. Malone accuses Dodsley
of falling into the error of supposing that 17 play houses
were open at one time, but his words do not quite warrant
such a conclusion : he only means to say, on the authority
of the pei"son who continued Stowe's Survey, that betweea
Iviii MR. dodsley's preface.
name of her Majesty's Comedians and Servants. ""
But exclusive of these, many''' noblemen retained
companies of players, who acted not only privately
1570 and 1629, no less than 17 play houses had been built:
the companies (as he adds) might be in proportion even
though they did not all exist at once. C
* This took place in 1583, but as early as 1574 she
granted a licence to James Burbage and four others to ex-
hibit stage plays of any kind in any part of the king-
dom.
** Thus Shakspeare's Titus Andronicus was acted by the
Earls of Derby, Pembroke, and Essex's servants ; his Romeo
and Juliet in 1596, which some say was his first play, by
Lord Hunsdon's servants ; and his Merrt/ Wives of Windsor
in 1602, by the Lord Chamberlain's [the earl of Oxford's]
servants. The earl of Nottingham, Lord High Admiral,
had a company in 1594, and in 1599 Tho, Pinner of Wake-
field was acted by the earl of Sussex's servants. In short,
plays were acted by the Lawyers in the Inns of Court, by
the Students of several Halls and Colleges in the Univer"
gities, and even by London Prentices : so that now the say-
jng was almost literally true, Totus Mundus agit HistriO'
nemi D.
To the noblemen abovementioned, who had companies
of players under their protection, may be added the names
of The Earl of Worcester and Jjord Strange ; the plays of How
to chuse a good Wife from a had, 4to, l602, being acted by the
servants of the former^ and Fair Em, the Mil/er's Daughter
of Manchester, 4to, 1631, by those of the latter. The privi-
lege which the nobility claimed of protecting players, seems
to have been acknowledged so late as in the present cen-
tury. Mrs. Centlivre's play of Love at a Venture, was
MR. dodsley's preface. Hx
I
in their lords bouses, but publicly under their
licence and protection. Agreeable to this is the
account which Stow gives us — ** Players in former
** times, says he, were retainers to noblemen, and
" none had the privilege to act plays but such. So
** in Queen Elizabeth's time, many of the nobility
*' had servants and retainers who were players, and
*' went about getting their livelihood that way *.
** The Lord Admiral had players, so had Lord
*' Strange, that played in the city of London. And
printed in -ito, 1706, as it v/as acted by the duke of Graf-
ton's servants, at the new theatre in Bath ; and Injured
Virtue, or the Virgin Martyr, by Benjamin (iriffin, was in like
manner printed in l2mo, 171.'), as acted at the playhouse
in Richmond by the duke of Southampton and Cleveland's
servants. I. R.
* The Protector Somerset had a company of players and
no doubt others were sheltered under the patronage of
noblemen, earlier than the reign of Edward VI. In a work
printed in 1568 " at Collen by Arnold Birckman," but the
preface dated 1 557, we find the following mention of them,
and of one Miles, a member of the company, who perhaps
is the first actor in England whose name stands upon re-
cord : the title of the book is '*Gf the nature and proper-
ties as well of the bathes in England, as of other bathes in
Germanye."
**They (says the writer) drye up wounderfullie and
heale the goute excellently (and that in a shorte tyme) as
with diverse others, one Myles, some tyme one of ray fcord
of Summersettes players, can beare witness." C.
MR. DODSLEY S TREFACE.
'' it was usual, on any gentleman's complaint of
'* them for indecent reflections in their plays, to
" have them put down. Thus once the lord trea-
" surer signified to the lord mayor to have these
" players of Lord Admiral and Lord Strange pro
'* hibited, at least for some time, because one Mr*
'* Tilney had for some reasons disliked them.
'* Whereupon the mayor sent for both companies
'* and gave them strict charge to forbear playing
" till farther orders. The Lord Admiral's players
" obeyed ; but the Lord Strange's in a contemptu-
" ous manner went to the Cross- Keys, and played
'* that afternoon. Upon which the mayor com-
" mitted two of them to the Compter, and pro-
" hibited all playing for the future, till the trea-
" surer's pleasure was farther known. This was in
'' 1589." And in another part of his Survey of
London, speaking of the stage, he says, "This which
" was once a recreation, and used therefore now
" and then occasionally, afterwards by abuse be-
'^ came a trade and calling, and so remains to this
" day. In those former days, ingenious trades-
** men, and gentlemen's servants, would sometimes
" gather a company of themselves, and learn inter-
** ludes, to expose vice, or to represent the noble
" actions of our ancestors. These they played at
" Festivals, in private houses, at weddings, or
" other entertainments. But in process of time it
jMR. dodsley's preface. Ixi
" became an occupation ; and these plays being
** commonly acted on-' Sundays and Festivals,
*' the churches were forsaken, and the playhouses
*' thronged. Great Inns were used for this pur-
" pose, which had secret chambers and places, as
V well as open stages and galleries. Here maids
*' and good citizens children were inveigled and
** allured to private and unmeet contracts ; here
** were publicly uttered popular and seditious mat-
" ters, unchaste, uncomely, and unshamefaced
** speeches, and many other enormities. The con-
*' sideration of these things occasioned in 1574, Sir
** James HaWes being mayor, an act of common
** councel, wherein it was ordained, that no play
** should be openly acted within the liberty of the
** city, wherein should be uttered any words, ex-
'* amples, or doings of any unchastity, sedition, or
" such like untit and uncomely matter, under the
'* penalty of five pounds, and fourteen days im-
** prisonment. That no play should be acted till
** first perused and allowed by the lord mayor and
*' court of aldermen ; with many other restrictions.
"■ Yet it was provided that this act should not ex-
** tend to plays showed in private houses, the lodg-
" ings of a nobleman, citizen, or gentleman, for the
^* The custom of actino' on Sundays possibly took rise
froui the exhibition of the mysteries on that day, which was
partly considered as an act of religion. D.
xlii MR. dodsley's preface.
'* celebration of any marriage, or other festivity,
" and where no collection of money was made from
*' the auditors. But these orders were not so well
*' observed as they should be ; the lewd matters of
" plays encreased, and they were thought danger-
" ous to religion, the state, honesty of manners,
'' and also for infection in the time of sickness.
*' Wherefore they were afterwards for some time
" totally suppressed. But upon application to the
** queen and thecouncel they were again tolerated'
** under the following restrictions : That no plays
'* be acted on Sundays at all, nor on any other
** holidays till after evening-prayer*. That no play-
" ing be in the dark, nor continue any such time,
* The acting of plays, &c. on Sunday was prohibited in
consequence of the fall of a scaffold in Paris <]^arden, on the
13th January, 1583. This appears from a Sermon on the
eventby John Field. Prynne fHistriomastix 49I) states on
the supposed authority of Field that they abolished plays
on the Sabbath, about 1580; but this is a mistake. Arthur
Goldino-, the translator of Ovid, in his " Discourse upon
the Earthquake" of the 6th April, 1580, complains that the
Lord's Day ** is spent full heathenishly in taverning, tip-
ling-, gaming-, playing and beholding- of bear-baitings and
stage-plays to the utter dishonour of God, impeachment of
all the godliness and unnecessary consuming of men's sub-
stances, which ought to be better employed." George
Whetstone, in his Mirror for Mughtrales of Cities, 1 584, al-
though a play-poet himself, objects to the use of them upon
the Sabbath day, and the abuse of them at all times." C. '
MR. dodsley's preface. Ixiii
^' but as any of the auditors may return to their
*' dwellings in London before sunset, or at least
" before it be dark. That the Queen's players
*' only be tolerated, and of them their number and
*' certain names to be notified in the lord trea-
'* surer's letters to the lord mayor, and to the jus-
*• tices of Middlesex and Surrey. And those her
'' players not to divide themselves in several com-
" panies. And that for breaking any of these
'' orders^ their toleration cease. But all these pre-
" scriptions were not sufficient to keep them with-
** in due bounds, but their plays so abusive often-
** times of virtue, or particular persons, gave great
** offence, and occasioned many disturbances :
" whence they were now and then stopped and
** prohibited." I hope this long quotation from
Stow will be excused, as it serves not only to prove
several facts, but to show the customs of the stage
at that time, and the early depravity of it. But that
the plays not only of that age,but long before, were
sometimes personal satires, appears from a manu
script letter which I have seen from Sir John Hallies
to the Lord Treasurer Burleigh, found amongst
some papers belonging to the House of Commons,
in which the knight accuses his lordship of having
said several dishonourable things of him and his
family particularly that his grandfather, who had
then been dead seventv vears, was a man so
Ixiv MR. DODSLEY'S preface.
remarkably covetous, that the common players re-
presented him before the court with great applause.
Thus we see the stage no sooner began to talk,
than it grew scurrilous : and its first marks of
sense were seen in ribaldry and lasciviousness.
This occasioned much offence; the zeal of the
pulpit, and the gravity of the city, equally con-
curred to condemn it. Many pamphlets were
wrote on both sides. Stephen Gosson^^, in the
year 1579, published a book, intituled, The School
of Abuse, or a pleasant Invective against Poets,
Pipers, Players, Jesters, and such like Cater-
pillars of the Commonuealth ; dedicated to Sir
Philip Sydney, He also wrote, Plays confuted
in five Actions : proving that they are not to be
^•^ Stephen Gosson was a Kentishinan, born 1556, and
admitted a scholar of Christ Church 15? 2. He left the
University without completing his degrees, and came to
London, where he became a celebrated poet, and wrote, as
he acknowledges, the following ]*lays, which were acted
upon the theatre ; viz. Calalins Conspiracies ; The Comeciie of
Captain Mario, borrowed from the Italian ; and The Praise
at Parting, A Morality. He afterwards went into the coun-
try to instruct agentleman's sons, and continued thereuntil
he shewed his dislike to plays in such a manner, that, his
patron growing weary of his company, he left his service,
and took orders. He was first parson of Great Wigborow,
in Essex, and afterwards of St. Botolph without Bishop-
gate, in London. Wood says be was alive in 1 6 15. L R.
MR. DODSLEY'S preface. Ixv
suffered in a Christian commonwealth : dedicated
to Sir Francis Walsingham. The defendants in
this controversy were Thomas Lodge ^7, who wrote
an old play, called, A Looking-glass for London
and England; and that voluminous dramatic writer
Thomas Heywood.^
But to proceed : The stage soon after recovered
its credit, and rose to a higher pitch than ever. In
1603, the first year of King James's reign, a licence ^^
was granted under the privy seal to Shakspeare,
Fletcher, Burbage, Hemmings, Condel,and others,
authorizing them to act plays not only at their usual
house, the Globe on the Bankside, but in any other
part of the kingdom, during hjs majesty's pleasure.
And now, as there lived together at this time many
eminent players, it may not be amiss just to set
down what we can collect, which will be but very
little, of the most considerable of them, with regard
to their talents and abilities. And first, " who is of
'* more report," says the author of the Return
from Parnassus, '* than Dick Burbage'^ and Will
^^ For a particular account of Lodge, and his dramatic
and undramatic productions, see the prefatory matter to
The Wounds of Civil Tfar, (vol. VIII.) a play for the first time
included in this collection. C.
* In his *' Apoluoy for Actors,'' 1612, C.
-^ This licence is printed in the last edition of Shakspeare,
(1778) vol. I. p. 193. I. R.
^ Burbage died, says Mr. Steeveus, in the year lG2g.
VOL. I. f
Ixvi MR. DODSLEY'S preface.
" Kempe^"? He is not counted a gentleman that
*' knows not Dick Burbage and Will Kempe:
(Shakspeare, 1778, p. 198.) Flecnoe, in A short Discourse
of the English Stage, printed at the end of Love's Kingdom,
1674, speaking of Burbage, says, '* he was a delightful
" Proteus, so wholly transforming himself into his part,
** and putting off himself with his cloathes, as he never
*' (not so much as in the Tyring-house) assumed himself
" again until the play was done : there being as much
** difference betwixt him and one of our common actors as
" between a ballad-singer who onely mouths it, and an
** excellent singer who knows all his graces, and can art-
" fully vary and modulate his voice even to know how
" much breath to give to every syllable. He had all the
" parts of an excellent orator (animating his words with
*' speaking and speech with action) ; his auditors being
" never more delighted than when he spake, nor more sorry
" then when he held his peace; yet even then, he was an
" excellent actor still, never falling in his part when he had
*' done speaking ; but with his looks and gesture main-
" taining it still unto the heighth, lie imagining age giiod
" agis onely spoke to him : so as those who call him a
** player do him wrong, no man being less idle then he,
*' whose whole life is nothing else but action ; with only
** this difference from other men*s, that what is but a play
*' to them is his business ; so their business is but a play
"to him." I. R.
^° William Kempe was one of the actors who performed
at the Globe and at Black Fryers. His name appears-among
the original performers in Shakspeare's Plays, and in Ben
Jonson's Every Man in his Humour, acted 1598. He was
remarkable for excelling in the morrice dance, a eircum-
Mil. DODSLEY S PREFACE. IxVU
" there's not a country wench that can dance Sel~
*' Ie?iger§ Rounds but can talk of Dick Burbage and
stance often mentioned by contemporary writers. As in
Jao^e Drum* s Entertainment y 1616, Sig-n. A. 3:
*' I had rather that Kemp's Morice were their chat,
*' For of foolish actions, may be theyle talke wisely but of
*' Wise intendments, most part talke like fooles."
Taylor's Laugh and he fat ^ p. 73 :
*' This gentleman thy travels doth advance
" Above Kemp's Norwich antic/ie Morris dance."
I am informed, that among the books, given by Robert
Burton to the Bodleian library, is a pamphlet, entitled,
" Kemp's nine dales wonder performed in a daunce from
** London to Norwich. Containing the pleasure, paines,
*' and kind entertainment of William Kemp, between Lon-
" don and that city in his late ^Nlorrice. Wherein is some-
*' what set downe worth note ; to reproove the slaunders
** spred of him : many things merry, nothing hui'tfuU.
** Written by himselfe to satisfie his friends." London,
printed for Nicholas Ling, 4to. 1600, B. L. It is dedicated
to *'The true ennobled Lady, and his most bountifuU mis.
** tris, mistris Anne Fitton, mayde of Honour to the Most
" Sacred Mayde Royall Queene Elizabeth." Prefixed to it
is a wooden cut of Kemp as a morris-dancer, preceded by a
fellow with a pipe and drum, whom he (in the book) calls
Thomas Slye his taberer. Ben Jonson, in Every Man out
of his Humour^ x\. 4. S. 4. makes one of the characters say :
** — would I had one of Kemp's shoes to throw after you."
Among Braithwaite's Epitaphs, 8vo. 1618, Sign. F 8, is
the following :
UPON KEMPE AND HIS MORICE WITH HIS EPITAPH.
" Welcome from Norwich Kempe • all joy to see
" Thy safe returne moriscoed lustily.
Ixviii MR. dodsley's preface.
" Will Kempe." Burbage was the Betterton, and
Kempe the Nokes of that age. Burbage was the
original Richard the Third 3', and greatly distin-
guished himself in that character ; Kempe was ini-
mitable in the part of a clown. *' He succeeded
'* Tarleton ^^ (says Heywood) as well in the favour
** But out alasse how soone's thy morice done,
''When pipe and taber all thy friends be gone,
" And leave ihee now to dance the second part
*' With feeble nature, not with nimble art j
" Then all thy triu iiphs fraught with strains of mirth,
*' Shall becag'd up within a chest of earth;
** Shall be ? they are, th'ast danc'd thee out of breath,
" And now must make thy parting dance with death."
^' Bishop Corbet, in his Iter Borealc, see Poems, p. 19.
introduces his Host at Bosworth, describing the battle :
** For when he would have said King Richard dy'd,
" And call'd a horse, a horse, he Burbage cry'd." I. R.
^- Tarlton was an actor at the Bull, in Bishopsgate-street,
and performed the Judge's character in the play of King
Henry V. which was prior to that of Shakspeare- He also
for some time kept an ordinary in Pater-noster-row, and
once was master of a Tavern in Grace-church-street. He
appears to have been in great favour with Queen Elizabeth,
and like many other of his brethren, who have succeeded
him, joined sonie humour to a great deal of profligacy. He
was the author of a dramatic performance, called 2'he seven
deadly Sins, which is now lost ; but the scheme or plan of it
hath been lately discovered by Mr. Malone, and is at pre-
sent in his possession. In Gabriel Harvey's " Foure Letters
** and certaine Sonnets, especially tuuching Robert Greene and
'* other parlies by him abused,'^* 4to. 1592, p, 29, mention is
MR. DODSLEY'S preface. Ixlx
*' of her majesty Queen Elizabeth, as in the opinion
** and good thoughts of the general audience."
made of a work written by Thomas Nashe, '' — right for-
" mally conveyed according to the stile and tenour of
" Tarlton's president, his famous play of the Scaven deadly
" Sinnes, which most deadly, but most lively playe, I might
** have scene in London : and was very gently invited there-
*' unto at Oxford l)y Tarlton himselfe, of whome I merrily
" demaunding, which of the seaven was his owne deadlie
" sinne ; he bluntly aunswered after this manner. By God
" the sinne of other gentlemen lechery. Oh, but that M.
** Tarleton is not your part upon the stage: you are too
*' blame that dissemble with the world, and have one part
*'for your frends pleasure, another for your owne. I am
" somewhat of Doctor Feme's religion, quoth he : and
" abruptlie tooke his leave.'' Tarlton died about loSy, and
was buried at Shoreditch. On the 2d day of August, in
that year, Henry Kyrkhamhad licensed unto "A sorowfuU
" newe sonnette, intitled Tariton's Recantation upon this
" theame, gyven him by a Gent at the Bel Savage without
** Ludo^ate, (nowe or els never), bcinge the laste theame he
** songe." And on the lOth of October, there was licenced
to Richard Jones, " Tarlton's repentance, or his farewell to
** his friends in his sicknes a little before his death, &c." —
(See the Entries from the Books of the Stationers' Com-
pany.) By Bishop Hall's Satires it appears, that Tarlton
was celebrated enough to have his head hung as a ?ign for
ale-houses,
" To sit with Tarlton on an ale-post's signe !'' I. R.
In P. Bucke's *' Stately moral of the three Lords and
'* three Ladies of London," 1590, Simplicity, a sort of
pedlar-clown, is represented as carrying in his basket pic-
IXX MR. DODSLEY'S PREFACE.
And Tarleton, says Sir Richard Baker in his
Chronicle, for the part of a clown, never had
his match, nor ever will have. The Epitaph of
Burbage is preserved in Cambden's Remains, and
is only Exit Burbage. The Epitaph of Tarleton
is preserved by the same historian as follows :
Hie situs est, cujus Vox, Vultus, Actio possit
Ex Heraclito redde Democrituin.
The next I shall mention is Edward Alleyn, the
founder of Dulwich Hospital; as famous for his
honesty, says Baker, as for his acting ; and two
such actors as he and Burbage, no age must ever
look to see again. He's a man, says Hey wood in
his Prologue to the Jew of Malta,
Whom we may rank with (do no more \vronj>)
Proteus for shapes, and Roscius for a tongue.
Hear also Ben Jonson, whose praise is of more
weight, as it never was Hghtly bestowed:
If Rome so great, and in her wisest age,
FearM not to boast the glories of her stage.
As skilful Roscius, and grave iEsop, men.
Yet crowu'd with honours as with riches then,
Who had no less a trumpet of their name
Than Cicero, whose very breath was fame:
tures of Tarlton. The date of Tarlton's death has been
ascertained to have been shortly before the 3d September,
1588, (not 1589, as mentioned by Mr. Reed) as he was
buried on that day, as appears by the Register of St.
Leonard, Shoreditch. C.
MR. dodsley's preface. Ixxi
How can so great example die in me.
That, Alleyn, I should pause to publish thee ?
Who both their graces in thyself hast more
Outstript, than they did all that went before ;
And present worth in all dost so contract.
As others speak, but only thou dost act.
Wear this renown : 'Tis just that who did give
So many poets life, by one should live.
Thomas Green " was famous for performing the
part of a clown with great propriety and humour;
and from his excellent performance of the character
of Bubble, in a comedy written by Mr. John
Cooke, the author called it after his name. Greens
Tu qiioque. " There was not an actor, says Hey-
** wood, of his nature, in his time, of better ability
*' in his performance, more applauded by the
*' audience, of greater grace at court, or of more
*' general love in the city."
Hemmings and Condcl ^* were two considerable
^' See vol. VII. p. i, for some account of Green.
' It is not known when these two performers died. Mr.
Steevens, who searched for their wills in the Commons,
could not find them, thouoh he looked as late as the year
l()4l . See the first volume of the edition of Shakspeare in
l?78, p. \98. Hemmings had a son named William (pro-
bably called so in compliment to Shakspeare), who was
born in London, l603, elected from Westminster School, a
student of Christ Church, i()2l, and completed his degree
in arts 1028. He was the author of two Plays, and a Latin
copy of Verses, printed in " Carolus Redus," :623. By
Ixxii MR. DODSLEY'S preface.
actors in most of Shakspeare's, Jonson's, and
Fletcher's Plays ; the first in tragedy, the last in
comedy : but they are better known for being the
first editors of Shakspeare's Works in folio, in the
year 1623, seven years after his death.
Lowin 3^, Taylor, and Benfield, are mentioned
by Massinger as famous actors. In a Satire against
Ben Jonson are these two lines:
Let Lowin cease, and Taylor scorn to touch
The loathed stage, for thou hast made it such.
Lowin, though something later than Burbage, is
said to have been the first actor ^^ of Hamlet, and
an Advertisement to one of his Plays, it appears that he
lived not lono- after the year ljf)oO. J. R.
This account will receive some corrections by the reader
who refers to Malone's Sh. l>y Boswell, IIL 186, and where
it also appears that " John Hemin^e (or Heming-es) the
player'* (for he is so styled in the parish register) died on
the 10th October, l63(), and was buried two days afterwards
in the church-yard of St. Mary, Aldermanbury. C.
^^ See Historia Histrionica, in this vol.
^•^ This seems to be said merely on the credit of Roberts
the player in his answer to Pope's Preface ; but as he quotes
no authority, the truth of it may be doubted. The Historia
Histrionica speaks of Lowin*s performance of Falstaffe,
Morose, Volpone, and Mammon ; and Downcs, in his Roscius
Anglicanusy p. 24. mentions him as the original actor of
King Henry VI IL but neither of them take any notice of
his ever being- the representative of Hamlet. On the con-
trary both of them (see vol. xii. p. 341. and Downes, p. 21.)
MR. DODSLEY S PREFACE. Ixxiii
also the original Henry VIII. from an observation
of whose acting it in his later days, Sir William
Davenant conveyed his instruction to Mr. Better-
ton.
And now the theatre seems to have been at
its height of glory and reputation. Dramatic au-
thors abounded, and every year produced a number
of new Plays : nay, so great was the passion at
this time for shew or representation, that it was
the fashion for the nobility to celebrate their wed-
dings, birth-days, and other occasions of rejoicing,
with masques and interludes, which were exhibited
with surprising expence ; that great architect Inigo
Jones being frequently employed to furnish deco-
rations with all the magnificence of his invention.
The king and his lords, the queen and her ladies,
frequently performed in these masques at court,
and all the nobiUty in their own private houses :
in short, no public entertainment was thought com-
plete without them ; and to this humour it is we
owe, and perhaps 'tis all we owe it, the inimitable
Masque at Ludlow-castle. For the same universal
eagerness after theatrical diversions continued du-
ring the whole reign of king James, and great part
of Charles the First, till Puritanism, which had
assert that Joseph Taylor was the original of that character;
and from Sir William Davenant's observation of his man-
ner, Mr. Betterton received instructions to perform it.
(See also edition of Shakspeare, 1778, vol. x.p. 408). I. R.
Ixxiv MR. DODSLEY'S tRKFACE.
now gathered great strength, more openly opposed
them as wicked and diabolical. If we may judge
of this spirit from Prynne's famous Histrio-mastix,
or Players Scourge, it appears to have been a zeal
much without knowledge. This was a heavy load
of dull abuse, published in 1633, against plays,
players, and all who favoured them, by William
Prynne^\ esq : a barrister of Lincoln's-Inn. The
^^ This very extraordinary man, whose severe punishment,
and Roman constancy in submitting to it, had no small effect
upon tlie minds of the people, and contributed more than
is generally imagined to the disasters of the times, was
born at Swanswick, near Bath, in Somersetshire, in the
year J600. He was educated in the last-mentioned city;
entered of Oriel (College in l()i6, and took the degree of
B. A. Jan. 20, 162O. From thence he was removed to Lin-
coln's Inn, where he studied the Common Law, and be-
came successively Barrister, Bencher, and Reader, in that
society. After the execution of his sentence, on account
of Histrio-mastix, he printed other pieces which gave equal
offence, which occasioned his being again prosecuted. In
consequence of which, he was fined, branded, and impri-
soned, and in each with e([ual or more severity than l»e-
fore. The place of his confinement was Mount Orguiel, in
the island of Jersey, where he continued three years : at
the end of that time, being chosen member for Newport in
Cornwall, he was released, and entered London in tri-
umph ; and he soon had an opportunity to revenge the se-
vere treatment he had experienced from his inveterate foe,
Archbishop Laud. He sat in the long Parliament, and
was one of the secluded Members who were imprisoned on
MR. dodsley's preface. Ixxv
best way the parties coucerned thought of, in an-
swer to this Work, was to publisli all the best old
Plays that could then be found ; so that many that
had never yet seen the light were now brought
forth : 1 have observed myself more than fifty that
were printed this year. In short, the patrons of
the stage for some short time prevailed ; Prynne's
Book was deemed an infamous libel both against
the church and state, against the peers, prelates,
and magistrates ; and particularly against the king
and queen, where he says, that princes dancing in
their own persons zcas the cause of their untimely
ends: that our English ladies^ shorn and fnzzled
madams^ had lost their modesty ; that plaj/s were
the chief delight of the devil, and all that frequent-
accouut of their zeal for a peace with the Kino^, From this
time he was an avowed enemy of Oliver Cromwell, and was
by him imprisoned in Dunster Castle in Somersetshire. At
the restoration he became instrumental in recallino- the
Kino-, and was rewarded with being appointed keeper of the
records in the Tower, and a salary of 500/. per annum. He
was soon after named one of the Commissioners for ap-
peals and regulating the excise, was elected Member for
Bath, and embroiled himself with the House of Com-
mons, on which account he was obliged to make a sub-
mission. He died at his chambers in Lincoln's-Inn, Oct.
24, 1669; and was buried under the chapel there. I. R.
This note is transferred to this place from the introductory
matter, to Shirley's Bird in a Cage, which is not reprinted
in the present edition. C;
Ixxvi MR. DODSLEY'S preface.
ed them were damned. As he knew the king and
queen frequented them daily, this was thought to
reflect on their majesties. To all music he has an
utter antipathy, but church-music in particular,
which he calls the bleating of hrute beasts ; and says,
the choristers bellow the tenor as if they zcere oxen,
bark a counter-point like a kennel of hounds j roar a
treble as if they were bulls, and grunt out a base
like a parcel of hogs. For these and many other
passages, it was ordered to be burnt by the hands
of the common hangman : and his sentence was, to
be put from the bar, excluded the society of Lin-
colns-Inn, and degraded by the university of Ox-
ford ; to stand in the pillory at Westminster and
in Cheapside, to lose an ear at each place, and
stand with a paper on his head, declaring his
offence to be the publishing an infamous libel
against both their majesties, and the government;
to be fined 5000/. and suffer perpetual imprison-
ment. This sentence was executed on him with
o*reat liscour. But Puritanism, from a thousand
concurrent causes every day gathering strength, in
a little time overturned the constitution ; and
amongst their many Reformations this was one, the
total suppression of all plays and play-houses. *
* A hoax was played off upon Prynne, some years after
the printing of his Histriomastix in l633, by the publica-
tion of a tract, called " Mr. William Prynn, his Defence of
MR. dodsley's preface. Ixxvii
Thus I have brought down this imperfect essay
on the rise and progress of the English stage, to
the period which I at first intended : to pursue it
farther, and take it up again at the Restoration,
when a new ^* patent was granted to Sir William
Davenant, would be needless ; because from that
time the affairs of the stage are tolerably well
known. If what I have done shall give any satis-
faction to the curious, it is more than I have dared
to promise myself, from my own sense of its great
imperfection ; but I hope it will be considered,
what slender materials either the ignorance of those
times, or the injury of the following, have afforded
Stage-plays ,- or u Retractation of a former book of his
called Histrio-mastix." It bears date in l649, but as the
answer of Prynne to it, in the shape of a posting bill is
dated Jan. 10, l648, it was most likely ante-dated. "The
Vindication of William Prynne esquire from some scan-
dalous papers and imputations newly printed, and publish-
ed, to traduce and defame him in his reputation," is in the
British Museum, and other copies of it are known to exist :
he declares the supposed defence by him to be *' a mere
forgery, and imposture" by some of the "imprisoned stage-
players." C.
^^ It may not be amiss to take notice of a clause in this
patent, which says, " That whereas the women's parts in
" plays have hitherto been acted by men in the habits of
" women, at which some have taken offence, we permit
" and give leave, for the time to come, that all women's
" parts be acted by women." And from this time women
began to appear upon the stage. D.
Ixxviii MR. dodsley's preface.
us. 1 am, as it were, the first adventurer on these
discoveries, and it is not reasonable to expect
more perfection than is commonly found in the
first attempts of this nature. All that I can say is,
that I have thrown together a number of curious
circumstances on the subject, that the reader
would seek for in vain elsewhere. And if the
novelty of them should excite the curiosity of any
person of greater abilities, better health, or more
leisure, to make a stricter enquiry into this matter,
he would certainly oblige me, and perhaps the
public. It is enough for me that I have led the
way, and been the first, however imperfect, dis-
coverer.
It now only remains to say something of my un-
dertaking, which I shall endeavour to comprize in
as few words as may be. My first end was to
snatch some of the best pieces of our old dramatic
writers from total neglect and oblivion : as things
not only of mere curiosity but of use, as far as an
elegant entertainment can be of use ; several of
these being not unworthy the present, nor indeed
any stage. I have generally preferred comedies to
tragedies, not only as these times afforded much
better in the kind, and would therefore in this and
other respects be most entertaining to the reader,
but as they better serve to shew the humour, fa-
shion, and genius of the times in which they were
written. Another end which I thought such a
MR. DODSLBY*S PREFACE. Ixxix
collection might answer was, that it would serve
very well to shew the progress and improvement
of our taste and language. For this better pur-
pose, in the six pieces «9 which compose the first
volume, and also in the remarkable tragedy of Gor-
boduc, I was even so scrupulous as to preserve
their very original orthography. I did indeed, to
gratify the reader's curiosity, intend to have done
the same in all the rest ; but this was plainly im-
possible, unless I could have met with the first
editions ; for in every edition the orthography was
generally adapted to that then in use. I also con-
sidered, that though this might have been enter-
taining to the curious, to the generality of readers
it would^have been very disagreeable. To the first
therefore I have given a sufficient specimen in one
volume, and to the other I have endeavoured to
make the reading as easy as I could in the rest. A
farther inducement to this undertaking was the
hopes I had of being able to do these authors jus-
tice in a more correct edition of their Plays, than
they hitherto had ; for as to the greater part of them,
it seems as if carelessness and ignorance had
^^ Mr. Dodsley, not knowing the first editions of the se-
veral pieces which compose this collection, made a wrong
arrangement of them. This is altered in the present edi-
tion ; but the orthography of the first six pieces is pre-
served, though three of the plays are printed from earlier
and more correct copies. I. R-
Ixxx
joined their efforts in rendering them unintelligible.
And not only so, but the pointing is at the same
time so preposterous (which, like false guiding-
posts, are perpetually turning out of the high road
of common sense), that one would almost suspect
there was as much malice as stupidity in these old
editors. However, by the assistance of a little
common sense, I think I have set a great number
of these passages right. And if any one should be
offended that some are left unintelligible in the
state they were found, I desire he will be pleased
to consider how many such still remain in Shaks-
peare *^, after the best endeavours that have hitherto
*^ It should be remembered that this was writteu in the
year l7-i4, when the observation might be madc^with great
truth and justice. How imperfectly Shakspeare was under-
stood at that time, every reader conversant with his writ-
ings is now well informed. The same year in which the
former edition of this work appeared, the splendid, but ill
conducted, design of Sir Thomas Hanmer was made public.
It, however, was generally disapproved of, and Dr. War-
burton's attempt a few years afterwards, from which great
expectations were formed, was not more successful. The
failure of these gentlemen probably excited Dr. Johnson
to undertake a new edition, which would have precluded
every further effort, had he executed the plan laid down in
his proposals. *' The editor," says he, " will endeavour to
** read the books which the authorread, to trace his know-
" ledge to the source, and compare his copies with their
*' originals." Again, '* He hopes, that, by comparing the
" works of Shakespeare with those of writers who lived at
MR. dodsley's preface. Ixxxi
been used to restore their orisr'mal meanino:. Be-
sides, I believe I may venture to say, it is more
difficult to give a correct specimen of so many
writers, than a correct edition of any one : be-
cause, when an Author's manner is once known, it
will very often help to rectify or discover the
meaning- of corrupted or intricate passages : where-
as the reading of so many different stiles and man-
ners of writing will be apt, without great care, to
confound and mislead the judgment. Add to this,
that it is easier to correct the errors in a good au-
thor than in a bad one; because not only the con-
struction of the language is generally better and
less confused, but the sentiments are clearer and
more striking. After all, I submit what I have
•
** the same time, immediately preceded or immediately fol-
" lowed him, he shall he al)le to ascertain his amhi<^uities,
" disentangle his intricacies, and recover the meaning of
*•' words now lost in the darkness of antiquity.'* That Dr.
Johnson was not possessed of the materials necessary to
accomplish his own excellent desii^n would have been the
subject of regret witli every reader of Shakspeare, if the plan
he had delineated had been neglected on its failure in his
hands. Fortunately for the public, it was resumed by Mr.
Steevens with unremitting attention and equal ability. The
success which hath followed this gentleman's researches,
joined to tlie assistance of Or. Farmer, Mr. Tyrwhitt, Mr.
Malone, Mr. Warton, .Mr- Toilet, and a few others, hath
left very little for the industry of any future commentator
on our ever to be unequalled bard.
VOL. I. g
Ixxxii MR. DODSLEY'S PREFACE.
done to the judgment of the public, whose candour
I have often experienced, and on whose good-
nature I am afraid I shall always have more oc-
casion to rely, than on any merit I shall ever pre-
tend to. So far am I from aiming at the character
of a critic, that what corrections or emendations I
have made are bestowed on the public (as good
men do their alms) privately, and without ostenta-
tion. Yet however contemptibly I may think of
myself, I have the honour of keeping a critic in
waiting for the publication of this collection, in
order to detect and expose the errors which may
have escaped me, or which I may not have been
able to correct. I heartily wish him success in his
undertaking ; I have pointed him out some few,
and doubt not but, if he is truly industrious, he
will be able to find many others, which I shall be
very glad to see amended.
I conclude with begging leave to return my ac-
knowledgments to all those who have given me
the honour of their names ^' to encourage this
undertaking: I hope I have at least fairly fulfilled
the conditions of my proposal, as to the elegance
and neatness of the book ; and as to this short
account of the stage, if it be a trifle, it is a trifle
more than I promised. I am also in a more par-
*^ The first Edition of this Work was printed by sub-
scription. I. R.
MR. dodsley's preface. Ixxxiii
ticular manner to acknowledge my obligations to
some generous and learned friends, from whose
advice and assistance I am sensible my work has
derived more value and correctness than it could
ever have appeared with, had I been left alone to
struggle with my own weak endeavours.
SUPPLEMENT
MR. DODSLEY'S PREFACE*.
In the foregoing Preface, Mr. Dodsley hath
carried on his account of the stage to that period
when the inroads of civil war, joined to the fana-
tical madness then prevailing, overthrew the stage,
and soon after effected the destruction of monarchy.
In the present supplement it is intended, with as
much accuracy as the few materials remaining will
permit, to take up the narrative of those revolu-
tions which the theatre hath since undergone to the
year 1776 ; a year which in the annals of the stage
will be always deemed an important one, being the
time when the late Mr. Garrick terminated his
theatrical life, and quitted the management of
Drury-lane playhouse.
* The few additional notes to this Supplement, by Mr.
Reed, are marked with his initials. The other notes unap-
propriated, were printed by hira in the edition of 1780. C.
Ixxxvi SUPPLEMENT TO
From the commencement of hostilities between
the king and his parliament, the performances of
the stage were intirely discontinued. Of the
several actors then employed in the theatres, such
as were not prevented ' by age went immediately
into the army, and, as it might be expected, took
part with their sovereign, whose affection for their
profession had been shewn by many instances
previous to the open rupture between him and his
people. The event of the war was alike fatal to
monarchy, and to the stage. After a violent and
bloody contest of some years, they both fell to-
gether, the king lost his hfe by the bands of an
executioner, the theatres were abandoned or
destroyed, and those by whom they used to be
occupied were either killed in the wars, worn out
with old age, or dispersed in different places,
fearful of assembling, lest they should give offence
to the ruling powers.
The fate of their royal master being determined,
the surviving dependants on the drama were
obliged again to return to the exercise of their
former profession. In the winter of the year
1648 % they ventured to act some plays at the
Cockpit, but were soon interrupted and silenced
by the soldiers, who took them into custody in the
midst of one of their performances, and committed
' Historia Hislrionica, in this vol. ® Ibid.
MR. DODSLEY S PREFACE. IxXXVll
them to prison. After this ineffectual attempt to
settle at their former quarters, we hear no more of
any public exhibition for some time '. They still,
however, kept together, and by connivance of the
commanding officer at Whitehall, sometimes repre-
sented privately a few plays at a short distance
from town. They also were permitted to entertain
' In the Mercurius AntepragmaticuSy No. 18, Jan. 27, l648,
mention is made of an order of the House of Commons in
these words : " And that the disobedient of what rank
" soever may be regulated upon information given to the
*' House, that many stage-pluies were acted in the several
" parts of the City and County of Middlesex, notwith-
" standing they were prohibited from their foppery by a
" former ordinance, they ordered, that an ordinance should
" be drawn up for suppressing all stage-plaices, and for
*' the taking downe all their boxes, stages, and seats what-
*' soever, that so there might be no more plaies acted;
** and indeed, these are no times to have publil<e interludes
" permitted, when the hand of God lies so heavy upon us,
" and all the powers of hell in action against us ; if those
" proud parroting players cannot live, let them put their
** hands to worke, they are mqst of them a sort of super-
" bious ruffians given to all manner of wickednesse, and
" because sometimes the asses are cloathed in lions skins,
" the dolts imagine themselves somebody, walke in as great
" state as Ccesar, and demeaue themselves as loftily as
** any of the twelve noble spirited beasts of the wilder.
" nesse ; away with them and their actions on the publike
" stage.
'* For since we have supprest our adjutators,
'• Let's part the actors and the rude spectators."
IxXXViii SUPPLEMENT TO
some of the nobility at their country houses, where
they were paid by those under whose protection
they acted. They also obtained leave at particular
festivals to divert the public at the Red Bull, but
this was not always without interruption. Those
at the head of aflciirs still continued their impla-
cable rancour against all who were connected with
polite letters, and the unfortunate actors who sur-
vived to this period felt the greatest distress. A
slender and precarious support was the whole they
were allowed. In this situation several of them
were obliged to draw forth the manuscripts of their
contemporaries which they had in their possession,
and many plays were published which might other-
wise have never seen the light.
But though the fury of religious zeal seemed to
threaten that the stage should never revive, and
every method was taken which might tend to
accomplish that design, the pleasure which had
been received from dramatic entertainments was
too strong to be totally overcome. Amidst the
gloom of fanaticism, and whilst the royal cause was
considered as desperate, Sir William Davenant,
without molestation, exhibited entertainments of
declamation and music after the manner of the
ancients at Rutland-house *. He began in the
* At the upper end of Aldersgate-street, says the title-
page of some of these performances. Oldys, in his MS.
MR. dodsley's preface. Ixxxix
year 1656, and two years afterwards removed to
the Cockpit, Drury-lane, where he performed
until the eve of the Restoration.
On the appearance of that event's taking place,
the retainers of the theatre then remaining col-
lected themselves together, and began to resume
their former employment. In the year 1659,
about thn time general Monk marched with his
army out of Scotland towards London, Mr. Rhodes\
a bookseller, who had formerly been wardrobe-
keeper to the company which acted at Black
Fryers, fitted up the Cockpit in Drury-lane. The
actors he procured were chieily new to ihe stage.
Notes on Langbaine, speaks of it as being situated in
Charter-house-yard. Two of these entertainments arc
mentioned in the List of Davenant's Works, vol. 8. To
them may be added the following: l.The Cruelty of the
Spaniards in Peru; exprest by instrumental and vocal
Music, and by art of perspective in Scenes, &c. repre-
sented daily at the Cockpit in Drury-lane, at three in the
afternoon punctually. 4to. l638. 2. The History of Sir
Francis Drake; exprest by instrumental and vocal Music,
&c. 4to. 1659. At the end of the former of these is the
following advertisement : " Notwithstanding the great ex-
** pense necessary to scenes and other ornaments in this
** entertainment, there is good provision made of places
" for a shilling, and it shall begin certainly at three in
** the afternoon."
^ Rosciiis Anglicamis, p. 17. and Hisioria Hisirionica.
XC SUPPLEMJENT TO
and two of them had been his apprentices ^. About
the same time, the few performers who had be-
longed to the old companies assembled, and began
to act at the Red-BulP, in Saint John's-street, and
from the eagerness with which two patents were
soon afterwards obtained from the crown, it may
be presumed that they met with a considerable
share of success. Sir William Davenant, before
the civil wars broke out, had been favoured with a
patent' by Charles the First, and therefore his
claim to a new one was warranted, as well by his
former possession as by his services and sufferings
in the royal cause. The other candidate was
9 Thomas Killegrew, Esq. a person who had ren*
dered himself acceptable to his sovereign, as much
^ Mr. Betterton and Mr. Kynaston.
■^ Roscius Anglicanus, p. 1.
^ This patent was granted 14 Car. I. 1639, and after-
wards exemplified 13 Car. II. 1661. Both are recited in,
and both were surrendered up, by the letters patent of
15 Jan. 14 Car. II. 166.'. It appears by the patent of
14 Car. I. that a ne\T playhouse was intended to be built on
a piece of ground behind the Three Kings' Ordinary in
in Fleet-street. The public disturbances which began in
that year seem to have prevented the execution of this
design.
^ See an account of him prefixed to The Parson's Wedding,
vol. XI.
MR. dodsley's preface. xci
by his vices and follies as by his wit or attachment
to him ill his distress.
The actors who had been employed by Rhodes
soon aftewards were taken under the protection of
Sir William Davenant'^; and the remains of the
old companies were received by Mr, Killegrew;
all of them were sworn by the Lord Chamberlain
as servants of the crown : the former being styled
the Duke of York's company ; and the latter that
of the King^'.
The King's company, after their removal from
the Red-Bull, performed in a new built house
situated in Gibbons's Tennis-Court, near Clare-
market '^. But this theatre being not well adapted
for the use to which it was appropriated, they were
obliged to erect a more convenient one in Drury-
lane. This latter was finished and opened on the
8th day of Aj)ril, 1662, with Beaumont and
Fletcher's Comedy of The Humourous Lieutenant ,
which was acted twelve nights successively.
'^ Roscius Anglicaniis, p. 19.
*' Cibber says, ** About ten of the King's company were
'* on the royal household establishment, having- each ten
" yards of scarlet cloth, with a proper quantity of lace
*' allowed them for liveries ; and, in their warrants from the
" Lord Chamberlain, were styled Gentlemen of the Great
" Chamber : whether the like appointments were extended
" to the Duke's company, I am not certain.'' — Cibhej^s Apol.
p. 75.
''^ Roscius Anglicanus, p. 1.
XCU SUPPLEMENT TO
During these removals of the King's company,
their rivals belonging to the Duke of York were
shifting their places of performance, and were some
time before they were wholly settled. From the
Cockpit they went to a new theatre built in Lin-
coln's-Inn Fields, which was opened in the spring
of the year 1662, after several of their plays had
been rehearsed at Apothecaries-Hall'^. But this
playhouse was likewise soon discovered to be ill
contrived and inconvenient, and Sir William Dave-
nant found it necessary to search out a new spot
to erect one more commodious. He fixed upon
Dorset-Garden, in Salisbury-Court, for this pur-
pose, but did not live to see the edifice made any
use of. This theatre will be mentioned hereafter.
The two companies being now established at
Drury-lane and Lincoln's-Inn Fields, they each
began to exert their endeavours to obtain the
favour of the town. The principal performers in
the King's company^'* were of the men, Hart,
Mohun, Burt, Wintersel, Lacy, Cartwright, and
Clun ; to whom, after the opening of Drury-lane
theatre, w«re added, Joe Haines, Griffin, Good-
man, and some others. Among the women were
Mrs. Corey, Mrs. Marshall, Mrs. Knep,and after-
wards Mrs. Boutel and Mrs. Eleanor Gwyn. Of
'5 Roicius AnglicanuSf p. 20.
^* Ibid. p. 2.
MR. DODSLEY S PREFACE. xciii
the Duke's company were Betterton, Sheppy,
Kynaston, Nokes, Mosely, and Floyd, who had
all performed under Rhodes ; Harris, Price,
Richards, and Blagden, were added by Sir William
Davenant, who also about a year after received
Smith, Sandford, Medburn, and two others. The
actresses were Mrs. Davenport, Mrs. Saunderson
(who afterwards married Mr. Betterton), Mrs.
Davies, and Mrs. Long ; all of whom boarded in
the Patentee's house. Besides these, were Mrs.
Gibbs, Mrs. Norris, Mrs. Hoklen, and Mrs. Jen-
nings ; and, if any dependance may be placed on
the judgement of those who then frequented plays,
there were more excellent performers in each com-
pany than have ever been seen together at any one
time since that period.
The avidity of the public for theatrical enter-
tainments sufficiently recompensed for a consider-
able time the assiduity of the performers, and the
expectations of those who adventured their money
in building the theatres *\ Their success was,
however, soon interrupted by national calamities.
In 1665, the plague broke out in London'^ with
great violence ; and in the succeeding year, the fire
which destroyed the metropolis put a stop to the
further progress of stage-performances.
'* See Hisioria Hislrionica.
'^ Roscius Anglicanus, p. ?C.
XCIV SUPPLEMENT TO
After a discontinuance of eighteen months, both
houses were again opened at Christmas, 1666".
The miseries occasioned by the plague and fire
were forgotten, and public diversions were again
followed with as much eagerness as they had been
before their interruption. Both companies were
at first successful ; but after the novelty of the
several performers was worn away, and their stock
of plays had been repeated until they became fa-
miliar, the Duke's company, excellent as they were
allowed to be, felt their inferiority by the slender
audiences they were able to draw together. This
consideration induced Sir Wilham Davenant to try
the effects of a new theatre, built with greater
magnificence than that in Lincoln's- Inn, and he
chose Dorset-Garden, probably where the old play-
house in Salisbury-Court stood, as a proper place
for the purpose ; but before this theatre was finished
he died, and on that event the management of his
property therein came into the hands of his widow
Lady Davenant, Mr. Betterton, and Mr. Harris,
assisted by Charles Davenant, afterwards well
known as a politician and civil lawyer. This new
house was opened in November, 1671 '®, notwith-
*7 Roscius Angiicanns, p. 26.
** Reliquice Baxferiancf, fol. l6y6, p. 89. p. 3d. There
seems to have been a playhouse standing at the Restoration
on the same spot. Tatham's Play, called The Rump, was
acted at Dorset-Court in l660.
MR. DODSLEY S PREFACE. XCV
standing the opposition made to it by the city of
London. But the opinion of the publick still in-
clining to the King's company, Mr. Davenant was
obliged to have recourse to a new species of enter-
tainment. He determined to call in the assistance
of shew and sound, he increased the splendor of
his scenery, and introduced music, singing, and
dancing, into some of the pieces represented '^.
Dramatic Operas, with expensive decorations, soon
came into fashion, and enabled the Duke's com-
pany to obtain an advantage over their competi-
tors, which they were not intitled to^° by their
merit.
Soon after the Duke's company began to act in
their new theatre, an accident happened which
must have disabled their antagonists from contend-
ing with them for a short time. In January,
1671-2, the play-house in Drury-lane took fire,
and was entirely demolished. The violence of
the conflagration was so great, that between
fifty and sixty adjoining houses were burnt or
blown up^*. Where the company belonging to
this house removed, I have not been able to dis-
^^ Macbeth, The Tempest, Psyche, Circe, The Empress of
Morocco.
20 Gibber's Apolog^y, p. 7.9-
«' Reliquice Baxieriance,. fol. 1696. p. 89. p. 3d. This
theatre, I believe, was sometimes called the theatre in
XCVl SUPPLEMENT TO
cover, though I find they continued to act in the
several years which intervened between the destru-
tion of the old house and its being rebuilt ; and
from the series of plays which they produced, it
seems probable that they immediately occupied
some theatre which then remained unused ^\ The
proprietors of the old playhouse, after they had
recovered the consternation which this accident
Covent-Garden. (See Preface to The Miser, by Shadwell,
4to. 1672.) Mr. Walpole, speaking- of Robert Aggas, com-
monly called Augus, observes, that Graham, in his School
of English Painting-, makes him the painter of scenes for
the playhouse in Covent-Garden. Robert Aggas died in
London, in l679, aged about (iO;^ — ** but I know not," says
Mr. Walpole (Anecdotes of Painting, vol. 1. p. 157.) *' what
" the author 1 quote means by a playhouse in Covent-
** Garden before the year 1679 ; I suppose it should be the
*' theatre in Dorset-Gardens." From the above Preface it
plainly appears, that the mistake arose from the same
house being sometimes spoken of as situate in Drury-lane ;
and at other times in Covent-Garden. Graham was, there-
fore, right in his account. I find also an Opera, called
Ariadne, printed in 4 to. 1673-4, as acted at the Theatre
Royal in Covent-Garden.
'^^ Or perhaps a temporary playhouse was built. This
may be conjectured from the following lines in a prologue,
by Dryden, spoken the first day of the King's house acting
after the fire :
" But we with golden hopes are vainly fed,
" Talk high, and entertain t.ou in a shed.
" Your presence here, for which we humbly sue,
*' Will grace old theatres, and build up new."
MR. DODSLEY S PREFACE. XCVll
had thrown them into, resolved to rebuild their
theatre with such improvements as might be
suggested ; and for that purpose, employed Sir
Christopher Wren, the most celebrated architect
of his time, to draw the design, and superintend
the execution of it. The plan which he produced,
in the opinion of those who were well able to judge
of it, was such a one as was aUke calculated for
the advantage of the performers and spectators ;
and the several alterations afterwards made in it,
so far from being improvements, contributed only
to defeat the intention of the architect, and to
spoil the building "^
^^ IMr. Gibber, speaking of the alterations made in the
Hay-market theatre, built by Sir John Vanbrugh, says,
" as there are not many spectators who may remember
*' what form the Drury-lane theatre stood in about forty
'' years ago, before the old patentee, to make it hold more
'' money, took it into his head to alter it, it were but jus-
*' tice to lay the original figure, which Sir Christopher
'* Wren first gave it, and the alterations of it now standing,
*' in a fair light ; that equal spectators may see, if they
" were at their choice, which of their structures would in-
" cline them to a preference. — It must be observed then,
** that the area or platform of the old stage projected about
*' four feet forwarder, in a semioval figure, parallel to the
" benches of the pit j and that the former lower doors of
" entrance for the actors were brought down between the
** two foremost (and then only) pilasters ; in the place of
" which doors, now the two stage-boxes are fixt. That
*' where the doors of entrance now are, there formerly
VOL. I. h
XCvili SUPPLEMENT TO
The new theatre being finished, was opened on
the 26th of March, 1674. On. this occasion a Pro-
** stood two additional side wino^s, in front to a full set of
*' scenes, which had then almost a double effect, in their
** loftiness and magnificence. By this original form ths
" usual station of the actors, in almost every scene was ad-
" vanced at least ten feet nearer to the audience, than they
** now can be ; because, not only from the stage's being
" shortened in front, but likewise from the additional in-
** terposition of those stage-boxes, the actors (in respect to
" the spectators, that fill them) are kept so much more
" backward from the main audience, than they used to be :
** but when the actors were in possession of that for-
" warder space, to advance upon, the voice was then more
*' in the centre of the house, so that the most distant ear
*' had scarcethe least doubt, or difficulty, in hearing
"what fell from the weakest utterance: all objects
" were thus drawn nearer to the sense ; every painted
** scene was stronger ; every grand scene and dance more
" extended ; every rich or fijie coloured habit had a more
" lively lustre : nor was the minutest motion of a feature
*' (properly changing^ with the passion, or humour, it suited)
'* ever lost, as they frequently must he in the obscurity of
" too great a distance : and how valuable an advantage the
*' facility of hearing distinctly is to every well acted scene,
" every common spectator is a judge. A voice scarce raised
" above the tone of a whisper, either in tenderness, resig-
" nation, innocent distress, or jealousy suppressed, often
" have as much concern with the heart, as the clamorous
** passions ; and when, on any of these occasions, such af-
" fecting speeches are plainly heard or lost, how wide is
<* the difference, from the great or little satisfaction re-
" ceive<J from them?" — Gibber's Apology, edit. 1750, p. 338,
MR. dodsley's preface. xcix
logue and Epilogue were delivered, both written
by Mr. Dryden ^*, in which the plainness and want
of ornament in the house, compared with that in
Dorset Gardens, were particularly mentioned. The
encouragement given to the latter on account of
its scenery and decorations was not forgotten ;
and as an apology for the deficiency of embellish-
ment which was to be found in the former, the di-
rection of his Majesty is expressly asserted ^s. That
the concerns of the stage were sometimes thought
not unworthy the notice of royalty is very well
known.
The preference given to Davenant's theatre, on
account of its scenery and decorations, alarmed
those belonging to the rival house. To stop the
progress of the public taste, and to divert it to-
wards themselves, they endeavoured to ridicule the
performances which were so much followed. The
person employed was Thomas Duffet, who paro-
died the Tempest^ Macbeth and Psyche : these ef-
forts were, however, ineffectual. The Duke's
theatre continued to be frequented ; the victory of
sound and shew over sense aud reason was as
complete in the theatre at this period as it hath
2* See his Works, vol. I!, p. 302.
" *' Yet if some pride with want may be allowed,
** We in our plainness may be justly proud:
/* Our royal master wiii'd it should be so ;
" Whate'er he's pleas'd to own, can need no shew."
C SUPPLEMENT TO
often been since. The King's theatre languished ;
but the great expenses incurred at the other di-
minished their gains to such a degree, that after a
few years the leaders in each discovered that it
would be for their mutual advantage to unite their
interests together, and open but one house. Of
those who originally belonged to Killigrew's com-
pany, several had quitted the stage, some were
dead, and the chief who remained began to expe-
rience the infirmities of age. These considerations
induced them to listen to overtures from Dave-
nant, Betterton, and Smith, who entered into an
agreement with Hart and Kynaston, which ef-
fectually detached those performers from the King's
theatre ^^. Their revolt, and the influence which
they possessed, seem to have effected the union
sooner than it otherwise might have been agreed
to, though it could not have been prevented any
length of time 27, having been recommended by the
King. The junction took place in the year 1682-',
2^ This agreement is printed in Gildon's Life of Better-
ton, 1710, p. 8.
*^ Gibber's Apology, p. 81.
^8 Gibber says l684 ; and Derrick, in his edition of Dry-
den, vol. II. p. 50. hath dated it in 1686. The date, how-
ever, above set down is the true one. Mrs. Barry, who
was one of the King's company, performed in The Spanish
Fryer, which appeared in the latter end of 1 681, or the be-
ginning of l6'82.
MR. DODSLEY'S preface. ci
on which event the Duke's company quitted Dor-
set Gardens, and removed to Drury-lane. Hart
performed no more, but retired on a pension;
and Mohun soon afterwards died. The remainder
of the troop were incorporated with the Duke's,
and for the future were styled the King's Com-
pany.
The advantages which were expected to follow
this junction do not appear to have been the con-
sequence of it. Thougii the patents were united,
the profits to the proprietors and performers seem
not to have been increased. The old patentees
either sold their authority to new adventurers, or
rehnquished all their attention to the management.
On the 30th of August, 1687, Mr. Charles Dave-
nant assigned his patent to Alexander Davenant, esq.
who, on the 24th of March, 1690, sold his interest
therein to Christopher Rich^^, a lawyer, whose
25 From the representatives of this gentleman, the pre-
sent patentees of Covent-Garden theatre derive the autho-
rity they enjoy. It is generally said and believed, that the
patent granted to Killegrew is in the same hands. The
obscurity which always accompanies the transfer of private
property prevents me from tracing the manner in which
that patent was disposed of. By a letter from Mr Pope to
Aaron Hill, dated 22d of May, !7o3, it is said, that a pa-
tent not used was then in the hands of one of the Davenant
family ; and on August 3 1, in the same year, Mr. Hill men-
Cll SUPPLEMENT TO
name is often to be found in the future annals of
the theatre. This gentleman, who was not pos-
sessed of abilities calculated to make the stage
flourish under his administration, soon contrived
to engross the whole power into his own hands.
By various instances of mismanagement, he alie-
nated the affections of the principal performers
from him, and by wanton oppressions provoked
them to attempt their deliverance from the tyranny
he exercised over them. An association of the
actors was entered into, with Betterton at the
head of it. Their complaint, by means of the earl
of Dorset ^°, was laid before king William, and
was considered of sufficient importance to engage
the attention of his Majesty. The principal law-
yers at that period were consulted, who agreed that
the grants, from king Charles to Killegrew and
Davenant, did not preclude the reigning prince
from giving a similar authority to any person with
whom he might chuse to intrust it. In conse-
quence of this opinion, a licence was granted to a
select number of the players to act in a separate
theatre for themselves.
This favour being obtained a subscription wag
tions an offer which had been made to him of a patent on
payment of 400^. a year. Whether this was the same men-
tioned by Mr. Pope, I am unable to discover.
'0 Gibber's Apology, p. 157-
MR. DODSLEY S PREFACE. CIU
set on foot for buildiDg a new theatre within the
walls of the Tennis-Court, in Lincoln's-Inn Fields^*.
The people of quality, to shew their sense of the
ill treatment which the actors had received, con-
tributed very liberally for this purpose. The pa-
tentees became sensible of the folly of their con-
duct, and to repair the mischief they had done
themselves, endeavoured to retain as many of the
actors as they could engage. To supply the places
of some who had left them, they brought a few
new performers from the companies in the country,
and made the best disposition they were able, to
encounter their enemies.
The theatre in Lincoln's-Inn Fields was opened,
on the 30th of April, 1695, with the new comedy
of Love for Love ^"^^ which was acted with extraor-
dinary success during the remainder of the season.
The new adventurers, however, met with an oppo-
sition from a quarter where it was not expected. A
number of the inhabitants of Lincoln's-Inn Fields,
finding themselves incommoded by the concourse
of coaches which the playhouse drew together, had
recourse to the law to remedy the inconveniences
they suffered. In Trinity Term, they moved the
Court of King's Bench for a prohibition to re-
strain the company from acting any longer at the
^ Gibber's Apology, p. 158. '''^ Ibid. p. l60.
CIV SUPPLEMENT TO
new house; and a rule being granted, cause was
shewn against it in the succeeding term, when fur-
ther time 33 was allo'wed to each party to come be-
fore the court more fully prepared to support and
invalidate their several suggestions. The event of
this law-suit can only be conjectured from the com-
pany's being permitted to act until their removal to
the Hay-market.
The prosperity of the new house was of no long
continuance. After one or two years' success the
audiences began to decline, and it was found that
two rival theatres were more than the town was
able to support. The old house suffered all the
distresses which obstinacy and ignorance in a ma-
nager at the head of a raw, unexperienced set of
actors could produce. Having little judgement to
direct him in the conduct of a theatre, he not only
permitted the best plays to be mangled by the most
despicable performers, but by the introduction of
tumblers and buffoons, and by other extravagances,
brought the entertainments of the stage to the
lowest degree of contempt 3*. He persisted, how-
ever, to the last in the same mode of conduct
which his son afterwards followed, and by that
means had a greater influence on the present pub-
lic entertainments than at first sight would be
thought probable.
=' Skinner's Reports, p. 625. 3* Cibber, passim.
MR. DODSLEY'S preface. CV
While the rival theatres were contending against
each other with inveterate malice, an enemy to the
very toleration of dramatic entertainments ap-
peared, who, with considerable ability and with all
the rigid puritanical maxims of a severe sect,
attacked the stage on account of its profaneness
and immoraUty. This was the celebrated Jeremy
Collier, who in 1697 published a book, containing
a severe invective against the acting of plays, the
profligacy of the performers, and the licentiousness
of the poets ; and having some truth and justice on
his side, the advocates for the theatre found them-
selves hard pressed to answer the charges brought
against their favourite diversion. It cannot be
denied but that many authors, and some in great
favour with the public, had written in a manner
which warranted the censure of every person who
professed the least regard to propriety or decency.
Mr. Collier was opposed by Congreve, Vanbrugh,
Dryden, Dennis, and others*, with wit and hu-
* One of these " others" is said to have been the cele-
brated Tom Brown, to whom is ascribed a dramatic piece ri-
diculing Jeremy Collier, called *' The Stage-beaux tossed in
a Blanket, or Hypocrisy k la Mode, exposed in the true pic-
ture of Jerry pretending to scourge the English stage.'^
1704. Those who have hitherto mentioned this performance,
have not been aware that it is for the most part merely an
adaptation of Moliere's Critique de I'Ecole des Femmes* The
Editor of the Biogr. Dram, says that the piece was never
CVl SUPPLEMENT TO
mour, but without confuting the objections which
had been started either against themselves indivi-
dually, or against the stage in general. The public
opinion ran so much against the defenders of the
theatre, and in favour of their enemy, that king
William considered Mr. Collier's book as a work
which entitled the author of it to some lenity in a
prosecution then carrying on in consequence of
errors in his political conduct ^\ This controversy
produced as much as could be wished for from it.
Mr. Gibber observes, *' the calling our dramatic
'' writers to this strict account had a very whole -
** some effect upon those who writ after this time.
" They were now a great deal more upon their
" guard ; indecencies w^ere no longer wit ; and by
" degrees the fair sex came again to fill the boxes
** on the first day of a new comedy without fear or
** censure."
To forward the stage's reformation, prosecutions
were commenced against some of the performers
for repeating prophane and indecent words. , Se-
veral were found guilty, and Betterton and Mrs.
Bracegirdle were actually fined ^^. These seve-
acted, but tlie *' Epilogue upon the Reformers,^' professes to
have been *' spoken by Mr. Wilkes, at the Theatre Royal,
in '* Drury Lane." C.
35 Gibber, p. 225.
36 Gildon's Comparison between the two stages, 1702,
8yo. p. 143.
MR. DODSLEY S PREFACE. CVll
rities were not entirely thrown away. From this
period may be dated the introduction of that more
refined taste which hath done so much credit to
the British theatre.
The managers acting under the united patents
had hitherto made use of both the theatres in
Dorset-Garden^^ and Drury-lane ; but about this
time the former of these houses was deserted^*.
^' In a paper published by Theoph. Cibber in 1733, dur-
ing- his contest with Hi^hmore, it is said that Dorset-
Garden was used as a summer theatre.
^ A lottery was drawn there in the year iGcjG, as may be
seen from the followinsf title of a pamphlet printed at that
time : *' The wheel of fortune or nothing for a penny.
*' Being- remarks on the drawing of the penny lottery at
** the Theatre-royal in Dorset-Garden, with the characters
" of some of the iionourahle trustees, and all due acknow-
** legements to his honour the undertaker. Written by a
** person who was cursed mad he had not the 1000/. Lot."
4to. In the preceding year, Settle's Play of The JVorld in
the Moon had been acted there. But in i700, if it was oc-
cupied at all, it must have been by rope-dancers. In the
Prologue to The Constant Coup/e, are these lines:
" Ah friends ! poor Dorset-Garden- House is gone ;
*' Our merry meetings there are all undone :
" Quite lost to us, sure for some strange misdeeds,
** That strong dog Sampson puU'd it o'er our heads,
** Snaps rope like thre id : but when his fortune's told him,
** He'll hear perhaps of rope will one day hold him :
" At least, I hope that our good natur'd town
" Will find a way to pull his prices down."
cviil SUPPLEMENT TO
The company which had been left by Betterton
and his party, after struggling with unequal force
against the excellent performers who hsted under
the banner of that respectable veteran, began now
to remove the prejudices which had been enter-
tained against them, and to claim their share of
applause. Many of them were much improved.
They had the advantage of youth, and having had
the opportunity of exhibiting themselves in new
characters, where comparisons to their disadvan-
tage could not be made, they began to be viewed
in a more favourable light. In the mean time,
Betterton and some of his associates were daily
losing ground through old age. Their system of
management, which had been hastily settled, de-
prived their principal friend of that authority which
is necessary for the person who undertakes to
govern any body of people, and especially those
who belong to a theatre. The house itself was too
small, and poorly fitted up, very insufficient for the
purposes of profit or splendor. These considera-
tions induced Sir John Vanbrugh to procure sub-
scriptions for erecting a new and magnificent play-
house in the Hay-market, calculated to do honour
to the architect and to the nation, and at the same
time produce wealth to those who were concerned
in it. The sum of 3000/. was immediately raised,
and the building begun under Sir John's direction.
On this scheme being proposed, it was agreed
MR. dodsley's preface. cix
that Mr. Betterton should assign ^^ over to Van-
brugh his hcence to perform, and for the future
serve only as an actor without any concern in the
conduct or direction of the theatre. The proposal
was readily assented to on the part of Betterton.
He had now been upon the stage between forty
and fifty years, and found the infirmities of age be-
ginning to make inroads upon his constitution.
He was therefore desirous of repose, and to be
relieved from the fatigues of management. In the
latter part of the year 1 704^ he performed his part
of the agreement by surrendering to Sir John
Vanbrugh all his right and interest in the licence
granted to him. The new proprietor associated
himself with Mr. Congreve, and, from the joint
abilities of such excellent writers, great expecta-
tions were formed. On the Qth day of April,
1705, the theatre was opened with an ItaHan
Opera, which did not meet with the success ex-
pected from it''^^ and a Prologue written by Sir
Samuel Garth. The failure of their first hope
obHged the principal manager to exert himself;
and he accordingly, with that happy facility which
accompanied him in writing, immediately produced
'^ Downes, p. 47.
^° The foundation stone of this theatre was laid by Lady
Harriet Godolphin, says Curll ; but according to others, by
Lady Sunderland, and upon it was inscribed The little Wliig'
Dr. Garth's Prologue is printed in his Works.
ex SUPPLEMENT TO
no less than £01114' new pieces. But these were
insufficient to bring the theatre into reputation.
It was soon found, that the architect of it was
better qualified to support the stage by his writings
than to build houses to act them in. Every piece
represented appeared under manifest disadvantage.
The edifice was a vast triumphal piece of archi-
tecture, wholly unfit for every purpose of conve-
nience ; the vast columns, the gilded cornices, and
lofty roofs, availed very little, when scarce one
word in ten could be distinctly heard, for it had
not then the form it has now. " At the first
** opening it," says Mr. Gibber, *' the flat ceiling,
*' that is now over the orchestre, was then a semi-
*' oval arch, that sprung fifteen feet higher from
** above the cornice. The ceiUng over the pit too
** was still more raised, being one level line from
*' the highest back part of the upper gallery to the
" front of the stage ; the front boxes were a con-
*' tinned semicircle to the bare walls of the house
** on each side: this extraordinary and superfluous
'* space occasioned such an undulation from the
'* voice of every actor, that generally what they
** said sounded like the gabbling of so many people
*' in the lofty isles in a cathedral — The tone of a
" trumpet, or the swell of an eunuch's holding
*i The Confederacy ; The Cuckold in Conceit ; Squire Treeloby ;
and The Mistake. — Gibber's Apology, p. 263.
MR. DODSLEY S PREFACE. cxi
*' note, 'tis true, might be sweetened by it ; but
*' the articulate sounds of a speaking voice were
*' drowned by the hollow reverberations of one word
*' under another *2." To these disadvantages the
situation might be added ; it had not at that time
the benefit of a large city, which hath since been
built in its neighbourhood, and it was too remote
from the then frequenters of the theatre to be much
attended by them. All these circumstances unit-
ing together afforded so little prospect of profit or
success, that in a few months Mr. Congreve gave
up his share and interest wholly to Sir John Van-
brugh"^^; who, at the end of the second season,
either finding the gains which arose from the
management too few, or the trouble arising from
his attendance on it too much, grew also disgusted
with his situation, and wished to be relieved from
it. But of so little value was the theatre consi-
dered at that juncture, that no person thought it
of consequence enough to apply for it. At length
it was offered to Mr. Owen Swiney, a mere ad-
venturer without property, who had been employed
by Mr. Rich as under-manager, and who, with the
concurrence of his principal, agreed for it at the
rate of five pounds for every acting day, and not to
exceed 700/. in the year. The new manager
entered upon his undertaking in the latter part of
*2 Gibber's Apol. p. 239. *» Ibid. p. 263.
CXU SUPPLEMENT TO
the year 1706, and at the end of the first season
found that he had considerably improved his for-
tune.
From the time that Mr. "Rich got possession of
Drury-lane theatre, he had paid no regard to the
property of any of the parties who had joint inte-
rests with him, but proceeded as though he was
sole proprietor of it. Whatever he received he
kept to himself, without accounting to any of his
partners ; and he had continued this mode of con-
duct so long, that those who had any claims on the
theatre abandoned them in despair of ever receiv-
ing any advantage from them. The concerns of
the play-house were thought of so little worth,
that about this time Sir Thomas Skip with, who
Gibber says had an equal right *^ with Rich, in a
froHc, made a present of his share to Colonel Brett,
a gentleman of fortune, who soon after forced him-
self into the management much against the inclina-
tion of his partner. The ill effect of two play-
houses being open at once, in point of profit,
appeared so evident to Mr. Brett, that the first
object he dedicated his attention to was a reunion
of the two companies, and, through the interposition
*^ Gibber's Apol. p. 300. If this is a fact, it may be
presumed that the patent granted to Killegrevv, either in
part or the whole, was vested in him. It does not appear
how he became intitled to it.
MR. DODSLEY S PREFACE. CXlU
of the Lord Chamberlain, he effected it in the year
I7O8. It W..S then resolved, that the theatre in
the Hay-market should be appropriated to Italian
Operas; and that in Drury-lane to Plays. The
one was given to Swiney, and the other continued
with Rich and Brett ; the latter of whom conduct-
ing the business of it in a different manner from
what it had heretofore been, brought it once more
into so good a state, that Sir Thomas Skipwith
repented of his generosity, and applied to the Court
of Chancery to have the property he had given
away restored him. Colonel Brett, offended at
this treatment, relinquished his claim; and AJr.
Hich again possessed himself of all the powers of
the patent.
Instead of being warned by the experience of
past times, to avoid the difficulties which a tyran-
nical and oppressive behaviour to the performers
had occasioned, the acting manager resumed his
former conduct, without fearing or apprehending
any resistance to his measures. An application to
the Lord Chamberlain was the consequence ; and
that officer, who was supposed to possess both an
absolute and undefinable authority over the stage,
agreed to permit as many of the actors as chose to
engage with Swiney to desert from Drury-lane, and
act at the Hay-market *\ A private treaty was
** Gibber's Apol p. 33i.
VOL. I. i
CXIV SUPPLEMENT TO
accordingly entered into ; and Wilks, Dogget, and
Gibber, were proposed to be managers and joint-
sharers with Swiuey in conducting the theatre, which
for the future was ^o be used both as a Play-house
and Opera-house. After all the preliminaries were
settled, the Lord Chamberlain issued an order,
dated 7th of June, 1709, forbidding the patentees
to perform any longer; on which the house was
shut up.
The deserters immediately began to alter the
Hay-market theatre, in order to obviate the incon-
veniences of its original construction, and make it
fit for the representation of dramatic performances.
They began to act in the winter of the year 1/09 ;
and their audiences so much exceeded their expec-
tations *^, that they would have had every reason
to be content with the change which had happened;
if the direction of the Operas, which this season
began to decline, had not greatly diminished their
profits. On the whole, however, they appear to
have received more than tliey had done at Drury-
lane, and therefore were not dissatisfied with their
emancipation from the authority of their former
governor.
The power of the Chamberlain had always been
implicitly acknowledged. Those therefore who
had any concern in the interdicted theatre patiently
^^ Gibber's Apol. p. 345.
MR. DODSLEY S PREFACE. CXV
submitted to the prohibition, and had recourse
only to supplications in order to procure a revoca-
tion of the silencing order. As it was put in
execution so late in the season, no immediate
detriment ensued ; and it was generally expected,
that as the time of acting approached in the follow-
ing winter, the proprietors would be permitted to
open their house. The summer was taken up in peti-
tions to the Chamberlain, and appeals to the Queen's
justice and humanity, both from the patentees and
players. The applications, however, were not
crowned with success ; the order was still con-
tinued in force, and at the beginning of the season
one theatre only employed.
As soon as it appeared with certainty that the old
manager would not be able to obtain a recall of the
order for silencing the patent, one who had some
property in the house, and who had joined in all
the applications to be relieved against the Cham-
berlain's mandate, determined to avail himself of
his interest at court, and profit by the distress of
his partners. This was William Collier, Esq. a
lawyer''^ of an enterprizing head and a jovial heart.
He was a member of parliament, and by his con-
vivial qualities had become a favourite with the
people then in power, and was often admitted to
partake with them in those detached hours of life
when business was to give way to pleasure.
•*7 Gibber's Apol. p. 345.
CXVl SUPPLEMENT TO
This gentleman, observing the situation of thea-
trical affairs to be desperate in the hands of Mr.
Rich, applied for and obtained a license to take
the management of the company left at Drury-lane.
The late patentee, who still continued in the
theatre, though without the power of using it, was
not to be removed without compulsion. Mr. Col-
lier, therefore, procured a lease of the house from
the landlords of it, and armed with this authority
took the advantage of a rejoicing ''a night, the 22d
of November; when, with a hired rabble, he broke
into it, and turned the former owner out of posses-
sion.
Here ended the power of Mr. Rich over the
theatres. After his expulsion from Drury-lane, he
employed the remainder of his life in rebuilding
the playhouse in Lincoln's-Inn Fields, which was
opened about six weeks after his death, by his son,
in the 5'ear 1714, with the Comedy of The Recruit-
ing Officer*^. Both this theatre and its manager
will be mentioned hereafter.
^* Gibber's Apology, p. 346. A ludicrous account of this
transaction is given in the Taller, No. 99.
^^ On this occasion I have been informed by a gentleman
who was present, that a Prologue was spoken by the new
manager dressed in mourning.
This Prologue I since find to l)e in print, in a collection
called '' A new Miscellany of Tales, Songs, and Poems.
By several hands." 12mo. n. d. p. 61. It concluded with
these lines ;
MR. DODSLEY S PREFACE. CXVll
The scheme which Mr. Collier had engaged in
did not prosper according to his wishes ; the pro-
fits of the season were very small, and by no means
a compensation for the trouble, risk, and expence,
which he had been at in seating himself on the
theatrical throne. The joint-sharers at the Hay-
market had acquired both fame and money ; he
therefore meditated an exchange of theatres with
them, and, by again employing his influence at
court, soon effected it. By the agreement which
was then entered into between the rival managers,
the sole licence for acting plays was vested in
Swiney and his partners ; and the performance of
Operas was to be confined to the Hay-market
under the direction of Collier*^.
The authority which this gentleman had now
obtained in the Opera-house, he immediately farmed
to ^' Aaron Hill, Esq. for 600/. per annum; but
" But oh, my poor father! alas he died
** Ere he beheld this house in finish'd pride.
** He rais'd the stately pile by slow degrees,
*' Big with the hopes a curious town to please.
" Let jrenerous pity move the brave and fair
** To take his poor remains unto your care :
" Who dies in love, a martyr's pity draws
" From all ; then let him share the same applause,
" Who died a martyr for this good old cause.
** Still let true noDle gratitude be shewn,
** And for a father's sake support the son !" I. R.
^ Gibber's Apology, p. 353. 5' Ibid. 356.
CXVUl SUPPLEMENT TO
before the season expired he resumed the manage-
ment again into his own hands. The flourishing
state of Drury-hme had attracted his notice and
envy. He grew again dissatisfied with his station,
and proposed once more to return to the stage he
had abandoned. The same power which had
hitherto supported him in his caprices still con-
tinued to favour him. Swiney was obliged to re-
turn to the Hay-market; and CoHier, Wilks,
Dogget, and Gibber, remained at Drury-lane»
where from this period the abilities, industry, and
integrity of the manasrers brought their theatre
into so much re^putation, that it became to them
the source of independence during the rest of their
lives. At the end of the first season, Swiney was
ruined at the Hay-market, and obliged to banish
himself from the kino^flom.
As soon as the new regulation was settled.
Collier rendered his share a sinecure, and agreed
to accept a certain sum annually in lieu of all
claims. In 1712, the IVagedy of Cato was acted,
wherein Mr. Booth acquired so much reputation,
that he was encouraged to solicit for a share in the
management of the theatre, and was gratified in it
during the succeeding year. On his introduction,
Dogget, in disgust, retired from the management,
to which he never afterwards returned.
In the year 1714, Queen Anne died ; and,
amongst the changes which that event brought
CXIX
about, the management of Drury-lane theatre was
not too inconsiderable to attract the notice of the
court. At the desire of the acting managers^ Sir
Richard Steele procured his name to be inserted
instead of Collier's in a new licence jointly with
them; and this connection lasted many years
equally to the advantage of all the parties. In this
year, the prohibition which the patent had been
long under was removed, and Lincoln's-Tnn Fields
theatre opened under the direction of the late Mr.
John Rich.
No sooner were dramatic performances per-
mitted at two theatres, than the manager of the
weaker company was obliged to have recourse to
foreign aid, and to oppose his antagonists with
other weapons than the merits of his actors, or the
excellence of the pieces represented by them.
The performers who were under Mr. Rich's direc-
tion were so much inferior to those at Drury-lane,
that the latter carried away all the applause and
favour of the town. In this distress, the genius of
the new manager suggested to him a species of en-
tertainment, which hath always been considered as
contemptible, but which at the same time hath been
ever followed and encouraged. Pantomimes were
now brought forwards; and, as sound and shew
had in the last century obtained a victory over
sense and reason, the same event would have
followed again, if the company at Drury-lane had
CXX SUPPLEMENT TO
not, from the experience of past times, thought it
advisable to adopt the same measures. The fer-
tility of Mr. Rich's invention in these exotic enter-
tainments, and the excellence of his performances
in them must be ever acknowledged. By means
of these only, he kept the managers of the other
house at all times from relaxing their diligence ;
and, to the disgrace of public taste, frequently ob-
tained more money by such ridiculous and paltry
performances than all the sterling merit of the other
house was able to acquire.
The business of the stage was carried on success-
fully, and without interruption, until about the year
1720, when on a disgust which the duke of New-
castle, then Lord Chamberlain, had received from
Mr. Gibber ^^ that gentleman was for some time
s2 The author of a Pamphlet, called *' The State of the
" Case, between the Lord Chamberlain of his Majesty's
*' Household and Sir Richard Steele, as represented by that
" Knicrht, restated,'' &c. p. 30. mentions some strokes
levelled at the ministry, in Mr. Cibber's Dedication of
Ximena to Sir Richard Steele, and these were likely to have
been what gave offence. The same writer, however, after-
wards asserts the following to have been the real cause:
** My lord Duke had a mind to have a certain part per-
** formed by a certain actor, which was generally acted by
** one of the managers ; and when my lord urged his autho-
*' rity to enforce his commands, Cibber, visibly slighting
** his authority in half a laugh, said, that they were a sort
" of separate ministry, and so absolutely refused to obey
MR. DODSLEY S PREFACE. CXX
forbid to perform ; and soon after a difference
arising between tlie same nobleman and Sir Richard
Steele, the power which had been often exercised
by the persons who had held his grace's office was
exerted, and an order of silence was enforced
against the managers. On this occasion a contro-
versy succeeded ; but how long the prohibition
lasted, or in what manner the difference was ad-
justed no where appears.
In this year, 1720, a new playhouse was erected
in the Hay-market by one Mr. Potter, a carpen-
ter ^3. It was not built for any particular person
or company, but seems to have been intended as a
mere speculation by the architect, who relied on its
being occasionally hired for dramatic exhibitions.
The harmony which had subsisted for many
years between Sir Richard Steele and his partners
was soon afterwards interrupted, and the affairs of
the theatre became again the objects of a chancery
litigation, which, in 17*26, was determined in favour
** my Lord Chamberlain ; upon which he was silenced.'*
Sir Richard, liowever, in his state of the case, asserts, that
all the mortification put upon Mr. Cil)ber " was intended
" only as a remote beginning- of evils which were to affect
** the patentee." During- the time that the order for silencing
Mr. Gibber was in force, Southerne's Tragedy of The Spartan
Dame was acted, and the part of Crites intended for that
performer was obliged to be read by another actor.
^^ Victor's History of the Theatres, vol. 3. p. 184.
CXXll SUPPLEMENT TO
of the acting proprietors*'* by a decree of Sir
Joseph Jekyl!, then Master of the Rolls. The
breach, however, which this dispute had made
would perhaps never have been healed, had Sir
Richard been able to have resumed his share of the
management. His faculties at this time began to
dechne : he soon afterwards retired into Wales,
where he died on the 1st of September, 1/29.
As the powers of the patent granted to him
terminated at the end of three years after his death,
the remaining managers solicited and obtained a
renewal of the authority for twenty one years com-
mencing on the 1st of September, 1732; but the
prosperous course of their affairs was doomed
about this time to be first checked, and afterwards
put an end to by the illness and deaths of the
principal persons concerned in the theatre. Booth
was rendered incapable of performing for several
years before he died. On the 23d of October,
1730, the stage suffered an irreparable loss by the
death of Mrs. Oldfield ; and about the same time
Mrs. Porter was prevented from acting by the
misfortune of a dislocated limb. To complete the
whole, Wilks died in September, 1731 ; and
Gibber, disliking his new partners, grew weary of
his share, and took the earliest opportunity of
parting with it.
^* Cibber s Apology, p. 436.
MR. dodsley's preface. cxxiu
The number of theatres in London was this year,
1729, increased by the addition of one in Good-
man's Fields, which met with great opposition from
many respectable merchants and grave citizens,
who apprehended much mischief from the intro-
duction of these kind of diversions so near to their
own habitations. Some of the clergy" also took
the alarm, and preached with much vehemence
against it. Mr. Odell, however, the proprietor,
was not deterred from pursuing his design ; he
completed the building, and, having collected a
company, began to perform in it. It is asserted,
that for some time he got not less than one hun-
dred pounds a week by this undertaking; but the
clamour against it continuing ^^, he was obliged to
abandon the further prosecution of his scheme ; by
which means he sustained a considerable loss. It
was afterwards revived by Mr. Giffard with some
degree of success.
The patent for Drury-lane being renewed, Mr.
Booth, who found his disorder increase, began to
think it was time to dispose of his share and inte-
*^ A Sermon was preached against it at St. Botolph,
Aldgate, on 30th of November, 1729, by Arthur Bedford,
M. A. It was printed in the next year.
^^ It is asserted in a Pamphlet, called " The Usefulness
*' of the Stage to Religion and Government/' &c. 8vo. 1738,
that an address was presented to the king from the lord
mayor and court of aldermen for the suppressing of it.
CXXlV SUPPLEMENT TO
rest in the theatre. The person upon whom he
fixed for a purchaser was John Highmore, Esq.
a gentleman of fortune, who unhappily had con-
tracted an attachment to the stage, from having
performed the part of Lothario one night for a
wager. A treaty between them was set on foot
soon after Mr. Wilks's death, and was concluded
by Mr. Highmore's agreeing to purchase one half
of Mr. Booth's share, with the whole of his power
in the management, for the sum of two thousand
five hundred pounds. Before his admission, Mrs.
Wilks had deputed Mr. ElHs to attend to the con-
duct of the theatre in her behalf. The introduc-
tion of two people into the management, who were
totally unqualified either by their abilities or expe-
rience for the offices they were to fill, gave offence
to Mr. Gibber: he, therefore, to avoid being
troubled with the importance of the one or the
ignorance of the other of his brethren, authorized
his son Theophilus to act for him as far as his in-
terest was concerned. The first season was ended
with some profit to the new patentees; but Mr.
Highmore, being hurt by the impertinence of
young Gibber, determined to get rid of his inter-
ference, and purchased the father's share for the
sum of three thousand guineas *?.
This second purchase by Mr. Highmore was
*7 Victor's History of the Theatres, vol. 1. p. 8.
MR. DODSLEY S PREFACE. CXXV
made at the beginning of the season of 1733,
about the same time that Mrs. Booth sold her hus-
band's remaining share to Mr. Giffard. Mr. High-
more's connection with the theatre began now to
be attended with alarming consequences to him ;
two weeks had hardly passed before the principal
actors, spirited up by young Gibber, determined to
revolt from the patentees, and set up for them-
selves. The house called the little Theatre in the
Hay-market was then unoccupied ; they therefore
agreed to rent it of the proprietor, and, after
making the necessary alterations, opened it with
the Comedy of Love for Love, to an elegant
crowded audience ^^
The patentees also, though weakened by the
desertion of their best performers, began to act
at the usual time. To supply the places of those
who had left their service, they were obliged to
have recourse to such assistance as the country
companies would afford. With all the help they
could obtain, their performances were so much in-
ferior to those exhibited at the Hay-market, that a
constant loss was sustained until the end of the
season. Mr. Highmore in the mean time buoyed
himself up with hopes of obtaining redress, first
from the Lord Chamberlain, and afterwards by
putting the laws coDcerning vagrants in force
^8 Victor's History of the Theatres, vol. i. p il.
CXXVl SUPPLEMENT TO
against the delinquent players. In both these ex-
pectations he found himself disappointed. The
losses fell so heavy upon him, that he was under
the necessity of giving up the contention, in order
to secure a small part of the property he had impru-
dently risked in this unfortunate undertaking.
The person who now succeeded to the patent of
Drury-lane playhouse was Charles Fleetwood, a
gentleman who at one peripd of his life had pos-
sessed a very large fortune, of which at this time a
small portion only remained. He purchased not
only the share belonging to Mr. Higbmore, but
those of all the other partners ; and so little value
was then set upon the theatre, that the whole sum
which he disbursed for it little more than exceeded
the half of what Mr. Higbmore had before paid.
The revolting actors were by this time become dis-
satisfied with their situations. A treaty was there-
fore opened, and soon concluded, for their return
to Drury-lane.
Although dramatic entertainments were not at
this time supported by the abilities of any actors of
extraordinary merit, and the characters of those
excellent performers who had lately been lost from
Drury-lane were very ill supplied, yet this period
seems to have been particularly marked by a spirit
of enterprize which prevailed in theatrical affairs.
The ill fortune of Mr. Odell at Goodman's Fields
had not extinguished the expectations of another
MR. DODSLEY S PREFACE. CXXVU
schemer, who solicited and obtained a subscription
for building a magnificent playhouse 59 in that part
of the town ; and in spite of all opposition it was
completed and opened on the 2d day of October,
1732, with the play of King Henry IV. Mr. Gif-
fard the new proprietor, however, did not remain
long there. In 1733, the house in Covent-Garden
was finished, and Mr. Rich's company immediately
removed thither, which occasioned the old building
in Lincoln's-Inn Fields to be deserted. Mr. Gif-
fard was then advised, that it would be more for
his advantage to quit Goodman's Fields, and take
the vacant edifice. He accordingly agreed for it
in 1735, and acted there during the two ensuing
years.
Soon afterwards, though at a time when so many
theatres were employed to divert the public, and
^^ " In a large oval over the pit is painted the figure of
" his Majesty, attended by peace, liberty, and justice,
•^ trampling tyranny and oppression, under his feet : round
" it are the heads of Shakespeare, Dryden, Congreve, and
*' Betterton : on the coving of the left hand is painted the
" scene of Cato pointing to the dead body of his son Mar-
" cus : in the middle, that of Julius Caesar stabbed in the
" Senate-house : and on the right, that of Mark Anthony
*' and Octavia, where the children are introduced in AH for
*' Love : on the sounding board over the stage is a hand-
'* some piece of painting of Apollo and the nine Muses."
Gent. 31ag. I? 32, p. 1028.
CXXVlll SUPPLEMENT TO
when none of them were in a flourishing state, the
imprudence and extravagance of a gentleman, who
possessed genius, wit, and humour in a high de-
gree, obliged him to strike out a new species of
entertainment, which in the end produced an ex-
traordinary change in the constitution of the dra-
matic system. To extricate himself out of diffi-
culties in which he was involved, and probably to
revenge some indignities which had been thrown
upon him by people in power, that admirable
painter and accurate observer of life, the late Henry
Fielding, determined to amuse the town at the ex-
pence of some persons in high rank, and of great
influence in the political world. For this purpose he
got together a company of performers, who exhi-
bited at the theatre in the Hay market, under the
whimsical title of the Great Mogul's Company of
Comedians. The piece he represented was Pas-
quin, which was acted to crowded audiences for
fifty successive nights. Encouraged by the fa-
vourable reception this performance met with, he
determined to continue at the same place the next
season, when he produced several new plays, some
of which were applauded, and the rest condemned.
As soon as the novelty of the design was over, a
visible difference appeared between the audiences
of the two years. The company, which as the
play-bills said dropped from the clouds, were dis-
banded ; and the manager, not having attended to
MR. DODSLEY S PREFACE. CXXIX
the voice of economy in his prosperity, was left
no richer or more independent than when he first
engaged in the project.
The severity of Mr. Fielding's satire in these
pieces had galled the minister to that degree, that
the impression was not erased from his mind when
the cause of it had lost all effect. He meditated
therefore a severe revenge on the stage, and de-
termined to prevent any attacks of the like kind for
the future. In the execution of this plan he stea-
dily persisted ; and at last had the satisfaction of
seeing the enemy, which had given him so much
uneasiness, effectually restrained from any power
of annoying him on the public theatres. An act
of parliament passed in the year 1737? which for-
bad the representation of any performance not pre-
viously licenced by the Lord Chamberlain, or in
any place, except the city of Westminster and the
liberties thereof, or where the royal family should
at any time reside. It also took from the crown
the power of licensing any more theatres, and in-
flicted heavy penalties on those who should here-
after perform in defiance of the regulations in the
statute. This unpopular act did not pass without
opposition. It called forth the eloquence of Lord
Chesterfield in a speech, wherein all the arguments
in favour of this obnoxious law were answered, the
dangers which might ensue from it were pointed
out, and the little necessity for such hostilities
VOL. I. k
CXXxii SUPPLEMENT TO
Lacey, to whom the conduct of the theatre wa^
relinqoished. The calamities of the times affected
the credit of many persons at this juncture; and
amongst the rest of the new managers, who found
themselves obliged to stop payment. Their mis-
fortunes occasioned the patent again to become
the object of a sale. It was offered to several
persons, but few appeared to have courage enough
to venture upon it. At length it was proposed by
Mr. Lacey, that he and Mr. Garrick should be-
come joint-purchasers. The offer was accepted.
A renewal of the patent was solicited and obtained.
All the preliminaries were in a short time settled,
and, in the year 1747> the house was opened with
a Prologue written by Dr. Johnson, and spoken
by Mr. Garrick.
From this period may be dated the flourishing
state of the theatre. The new partners were fur-
nished with abilities to make their purchase advan-
tageous to themselves, and useful to the public.
Mr. Garrick's admirable performances insured them
great audiences ; and the industry and attention of
Mr. Lacey were employed in rendering the house
convenient to the frequenters of it. They both
exerted their endeavours to acquire the favour of
the town ; and the preference which was given to
them over their rivals at the other theatre suffi-
ciently proved the superior estimation they were
held in. The harmony which subsisted between
MR. DODSLEY S PREFACE- CXXXlll
them contributed to the success of their under-
taking, and their efforts in the end procured them
both riches and respect.
The month of December, 1761, was marked
with the death of Mr. Rich, who had been ma-
nager under the patents granted by Charles the
Second almost fifty years. His peculiar excel-
lence in the composition of those performances
which demanded shew and expence enabled him,
with an indifferent company of actors, to make a
stand against the greatest performers of his time :
he was unrivalled in the representation of his fa-
vourite character Harlequin, and possessed with
many foibles some qualities which commanded the
esteem of his friends and acquaintance. On his
decease, the business of Covent-Garden theatre
was conducted by his son-in-law Mr. Beard.
In the year 1/63, Mr. Garrick, by the advice of
his physicians, went abroad, in order to relax from
the fatigues of his profession, imd to re-establish his
health, which had been much broken by an uninter-
rupted exertion of his abilities on the stage. He
was absent two seasons, and then returned to the
theatre, where he remained until the year 1/76.
The theatre in the Hay-market had for some
years been occupied in the summer time by virtue
of licences from the Lord Chamberlain. In the
month of July, 1766, it was advanced to the dig-
nity of a theatre royal ; a patent being then made
CXXXIV SUPPLEiMENTTO
out to Mr. Foote, authorizing him to build a thea-
tre in the city and liberties of Westminster, and to
exhibit dramatic performances, &c. therein, from
the 14th day of May to the 14th of September,
during his life. On this grant being passed, the
patentee purchased the old playhouse, which had
been built in 1720, and immediately pulled it
down. It was rebuilt in the course of the next
year, and opened in the month of May, 1767' ^^i'-
Foote very successfully managed this theatre until
the season before his death.
From the decease of Mr. Rich, Covent-Garden
theatre had been intrusted to the direction of his
son-in-law Mr. Beard, who introduced several
musical pieces to the stage, which were received
with applause, and brought considerable profits to
those concerned in the house. The taste of the
public inclined very much to this species of per-
formance for several seasons ; but about the year
1766 the audiences beginning to lessen, and the
acting manager finding no relief for a deafness
which he had long been afliicted with, he became
desirous of retiring from the bustle of a theatre to
the quiet of private life. In the summer of 1767j
a negociation was set on foot by Messieurs Harris
and Rutherford; for the purchase of all the property
in the play-house which belonged to the then pro-
prietors ; but the advantage of having a capital
performer as one of the sharers being suggested.
MR. DODSLEY S PREFACE. CXXXV
Mr. Powell was invited to join with them, and he
recommended Mr. Colman as a person from whom
the undertaking would receive great advantage.
The proposal being assented to by the several
parties, the property of the theatre was assigned in
August, 1767; the conduct of the stage was in-
trusted to Mr. Colman, and the house opened on
the 14th of September with the Comedy of the
Rehearsal ; and a Prologue written by Paul White-
head, and spoken by Mr. Powell.
The disputes which soon afterwards arose
amongst the new managers are unworthy of any
notice, on account of the virulence and acrimony
with which each party seems to have been inflamed ;
it is sufficient to observe, that after they had con-
tinued a long time, and had received a judicial de-
termination, they were amicably ended.
Mr. Rutherford sold his share to Messieurs
J^ake and Dagge. Mr. Powell died in July,
1769; and his widow afterwards married Dr.
Fisher, who by that means became entitled to
some part of her late husband's interest in the
theatre. Mr. Colman managed the affairs of the
stage until the year 1774, when his right was pur-
-jhased by the rest of his partners, to whom it was
immediately assigned.
In 1776, an event took place, which the ad-
mirers of theatrical entertainments had long ex-
pected with concern, and now viewed with regret.
CXXXVl SUPPLEMENT TO
Mr. Garrick, at a period when his powers had
suffered little injury from time, and in the height
of his fame and popularity, determined to relin-
quish all connection with the stage, and retire to
the honourable enjoyment of a large fortune, ac-
quired in the course of near forty years spent in
the service of the public. His last appearance
was in the character of Don Felix in the Play of
the Wonder, acted on the 10th day of June, for
a charitable benefit. He was honoured with a
brilliant and crowded audience, and was dismissed
with the loudest applauses ever heard in a theatre.
The obligations which the public are under to
him for the decency and propriety of our present
dramatic performances, will ever intitle him to the
grateful respect of the world, independent of his
extraordinary merit either as an actor or as an
author.
As this is the period at which the present im-
perfect account of the English theatre is intended
to be closed, some apology may be expected for
the defects of it. A more copious and particular
detail would not have been consistent with the
plan of this work ; and the materials for a history
executed with such minuteness as the subject de-
serves are too much scattered, and too difficult to
be obtained, to be readily brought together. Many
circumstances and much information might be pro-
cured from those who have access to the interior
MR. DODSLEY S PREFACE. CXXXVU
of the present playhouses; the neglected pamphlets
of former times would afford a great fund of intel-
ligence ; and the remembrance of many individuals
would furnish particulars of considerable value to
any person who had leisure and abiUties for such
an undertaking. The History of the Drama seems in-
titled to more regard than hath been bestowed upon
it. To excite the attention of those who are best
qualified for such a work, hath been the chief end
of the present slight view of the English theatres,
which can only be entitled to pardon, as it may
probably at some future time be the means of pro-
ducing a performance with fewer imperfections and
more worthy of public notice.
March 31, 3780.
HISTORIA HISTRIONICA:
AN
HISTORICAL ACCOUNT
OF
THE ENGLISH STAGE;
THE ANCIENT USE, IMPROVEMENT, AND PERFECTION OF
DRAMATIC REPRESENTATIONS IN THIS NATION.
IN
A DIALOGUE OF PLAYS AND PLAYERS.
• Olim meminisse juvabit.
LONDON:
PRINTED BY G. GROOM, FOR WILLIAM HAWES,
AT THE ROSE IN LUDGATE-STREET.
1699.
This tract was originally printed in 1699. It is said
to have been the production of Jannes Wright of New
Inn, afterwards of the Middle Temple, Barrister at Law.
He was the author of The Antiquities of Rutlandshire j
and some poems; particularly, (I.) " An Essay on the
" present Ptuins of St. Paul's Cathedral." To which
is annexed, " The Misfortunes of St. Paul's Cathe-
" dral," in heroic verse, 4to. 1668; re-printed with
two other poems under the title of, (2.) " Three poems
'* of St. Paul's Cathedral ; viz. The Ruins, The Re-
" buildin^5, The Choire*, Fo, 1697." and (3.) " Phoe-
'' nix Paulina, a Poem on St. Paul's Cathedra), 4to.
*' 1709 f." He was alive m 17 10, being m.entioned by
Mr. Hearne in his preface to Leland's Itinerary, in this
manner; " I could have supply'd more Lacuna;, and
*' in all likelyhood haverender'd this performance more
" perfect, it I had had the use of a very good tran-
*' script of Mr. Leiand's Itinerary, taken about the time
" of Queen Elizabeth (before the originals took wet, as
** is suppos'dj and was formerly in possession of James
" Wright, of the Middle Temple, Esq. the worthy
^' author of the Antiquities of Ptutlandshire ; but this,
" with a multitude of other valuable curiosities, was
" unhappily burnt in the fire at the Middle Temple, in
" the year 1698, as Mr. Wright has been pleased to
" inform me." Anthony Wood says, he wrote an elegy
on the death of Mr John Goad,"^ Master of Merchant
Taylor's School, who died 1689. (See Wood's A thenae,
vol. 1. p. 839.)
• British TopogTaphy, vol. 1. p. 610.
t CaUiIogiie of pamptilets ia the Harlei-^n Library, p. 146.
THE PREFACE.*
Much has been writ of lat^ /);*.■> and con about
the sta2:e, yet the subject admits of more, and that
which has not been hitherto touched upon ; not
only what that is. but what it was. about which
some people have made such a bustle. ^^ hat it
is we see, and I think it has been sutHcieutly dis-
pUiy'd in Mr. Collier's book ; what it was in former
as;cs and how used in this kingdom, so far back
as one may collect any memorials, is the subject of
the following- dialogue. Old plays will be always
read by the curious, if it were only to discover the
manners and behaviour of several ages and how
they altered. For plays are exactly like portraits,
drawn in the garb and fashion of the time when
painted. You see one habit in the time of Charles
I. another quite dit^erent iVom tlun, both for men
and women, in Queen Elizabeth's time ; another
• This preface is now for the tirst time iiisortoi!, Mr.
Reed having omitted it probably because Ids copy Nras not
perfect. It is reprinted from the lirst edition in I6c)tj,
which the former editor had not been able to procure. C.
cxlii
under Henry the Eighth different from both, and
so backward all various. And in the several fashions
of behaviour and conversation there is as much
mutabihty as in that of clothes. Religion and re-
ligious matters was once as much the mode in
public entertainments, as the contrary has been in
some times since. This appears in the different
plays of several ages: and to evince this the fol-
lowing sheets are an essay or specimen.
Some may think the subject of this discourse
trivial, and the persons herein mentioned not worth
remembering. But besides that I could name some
things contested of late with great heat, of as little
or less consequence, the reader may know that the
profession of players is not so totally scandalous,
nor all of them so reprobate, but that there has been
found under that name a canonized saint in the pri-
mitive church ; as may be seen in the Roman Mar-
tyrology on the 29th March : his name Masctilas, a
master of interludes (the Latin is Archimimus, and
the French translation un Maitre comedieri) who
under the persecution of the Vandals in Africa, by
Geisericus the Avian King, having, endured many
and grievous torments and reproaches for the con-
fession of the truth, finished the course of this glo-
rious combat, saith the said Martyrology.
It appears from this and some further instances
in the following discourse, that there have been
cxliii
players of worthy principles as to religion, loyalty
and other virtues ; and if the major part of them
fall under a different character, it is the general
unhappiness of mankind, that the most are the
worst.
A DIALOGUE, &c.
LovEwiT, Tkueman.
Lovewit. Honest old Ceivalier! well met, 'faith I'm
glad to see thee.
Trueman. Have a care what you call me ; old is a
word of disgrace among the ladies; to be honest is to
be poor, and foolish, (as some think ;) and Cavalier is
a word as much out of fashion as any of 'em.
Lovewil. The more's the pity : but what said the for-
tune-teller in Ben Jonson's mask of Gypsies, to the
then Lord Privy Seal !
Honest and old !
In those the good part of a fortune is told.
Trueman. Ben Jonson ! how dare you name Ben
Jonson in these times ; when we have such a crowd of
poets of a quite different genius ; the least of wfiich
thinks himself as well able to correct Ben Jonson, as
he could a country school-mistress that taught to
spell ?
Lovewit. We have, indeed, poets of a different ge-
nius ; so are the plays : but, in my opinion, ihey are
all of 'em (some few excepted) as much inferior to
those of former times, as the actors now in being (gene-
rally speaking) are, compared to Hart, Mohun, Burt,
Lacy, Clun, and Shatterel; for I can reach no farther
backward.
Trueman. I can ; and dare assure you, if my fancy
and memory are not partial (for men of my age
are apt to be over indulgent to the thoughts of their
youthful days) I say the actors that I have seen before
the wars, Lowin, Taylor, Pollard, and some others,
VOL. 1. 1
Cxlvi A DIALOGUE, &c.
were almost as far beyond Hart and his company, as
those were beyond these now in being.
Lovewit. I am willing to believe it, but cannot rea-
dily ; because I have been told, that those whom I
mention'd, were bred up under the others of your ac-
quaintance, and foUow'd their manner of action, which
is now lost : so far, that when the question has been
ask'd, Why these players do not revive the Silent Wo-
man, and some other of Jonson's plays (once of highest
esteem) they have answered. Truly, because there are
none now living who can rightly humour those parts ;
for all who related to the Black-friers, (where they were
acted in perfection) are now dead and almost for-
gotten.
Trueman. 'Tis very true, Hart and Clun were bred
up boys at the Black-friers, and acted women's parts ;
Hart was Robinson's boy, or apprentice ; he acted the
Duchess, in the Tragedy of the Cardinal, which was
the first part that gave him reputation. Cartwright and
Wintershal belong'd to the Private House in Salisbury-
court; Burt was a boy, first under Shank at the Black-
friers, then under Beeston at the Cock-pit ; and Mohua
and Shatterel were in the same condition with him, at
the last place. There Burt used to play the principal
women's parts, in particular Clariana,in Love's Cuelty:
and at the same time Mohun acted Bellamente, which
part he retained after the restoration.
Lovewit. That I have seen, and can well remember,
I wish they had printed in the last age (so I call the
times before the rebellion) the actors* names over
against the parts they acted, as they have done since
the restoration ; and thus one might have guess'd at
the action of the men, by the parts which we now read
in the old plays.
Trueman. It was not the custom and usage of those
days, as it hath been since. Yet some few old plays
there are that have the names set against the parts, as
The Dutchess of Malfy; the Picture; the Roman
Actor; the Deserving Favourite; the Wild-Goose-
Chase, (at the Black-friers) ; the Wedding ; the Rene-
A DIALOGUE. &c. CxUH
gado: the Fair Maid of the West; Hannibal and Scipio;
King John and Matilda, (at the Cock-pit) ; and Hol-
land's Leaguer, (at Salisbury Court).
Lovewit. These are but few indeed : but pray, sir,
what master-parts can you remember the old Black-
frier's men to act in Jonson, Shakspeare, and Fletcher's
plays ?
Trueman. What I can at present recollect I'll tell
you ; Shakspeare, (who, as I have heard, was a much
better poet than player) Burbage, Hemmings, and others
of the older sort, were dead before I knew the town :
but in my time, before the wars, Lowin used to act, with
mighty applause, FalstafFe, Morose, Vo'.pone, and
Mammon, in the Alohymist; Melantius, in the Maid's
Tragedy; and at the same time Amyntor was play'd
by Stephen Hammerton, (who was at hrst a most noted
and beautiful woman actor, but afterwards he acted,
with equal grace and applause, a young lover's part) ;
Taylor acted Hamlet incomparably well, Jago, Truewit
in the Silent Woman, and Face in the Akhymist;
Swanston us'd to play Othello; Pollard and Roljinson
were comedians; so was Shank, who us'd to act Sir
Roger, in the Scornful Lady: these were of the Black-
friers. Those of principal note at the Cock-pit, were,
Perkins, Michael Bowyer, Sumner, William Allen, and
Bird, eminent actors, and Robins, a comedian. Of the
other companies I took little notice.
Lovewit. Were there so many companies ?
Trueman. Before the wars there were in being all
these play-houses at the same time. The Black-friers,
and Globe on the Bank-side, a winter and summer
house, belonging to the same company, called the
King's Servants ; the Cock-pit or Phoenix, in Drury-
lane, called the Queen's Servants; the Private House
in Sahsbury-court, called the Prince's Servants ; the
Fortune near Whitecross Street • ; and the Red Bull,
' The Tortnne near Whitecross Street. '\ This is afterwards said to
be a large round brick building. Mr. Steevens supposes, from the
extent of it, that all the actors resided within its precincts. It was
pulled down about the time of the restoration, soon after the ap-
CXlviii A DIALOGDE, &C.
at the upper end of St. John's Street: the two last
were mostly frequented by citizens, and the meaner sort
of people. All these companies got money, and liv'd
in reputation, especially those of the Black-friers, who
were men of grave and sober behaviour.
Loveicit. Which I admire at; that the town, much
less than at present, could then maintain five compa-
nies, and yet now two can hardly subsist.
Trueman. Do not wonder, but consider, that tho'the
town was then, perhaps, not much more than half so
populous as now, yet then the prices were small (there
being no scenes) and better order kept among the com-
pany that came; v/hich made very good people think
a play an innocent diversion for an idle hour or two,
the plays themselves being then, for the most part,
more instructive and moral. Whereas, of late, the play-
houses are so extremely pestered with vizard-masks and
their trade, (occasioning continual quarrels and abuses)
that many of the more civiliz'd part of the town are un-
easy in the company, and shun the Theatre as they
would a house of scandal. It is an argument of the
worth of the plays and actors of the last age, and easily
inferred, that they were much beyond ours in this, to
consider that they could support themselves merely
from their own merit, the weight of the matter, and
goodness of the action, without scenes and machines ;
whereas the present plays with all that shew can hardly
draw an audience, unless there be the additional invi-
pearaiice of the following advertisement, in the Mercurius Politicus
Tuesday, Feb. 14, to Tuesday, Feb. 21. 1661. " The Fortune
" Playhouse, situate between Whitecross Street and Golding
" Square, in the parish of St. Giles, Cripplegate, with the ground
" thereunto belonging, is to be let to be built upon ; where 23 te-
" nements may be erected, with gardens ; and a street may be cut
" through for the better accommodation of the buildings." (See
edition of Shakspeare, 1778, vol. 1. p. 267.) From the following
passage of The Evglish Traveller, by Heywood, 1633, Sign. I 3. we
find there was a picture or Statue of Fortune before the building.
" I'le rather stand heere
" Like a Statue in the Forefront of your house
" For ever ; Like the picture of Dame Fortune
" Before the Fortune Playhouse."
A DIALOCrUE, &c. CXli
tation of a Signior Fideli, a Monsieur TAbbe, or some
such foreign regale express'd in the bottom of the bill.
Lovewit. To wave this digression, I have read of one
Edward AUeyn, a man, so famed for excellent action,
that among Ben Jonson's epigrams, I find one directed
to him, full of encomium, and concluding thus :
Wear this renown, 'tis just that luho did give
So many poets life, by one should live.
Was he one of the Black-friers ?
Trueman. Never, as 1 have heard ; (for he was dead
before my time). He was master of a company of his
own, for whom he built the Fortune play-house from
the ground, a large, round, brick building. This is he
that grew so rich, that he purchased a great estate in
Surry and elsewhere; and having no issue, he built and
largely endowed Dulwich college, in the year 1619^, for
a master, a warden, four fellows, twelve aged poor
people, and twelve poor boys, &c. A noble charity.
Lovewit. What kind of play-houses had they before
the wars?
Trueman. The Black-friers, Cock-pit, and Salis-
bury-court, were called private houses, and were very
small to what we see now. The Cock-pit was stand-
ing since the restoration, and Rhodes's com.pany acted
there for some time.
Lovewit. I have seen that.
Trueman. 'i hen you have seen the other two, in ef-
fect; for they were all three built almost exactly alike,
for form and bigness. Here they had pits for the gentry,
and acted by candle-light. The Globe, Fortune, and
Bull, were large houses, and lay partly open to the wea-
ther, and there they always acted by day-light.
Lovewit. But, pr'ythee, Trueman, what became of
these players when the stage was put down, and the
rebellion rais'd ?
Trueman. Most, of 'em, except Lowin, Taylor and
Pollard (who were superannuated) went into the king's
2 The letters patent under the great seal, bear date the 21st June,
1619.
Cl A DIALOGUE, &c.
army, and, like good men and true, serv'd their old
master, tho' in a different, yet more honourable capa-
city. Robinson was kill'd at the taking of a place, (I
think Basing-house) by Harrison, he that was after
hang*d at Charing-cross, who refused him quarter, and
shot him in the head when he had laid down his arms;
abusing scripture at the same time, in saying, Cursed is
he that doth the work of the Lord negligently. Mohun
was a captain (and after the wars were ended here,
served in Flanders, where he received pay as a major.)
Hart was a lieutenant of horse under sir Thomas Dalli-
son, in prince Rupert's regiment; Burt was cornet in the
same troop, and Shatterel quarter-master; Allen of
the Cock-pit was a major, and quarter-master-general
at Oxford. 1 have not heard of one of these players of
any note that sided with the other party, but only
Svvanston, and he profess'd himself a presbyterian, took
up the trade of a jeweller, and liv'd in Aldermanbury,
within the territory of father Calamy ; the rest either
lost, or expos'd their lives for their king. When the
wars were over, and the royalists totally subdu'd, most
of 'em who were left alive gather'd to London, and for
a subsistence endeavour'd to revive their old trade
privately. They made up one company out of all the
scatter'd members of several ; and in the winter before
the king's murder, 1648, they ventured to act some
plays, with as much caution and privacy as could be,
at the Cock-pit. They continued undisturbed for three
or four days; but at last, as they were presenting the
tragedy of the Bloody Brother (in which Lowin acted
Aubrey; Taylor, Rollo ; Pollard, the Cook: Burt,
Latorch ; and I think Hart, Otto) a party of foot sol-
diers beset the house, surprized 'em about the middle
of the play', and carried 'em away in their habits, not
3 This is confirmed by Kirkman ; who, in his Preface to The
Wits, or Sport tipmi Sport, 1672, says, the small compositions of
which his work was made up, being scenes and parts of plays,
were at this period " liked and approved by all, and they were the
'• fittest for the actors to represent, there being little cost in cloaths,
" which often were in great danger to be seized by the then sol-
A DIALOGUE, &c. clJ
admitting them to shift, to Hatton-house, then a prison,
where, having detained them some time, they plundered
them of their clothes, and let 'em loose again. After-
wards, in Oliver's time, they used to act privately, three
or four miles or more out of town, now here, now there,
sometimes in noblemen's houses, in particular, Holland-
house at Kensington, where the nobility and gentry
who met (but in no great numbers) used to make a sum
for them, each giving a broad piece, or the like. And
Alexander Goffe, the woman actor at Black-friers (who
had made himself known to persons of quality) used to
be the jackall, and give notice of time and place. At
Christmas and Bartholomew-fair, they used to bribe the
officer who commanded the guard at Whitehall, and
were thereupon connived at to act for a few days, at the
Red Bull'*; but were sometimes, notwithstanding, dis-
turb'd by soldiers. Some pick'd up a little money by
" diers ; who, as the poet sayes, Enter the Red Coat, Exit Hat and
" Cloak, was very true, not only in the audience but the actors too,
" who were commonly not only stripp'd, but many times impri-
" soned till they paid such ransom as the souldiers would impose
" upon them ; so that it was hazardous to act any thing that re-
" quired any good cloaths : instead of which, painted cloath many
" times served the turn to represent rich habits."
■* " When the publique Theatres were shut up, and the actors
" forbidden to present us with any of their tragedies, because we
" had enough of that in earnest ; and comedies, because the vices
" of the age were too lively and smartly represented ; then all that
" we could divert ourselves with, were these humours and pieces
" of plays, which, passing under the name of a merry conceited
" fellow, called Bottom the Weaver, Simpleton the Smith ; John
" Swabber, or some such title, were only allowed us, and that but
" by stealth too, and under pretence of rope-dancing, or the like ;
" and these being all that was permitted us, great was the con-
" fluence of the auditors ; and these small things were as profitable
" and as great get-pennies to the actors as any of our late famed
" plays. I have seen the Red Bull Plaiihonse, which was a large one,
" so full, that as many went back for want of room as had entered ;
" and as meanly as you may now think of these drols, they were
" then acted by the best comedians then and now in being ; and I
" may say by some that then exceeded all now living, by name,
" the incomparable Robert Cox, who was not only the principal
" actor, but also the contriver and author of most of these farces."
Kirkman's Preface to The Wits, or Sport upon Sport, 1672.
Clii A DIALOGUE, &C.
publishing the copies of plays never before printed, bnt
kept up in manuscript. For instance, in the year 1652,
Beaumont and Fletcher'sWild-Goose-Chace was printed
in folio, for the public use of all the ingenious, as the
title-page says, and private benefit of John Lowin and
Joseph Taylor, servants to his late majesty ; and by
them dedicated to the honoured few lovers of dramatic
poesy : wherein they modestly intimate their wants,
and that with sufficient cause ; for whatever they were
before the wars, they were after reduced to a necessitous
condition. Lowin, in his latter days, kept an inn, the
Three Pigeons, at Brentford, where he died very old,
for he was an actor of eminent note in the reign of King
James I. and his poverty was as great as his age.
Taylor died at Richmond, and was there buried. Pol-
lard, who lived single, and had a competent estate, re-
tired to some relations he had in the country, and there
ended his life. Perkins and Sumner of the Cock-pit,
kept house together at Clerkenwell, and were there
buried. These all died some years before the restora-
tion ; what follov/ed after, I need not tell you ; you can
easily remember.
Lovewit. Yes ; presently after the restoration, the
king's players acted publicly at the Red Bull for some
time, and then removed to a new-built playhouse in
Vere-street, by Clare-market. There they continued
for a year or two, and then removed to the Theatre
Royal in Drury-lane, where they first made use of
scenes, which had been a little before introduced upon
the public stage by Sir William Davenant, at the
duke's Old Theatre in Lincoln's-inn-fields, but after-
wards very much improved, with the addition of curious
machines, by Mr. Betterton, at the New Theatre in
Dorset-garden, to the great expence and continual
charge of the players. This much impaired their profit
o'er what it was before; for I have been inform'd by
one of 'em, that for several years next after the restora-
tion, every whole sharer in Mr. Hart's company, got
1000/. per ann. About the same time that scenes first
entered upon the stage at London, women were taught
A DIALOGUE, &c. cliii
to act their own parts; since when, we have seen at
both houses several actresses, justly famed, as well for
beauty, as perfect good action. And some plays, in
particular the Parson's Wedding, have been presented
all by women, as formerly all by men. Thus it conti-
nued for about 20 years, when Mr. Hart, and some of
the old men, began to grow weary, and were minded
to leave off; then the two companies thought fit to
unite; but of late you see, they have thought it no less
fit to divide again, though both companies keep the
same name of his majesty's servants. All this while
the playhouse musick improved yearly, and is now
arrived to 2;reater perfection than ever I knew it. Yet
for all these advantages, the reputation of the stage,
and people's affection to it, are much decayed. Some
were lately severe against it, and would hardly allow
stage-plays fit to be longer permitted. Have you seen
Mr. Collier's book?
Trueman. Yes, and his opposers*.
Loveicit. And what think you?
Trueman. In my mind, Mr. Collier's reflections are
pertinent, and true in the main ; the book ingeniously
wrote, and well intended ; but he has overshot himself
in some places, and his respondents perhaps in more.
My affection inclines me not to engage on either
side, but rather mediate. If there be abuses relating
to the stage, which I think is too apparent, let the
abuse be reformed, and not the use, for that reason
only, abolished. 'Twas an old saying, when I was a
boy,
Ahsit ahusus, non desit totaliter usus.
I shall not run through Mr. Collier's book ; I will only
touch a little on two or three general notions, in which,
I think, he may be mistaken. What he urges out of
the primitive councils and fathers of the church, seems
to me to be directed against the heathen plays, which
were a sort of religious worship with them, to the honour
of Ceres, Flora, or some of their false deities. They
had always a little altar on their stages, as appears
Cliv A DIALOGUE, &c.
plain enough from some places in Plautus. And Mr.
Collier himself, p. 235, tells us out of Livy, that plays
were brought in upon the score of religion, to pacify
the gods. No wonder then, they forbid Christians to
be present at them, for it was almost the same as to be
present at their sacrifices. We must also observe; that
this was in the infancy of Christianity, when the church
was under severe, and almost continual persecutions,
and when all its true members were of most strict and
exemplary lives, not knowing when they should be
called to the stake, or thrown to wild beasts. They
communicated daily, and expected death hourly; as
their thoughts were intent upon the next world, they
abstain'd almost wholly from all diversions and plea-
sures (though lawful and innocent) in this. After-
wards, Vv'hen persecution ceased, and the church flon-
rish'd, christians being then freed from their former
terrors, allow'd themselves, at proper times, the lawful
recreations of conversation, and among other, no doubt,
this of shews and representations. After this time, the
censures of the church indeed might be continued, or
revived upon occasion, against plays and players; tho',
in my opinion, it cannot be understood generally, but
only against such players who were of vicious and licen-
tious lives, and represented profane subjects, incon-
sistent with the morals and probity of manners requisite
to christians ; and frequented chiefly by such loose and
debauch'd people, as were much more apt to corrupt
than divert those who associated with them. I say, I
cannot think the canons and censures of the fathers
can be applied to all players, ^wa^ewMS players; for if
so, how could plays be continued among the christians,
as they were, of divine subjects, and scriptural stories?
A late French author, speaking of the Hotel de Bour-
gogne, a play-house in Paris, says, that the ancient
dukes of that name gave it to the brotherhood of the
Passion, established in the church of Trinity-hospital,
in the Rue S. Denis, on condition that they should
represent here interludes of devotion ; and adds, that
there have been public shews in this place six hundred
A DIALOGUE, &c. ch
years ago. The Spanish and Portuguese continue still
to have, for the most part, such ecclesiastical stories for
the subject of their plays: and, if we may believe Gage,
they are acted in their churches in Mexico, and the
Spanish West-Indies.
Lovewit, That's a great way off, Trueman; I had
rather you would come nearer home, and confine your
discourse to Old England.
Trueman. So I intend. The same has been done
here in England ; for otherwise how comes it to be pro-
hibited in the 88th canon, among those p<iss'd in con-
vocation, 1603? Certain it is, that our ancient plays
were of religious su!)jects, and had for their actors, if not
priests, yet men relating to the church.
Lovewit. How does that appear?
Trueman. Nothing clearer. Stow, in his survey of
London, has one chapter of the sports and pastimes of
old time used in this city ; and there he tells us, that in
the year 1391, which was 15 Richard IT. a stage-play
was play'd by the parish-clerks of London, at the
Skinner's-well beside Srfiithfield, which play continued
three days together, the king, queen, and nobles of the
realm being present. And another was play'd in the
year 1409, 1 1 Henry IV. which lasted eight days, and
was of matter from the creation of the world ; whereat
were present most part of the nobility and gentry of
England. Sir William Dugdale, in his antiquities of
Warwickshire, p. 116, speaking of the Gray-friars, or
Franciscans, at Coventry, says. Before the suppression
of the monasteries, this city was very famous for the
pageants that were play'd therein upon Corpus-christi
day ; which pageants being acted with mighty state and
reverence by tlie friers of this house, had theatres for
the several scenes very large and high, placed upon
wheels, and drawn to all the eminent parts of the city,
for the better advantage of the spectators ; and con-
tained the story of the New Testament, composed in old
English rhime. An ancient manuscript of the same is
now to be seen in the Cottonian library, Sub Effig. Vesp.
D. 8. Since the reformation, in queen Elizabeth's
Clvi A DIALOGUE, &C.
time, plays were frequently acted by quiristers and
singing-boys ; and several of our old comedies have
printed in the title-page, " acted by the children of
Paul's," (not the school, but the church) others, '* by
the children of her majesty's chapel ;" in particular,
Cinthia's Revels, and the Poetaster, were play'd by
them ; who were at that time famous for good action.
Among Ben Jonson's epigrams you may find an epitaph
on S. P. (Sal. Pavy) one of the children of Queen
Elizabeth's chapel: part of which runs thus,
Years he counted scarce thirteen,
When fates turnd cruel,
Yet three Jill' d zodiacks he hod been
The stage's jewel ;
And did act {what now we moan)
Old man so duly,
As, sooth, the Parcsfc thought him ojie.
He play'd so truly.
Some of these chapel boys, when they grew men, be-
came actors at the Black-friers; such were Nathan.
Field ^ and John Underwood. Now I can hardly ima-
^ Nathaniel I'ield, on the authority of Roberts the player, (See
his answer to Mr. Pope's preface to Shakspeare) has been consi-
dered as the author of two plays ; A Woman is a Weathercocke, 1612,
?iXidi Amends for Ladies, 1618. He is also supposed to be the same
person who assisted Massinger in The Fatal Dowry. I suspect that
Roberts was mistaken in these assertions, as I do not find any con-
temporary writer speak of Field as an author ; nor is it mentioned
by Langbaiue, who would have noticed it, had he known the fact.
It seems more probable, that the writer of these plays was Natha-
niel Field, M.A. Fellow of New College, Oxford, who wrote some
Latin verses, printed in " Oxoniensis Academise, Parentalia, 1625,"
and who, being of the same university with Massinger, might j^oiu
with him while there, in the composition of the play ascribed to
them. Nathaniel Field above mentioned, was celebrated in the
part of Bmss3/ Damtois, first printed in 1607. On the republication
of that play, in 1641, he is thus spoken of in the Prologue :
" ■ Field is gone,
" "Whose action first did give it name, and one
" Who came the neerest to him, is denide
" By his gray beard to shew the height and pride
A DIALOGUE, &C. clvU
gine that such plays and players as these, are included
in the severe censure of the councils and fathers ; but
such only who are truly within the character given by
Didacus de Tapia, cited by Mr. Collier, p. 276, viz.
The injamous play-house ; a place of contradiction to the
strictness and sobriety of religion ; a place hated by God,
and haunted by the devil. And for such T have as great
an abhorrence as any man.
Lovewit. Can you guess of what antiquity the repre-
senting of religious matters on the stage hath been in
Eno;land?
Trueman. How long before the conquest I know not,
but that it was used in London not long after, appears
by Fitz-stevens, an author who wrote in the reign of
King Henry the Second". His words are, Londonia
j>ro spectaculis theatralibus, pro ludis scenicis, ludos habet
sanctiores, representationes miraculorum, qucB sancti
confessores operati sunt, seu reprcesentationes passionum
quibus claruit constantiamarlyrum. Of this, the manu-
script which I lately mentioned, in the Cottonian library,
is a notable instance. Sir William Dugdale cites this
manuscript, by the title of Ludus Coven trice ; but in the
printed catalogue of that library, p. 113, it is named
thus, A collection of plays in old English metre ; h. e.
Dtamata sacra, in quibus exhibentur historice Veteris et
N. Testamenti, introductis quasi in scenam personis illic
memoratis, quas secum invicem colloquentes pro ingenio
fngit poeta. Videntur olim coram populo, sive ad in-
struendum, sive ad placendam, a fratribus mendicantibus
reprasentata. It appears by the latter end of the pro-
logue, that these plays or interludes were not only
play'd at Coventry, but in other towns and places upon
" Of D'Ambois youth and braverie ; yet to bold
" Our title still a foot, and not grow cold
" By giving it o're, a tbird man witb bis best
" Of care and paines defends our interest;
♦* As Ricbard he was lik'd, nor doe wee feare,
" In personating Dambois, bee'le appeare
" To faint, or goe lesse, so your free consent
" As heretofore give bim encouragement." : *
« P. 7'^ 4to. Edition 1772.
Clviii A DIALOGUE, &c.
occasion. And possibly this may be the same play
which Stow tells us was play'd in the reign of King
Henry IV. which lasted for eight days. The book seems
by the character and language to be at least 300 years
old. It begins with a general prologue, giving the ar-
guments of 40 pageants or gesticulations (which were
as so many several acts or scenes) representing all the
histories of both testaments, from the creation to the
chusing of St. Matthias to be an apostle. The stories
of the New Testament are more largely express'd, viz.
the annunciation, nativity, visitation; but more espe-
cially all matters relating to the passion, very particu-
larly, the resurrection, ascension, the choice of St.
Matthias. Atter which is also representtd the assump-
tion, and last judgment- All these things were treated
of in a very homely stile, as we now think, infinitely
below the dignity of the subject: but it seems the
gout of that age was not so nice and delicate in these
matters; the plain and incurious judgment of our an-
cestors, being prepared with favour, and taking every
thing by the right and easiest handle : For example, in
the scene relating to the visitation :
Maria. But husband of oo thyng pray you most
mekeley^
I have knowing that our cosyn Elizabeth with childe is.
That it please yow to go to her hastyly^
If ought we myth comfort Iter, it wer to me blys.
Joseph. A Gods sake, is she with child, sche ?
Than will her husband Zachary be mery.
In Montana they dwelle,fer hence, so moty the,
In the city of Juda, I know it verily ;
It is hence, I trowe, myles tioo a fifty.
We ar like to he wery or we come at the same.
I wole with a good will, blessyd wyff Mary ;
Now go we forth then in Goddys name, 8^c.
A little before the Resurrection.
Nunc dormient milites, et veniet anima Christi de inferno,
cum Adam et Eva., Abraham, John Baptist, et aliis.
A DIALOGUE, &c. cllX
Anima Christi. Come forth Adam, and Eve with the.
And all 7ny fryndes that herein he.
In paradys come forth with me
In blysse for to dwelle.
The fende of hell that is yowrfoo
He shall be wrappyd and woundyn in woo:
Fro wo to welth now shall ye go,
With myrih ever mor to melle,
Adam. / thank the Lord of thy grete grace
That now is forgiven my gret trespace,
Now shall we dwellyn in blyssful place, S^c.
The last scene or pageant, which represents the day
of judgment, begins thus :
Michael. Surgite, All men aryse,
Venite ad judicium,
For now is set the High Justice,
And hath assignyd the day of dome :
Kepe you redyly to this grett assyse. .
Both gret and small, all and sum.
And of yowr answer yon, now advise,
What you shall say when that yow com, &;c.
These and such like were the plays, which in former
ages were presented publicly : Whether they had any
settled and constant houses for that purpose, does not
appear; I suppose not. But it is notorious that in
former times there was hardly ever any solemn reception
of princes, or noble persons, but pageants, that is,
stages erected in the open street, were part of the en-
tertainment. On which there were speeches by one or
more persons, in the nature of scenes ; and be sure one
of the speakers must be some saint of the same name
with the party to whom the honour is intended. For
instance, there is an ancient manuscript at Coventry,
call'd the Old LeetBook, wherein is set down in a very
particular manner, p. 168, the reception of Queen Mar-
garet, wife of Henry VI, who came to Coventry ; and,
I think, with her, her young son, prince Edward, on
the feast of the exaltation of the holy-cross, 35 Hen. VI.
Clx A DIALOGUE, &c.
1456. Many pageants and speeches were made for
her welcome; out of all which, I shall observe but two
or three, in the old English, as it is recorded.
St. Edward. Moder of mekeneSy dame Margaretc,
princes most excellenty
J king Ediimrd wellcome you with affection cordial,
Testefying to your highnes mekely myn entenl.
For the wele of the king and you hertily pray I shall.
And fur prince Edivard my gosily chylde, who I love
principal.
Praying the, John Evangelist, my help thcrevi to be.
On that condition right humbly I give this ring to the.
John Evangelist. Holy Edward, crowned king, brother
in verginity.
My power plainly I will prefer thy will to amplefy-
Most excellent princes of wymen mortal, your bedeman
will I be.
I know your life so vertuous that God is pleased thereby.
The birth of you unto this reme shall cause great melody :
The vertuous voice of prince Edward shall doyly well
encrease,
St. Edward his Godfader, and I shall prey therefore
doubtlese.
St. Margaret. Most notabul princes of wymen carthle,
Dame Margarete, the chefe myrth of this empyre,
Ye be hertely welcome to this cyte.
To the plesure of your highnesse I wyll set my desyre ;
Both nature and gentlenesse doth me require,
Seth we be both of one name, to shew you kindnessc ;
Wherefore by my power ye shall have no distressc.
I shall pray to the prince that is endlese
To socour you with solas of his high grace ;
He will here my petition, this is doubtlesse,
for I wrought all my life that his iv III w ace.
Therefore, lady, when you be in any dredfull case,
Call on me boldly, thereof I pray you.
And trust inmefeythfuUy, I v. ill do that may pay you.
A DIALOGUE, &c. clxi
In the next reign, as appears in the same bgok, fol.
221, another prince Edward, son of king Edward \V.
came to Coventry on the 28th of April, 14 Edward IV.
1474, and was entertained with many pageants and
speeches, among which I shall observe only two; one was
of St. Edward again, who was then made to speak thus :
Noble prince Edvmrd, my cousin and my knight,
And very prince of our line com yn dissent,
I St. Edward have pursued for your fader's imperial
right,
Whereof he was excluded by full furious intent.
Unto this your chamber, as prince full excellent.
Ye be right welcome. Thanked be Crist of his sonde.
For that that was ours is now in your Jaders honde.
The other speech was from St. George, and thus
saith the book.
" Also upon the condite in the Croscheping
** was St. George armed, and a king's daughter kneling
'' afore him with a lamb, and the fader and the moder
'* being in a iowre aboven beholding St. George saving
" their daughter from the dragon, and the condite ren-
" ning wine in four places, and minstralcy of organ play-
" ing, and St. George having this speech underwritten.
0 mighty God our all succour celestiall,
Which this royme hast given in dower
To tin moder, and to me George protection perpttuall
It to defend from enimys fer and nere,
And as this mayden defended was here
By thy grace from this dragons devour.
So, Lord, preserve this noble prince atid ever be his socour.
Lovewit. I perceive these holy matters consisted very
much of praying; but I pity poor St, Edward the con-
fessor, who, in the comp iss of a few years, was made
to promise his favour and assistance to two young
princes, of the same name indeed, but of as different
and opposite interests as the two poles. 1 know not
hov/ he could perform to both.
Trueman. Alas ! they were both unhappy notwith-
voL. I. m
clxii
A DIALOGUE, &c.
standing these fine sliews and seeming caresses of
fortune, being both murder'd, one by the hand, the
other by the procurement of Richard duke of Glocester.
I will produce but one example more of this sort of ac-
tion, or representations, and that is of later time, and
an instance of much higljer nature than any yet men-
tioned ; it was at the marriage of prince Arthur, eldest
son of king Henry VII. to the princess Catharine of
Spain, anil. 1501. Her passage through London was
very magnificent, as I have read it described in an old
MS. chronicle of that time. The pageants and speeches
were many ; the persons represented, St. Catharine, St.
Ursula, a senator, noblesse, virtue, an angel, king Al-
phonse, Job, Boetius, &c. among others one is thus
described. " lllien this spech was ended, she held
" 071 her way tyll she came unto the standard in Chepe,
" where was ordeyned the fifth paygend made like an
" hevyny theryn, syttyng a personage representing
'* the fader of hfvyn, beyng all formyd of gold, and
** hrennyng beff'or his trone vii candy ills of tvax standyng
" in vii candy Istykis (f gold, the said personage beyng en-
" viroued wylh sundry hyrarchies off augtlis, and sytt-
** ing in a cope of most rich cloth of tyssu, garnishyd
*' wyth stoon and perle in most svmptnous wyse.
** Foragain which said pngend upon the sowihsydeofihe
** strete stood at that tyme, in a hows ivheryn that tyme
" dwellyd H^illiam Ge^rey habyrdasher, the king, the
** queene, my lady the kingys moder, my lord of Oxyn-
*\fford, wyth many other lordys and ladys, and perys of
'* this realm, wyth also certayn ambassadors of France
*' lately sent from the French king : and so passyng the
*' said €stalys,ey! her guyving to other due and convenyent
" SQluts and counienancs, so sone as hyr grace was ap-
** proachid unto the sayd pagend, the fadyr began his
** spech as folowyth :
Hunc veneram locum, septeno lumine septum.
Dignumque Arthuri totidem astra micant,
1 am begynyng and ende, that made ech creature
My sylfC} and for my sylfe, but man esspecially
A DIALOGUE, &c. dxiii
BotJt, male and female, made ojtyr myne au?ifygure,
Whom I joyned togydyr in matrimony,
And that in paradyse, declaring opynly
That men shall weddyng in my chyrch solempnize,
Fygurid and signifyed by the erlhly paradyze.
In ihysmy chyrch I am allwuy recydent
As my chyeff tabernacle, and most chosyn place.
Among these goldyn condylstikkis, which represent
My catholyk chyrch shynyng a for my face,
With lyght cffeyth, wisdom, doctryne, and grace^
And mervelously eke enflamyd toward me
M'yth the extyngwiblefyre of chary ie.
Wherefore, my welbelovid dowtliyr Kaiharyn,
Syth I have made yow to myne awn semblance
In my chyrch to be maried, and your noble childryn
To regn in this land as in their enherytance,
Se that ye have me in speciall remembrance :
Love me and my chyrch yowr spiritual modyr.
For ye dispysing that oon, dyspyse that olhyr.
Look that ye walk in my precepts, and obey them well :
And here I give you the same biyssyng that I
Gave my well beloved chylder of Israeli ;
Blyssyd be the Jruyl of your bely ;
Yower substance and frutys I shall encrease and mul-
lypiy ;
Yower rebellious enimyes I shall put in yowr hand,
Encreasing in honour both yow and yowr land.
Lovewit. This would be censured now-a-days as pro-
fane to the highest degree.
Trueman. No doubt on't : yet you see there was a
time when people were not so nicely censorious in these
matters, but were willing to take things m the best
sense; and then this was thought a noble entertain-
ment for the greatest king in Europe (such I esteem
king Henry VII. at that time) and proper for that day
of mighty joy and triumph. And I must farther ob-
serve out of Lord Bacon's history of Henry VH. that
the chief man who had the care of that day's proceed-
ings was bishop Fox, a grave counsellor for v/ar or
Clxiv A DIALOGUE, &C.
peace, and also a good surveyor of works, and a good
master of ceremonies, and it seems he approv'd it.
The said lord Bacon tells us farther, That whosoever
had those toys in compiling, they were not altogether
pedantical.
Lovewit. These things however are far from that
which we understand by the name of a play.
Trueman. It may be so ; but these were the plays of
those times. Afterwards in the reign of king Henry
VIII. both the subject and form of these plays began
to alter, and have since varied more and more. I have
by me, a thing called A merry play between the Par-
doner and the Frere, the Curate and Neybour Pratte.
Printed the 5th of April 1533, which was 24 Henry
VHI. (a few years before the dissolution of monaste-
ries.) The design of this play was to ridicule Friers
and Pardoners. Of which I'll give you a taste. To
begin it, the Frier enters with these words :
Deus hie ; the holy trynyte
Preserve all that now here he.
Dere bretherne, yf ye will consyder
1 he cause why I am com hyder,
Ye wolde be glad to knowe my en tent:
For I com not hyiherfor mony nor J or rent,
I com not hyther for meat nor for meale.
But I com hylhtrfor your soules heale, &c.
After a long preamble he addresses himself to preach,
■when the Pardoner enters with these words :
God and St. Leonarde send ye all his grace,
As many as ben assembled in this place, &c.
and makes a long speech, shewing his bulls and his
reliques, in order to sell his pardons, for the raising
some money towards the rebuilding
Of the holy chappell of sweet saynt Leonarde,
Which late by fyre was destroyed and marde.
Both these speaking together, with continual interrup-
tion, at last they fall together by the ears. Here the
A DIALOGUE, &c. clxv
curate enters (for you must know the scene lies in the
church),
Hold your hands ; a vengeance on ye both iwOy
That ever ye came hyther to make this ado,
To polute my chyrche, &c.
Frier, Mayster parson, I marvayll ye will give ly-
cence
To this false knave in this audience
To publish his ragman rolles with lyes.
I desyred hym ywys more than ones or twyse
To hold his peas tyll that I had done,
But he would here no more than the man in the mone.
Pardoner. Why sholde I suffre the, more than thou me ?
Mayster parson gave me lycence before the.
And I wolde thou knowest it I have relykes here,
Other maner stuffe than thou dost bere :
I wyll edefy more with the syght of it,
Than will all thy praiynge of holy wryt ;
For that except that the precher himselfe lyve well.
His predycacyon wyll helps never a dell, &c.
Parson. No more of this wranglyng in my chyrch :
J shrewe yowr hertys bothe for this lurche.
Is there any blood shed here befiveen these knaves ?
Thanked he god they had no stavys,
Nor egotoIes,for then it had ben wronge.
Well, ye shall synge anolher songe.
Here he calls his neighbour Prat, the Constable,
with design to apprehend 'em, and set 'em in the stocks.
But the Frier and Pardoner prove sturdy, and will not
be stock'd, but fall upon the poor Parson and Con-
stable, and bang them both so well-favour'dly,that at last
they are glad to let 'em go at liberty : and so the farce
ends with a drawn battle. Such as this were the plays
of that age, acted in gentlemen's halls at Christmas, or
such like festival times, by the servants of the family,
or strollers, who went about and made it a trade. It
Clxvi A DfALOGUE, &c.
is not unlikely that the^ lords in those day, and per-
sons of eminent qnality had their several gangs of
players, as some have now of fiddlers, to whom they
give cloaks and badges. The first comedy that I have
seen, that looks like rey:ular, is G(tmmer Gurtoris
Needle, writ ^, I tliink, in the reign of kinji Edward VI.
This is composed of five acts, the scenes unbroken, and
the unities of time and place duly observed. It was
acted at Christ's College in Cambridge; there not
being as yet any settled and public theatres.
Lovewit. I observe, Trueman, from what you have
said, that plays in England had a beginning much like
those of Greece ; the Monologues and the Pageants
drawn from place to place on wheels, answer exactly to
the cart of Thespis, and the improvements have been
by such little steps and degrees as amon^ the ancients,
till at last, to use the words of Sir George Buck (in his
Third University of England) " Dramatic poesy is so
*' lively express'd and represented upon the public
** stages and theatres of this citv, as Rome in the auge
" (the highest pitch) of her ponip and glory, never saw
'* it better performed, I mean (says he) in respect of
" the action and art, and not of the cost and sump-
" tuousness." This he writ about the year 1631.
But can you inform me, Trueman, when the public
theatres were first erected for this purpose in London ?
Trueman. Not certainly; but, I presume, about
the beginning 6^ queen Elizabeth's reign. ~ For Stow,
in his survey of London (which book was first printed
in the year 1598) says, " Of late years, in place of these
** stage plays (i. e. those of religious matters) have
" been used comedies, tragedies, interludes, and histo-
** ries, both tme and feigned; for the acting whereof
" certain jiuhlick places, as the Theatre, the Curtine,
" &c. have been erected." And the continuator of
' Till the 25ih year of oueen Elizabeth, the queen had not any
players ; but in that year twelve of the best of all those who be-
longed to several lords, were chosen, and sworn her servants.
Stow's Annals, p. 698.
8 See vol. 11. p. 3, where a reason is assigned for supposing that
tliis play was written later.
A DIALOGUE, &:c. clxvii
Stow*s annals, p. 1004, says, that in sixty years before
the publication of that book, (wliich was Ann. Dom
1529) no less than seventeen publick stages, or common
play-houses, had been built in and about London. In
which num er he reckons five inns or common
osteries, to have been in his time turned into play-
houses, one Cock-pit, Saint Paul's singing-school, one
in the Black- friers, one in the White-friers, and one in
former time at Newington Butts; and adds, before the
space of sixty years past, I nev- r knew, heard, or read
of any such theatres, stages, or play-houses, as have
been purposely built within man's memory.
Lovewit. After all, I have been told, that stage-plays
are inconsistent with the laws of this kingdom, and
players made rogues by statute.
Trueman. He that told you so, strain'd a point of
truth. I never met with any law wholly to suppress
them : sometimes, indeed, they have been prohibited
for a season ; as in times of Lent, general mourning, or
publick calamities, or upon other occasions, when the
government saw fit. Thus by proclamation, 7 of April,
in the first year of queen Elizabeth, plays and inter-
ludes were forbid till Allhallow-iide next following.
Hollinshv^.d, p. 1184. Some statutes have been made
for their regulation or reformation, not general sup-
pression. By the stat. 39 Eliz. cap. 4. (which was
made for the suppressing of rogues, vagabonds, and
sturdy beggars) it is enacted, s. 2. " That all persons
" that fee, 07' utter themselves to be, proctors, procurers,
*' patent gatherers, or collectors for gaols, prisons, or
*' hospitals, or fencers, bearwards, common players of m-
** terludes and minisirels, wandering abroad, (other than
** players of interludes belonging to any baron of this
** realm, or any other honourable personage of greater
** degree, to be authorized to play under the hand and
** seal of arms of such baron or personage) all jiiglers,
" tinkers, pedlars, and petty chapmen, wandWing abroad,
** all wandering persons, S^c. able in body, using loyter-
*' i7ig, and refusing to work for such reasonable wages as
" is commonly given, &;c. These shall be adjudged and
Clxviii A DIALOGUE, &C.
" deemed rogues^ vagabonds, and sturdy beggars, and
'* punished as such."
Loveivit. But this privilege of authorizing or licens-
ing, is taken away by the stat. Jac. I. ch. 7. s. 1. and
therefore all of them, as Mr, Collier says, p. 242, are
expressly brought under the aforesaid penalty, without
distinction.
Trueman. If he means all players, without distinc-
tion, 'tis a great mistake. For the force of the queen's
statute extends only to wandering players, and not to
such as are the king or queen's servants, and esta-
blish'd in settled houses, by royal authority. On such,
the ill character of vagrant players (or, as they are now
called, strollers) can cast no more aspersion, than the
wandering proctors, in the same statute mentioned, on
those of Doctors-Commons. By a stat, made 3 Jac. I.
ch. 21. it was enacted, *' That if any person shall, in
*^ any stage-play, inter lude, shew, may-game or pageant,
" jestingly or prophanely speak or use the holy name of
" God, Christ Jesus, or of the Trinity, he shall forfeit
^' for every such offence ]0L" The stat. 1 Charles I. ch. 1.
enacts, *' That no meetings, assemblies, or concourse of
" people shall be out of their own parishes, on the Lord*s
*' day, for any sports or pastimes whatsoever, nor any
** bear-baiting, bull-baiting, interludes, common-plays, or
*' other unlawful exercises and pastimes, used by any per-
** sou or persons within their own parishes.** These are
all the statutes thai 1 can think of, relating to the stage
and players; but nothing to suppress them totally, till
the two ordinances of the long parliament, one of the
^2d of October, 1647, the other of the 11th of Feb.
1647 ; by which ail stage-plays and interludes are
absolutely forbid ; the stages, seats, galleries, &c. to be
pulled down ; all players, tho' calling themselves the
king or queen's servants, if convicted of acting within
two months before such conviction, to be punished as
rogues according to law ; the money received by them
to go to the poor of tlie parish ; and every spectator to
pay five shillings to the use of the poor. Also cock-
fighting was prohibited by one of Oliver's acts of 31,
A DIALOGUE, &c. clxi'x
I^Iarch, 1654. But I suppose no body pretends these
things to be laws. I could say more on this subject,
but I must break off here, and leave you, Lovewit ; my
occasions require it.
Lovewit. Farewell, old Cavalier.
Trueman. *Tis properly said; we are almost all of
us, now, gone and forgotten.
clxx LETTERS PATENT FOR
15 January, 14 Car. II. 1662.
A Copy of the Letters Patents then granted by
Kin^ Charles II. under the Great Seal o/ England,
to Sir William D'avenant, Knt. his Heirs and As-*
signs, for erecting a new Thtatre, and esiahlishing of
a company of actors in any place v:ithin London or
Westminster, or the Suburbs of the same : And that
no other but this company, and one other company, by
virtue of a Wee Patent, to Thomas Killigrew, Esq;
should be permitted within the said liberties.
Charles the second, by the Grace of God, king of
England, Scotland, France, and Ireland, defender of
the faith, &c. to all to whom all these presents shall
come, greeting,
Recites former pa- Whereas our royal father of glori-
tents, 14 Car. I. ous memory, by his letters patents
ann. 1639. to Sir under his great seal of England bear-
Will. D'avenant. j^g ^j^te at Westminster the 26th day
of March, in the l4th year of his reign, did give and
grant unto Sir William D'avenant (by the name of
William D'avenant, gent.) his heirs, executors, adminis-
trators, and assigns, full power, licence, and authority,
That he, they, and every of them, by him and them-
selves, and by all and every such person and persons
as he or they should depute or appoint, and his and
their laborers, servants, and workmen, should and
might, lawfully, quietly, and peaceably, frame, erect, new
build, and set up, upon a parcel of ground, lying near
unto or behind the Three Kings ordinary in Fleet-
street, in the parishes of St. Dunstan's in the west,
London; or in St. Bride's, London; or in either of
them, or in any other ground, in or about that place,
or in the whole street aforesaid, then allotted to him for
that use ; or in any other place that was, or then after
ERECTING A NEW THEATRE. clxXl
should be assigned or allotted out to the said Sir Wil-
liam D'avenant by Thomas earl of Arundel and Surry,
then Earl Marshal of England, or any other commis-
sioner for building, for the time being in that behalf, a
theatre or play-house, vviih necessary tiring and retiring
rooms, and other places convenient containing in the
whole forty yards square at the most, wherein plays,
musical entertainments, scenes, or other the like pre-
sentments might be presented. And our said royal
father did grant unto tlie said Sir William D'avenant,
his heirs, executors, and administrators and assignes,
that it should and might be lawful to and for him the
said Sir William D'avenant, his heirs, executors, ad-
ministrators, and assignes, from time to time, to
gather together, entertain, govern, privilege, and keep,
such and so many players and persons to exercise ac-
tions, musical presentments, scenes, dancing, and the
like, as he the said Sir William D'avenant, his heirs,
executors, administrators, or assignes, should think fit
and approve for the said house. And such persons to
permit and continue, at and during the pleasure of the
said Sir William D'avenant, his heirs, executors, ad-
ministrators, or assignes, from time to time, to act
plays in such house so to be by him or them erected,
and exercise musick, musical presentments, scenes,
dancino-, or other the like, at the same or other houses
or times, or after plays are ended, peaceably and
quietly, without the impeachment or impediment of any
person or persons whatsoever, for the honest recrea-
tion of such as should desire to see the same; and that
it should and might be lawful to and for the said Sir
William D'avenant, his heirs, executors, administra-
tors, and assigns, to take and receive of such as should
resort to see or hear any such plays, scenes, and enter-
tainments whatsoever, such sum or sums of money as
was or then after, from time to time, should be accus-
tomed to be given or taken in other play-houses and
places for the like'plays, scenes, presentments, and en-
tertainments as in and by the said letters patents,
Clxxii LETTERS PATENT FOR
relation being thereunto had, more at large may ap-
pear.
18 Car. II. exempli- And whereas we did, by our letters
fication of said let- patents under the great seal of Eng-
ters patents. |aQcJ, bearing date the 16th day of
May, in the 13th year of our reign, exemplifie the said
recited letters patents granted by our royal father, as
in and by the same, relation being thereunto had, at
large may appear.
Surrender of botli And whereas the said Sir William
to the king in the D'avenant hath surrendered our letters
court of Chancery, patents of exemplification, and also the
said recited letters patents granted by our royal father,
into our Court of Chancery, to be cancelled ; which
surrender we have accepted, and do accept by these
presents.
New grant to Sir Know ye that we of our especial
William D'avenant, grace, certain knowledge, and meer
his heirs and assigns, motion, and upon the humble peti-
tion of the said Sir William D'avenant, and in con-
sideration of the good and faithful service which he
the said Sir William D'avenant hath done unto us,
and doth intend to do for the future ; and in consider-
ation of the said surrender, have given and granted,
and by these presents, for us, our heirs and successors,
do give and grant, unto the said Sir William D'avenant,
his heirs, executors, administrators, and assigns, full
power, licence, and authority, that he, they, and every
one of them, by him and themselves, and by all and
every such person and persons as he or they should
depute or appoint, and his or their labourers, servants,
and workmen, shall and may lawfully, peaceably, and
To erect a theatre quietly, frame, erect, new build, and
in London or West- set up, in any place within our cities
minster, or the su- of London and Westminster, or the
^'ir^^* suburbs thereof, where he or they
shall find best accommodation for that purpose ; to be
assigned and allotted out by the surveyor of our works;
one theatre or play-house, with necessary tiring and
ERECTING A NEW THEATRE. clx]
retiring rooms, and other places convenient, of such
extent and dimention as the said Sir William D'ave-
nant, his heirs or assigns shall think fitting? wherein
tragedies, comedies, plays, operas, musick, scenes, and
all other entertainments of the stage whatsoever, may-
be shewed and presented.
' And we do hereby, for us, our heirs and successors,
grant unto the said Sir William D'avenant, his heirs
and assigns, full power, licence, and authority, from
time to time, to gather together, entertain, govern, pri-
viledge and keep, such and so many ^^^ to entertain
piayers and persons to exercise and players, &c. to act,
act tragedies, comedies, plays, operas, without the im-
and other performances of the stage, peachment of any ,
within the house to be built as afore- P^^^°"-
said, or within the house in Lincoln's-Inn-Fields,
wherein the said Sir William D'avenant doth now exer-
cise the premises; or within any other house, where he
or they can best be fitted for that purpose, within our
cities of London and Westminster, or the suburbs
thereof; tvhich said company shall be ihe servants of our
dearly beloved brother^ James Duke of Y'ork, and shall
consist of such number as the said Sir William D'ave-
nant, his heirs or assigns, shall from time to time think
meet. And such persons to permit and continue at
and during the pleasure of the said Sir William D'ave-
nant, his heirs or assigns, from time to time, to act
plays and entertainments of the stage, of all sorts,
peaceably and quietly, without the impeachment or im-
pediment of any person or persons whatsoever, for the
honest recreation of such as shall desire to see the
same.
And that it shall and may be lawful to and for the
said Sir William D'avenant, his heirs and assigns, to
take and receive of such our subjects as shall resort to
see or hear any such plays, scenes and entertainments
whatsoever, such sum or sums of money, as either have
accustomably been given and taken in the like kind, or
as shall be thought reasonable by him or them, in re-
gard of the great expences of scenes, musick, and such
new decorations, as have noL been formerly used.
Clxxiv LETTERS PATENT FOR
And further, for us, our heirs, and successors, we do
hereby give and grant unto the said Sir William D'ave-
nant, his heirs and ussij^ns, full power to make such
allowances out of that which he shall so .eceive, by the
acting of plays and enlertainmcnts of the stage, as
aforesaid, to the actors and other persons imployed in
acting-, representing, or in any quality whatsoever,
about the said theatre, as he or they shall think fit;
and that the said company shall be under the sole go-
vernmeni and authority of the said Sir William D'ave-
nant; his heirs and assigns. And all scandalous and
mutinous persons shall from time to time be by him
and them ejected and disabled from playing in the said
theatre.
That no other ^^d for that we are informed that
company but this, divers companies of players have taken
and one other un- ^pon them to act plays publicly in
der Mr. Kilhgrew ^^^ ^^^^ ^.^^^^ ^^ London and West-
be permitted to act . ■ i i /• • i
within London or mmster, or the suburbs thereoi, witn-
Westminster, or the out any authority for that purpose ; we
suburbs. ^q hereby declare our dislike of the
same, and will and grant that only the said company
erected and set up, or to be erected and set up by the
said Sir William D'avenant, his heirs and assigns, by
virtue of these presents, and one other company erected
and set up, or to be erected and set up by Thomas
Killigrevv, Esq., his heirs or assigns, and none other,
shall from henceforth actor represent comedies, trage-
dies, plays, or entertainments of the stage, within our
said cities of London and Westminster, or the suburbs
thereof; which said company to be erected by the said
Thomas Killigrew, his heirs or assigns, shall be subject
to his and their governnieiit and authority, and shall
be stiled the Company of Us and our Royal Consort.
And the better to preserve amity and correspondency
betwixt the said companies, and that the one may not
incroach upon the other by any indirect means, we will
No actor to go from and ordain, That no actor or other
one company to the person employed about either of the
other. said theatres, erected by the said Sir
"William D'avenant and Thomas Killigrew, or either of
ERECTING A NEW THEATRE. clxXV
them, or deserting his company, shall be received by
the governor or any of the said other company, or any
other person or persons, to be employed in acting, or
in any matter relating to the stage, without the consent
and approbation of the governor of the company, whereof
the said person so ejected or deserting- was a member,
signified under his hand and seal. And we do by these
presents declare all other company and companies,
saving the two companies before mentioned, to be
silenced and suppressed.
And forasmuch as many plays, formerly acted, do
contain several prophane, obscene, and scurrilous pas-
sages ; and the womens parts therein have been acted
by men in the habits of women, at which some have
taken offence ; for the preventing of these abuses for
the future, we do hereby straitly charge and command
and enjoyn, that from henceforth no new play shall be
acted by either of the said companies, containing any
passages offensive to piety and good manners, nor any
old or revived play, containing any such offensive pas-
sages as aforesaid, until the same shall
be corrected and purged, by the said &°/°"''^ ^^^^''
masters or governors of the said re-
spective companies, from all such offensive and scanda-
lous passages, as aforesaid. And we do likewise permit
and give leave that all the womens parts to be acted in
either of the said two companies for the time to come,
may be performed by women, so long as these recrea-
tions, which, by reason of the abuses aforesaid, were
scandalous and offensive, may by such reformation be
esteemed, not only harmless delights, but useful and
instructive representations of humane life, to such of
our good subjects as shall resort to see the same.
And these our letters patents, or the
inrollment thereof, shall be in all things ^^^^J^^^ bTood"'
good and effectual in the law, accord- ardeffectSthe
ing to the true intent and meaning of jaw, according to
the same, any thing in these presents the true meaning
contained, or any law, statute, act, of the same, aJ-
T 1 .• • • though, &c.
ordinance, proclamation, provision,
Clxxvi LETTEllS PATENT, &c.
restriction, or any other matter, cause, or thing what-
soever, to the contrary, in any wise notwithstanding;
although express mention of the true yearly value, or
certainty of the premises, or of any of them, or of any
other gifts or grants by us, or by any of our progeni-
tors or predecessors, heretofore made to the said Sir
William D'avenant in these presents, is not made, or
any other statute, act, ordinance, provision, proclama-
tion, or restriction heretofore had, made, enacted,
ordained, or provided, or any other matter, cause, or
thing whatsoever to the contrary thereof, in any wise
notwithstanding. In witness whereof, we have caused
these our letters to be made patents. Witness our self
at Westminster, the fifteenth day of January, in the
fourteenth year of our reign.
By the King. HOWARD.
GOD'S PROMISES,
VOL. I.
John Bale, author of the Morality of God's Promises,
is more known as an Historian, and Controversialist,
than as a Dramatick writer. He was born on the 21st
of November, 1495, at Cove, a small village near Dun-
wich, in Suffolk. His parents, having many other chil-
dren, and not being in very affluent circumstances,
sent him, at the age of twelve years, to the monastery
of Camelites at Norwich *, where he received part of his
education, and from whence he removed to St. John's
College t» Cambridge t. While he continued at the
University, being as he says seriously stirred up by the
illustrious the Lord Wentworth, he renounced the
tenets of the church of Rome; and, that he might
never more serve so execrable a beast, I took, says he,
to wife the faithful Dorothy, in obedience to that
divine command, '* Let him that cannot contain,
" marry." Bishop Nicholson insinuates, that his dis-
like to a state of celibacy was the means of his con-
version, more than any doubts which he entertained
about the truth of his faith. The change of his re-
ligion exposed him to the persecution of the Romish
clergy, particularly of Lee, archbishop of York, and
Stokesley, bishop of London : but he found an able and
powerful proctor in the person of Lord Cromwell, the
favourite of Henry the Eighth. On the death of this
nobleman, he withdrew into the Low Countries, and
resided there eight years; in which time he wrote
several pieces in the English language. On the ac-
cession of King Edward the Sixth, he was recalled
* It is said by Mr. Wallis, in " The Natural History and Anti-
" quities of Northumberland," 4to. vol. i'. p. 390, tbat John Bale
lived and studied at the Abbey of Hulme inth at county, of
which society he was a member.
t Mr. A. Chalmers in Lis Biographical Dictionary, says, that
Bale was of Jesiis College, Cambridge. C.
t The writer of Bale's article in the Biographia Britannica hath
fallen into a mistake, asserting him to have been of St. John's
College, Oifovd. Bale's own words are these : " In omni litera-
" rum barbarie ac mentis coecilate illic et Cantah igi(e pervagabar,
" nullum habens tutorem aut Mecsnatem ; donee, lucente Dei
" verbo, ecclesize revocari coepissent ad verce theologioe purissimos
•' fontes." Dr. Berkenhout hath adopted the same error.
into England, and obtained the living of Bishop's
Stocke, in the county of Southampton. During his
residence at his living, he was almost brought to the
point of death by an ague ; when hearing that the
king was come in progress to Southampton, five miles
only from where he dwelt, he went to pay his respects
to him. " I toke my horse, says he, about 10 of the
" clocke, for very weaknesse scant able to sytt hym,
" and so came thydre. Betwixt two and three of the
*' clocke, the same day, 1 drew towardes the place
" where as his majestic was, and stode in the open
*' strete ryght against the gallerye. Anon, ray frinde
" Johan Fylpot, a gentylman, and one of hys previe
" chambre, called unto him two more of hys com-
*' panyons, which in moving their heades towardes me,
** shewed me most frendely countenaunces. By one of
*• these three the kynge havynge informacion that I
** was there in the strete, he marveled thereof, for so
" much as it had bene tolde hym a lytic afore that I
" was bothe dead and buried. Widi that hys grace
" came to, the wyndowe, and earnestly behelde me a
" poore weake creature, as though he had upon me so
" so symple a subject an earnest regard, or rather a
*' very fatherly care." This visit to the king occasioned
his immediate appointment to the bishoprick of Ossory,
which was settled the next day, as he declared* after-
wards, against his will, of the king's own mere motion
only, without suit of friends, meed, labour^ expences, or
any other sinister means else. On the 20th of March,
]553,t he was consecrated at Dublin by the arch-
bishop of that see, and underwent a variety of perse-
cutions from the Popish party in Ireland, which at
length compelled him to leave his diocese, and conceal
himself in Dublin. Endeavouring to escape from thence
in a small trading vessel, he was taken prisoner by the
captain of a Du-tch man of war, who rifled him of all
* See his Vocacyon.
t Mr. A. Chalmers gives the date of Bale's consecration,
February 2, 1553, and not the 20th of March. The former is
correct. C.
5
his money, apparel, and effects. The ship was then
driven by stress of weather into St. Ives in Cornwall,
where he was taken up on suspicion of high treason,
but soon discharged. From thence, after a cruize of
several days, the ship arrived in Dover Road, and he
was again put in danger by a false accusation. On his
arrival in Holland, he was kept prisoner three weeks,
and then obtained his liberty on payment of a sum of
money. From Holland he retired to Basil in Switzer-
land, and continued abroad during the remainder of
Queen Mary's reign. On the accession of Queen
Elizabeth, he returned to England; but being dis-
gusted with the treatment he met with in Ireland, he
went thither no more. He was promoted on the 15th
of January, 1 560, to a prebend in the Cathedral Church
of Canterbury, and died in that city in Nov. 1563, in
the 68th year of his age. According to the manners
of the times in which he wrote, he appears to have taken
very indecent liberties with all his antagonists in his
religious controversies, and to have considered himself
as not bound by any rules of decorum in replying to
those from whom he differed in matters wherein the in-
terests of Religion were concerned. The acrimony of
his style on these occasions acquired him the appella-
tion of bilious Bale, and it was applied to him with
singular propriety. His principal work is esteemed the
Scriptorum iUuslriuvi majoris Briiannice quamriunc An-
gliam et Scotam vacant Catalogus ; a Japheto per 3618
annos usque ad annum hunc domini 1 557, &c. first printed
imperfectly at Wesel 1549, and afterwards more com-
pletely in 1557 and 1559,* He was the Author of a
great number of Dramatic Pieces, three of which
only appear to have been published, viz.
'* A Tragedye or Enterlude, manyfesting the chefe
*' promyses of God unto Man in all ages of the olde
* Five centuries of writers seem to have been printed at IpswHch
in 1549, under the following title. Illustrium Majoris BritanicF
Scriptorum, hoc est Anglice, Cambr'tcP, et Scotie, Summarium. Tlie most
complete and enlarged edition v,as printed at Ba!*il by Oporinus
in 1559. C.
'' lawe from the fall of Adam to the Incarnacyon of
" the Lorde Jesus Christ. Compyled by Johan Bale,
" Anno Domini 1538, 8vo."
Another Edition of this performance was printed in
4to. by John Charlewood 1577, and in the title-page
said to be now fyrst imprinted.* (See Ames, 369.)
" A brefe Comedy or Enterlude of Johan Baptystes
" preachyng in the Wildernesse, the crafty assaultes of
" the hypocrytes, with the gloryouse baptysme of the
'' Lorde Jesus Christ. Compyled by Johan Bale,
" Anno 1538, 8vo."
Re-printcd in the Harleian Miscellany.
'* A brefe Comedy or Enterlude, concernynge the
" temptatyon of our Lorde and Saver Jesus Christ by
" Sathan in the desart. Compyled by Johan Bale,
'' Anno 1538, Svo." (Ames, 497, 498.)
According to Ames all these pieces were originally
printed abroad.
This present copy is taken from an old Black Letter
edition in 4to. in the valuable collection of David
Garrick, Esq. The title-page being damaged, I am
unable to give the date of it.
It will not be imagined, that any of the pieces in
this volume, except Ferrex and Porrex, are given as
good ; but only as curiosities, and to shew from what
low beginnings our stage has arisen. If in this view
they afford any entertainment, it is all that is intended.
What is remarkable in this drama is, that it is divided
into seven acts,t and at the end of each act is a kind
of chorus, which was performed with voices and instru-
ments. The curious reader will observe, in this and
the other pieces which compose this volume, how very
loose and undetermined the orthography of our lan-
* It very likely was llie first edition from an English press, as
the copy bearing- the date of 1538, as the time when it was " com-
" piled" by Bale was obviously printed abroad, and probably at
Genera. C.
t It vnW be seen that the design of the author necessarily divided
itself into seven ages or periods, for the seven promises by the
Creator to Adam, Noah, Abraham, Moses, David, Esaias, and John
the Baptist. C.
guage was about 200 years ago : the same words being
so constantly spelled different ways, makes it very cer-
tain they had no fixed rule of right and wrong in
spelling; and provided the letters did but in any
manner make out the sound of the word they would
express, it was thought sufficient.
INTERLOCUTORES,
Pater Ccelestis.
Justus Noah.
Moses sanctus. i
EsAiAS propheta,
Adam primus homo.
Abraham Jidelis.
David rex plus.
Joannes baptista.
Bale us prolocutor*
* This list of characters is not in the old copy but was made out
from the mention of persons in the progress of the piece. C.
GOD'S PROMISES.
Bale us Prolocutor,
If profyght maye growe, most Christen audyence,
By knowle^e of thynges whych are but transytorye,
And here for a tyme, of moch more congruence,
Advantage my^ht sprynge, by the serche of causes
lieavenlye,
As those matters are, that the Gospell specyfye.
Without whose knowledge no man to the trulhe can
fall,*
Nor ever atteyne to the lyfe perpetuall.
For he that knoweth not the lyvynge God eternall,
The father, the sonne, and also the holye Ghost,
And what Christ suffered for redempcyon of us all,
What he commaunded, and taught in every coost,
And what he forbode, that man must nedes be lost,
And cleane secluded, from the faythfull chosen sorte,
In the heavens above, to hys most hygh dysconforte.
Yow therfor (good fryndes) I lovyngely exhort
To waye soche matters, as wyll be uttered here,
Of whom ye may loke to have no tryfeling sporte
In fantasyes fayned, nor soche lyke gaudysh gere,
But the thyngs that shall your inwarde storaake chear,
* The old copy from which this dramatic piece "was first reprinted
by Dodsley, and subsequently by Mr. Reed, having been damaged,
and a part of the leaf lost, it was not possbie to ascertain exactly
the last word of this line : it was therefore supplied by conjecture
and not very happily : the line has till now stood
" Without whose knowledge no man to the truthe can come."
But the form of the stanza and the rhime in the next line
shews decidedly that this is wrong. There are objections to the
word/rt//, now substituted for come, for the sake of rhiming with
perpetuall : to fall from the ti-uth, however is not an uncommon ex-
pression, and without very great violence in a case of such necessity
we may perhaps also use to fall to the truth. C.
10 xjod's promises. [act I.
To rejoyce in God for your justyfycacyon,
And alone in Christ to hope for your salvacyon.
Yea, first ye shall have the eternal generacyon
Of Christ, like as Johan in hys first chaptre wryght,
And consequentlye of man the first creacyon,
The abuse and fall, through hys first oversyght,
And the rayse agayne through God's hygh grace and
myght:
By promyses first, whych shall be declared all.
Then by hys owne sonne, the worker pryncypall.
After that Adam bywayleth here hys fall,
God v/yll shewe mercye to every generacyon,
And to hys kyngedome, of hys great goodnesse call
Hys elected spouse, or faythfuU congregacyon.
As here shall apere by open protestacyon,
AVhych from Christe's birthe shall to hys death con-
clude :
They come that therof wyll shewe the certytude.
ACTUS PRIMUS.*
Pater ccelestis. In the begynnynge, before the hea-
vens were create,
In me and of me was my sonne sempyternall
With the holy Ghost, in one degre or estate
Of the hygh Godhed, to me the father coequall,
And thys my sonne was with me one. God essencyall.
Without separacyon at any tyme from me.
True God he is, of equall dignyte.
Sens the begynnynge, my sonne hath ever be,
Joined wyth hys Father in one essencyall beynge.
All thynges were create by hym in yche degre.
In heaven and earthe, and have their dy verse workynge:
Wythout hys power, was never made anye thynge.
That was wrought ; but through hys ordynaunce.
Each have hys strength and whole contynuance.
In hym is the lyfe and the just recoveraunce
• The commencement of this Act is not marked in the original
although notice is given of its conclusion. C.
ACT. I.] god's promises. 11
For Adam and hys, which nought but deathe deserved.
And thys lyfe to men is an hygh perseveraunce,
Or a lyght of faythe, wherby they shall be saved.
And thys lyght shall shyne amonge the people darkened
With unfaythfulnesse. Yet shall they not with hym
take.
But of wyllfull hart hys lyberall grace forsake.
Whycli wyll compell me agaynst man for to make
In my dyspleasure, and sende plages of coreccyon,
Most grevouse and sharpe, hys wanton lustes to slake,
By water and fyre, by sycknesse and infeccyon,
Of pestylent sores, molestynge hys compleccyon,
By trou blouse warre, by derthe and peynefull scarse-
nesse,
And after thys lyfe be an extreme heavynesse.
I wyll first begynne with Adam for hys lewdenesse,
Whych for an apple neglected my commaundement.
He shall contynue in laboure lor hys rashenesse,
Hys onlye sweate shall provyde hys food and rayment:
Yea, yet must he have a greatter ponnyshment,
Most terryblf deathe shall brynge hym to hys ende,
To teache hym how he hys lord God shall ofFende.
Hie prccceps in terrain cadit Adamus, ac post quartum
versum deiiuo resurgit.
Adam primus homo. Mercyfull Father, thy pytiefull
grace extende
To me carefull wretche, whych have mesore abused,
Thy precept breakynge. O Lorde, I mynde to amende,
If thy great goodnesse wolde now have me excused,
Most heavenlye Maker, lete me not be refused,
Nor cast from thy syght for one pore synnefull cryme,
Alas 1 am frayle, my whole kynde ys but slyme.
Pater cceJestis. I wott it is so, yet art thu no lesse
faultye.
Than thu haddyst bene made of matter moch more
worthye.
I gave the reason, and wytte to understande
The good from the evyll, and not to take on hande.
Of a braynelesse mynde, the thynge whych I forbad the.
12 god's promises. [act I.
Adam primus homo. Soch heavye fortune hath
chefelye chaunced me,
For that I was left to myne owne lyberte.
Pater ccelestis. Then thu art blamelesse, and the
faulte thu layest to me.
Adam primus homo. Naye all I ascribe to my own
imbecyllyte.
No faulte in the Lorde, but in my infirmyte,
And want of respect in soche gyftes as thu gavest me.
Pater ccelestis. For that I put the at thyne owne
lyberte,
Thu oughtest my goodnesse to have in more regarde.
Adam primus homo. Avoyde it I cannot, thu layest it
to me so harde.
Lorde, now I perceyve what power is in man.
And strength of hymseife, whan thy swete grace is
absent.
He must nedes but fall, do he ihe best he can,
And daunger hymseife, as apereth evydent;
For I synned not to longe as thu wert present ;
But whan thu wert gone, I fell to synne by and by,
And the dyspleased. Good lorde I axe the mercy.
Pater calestis. Thu shalt dye for it, with all thy
posteryte.
Adam primus homo. For one faulte, good lorde,
avenge not thyself on me,
Who am but a worme, or a fleshelye vanyte.
Pater ccelestis. I save thu shalt dye, with thy whole
posteryte.
Adam primus homo. Yet mercy swete lorde, yf anje
mercy maye be. *
Pater ccelestis. I am immutable, I maye change no
decre.
Thu shalt dye (I saye) without anye remedye.
Adam primus homo. Yet gracyouse Father, extende
to me thy mercye,
And throwe not awaye the worke whych thu hast create
To thyne owne Image, but avert from me thy hate.
Pater ccelestis. But art thu sorye from bottom of thy
hart?
ACT I.] god's promises. 13
Adam primus homo. Thy dyspleasure is to me most
heavye smart.
Pater coelestis. Than wyll I tell the what thu shalt
stycke unto,
Lyfe to recover, and my good faver also,
Adam primus homo. Tell it me, swete Lorde, that I
maye therafter go.
Paler cotlestis. Thys ys my covenant to the and all
thy ofsprynge.
For that thu hast bene deceyved by the serpent,
I wyll put hatred betwixt hym for hys doynge,
And the woman kyude. They shall herafter dyssent;
Hys sede with her sede shall never have agrement;
Her sede shall presse downe hys heade unto the grounde,
Slee hys suggestyons, and hys whole power confounde.
Cleave to thvs promyse, with all thy invvarde powre,
Fyrmelye enclose it in thy reuienibraunce fast ;
Folde it in thy faythe with full hope day and houre,
And thy salvacyon it will be at the last.
That sede shall clere the of all thy vvyckednesse past.
And procure thy peace, with most hygh grace in ray
syght.
Se thu trust to it, and holde not the matter lyght.
Adam primus homo. Swete lorde, the promyse that
thyself here hath made me,
Of thy mere goodnesse, and not of my deservynge,
In my faythe I trust shall so establyshed be,
By helpe of thy grace, that it shall be remaynynge
So longe as I shall have here contynuynge,
And shewe it I v/yll to my posteryte,
That they in lyke case have therby felycyte.
Pater ccelesiis. For a closynge up, take yet one
sentence with the.
Adam primus homo. At thy pleasure, Lorde, all
thynges myght ever be.
Pater coelestis. For that my promyse maye have the
deper effect
In the faythe of the and all thy generacyon,
Take thys sygne with it, as a seale therto connect.
Crepe shall the serpent, for hys abhomynacyon ;
14 god's promises. [act I.
The woman shall sorowe in paynefull propagacyon.
Like as thu shalt findethys true in outvvarde wovkynge,
So thynke the other, though it be an hydden thynge.
Adam primus homo. Incessaunt praysynge to the
most heavenlye lorde
For thys thy socoure, and undeserved kyndnesse
Thubyndestmein hart thy gracyouse gyftesto recorde,
And to beare in mynde, now after my heavynesse,
The brute of thy name, with inwarde joye and glad-
nesse.
Thu dysdaynest not, as wele apereth thys daye,
To fatche to thy folde thy first shepe goynge astraye.
Most myghtye m.aker, thu castest not yet awaye
Thy synnefull servaunt, whych hath done most olfence.
It is not thy mynde for ever I shuld decaye.
But thu reservest me, of thy benyvolence,
And hast provyded for me a recom pence.
By thy appoyntment, like as I have receyved
In thy stronge promyse, here openly pronounced.
Thys goodnesse, dere lorde, of me is undeserved,
I so declynynge from thy first instytucyon.
At so lyght mocyons. To one that thus hath swerved,
What a lorde art thu, to geve soche retrybucyon !
J, damnable wretche, deserved execucyon
Of terryble deathe, without all remedye,
And to be put out of all good memory e *
I am enforced to rejoyce here inwardelye,
An ympe though I be of helle, deathe, and dampnacyon,
Through my owne workynge : for I consydre thy mercye
And pytiefull mynde for my whole generacyon.
It is thu, swete lorde, that workest my salvacyon,
And my recover. Therfor of a congruence,
From hens thu must have my hart and obedyence.
Though I be mortall, by reason of my offence,
■And shall dye the deathe*, like as God hath appoynted :
* This scriptural expression occurs very frequently in our ancient
dramatick writers.
Never this heart shall have the thoughtful dread
To die the death that by your grace's doom,
By just deseirt, shall be pronounc'd to me :
Ferrex and Porrex, A. 4. S. 2.
ACT. II. J god's promises, 15
Of thys am I sure, through hys hygh influence.
At a serten daye agayne to be revyved.
From grounde of my hart thys shall not be removed,
I have it in faythe and therfor I will synge,
Thys Antheme to hym that my salvacyon shall brynge.
Tunc SGUora voce, provoiutis genihus, Antiphonam incipit,
O sapientia, quam prosequetur chorus cum organiSj eo
interim exeunte.
Vel sub eodem tono poterit sic Anglice cantari.
O eternal sapyence, that procedest from the mouthe
of the hyghest, reachynge fourth with a great power
from the begynnynge to the ende, with heavenlye
swetnesse dysposynge all creatures, come now and en-
struct us the true wave of thy godlye prudence.
Finit Actus primus.
ACTUS SECUNDUS.
Pater ccelestis. I have bene moved to stryke man
dyverselye.
Sens 1 lefte Adam in thys same earthly mansyon ;
For whye? he hath done to me dyspleasures manye,
And wyll not amende hys lyfe in anye condycyon :
No respect hath he to my worde nor monycyon,
But doth what hym lust, without dyscrete advysement.
And wyll in no wyse take myne advertysement.
Cain hath slayne Abel, hys brother, an innocent.
Whose bloude from the earthe doth call to me for
vengeaunce:
Either to die the death, or to abjure
For ever the society of men.
Midsummer's Night's Dream, A. l.S. 1.
Or else he must not only die the death.
But thy unkindness shall his death draw out
To lingering sufferance.
Measure for Measure, A. 2. S. 4. See Dr. Johnson and
Mr. Steevens's Notes on the two latter passages.
Wert thou my bosom-love, thou dyst the death ;
Best ease for madness is the loss of breath.
Machin's Dumb Knight, A. f.
16 god's promises. [act II.
My children with mennis so carnallye consent,
That their vayne workynge is unto me moche grevaunce :
Mankynde is butflesbe in hys whole daliyaunce.
All vyce encreaseth in hym contynuallye,
Nothynge he regardeth to walk unto my glorye.
My hart abhorreth hys wylfuii myserye,
Hys cankred raalyce, hys cursed covetousenesse,
Hys lustes lecherouse, hys vengeable tyrannye,
Unmercyfull mourther, and other ungodlynesse.
I will destroye hym for hys outragyousnesse.
And not hym onlye, but all that on earthe do stere*,
For it repenteth me that ever I made them here.
Justus Noah. Most gentyil maker, with hys frayle-
leness sumwhat beare,
Man is thy creature, thyselfe cannot saye naye.
Though thu punysh hym, to put hym sumwhat in feare,
Hys faulte to knowledge, yet seke not hys decaye.
Thu mayest reclayme hym, though he goeth now
astraye,
-^And brynge hym agayne, of thy abundaunt grace,
To the fold of faythe, he acknowlegynge liys trespace.
Pater ccelestis. Thu knowest I have geven to him
convenyent space,
With lawful warnynges, yet he amendeth in no place.
The n'aturall lawe, which I wrote in hys harte,
He hath outraced, all goodnegse puttynge a parte :
Of helthe the covenaunt, whych I to Adam made,
He regardeth not, but walketh a damnable trade.
Justus Noah. All thys is true, lorde, I cannot thy
words reprove,
Lete hys weaknesse yet thy mercyfull goodnessemove.
Pater ccelestis. No weaknesse is it, but wylfull work-
ynge all,
That reigneth in man through mynde dyabolycall.
He shall have therfor lyke as he hath deserved.
Justus Noah. Lose hym not yet, lorde, though he
hath depelye swerved.
I knowe thy mercye is farre above hys rudenesse,
• Stir. Glossary to Mandeville's Voyages, 1725.
ACT II.] COD*S PROMISES. 17
Beyeii^e infynyte, as all other thynges are in the.
Hys folye therfor now pardone of thy goodnesse,
And measure it not beyonde thy godlye pytie.
Esteme not hys faulte farder than helpe may be,
Butgraunt hym thy grace, as he offendeth so depelye,
The to remembre, and abhorre hys myserye.
Of all goodnesse, lorde, remembre thy great mercye
To Adam and Eve, breakynge thy first commaunde-
ment.
Them thu relevedest with thy swete promysebeavenlye,
Synnefull though they were, and their lyves neglygent.
I knowe that mercye with the is permanent,
And will be ever, so longe as the worlde endure:
Than close not thy hande from man, whych is thy crea-
ture.
Beynge thy subject, he is undreneth thy cure.
Correct hym thu mayest, and so brynge hym to grace.
All lyeth in thy handes, to leave or to allure,
Bytter deathe to geve, or graunte most sufFren solace.
Utterlye fiom man averte not then thy face,
But lete hym saver thy swete benyvolence,
Sumwhat, though he fele thy hande for hys offence.
Pater coelestis. My true servaunt Noah, thy ryght-
ousnesse doth move me
Sumwhat to reserve for mannys posteryte.
Though I drowne the worlde, yet wyll I save the lyves
Of the and thy wyfe, thy three sonnes and their wyves.
And of ych kynde two, to maynteyne yow herafter.
Justus Noah. Blessed be thy name, most myghtye
mercyfull maker,
"With the to dyspute, it were unconvenyent.
Pater coelestis. Whye doestthusaye so? be bolde to
speke thy intent.
Justus Noah. Shall the other dye without any re-
medye ?
Pater ccelestis. I wyll drowne them all, for their wyl-
fuU wycked folye,
That man herafter therby maye knowe my powre,
And feare to ofFende my goodnesse daye and houre.
18 god's promises. [act ir»
Justus Noah. As thy pleasure is, so myght it alwayes
be,
For my helthe thu art, and sowle's felycyte.
Pater cceleslis. After that thys floude have had hys
ragynge passage,
Thys shall be to the my covenaunt everlastynge.
The sees and wate'rs so farre never more shall rage.
As all fieshe to drowne, I wyll so tempre their work-
ynge;
Thys sygne wyll I adde also, to confirme the thynge.
In the cloudes above, as a seale or token clere,
For savegarde of man, my raynebowe shall apere.
Take thu thys covenaunt for an ernest confirraacyon
Of mv former promyse to Adam's generacyon.
Justus Noah. I wyll, blessed lorde, with my whole
hart and mynde.
Pater cctlestis. Farewele than, just Noah, here leave
I the behynde.
Justus Noah. Most myghtye maker, ere I from hens
depart,
must geve the prayse from the bottom of my hart.
Whom may we thanke, lorde, for our helthe and
salvacyon
But thy great mercye and goodnesse undeserved?
Thy promyse in faythe, is our justyfycacyon.
As it was Adam's, whan hys hart therin rested,
And as it was theirs, v/hych therein also trusted.
Thys faythe was grounded in Adam's memorye,
And clerelye declared in Abel's innocencye.
Faythe in that promyse, olde Adam ded justyfye.
In that promyse faythe, made Eva to prophecye.
Faythe in that promyse, proved Abel innocent,
In that promyse faythe, made Seth full obedyent.
That faythe taught Enos, on God's name first to call,
And made Mathusalah the oldest man of all.
Thatfayth brought Enoch to so hygh exercyse,
That God toke hym up with hym into paradyse.
Of that faythe the want, made Cain to hate the good,
And all hys ofsprynge to peryshe in the flood.
ACT III.] GOD*S PROMISES. 19
Faythe in that promyse, preserved both me and myne.
So wyll it all them vvhych folowe the same lyne.
Not onlye thys gyfte thu hast geven me, swete lorde,
But with it also thyne everlastynge covenaunt,
Of trust for ever, thy raynebowe bearynge recorde.
Nevermore todrowne theworldeby floude inconstaunt,
Makynge the waters more peaceable and plesaunt,
Alac I can not to the geve prayse condygne,
Yet wyll I synge here with harte meke and benygne.
Magna tunc voce Antiphonam incipit,0 oriens splendor,
^c. in genua cadens ; quam chorus prosequetur cum
oTganis ut supra.
Vel Anglice sub codem tono.
O most orient clerenesse, and lyght shynynge of the
sempiternall bryghtnesse! O clere sunne of justyce
and heavenlye ryghtousnesse ! come hyther and illu-
myne the prisoner, syttynge now in the darke prison
and shaddowe of eternall deathe.
Finit Actus secundus.
INCIPir ACTUS TERTIUS.
Pater calestis. Myne hygh displeasure must nedes re-
turne to man,
Consyderynge the synne that he doth daye by daye ;
For neyther kyndenesse, nor extreme handelynge can,
Make hym to knowe me by anyfaythfuU waye,
But styll in myschefe he walketh to hys decaye.
If he do not sone hys wyckednesse consydre,
He is lyke, doubtlesse, to perysh all togydre.
In my syght, he is more venym than the spyder,
Through soch abuses as he hath exercysed.
From the tyme of Noah, to this same season hyder.
An uncomelye acte without shame Cham commysed,
When he of hys father the secrete partes reveled.
In lyke case Nemrod against me wrought abusyon,
As he raysed up the castell of confusyon.
Ninus hath also, and all by the devyl's illusyon,
Through ymage makynge, up raysed idolatrye,
Me to dyshonoure. And now in the conclusyon
20 god's promises. [act III.
The vyle Sodomytes lyve so unnaturallye,
That their synne vengeaunce axeth contynuaHye,
For my covenaunte's sake, I wyll not drowne with
water,
Yet shall I vysyte their synnes with other matter.
Abraham fidelis. Yet, mercyfuU lorde^ thy gracyous-
nesse remembre
To Adam and Noah, both in thy worde and promes:
And lose not the sowles of men in so great nombre,
But save thyne owne worke, of thy most dyscrete
goodness.
I wote thy mercyes are plentyfuU and endles.
Never can they dye, nor fayle, thyself endurynge,
Thys hath faythe fixed fast in my understandynge.
Pater ccelestis. Abraham my servaunt, for thy most
faythfuU meanynge,
Both thu and thy stocke shall have my plentouse
blessynge.
Where the unfaythfuli, undre my curse evermore,
For their vayne workynge, shall rewe their wyckednesse
sore.
Abraham fidelis. Tell me, blessed lorde, where wyll
thy great malyce lyght.
My hope is, all fleshe shall not perysh in thy syght.
Pater ccelestis. No trulye Abraliam, thu chauncest
upon the ryght.
The thynge I shall do, J wyll not hyde from the,
Whom I have blessyd for thy true fydelyte :
For I knowe thou wilt cause both thy chyldren and
servauntes,
In my wayes to walke, and trust unto my covenauntes,
That I may perfourme with the my earnest promes.
Abraham fidelis. All that wyll I do, by assystence of
thy goodnes.
Pater ccelestis. From Sodom and Gomor, the abho-
mynacyons call
For my great vengeaunce, whych wyll upon them fall.
Wylde fyre and brymstone shall lyght upon them all.
Abraham fidelis, Pytiefull maker, though they have
kyndled thy furye,
ACT HI.] god's rUOMISES. -21
Cast not awaye yet the just sort with the ungodlye.
Paraventure there maye be fiftye ryghteouse persones
Within those cyties, wylt thu lose them all at ones,
And not spare the place, for those fyftye ryghteouse
sake?
Be it farre from the soch rygoure to undertake.
I hope there is not in the so cruell hardenesse,
As to cast awaye the just men with the rechelesse,
And so to destroye the good with the ungodlye.
In the judge of all, be never soch a furye.
Pater ccelestis. At Sodom, if I may fynde just per-
sones fiftye,
The place wyil 1 spare for their sakes verelye.
Abraham fidelis. I take upon me, to speake here in
thy presence.
More then become me, lorde pardon my neglygence :
I am but ashes, and were lotlie the to offende.
Pater ccelestis. Saye fourth, good Abraham, for yll
dost thu non intende.
Abraham /idelU Happlye there maye be fyve lesse in
the same nombre ;
For their sakes I trust thu wylt not the rest accombre*.
Pater coclestis. If I amonge them myght fynde but
fyve and fortye.
Them wolde I not lose for that just companye.
Abraham fidelis. What if the cytie maye fortye rygh-
teouse make ?
* Chaucer, in his Canterbury Tale's, 1. 509. describing the Parson ,
says,
" He sette not his benefice to hire,
" And letce his sliepe accombred in the mire, occ."
Dr. Mom 11 spells the word accumhrit, and explains it in this
manner : " Accuiuhrit may be interpreted to ualloic, to lie down, qu
" accumbere. But Chauc«-r sometimes uses it another sense.
" That they were acombrit in thf-ir own distreyt.
Me chants' 2d Tale, 2910.
" i. e. they were encumbred, brought into great Streights. A vet.
" Gall. Covibre or Vomble.
" Ihro' Wine and Women ther was Loth accombred."
Pierce Plowman's Visions.
None of these explanations exactly agree with the text. Bishop
Bale certainly means, agreably to the passage in the Bible to which
lie alludes, to destroy or overxjchelm.
22 god's promises. [act hi.
Pater coelestis. Then wyll I pardone it for those
same fortye's sake.
Abraham Jidelis. Be not angrye, lorde, though I
speake undyscretelye.
Pater ccelestis. Utter thy whole mynde, and spare
me not hardelye.
Abraham Jidelis. Perauventure there maye be thirty
, founde amonge them.
Pater cwlestis. Maye I fynde thirty, I wyll nothynge
do unto them.
Abraham fidelis. I take upon me to moche, lorde, in
thy syght.
Pater ccelestis. No, no, good Abraham, for I knowe
thy faythe is right.
Abraham fidelis. No lesse, I suppose, than twenty
can it have.
Pater ccelestis. Coulde I fynde twenty, that cytie
wolde I save.
Abraham fidelis. Ones yet wyll 1 speake my mynde^
and than no more.
Pater ccelestis. Spare not to utter so moche as thu
hast in store.
Abraham fidelis. And what if there myght be ten
good creatures founde?
Pater ccelestis. The rest for their sakes myght so be
safe and sounde,
And not destroyed for their abhomynacyon.
Abraham Jidelis. O mercyfuU maker, moche is thy
tolleracyon
And sufFeraunce of synne. I se it now in dede,
Witsave yet of faver out of those cyties to leade
Those that be faythfuli, though their flocke be but
small.
Pater ccelestis. Loth and hys howsholdc, I wyll de-
lyver all,
For ryghteousnesse sake, whych is of me and not them.
Abraham Jidelis. Great are thy graces in the gene-
racyon of Sem.
Pater ccelestis. Well Abraham, well, for thy true
faythfulnes,
ACT III.] god's promises. 23
Now wyll I geve the my covenaunt, or third promes.
Loke thu beleve it, as thu covetyst ryghtuousnesse.
Abraham fidelis. Lorde so regarde me, as I receyve
it with gladnesse.
Pater ccelestis. Of manye peoples the father I wyll
make the.
All generacyons in thy sede shall be blessyd.
As the starres of heaven, so shall thy kyndred be;
And by the same sede the worlde shall be redressed.
In cyrcumcysyon shall thys thynge be expressed,
As in a sure seale, to prove my promyse true,
Prynt thys in thy faythe, and it shall thy sowle renue.
Abraham Jidelis. 1 wyll not one jote, lorde, from thy
wyll dyssent,
But to thy pleasure be alvvayes obedyent,
Thy lawes to fullfyil, and most precyouse commaunde-
ment.
Pater ccelestis. Farwele Abraham, for heare in place
! leave the.
Abraham fidelis. Thankes wyll I rendre, lyke as it
shall behove m.e.
Everlastynge prayse to thy most gloryouse name,
Whych savedyst Adam through faythe in thy sweet
promes
Of the womannys sede, and now confyrmest the same
In the sede of me. Fosoth great is thy goodnes
I can not perceyve, but that thy mercye is eudles,
To soch as feare the, in every generacyon,
For it endureth v.'ithout abrevyacyon.
Thys have I prynted in depe consyderacyon,
No worldly matter can race it out of mynde.
For ones it wyll be the fynall restauracyon
Of Adam and Eve, with other that hath synde ;
Yea, the sure helthe and rayse of all mankynde.
Helpe have the faythfull therof, though they be infect,
They condempnacyon where as it is reject.
MercyfuU maker, my crabbed voyce dyrect,
That it maye breake out in some swete prayse to the ;
And sufFre me not thy due lawdes to neglect,
But lete me shewe forth thy commendacyons fre.
24
god's promises. [act VI.
Steppe not my wynde pypes, but geve them lyberte,
To sounde to Ihy name, Avhych is most gracyouse.
And in it rejoyce with hart melodyouse.
Tunc alia voce canit Aniiphonam, O rex gentium, c^oro
eandem prosequente cum orgauis, ut prius :
Vet Angllce hoc modo,
O most myghtye governourof thy people, and in hart
most desyred, the harde rocke and true corner stone,
that of two maketh one, unynge the Jews with the
Gentyles in one churche, come now and releve man-
kynde whom thu hast fourmed of the vyle earthe.
Finit Actus teriius.
INCIPIT ACTUS QUARTUS.
Pater ccslestis. Sty 11 so increaseth the wyckednesse
of man.
That I am moved with plages hym to confounde.
Hys weakenesse to ayde, I do the best I can,
Yet he regardeth me no more than doth an hounde.
Myworde and promyse,inhysfaythe taketh nogrounde,
He'wyll so longe waike in hys owne lustes at large,
"ihat nought he shall fynde hys folye to dyscharge.
Sens Abraham's tyme, whych was my true elect,
Ismael have I founde both wycked, fearce, and cruell.
And Esiiu in mynde with hateful! murther infect.
The sonnes of Jacob to lustes unnatural fell,
And into Egypte ded they their brother sell.
Laban to ydolles gave faythfull reverence,
Dina was corrupt through Sichem's vyolence.
Ruben abused hys father's concubyni?,
Judas gate chyldren of his own doughter in lawe :
Yea, her in my syght went after a wycked lyne.
Hys sede Onan spylte,his brother's name to withdrawe.
Achan lyved heie without all godlye awe.
And now the chyldren of Israel abuse my powre,
In so vyle maner, that they move me everye howre.
Moses sanctus. Pacyfye thy wrathe, swete lorde , I
the desyre,
As thu art gentyll, benygne and pacyent
Lose not that people in fearcenesse of thine yre
ACT IV.] god's promises. 25
For whom thu hast shewed soche tokens evydent,
Convertynge thys rodde into a lyvelye serpent,
And the same serpent into thys rodde agayne,
Thy wonderful I power declarynge very playne.
For their sakes also puttest Ptiarao to payne.
By ten dy verse plages, as I shall here declare.
By bloude, frogges, and lyce, by flyes, death, botche,
and blayne.
By hayle, by grassoppers, by darknesse, and by care :
By a soden plage, all their hist gotten ware
Thu slevvest in one nyght, for hys fearce cruelnesse.
From that thy people, witholde notnow thy goodnesse.
Pater coslestis. 1 certyfye the, my chosen servaunt
Moses,
That people of myne is full of unthankefulnes.
Moses sancfus. Dere lorde, I knov/e it, alas, yet waye
their weakenesse,
And beare with their faultes, of thy great bounteous-
nesse.
In aflamynge bushe, havynge to ihera respect,
Thu appoyntecist me their passage to direct:
And through the reade see thy ryght hande ded us lede
Where Pharoe's boost the floude overwhelmed in dede.
Thu wentest before them in a shynynge cloude all
daye,
And in the darke nyght, in fyre thu shewedest their waye.
Thu sentest them manna from heaven, to be their food.
Out of die harde stone ihu gavest them water good.
Thu appoyntedest them a lande of mylke and honye.
Let them not perysh for want of thy great mercye.
Pater cwlestls. Content they are not with foule nor
yet with fay re.
But murmour and grudge, as people in dyspayre.
As I sent manna, they had it in dysdayne,
Thus of their welfare they manye tymes complayne.
Over Amalech I gave them the vyctorye.
Moses sanctus. Most gloryouse maker, all that is to
thy glorye.
Thu sentest them also a lawe from heaven above,
And dalye shewedest ihem manye tokens of great love.
^S god's promises. [act IV,
The brazen serpent thu gavest them for their healynge,
And Balaam's curse thu turiiedest into a biessynge.
I hope thu wilt not dysdayne to help them stylU
Pater coelestis. 1 gave them preceptes, which they
will not fulfyll.
Nor yet knowledge me for their God and good lorde,
So do their vyle dedes with their wycked hartes ac-
corde
Why Is thu hast talked with me famylyarlye
In Synai's mountayne, the space but of dayes fortye,
Those sightes all, they have forgotten clerely,
And are turned to shamefuU ydolatrye.
For their God, they have sett up a golden calfe.
Moses sanctus. Let me saye sumwhat, swete Father,
in their behalfe.
Pater ccelestis. I wyll first conclude, and then saye
on thy mynde.
For that I have founde that people so unkynde.
Not one of them shall enjoye the promyse of me,
For enterynge the lande, but Caleb and Josue.
Moses sanctus. Thy eternall wyll evermore fulfylled
be.
For dysobeydence thu slewest the sonnes of Aaron,
The earthe swellowed in both Dathan and Abiron.
The adders ded stynge other wycked persones els.
In, wonderfull nombre. Thus hast thu ponnyshed re-
bels.
Pater coelestis. Never wyll I spare the cursed iny-
quyte
Of ydolatrye, for no cause, thu mayst trust me.
Moses sanctus. Forgeve them yet Lorde for thys tyme,
if it may be.
Pater coelestis. Thynkest thu that I wyll so sone
change my decre?
No, no, frynde Moses; so lyght thu shalt not fynde
me,
I wyll ponnysh them all Israel shall it se.
Moses sanctus. I wote, thy people hath wrought
abhomynacyon,
ACT IV.] god's promises. 27
Worshyppynge false goddes, to thy honour's deroga.
'cyon,
Yet mercyfuUye thu mayest upon them loke.
And if thu wylt not, thrust me oat of thy boke.
Pater coelestis. Those great blasphemers shall out of
my boke cleane,
But thu shalt not so, for I knowe what thu doest
meane.
Conduct my people, myne angell shall assyst the,
That synne at a day wyll not uncorrected be.
And for the true zele that thu to ray people hast,
I adde thys covenaunt unto my promyses past.
Rayse them up I wyll aprophete fromamonge them.
Not onlyke to the, to speke my wordes unto them.
Whoso heareth not that he shall speake in my name,
I wyll revenge it to hys perpetual shame.
The passover lambe wyll be a token just,
Of thys stronge covenaunt. Thys have I clerely dys-
custe,
In my appoyntement thys houre for your delyver-
aunce.
Moses muctns. Never shall thys thynge depart from
my remembraunce.
Laude be for ever to the most mercyfull lorde
Whych never withdrawest from man thy heavenlye
comfort.
But from age to age thy benefytes doth recorde
What thy goodnesse is, and hath bene to hys sort.
As we fynde thy grace, so ought we to report.
And doubtlesse it is to us most bounteouse.
Yea, for all our synnes most rype and plenteouse.
Abraham our father founde the benyvolouse.
So ded good Isaac in hys dystresse amonge.
To Jacob thu wert a gyde most gracyouse.
Joseph thu savedest from daungerouse deadlye wronge.
Melchisedech and Job felt thy great goodnesse
stronge,
So ded good Sara, Rebecca, and fayre Rachel,
With Sephora my wyfe, the doughter of Raguel.
28 god's promises. [act V,
To prayse the, swete lorde, my faythe doth mecompell,
For thy covenauntes sake, wherin rest our salvacyon,
The sede of pronivse, all other sedes excell,
For therin reiiiayneth our full justyfycacyon.
From Adam and Noah, in Abraham's generacyon,
That sede piocureih God's my^hty grace and povvTe,
For the same sede's sake, I vvyll synge now ihys hcwre.
Clara tunc voce Aniiphonam inciplt, O Emanuel, quam
chorus {ut prius) prosequetur cum orgujiis.
Vel Anglice canat :
O hygh kynge Emanuel, and our lege loide ! the
longe expectacyon of Gentyles, aud the myghtye saver
of their multytude, the healthe and consolacyon of
synners, come now for to save us, as our Lorde and
our Redeemer.
Fuilt Actus quartus.
INCIPIT ACTUS QUINTUS.
Pater coelestis. For all the faver I have shewed
Israel,
Delyverynge her from Pharaoe's tyrannye,
And gevynge the land, fluentem lac & mel,
Yet wyli she not leave her olde ydolatrye.
Nor know me for God. I abhorre her myserye.
Vexed lier I have with battayles and decayes,
Styll must I plage her, I se no other wayes.
David rex plus. Remembre yet, lorde, thy worthye
servaunt Moses,
Walkynge in thy syght, without rebuke of the.
Both Aaron, Jetro, Eieazar, and Phinees,
Evermore teared to ofFende thy mageste,
Moch thu accepledest thy servant Josue.
Caleb and Othoniel sought the with all their hart,
Aiolh and Sangar for thy folke ded their part.
Gedeon and Thola thy enemyes put to smart,
Jayr and Jephte gave pray^es to thy name.
These, to leave ydoUes, thy people ded coart.
Samson the strongest, for hys part ded the same.
Samuel and Nathan thy messages ded proclame.
ACT v.] god's promises. 29.
What though fearce Pharao wrought myschef in thy
syght:
He was a pagane, laye not that in our lyght.
I wote the Benjamytes abused the wayes of ryght,
So ded Helye's sonnes, and the sonnes of Samuel.
Saul in hys ofFyce was slouthful daye and night,
Wycked was Semei, so was Achitophel.
Measure not by them the faultes of Israel,
Whom thu hast loved of longe tyme so inteyrlye,
But of thy great grace remyt her wycked folye.
Pater ccelestis. 1 cannot abyde the vyce of ydolatrye,
Though I shuld suffer all other vyllanye.
Whan Josue was dead, that sort from me ded fall
To the worshyppynge of Asteroth and Baal,
Full uncleane ydolles, and monsters bestyall.
David rex plus. For it they have had thy rlghteouse
ponnyshment,
And for as moch as they did wyckedly consent
To the Palestynes and Chananytes ungodlye
Idolaters, takynge to them in matrymonye,
Thu threwest them undre the kynge of Mesopotamye,
After thu subduedest them for their idolatrye.
Eyghtene years to Eglon, the kynge of Moabytes,
And XX years to Jabin, the kynge of Chananytes,
Oppressed they were VII years of the Mydyanytes,
And XVIIt years vexed of the cruell Ammonytes.
In three great battayles, of threescore thousand and
fyve,
Of thys thy people, not one was left alyve.
Have mercye now, lorde, and call them to repentaunce.
Pater ccelestis. So longe as they synne, so longe
shall they have grevaunce.
David my servaunt, sumwhat must I say to the;
For that thu latelye hast wrought soch vanyte.
David rex pins. Spare not, blessed lorde, but saye
thy pleasure to me.
Pater ccelestis. Of late dayes thu hast mysused
Bersabe,
The wyfe of Urye, and slayne bym in the fyelde.
30 god's promises. [act v.
David rex plus. Mercye, lorde, mercye, for doubt-
lesse I am defyelde.
Pater coelestis. I constytute the a kynge over Israel,
And the preserved from Saul, whych was thy enemye.
Yea, in my faver, so mocli thu dedyest excell,
That of thy enemyes I gave the vyctorye.
Palestynes and Syryanes to the came trybutarye.
Why hast thu then wrought soch folye in my syght,
Despysynge my worde, against all godlye ryglit?
David rex pins. I have synned, lord, I beseech the,
pardon me.
Paler coelestis. Thu shalt not dye, David, for thys
inyquyte,
For thy repentaunce ; but thy sonne by Bersabe
Shall dye, for as moch as my name is blasphemed
Among my enemyes, and thu the worse estemed.
From thy howse for thys the swerde shall not depart.
David rex pius. I am sorye, lorde, from the bottom
of my hart.
Pater coelestis. To further anger thu doest me yet
compell.
David rex pius. For what matter, lorde ? I beseech
thy goodnesse tell.
Pater coelestis. Why dedest thu numbre the people
of Israel ?
Supposest in thy mind, therein thu hast done well ?
David rex jnus. I cannot saye nave, but I have done
undyscretelye.
To forget thy grace, for a humayne poljycye.
Pater coelestis. Thu shalt of these three chose whych
plage thu wilt have,
For that synnefull acte, that I thy sowle maye save.
A scarcenesse vii. years, or else iii. monthes exyle,
Eyther for iii. dayes the pestylence most vyle,
For one thu must have, there is no remedye.
David rex pius. Lorde, at thy pleasure, for thu art
full of mercye.
Pater coelestis. Of a pestylence, then iii. score thou-
sand and ten,
ACT v.] god's promises. 31
In iii. dayes shall dye of thy most puysant men.
David rex plus. O lorde, it is I whych have offended
thy grace,
Spare them and not me, for I have done the trespace.
Pater coilestis. Though thy synnes be great, thy
inwarde harte's contrycyon
Doth move my stomake in wonderful! condycion.
I fynde the a man accordynge to my hart.
Wherefor thys promyse I make the, ere I depart.
A frute there shall come forth yssuynge from thy
bodye,
Whom I wyll advaunce upon thy seate for ever.
Hys trone shall become a seate of heavenlye glorye,
Hys worthy scepture from ryght wyll not dyssever,
Hys happye kingedome, of fayth shall perysh never.
Of heaven and of earthe he was autor pryncypall,
And wyll contynue, though they do perysh all.
Thys sygne shalt thu have for a token specyaU,
That thu mayst beleve my wordes unfaynedlye,
Where thu hast mynded, for my memoryall,
To buylde a temple, thu shalt not fynysh it trulye.
But Salomon thy sonne shall do that accyon worthye,
In token that Christ must fynysh every thynge
That I have begunne, to my prayse everlastynge.
David rex plus. Immortall glorye to the, most hea-
venlye kynge.
For that thu hast geven contynuall vyctorye
To me thy servaunt, ever sens my anoyntynge.
And also before, by manye conquestes worthye.
A beare and lyon I slewe through thy strengh onlye.
I slew Golias, which was vi. cubites longe.
Agaynst thy enemyes thu madest me ever stronge.
My flcshlye fraylenesse made me do deadlye
wronge,
And cleane to forget thy lawes of ryghteousnesse.
And though thu vysytedst my synnefulnesse amonge,
With pestylent plages, and other unquyetnesse :
Yet never tokest thu from me the plenteousnesse
Of thy godly sprete, which thu in me dedest plant.
I havynge remorce, thy grace coulde never want.
For in conclusyon, thy everlastynge covenaunt
32 god's PROMISES. [act VI.
Thu gavest unto me for all my wycked synne ;
And hast promysed here by protestacyon constant,
That one of my sede shall soch hygh fortune wynne,
As never ded man sens thys worlde ded begynne.
By hys power he shall put Sathan from hys holde,
In rejoyce whereof to synge wyll I be bolde.
Canora voce tunc incipit Antiplionam, O Adonai, quam
fut priusj prosequetur chorus cum organis.
Vel sic Anglice :
O lorde God Adonai, and gyde of the faylhfullhowse
of Israel, whych sumtyme aperedest in the flamyng
bushe to Moses, and to hyni dedst geve a lawe in
mounte Syna, come now for to redeme us in the
strengthe of thy ryght hande.
Finit Actus quintus.
INCIPIT ACTUS SEXTUS.
Pater ccelestis. I brought up chyldren from their first
infancye,
Whych now despyseth my godlye instruccyons.
An oxe knoweth hys lorde, an asse hys master's
dewtye,
But Israel wyll not know me, nor my condycyons.
Oh frowarde people, geven all to superstycyons,
Unnaturall chyldrea, expert in blasphemyes,
Provoketh nie to bate, by their ydolatryes.
Take hede to my wordes, ye tyrauntes of Sodoma,
In vayne ye offer your sacryfyce to me.
Dyscontent I am with yow beastes of Gomorra,
And have no pleasure whan I your offerynges se,
I abhorre your fastes and your solempnyte.
For your tradycyons my waves ye set apart,
Your workes are in vayne, f hate them from the hart.
Esaias propheta. Thy cytie, swete lorde, is now be
come unfaythfull,
And her condycyons are turned up so downe.
Her lyfe is unchast, her actes be very hurtefull.
Her murther and theft hath darkened her renowns.
Covetouse rewardes doth so their conscyence drowne,
ACT VI. 1 god's promises. 33
That the fatherlesse they wyll not help to ryght,
The poore wydowe's cause come not afore their syght.
Thy peccable pathes seke they neyther daye nor
nyght ;
But walke vvycked wayes after their fantasye.
Convert their hartes, lorde, and geve them thy true
That they maye perceyve their customable folye :
Leave them not helplesse in so depe myserye,
But call them from it of thy most specyall grace,
By thy true prophetes, to their sowle's helthe and
solace.
Patei- ccsliisiis. First they had fathers, than had they
patryarkes,
Than dukes, than judges to their gydes and monarkes.
Now have they stowte kynges, yet are they wycked srvll,
And wyll in no wyse my pleasaunt lawes fulfyll.
Alwayes they applye to ydolies worshyppynge,
From the vyie begger to the anoynted kynge.
Esaias propheia. For that cause thu hast in two
devyded them,
In Samaria the one, the other in Hierusalem.
The kynge of Juda in Hierusalem ded dwell.
And in Samaria the kynge of Israel.
Ten of the twelve trybes bycame Samarytanes,
And the other two were Hiero.^olymytanes.
In both these cuntreyes,accordynge to their doynges,
Thu permyttedest them to have most cruell kynges.
The first of Juda was wycked kynge Roboam,
Of Israel the first w^as that cruell Hieroboam;
Abia than folowed, and in the other Nadab,
Than Basa, then Hela, then Z imbri, Joram and Achab.
Then Ochosias, then Athaiia, then Joas;
On the other part was Jonathan and Achas.
To rehearce them all that have done wretchydlye
In the syght of the, it were longe verelye.
Pater ccelistis: For the wycked synne of fylthye
ydolatrye,
Whych the ten trybes ded in the lande of Samarye,
34 god's promises. [act vi.
In space of one daye fyfty thousand men I slewe,
Thre of their cyties also I overthrewe,
And left the people in soche captyvyte,
That in all the worlde they wyst not whyiher to fle.
The other ii. tvybes, whan they from me went back
To ydolatrye, I left in the hande of Sesack,
The kynge of Egipt, whych toke awaye their treasure,
Convayed their cattel,and slewe them without measure.
In tyme of Achas, an hondred thousande and twentye
Were slayne at one tyme for their ydolatrye.
Two hondred thousande from thens were captyve
led,
Their goodes dyspersed, and they with penurye fed.
Seldom they fayle it, but eyther the Egipcyanes
Have them in bondage, or els the Assyreanes.
And alone they maye thanke their ydolatrye.
Esaias propheta. VVele, yet blessed lorde, releve
them with thy mercye.
Though they have been yll, by other prynces dayes.
Yet good Ezechias hath taught them godlye wayes.
Whan the prynce is good, the people are the better ;
And as he is nought, their vyces are the greatter.
Heavenlye lorde, therfor send them the consolacyon,
Whych thu hast covenaunted with every generacyon.
Open thu the heavens, and lete the lambe come
hither,
Whych wyll delyver thy people all togyther.
Ye planetes and cloudes, cast downs your dewes and
rayne,
That the earth maye beare out helthful saver playne.
Pater ccelistis. Maye the wyfe forget the chylde of
her owne bodye ?
Esaias propheta. Naye, that she can not in anye
wyse verelye.
Pater ccelistis. No more can I them whych wyll do
my commandementes.
But must preserve them from all inconvenyentes.
Esaias propheta. Blessed art thu, lorde, in all thy
actes and judgementes.
ACT VI.] GOD*S PROMISES. 35
Pater ccelistis, Wele, Esaias, for thys thy fydelyte,
A covenaunt of helthe thu shalt have also of me.
For Syon's sake now I wyll not holde my peace,
And for Hierusaiem, to speake wyll I not cease,
Tyll that ryghteouse lorde become as a sunne beame
bryght,
And their just saver as a lampe extende hys lyght.
A rodde shall shut fourth from the olde stocke of
Jesse,
And a bryght blossome from that rote wyll aryse,
Upon whom alwayes the sprete of the lorde shall be,
The sprete of wysdome, the sprete of heavenly prac-
tyse.
And the sprete that wyll all godlynesse devyse.
Take thys for a sygne, a mayde of Israel
Shall conceyve and beare that Lord Emanuel.
Esaias propheta. Thy prayses condygne no mortal
tunge can tell,
Most worthye maker and kynge of heavenlye glorye,
For all capacytees thy goodnesse doth excell.
Thy plenteouse graces no brayne can cumpas trulye.
No wyt can conceyve the greatnesse of thy mercye.
Declared of late in David thy true servaunt
And now confirmed in thys thy latter covenaunt.
Of goodnesse thu madest Salomon of wyt most preg-
naunt,
Asa and Josaphat, with good kynge Ezechias,
In thy syght to do that w^as to the i7ght pleasaunt.
To quench ydolatrye, thu raysedest up Helias,
Jehu, Heliseus, Michas, and Abdias,
And Naaman Syrus thu pourgedst of a leprye.
The workes wonderfull who can but magnyfye ?
Aryse, Hierusaiem, and take faythe by and bye.
For the verye lyght that shall save the is commynge.
The Sonne of the lord apere wyll evydentlye.
Whan he shall resort, se that nojoye be wantynge.
He is thy saver, and thy lyfe everlastynge,
Thy release from synne, and thy whole ryghteousnesse.
Help me in thys songe to knowledge his great good-
nesse.
36 god's promises. [act vii.
Concinna tunc voce Antiphonam inchoat, O radix Jesse
quam chorus prosequeier cum organis.
Vel Anglice hoc modo canet :
O frutefuU rote of Jesse, that shall be set as a synge
amonge people, agaynst the worldly rulers shall fearce-
ly open their mouthes. Whom the Gentyles worshypp
as their heavenlye lorde, come now for to delyver us.
and delaye the tyme no longar.
Finit Actus sextus.
ACTUS SEPTIMUS.
Pater coelistis, I have with fearcenesse mankynde oft
tymes corrected,
And agayne, I have allured hym by swete promes.
I have sent sore plages, when he hath me neglected,
And then by and by, most confortable swetnes.
To Wynne hym to grace, bothe mercye and ryghteousnes
I have exercysed, yet wyll he not amende.
Shall I now lose hym, or shall I hym defende ?
In hys most myschefe, most hygh grace will I sende.
To overcome hym by favoure, if it may be.
With hys abusyons no longer wyll I contende
But now uccomplysh my first wyll and decre.
My worde beynge flesh, from hens shall set hym fre.
Hym teachynge a waye of perfyght ryghteousnesse,
That he shall not nede to perysh in his weaknesse.
Johannes baptista. Manasses (lorde) is past, whych
turned from the hys harte,
Achas and Amon have now no more ado,
Jechonias with other, whych ded themselves avarte
Fro the to ydolles, may now no farther go.
The two false judges, and Bel's wycked prestes also,
Phassur and Semeias, wiih Nabucliodonosore,
Antiochus and Triphon, shall the dyplease no more.
Thre score yeares and ten, thy people into Babylon
Were captyve and thrall for ydolles worshyppynge.
Hierusalem was lost, and left voyde of domynyon,
Brent was their temple, so was their other buyldynge,
ACT VII.] god's promises. 37
Ther hygh prestes were slayne, ther treasure came to
nothyng.
The strength and bewtye of thyne owne heretage.
Thus dedest thu leave then in myserable bondage.
Oft had they warnynges, suratyrae by Ezechiel,
And other prophetes, as Esaye and Hieremye,
Sumtyme by Daniel, sumtyrae by Ose and Johel,
By Amos and Abdias, by Jonas and by Sophonye,
By,Nahum and Micheas, by Agge and by Zacharye,
By Malachias, and also by Abacuch,
By Olda the wydowe, and by the prophete Baruch.
Remembre Josias, whych toke the abhomynacyon
From the people, then restorynge thy lawes agayne.
Of Rechab consydre the faythfull generacyon.
Whom to wyne-drynkynge no fryndshyppe myghtcon-
strayne.
Remembre Abdemelech, the frynde of truthe certayne,
Zorobabel the prynce, whych ded repare the temple,
And Jesus Josedech, of vertu the exemple.
Consydre Nehcmias, and Esdras the good scrybe,
MercyfuU Tobias, and constaunt Mardocheus.
Judith and quene Hester, of the same godly trybe,
Devoute Mathias, and Judas Machabeus.
Have mynde of Eleazar, and then Joannes Hircanus,
Waye the ernest fay the of thys god lye companye,
Though the other cleane fall from thy memorye.
Pater coelestis. I wyll Johan, I wyll, for as T sayd
afore,
Rygour and hardenesse I have now set apart,
Myndynge from hens fourth to wynne man evermore
By wonderfull kyndenesse to breake hys stubberne hart,
And change it from synne. For Christ shall sufFre
smart,
In mannys frayle nature for hys inyquyte,
Thys to make open, my massenger shalt thu be.
Johannes baptista. As thy pleasure is, so blessed
lorde appoynt me,
For my helthe thu art, and my sowle's felycyte.
Pater ccelestis. Longe ere I made the, I the predes-
tynate,
38 god's promises. [act vii.
Before thu wert borne I the endued with grace.
In thy mother's wombe wert thu sanctyfycate
By my godlye gyft, and so confirmed in place,
A Prophete, to shewe a waye before the face
Of my most dere sonne, whych wyll come : the untyil
Applye the apace thyne ofFyce to fulfyll.
Preache to the people, rebukynge their neglygence,
Doppe them in water, they knowledgynge their offence ;
And saye unto them, The kyngedome of God doth cum.
Joannes baptista. Unmete, lorde, I am, Quia puer
ego sum.
An other than that, alac, I have no scyence
Fyt foi that offyce, neyther yet cleane eloquence.
Pater calcsiis. Thu shalt not saye so, for I have
geven the grace,
Eloquence and age, to speake in the desart place.
Thu must do therefor as I shall the advyse.
My appoynted pleasure fourth utter in any wyse
My stronge myghtye wordes put I into thy mouthe.
Spare not, but speake them to east, west, north and
southe.
Hie extendens Dominns majium, labia Joannis digito
tanget, ac ori imponet aureavi linguam.
Go now thy waye fourth, I shall the never fayle,
The sprete of Hellas have I geven the alredye.
Persuade the people, that they their synnes bywayle.
And if they repent their customable folye,
Longe shall it not be ere they have remedye.
Open thu their hartes, tell them their helth is commynge
As a voyce in desart, se thu declare the thynge,
I promyse the sure, thou shalt washe hym amonge
them
In Jordane, a floude not farre from Hierusalem.
Johannes baptisia, Shewe me yet, good lorde, whereby
shall I knowe that man,
In the multytude whych wyll resort to Jordan.
Pater coilestis. In thy mother's wombe of hym
haddest thu cognycyon.
Johannes baptista. Yea, that was in sprete. I wolde
now knowe hys person.
ACT VII.] god's tromises. 39
Patei- ccelestis. Have thii no feare, Johan, hym shalt
thu knowe full well,
And one specyall token afore wyll I the tell.
Super quern videris spiritum descendenitm ^ manentem
Super eum, hie est qui baptizal spiritu sancto,
Amonge all other whom thu shalt baptyse there,
Upon whom thu seyst the Holy Ghost descende
In shappe of a dove, restynge upon hys shuldere,
Holde hym for the same, that shall the worlde amende
By baptym of sprete, and also to man extende
Most specyall grace. For he must repare hys fall,
Restorynge agayne the justyce orygyuall.
Take now thy journaye, and do as 1 the advyse.
First preache repentaunce, and than the people baptyse.
Johannes baptista. Hygh honour, worshypp, and
glorye be unto the,
My God eternall, and patrone of all puryte.
Repent, good people, for synnes that now are past,
The kyngdome of heaven is at hande very nye.
The promysed lyght to yow approcheth fast.
Have faythe, and applye now to recyve him boldelye.
I am not the lyght, but to beare testymonye
Of hym am seilt, that all men maye beleve.
That hys blonde he wyll for their redemptyon geve.
He is soch a lyght as all men doth illumyne.
That ever were here, or shall be after thys%
All the worlde he made by hys myghtye power devyne,
And yet that rude worlde wyll not knowe what he is.
Hys owne he enterynge, is not regarded of hys.
They thatreceyve hym, are God's true chyldren playne,
In sprete regenerate, and all grace shall attayne.
Manye do recken, that I Johan Baptyst am he,
Deceyved are they, and that wyll apere in space.
Though he come after, yet he was longe afore me.
We are weake vessels, he is the welle of grace,
Of hys great goodnesse all that we have we purchace.
By hym are we like to have a better increes
Than ever we had by the lawe of Moses.
In Moses' harde lawe we had not els but darkenes,
Fygure and shaddowe. All was not els but nyght,
40 god's promises. [act VII.
Ponnyshment for synne, much rygour, payne and
roughnes.
An hygh change is there, where all is turned to lyght,
Grace and remyssyon anon wyll shyne full bryhgt.
Never man lyved that ever se God afore,
Whych now in our kynde niannys ruyne wyll restore.
Helpe me to geve thankes to that lorde evermore,
Whych am unto Christ a cryar's voyce in the desart,
To prepare the pathes and hygh wayes hym before,
For hys delyght is on the poore symple hart.
That innocent lambe from soch wyll never depart,
As wyll faylhfullve receyve hym with good mynde.
Lete our voyce then sounde in some swete musycall
kynde,
JResona tunc voce Antiphoiiam incipit, O clavis David,
quam prosequetur chorus cum organise ut prius.
Vel in Anglico sermone sic :
O perfyght keye of David, and hygh scepture of the
kyndred of Jacob, whych openest and no man speareth*,
thu speakest and no man openeth ; come and delyver
thy servaunt mankyude, bound in prison, syttingin the
darknesse of synne and bytter dampnacyon.
* i. e. asketh, enquireth.
So Chaucer's Testament of Creseide.
" Who had been there, and liking for to here,
" His faconde tonge and tennis exquisite,
" Of rethorike and practike he might lere.
" In brefe sermon a preignant sentence write 5
" Before Cupide valing his cappe a lite
" Spei-h the cause of that vocacion,
*' And he anon shewde his entencion."
Again, Douglas's Virgil, B. iii. p. 72.
" The seik ground deny is frute and fudis,
" My fader exhortis us turn againe our studis
" To Delos, and Apoliois ansuere spere,
" Be seiking him of succours us to lere ;"
Again, B. v. p. 140.
" Ane uthir mache to him was socht and sperit."
ACT VII. GOD*S PROMISES, 41
Baleus Prlocutor.
The matters are soch that we have uttered here
As ought not to slyde from your memoryall.
For they have opened soch confortable gere,
As is to the helthe of this kynde universall,
Graces of the londe and promyses lyberall,
Whych he hath geven to man for every age,
To knytt hym to Christ, and so clere hym of bondage.
As saynt Paule doth write unto the Corinthes
playne.
Our fore fathers were undre the cloud of darkenes,
And unto Christe's dayes ded in the shaddowe
remayne :
Yet were they not left, for of hym they had promes,
All they receyved one spirytuall fedynge doubtles.
They dronke of the rocke whych them to lyfe
refreshed,
For one savynge helthe, in Christ, all they confessed.
In the woman's sede was Adam first justyfyed,
So was faythfull Noah ; so was just Abraham,
The faythe in that sede in Moses fourth multyplyed,
Lykewyse in David and Esaye, ihat after cam.
And in Johan Baptyst, whych shewed the very lara.
Though they se afarre, yet all they had one justyce,
One Masse (as they call it) and in Christ one sacry-
fyce.
A man can not here to God do better servyce,
Than on thys to grounde hys faythe and understand-
ynge.
For all the worlde's synne alone Christ payed the
pryce.
In hys onlye deathe was mannys lyfe alwayes restynge,
And not in wyll workes, nor yet in mennys deservynge,
The lyght of our faythe make thys thynge evydent,
And not the practyse of other experiment.
Where is now fre wyll, whom the hypocrytes com-
ment ?
Whereby they report they maye at their owne pleasure
42 god's promises. act vii.
Do good of themselves, though grace and fayth be
absent,
And have good intentes their madnesse with to
measure.
The wyll of the fleshe is proved here small treasure,
And so is mannys will, for the grace of God doth all.
More of thys matter conclude hereafter we shall.
Thus endeth thys Tragedy or enterlude, manyfest-
ynge the chefe promyses of God unto Man by all ages
in the olde lawe, from the fall of Adam, to the incar-
nacyon of the lorde Jesus Christ. Compyled by
Johan Bayle, Anno Domini 1538.
EDITION.
A Tragedy or enterlude manyfestyng the chefe pro>
myses of God unto man by all ages in the olde lawe,
from the fall of Adam to the incarnacyon of the lorde
Jesus Christ. Compyled by Johan Bale, Anno
Domini mdxxxviii. In the worde (which is now
called the eternall sonne of God) was lyfe from the
begynnynge, and that life was the lyght of men. Thys
lyght yet shyneth in the darknesse, but the darknesse
comprehendeth it not, — Joan i*.
* The greater part of this quotatiou is torn off in the only copy
known with certainty to exist, as well as the date and printer's
name, if any were ever appended. C.
THE FOUR Ps.
John Heywood, or Heewood, one of the most ancient
dramatic writers in the English language, was born in
the city of London*, and educated in the University
of Oxford, at the ancient Hostle called Broadgate's,
in St. Aldgate's parish. He was in his time more
celebrated for his wit than his learning, and having
some fair possessions at North Mims, he resided there
after he left Oxford, and became intimately acquainted
with Sir Thomas More, who lived in the neighbour-
hoodf. Here the latter wrote his celebrated work
called Utopia, and is supposed to have assisted
Heywood I in the composition of his Epigrams §.
* Wood, in his Atlienas Oxonienses, vol. 1. p. 149, positively fixes
his birth at this place. Other writers have made him a native of
North Mims in Hertfordshire, but apparently witho t any autho-
rity. Bale, who lived nearest to the author's time, calls him
Civis Londinensis ; which words, though they do not absolutely
prove that he Avas born in London, yet surely are sufficient in a
matter of this uncertainty to warrant any one to conclude that he
was a native of that city, as no circumstance appears to induce a
belief that he acquired the title of Citizen of London otherwise
than by birth.
t Peacham's Compleat English Gentleman, 4to. 1627, p. 95.
X Gabriel Harvey's MS. Note to Speyght's Chaucer, as quoted
in Mr. Steevens's Shakspeare, vol. 5.
§ T. Bastard, in his C/ireito/eros, seven bookes of Epigrams, 1598,
has the following, addressed Ad Johunnem Davis, in which he
speaks of Heywood and his reputation in this department ;
*' If witt may make a poet, as I gesse,
Heywood with auncient poets may compare.
But thou, in word and deed, hast made him lesse
In his own witt, having yet learning spare.
The goate doth hunt the grasse, the wolfe the goat;
The lyon hunts the wolfe by proof we see ;
Heywood sang others downe, but thy sweete note,
Davis, hath sang him downe, and 1 would thee.
Then be not raov'd, nor count it such a sinn.
To will in thee what thou hast done in him."
46
Through Sir Thomas More's means, it is probable our
author was introduced to the knowledge of King
Henry the Eighth, and of his daughter the Princess,
afterwards Queen Mary; by the former of whom, he
was held in much esteem for the mirth and quickness
of his conceits ; and so much* valued by the latter,
that he was often, after she came to the throne,
admitted to the honour of waiting upon and exercising
his fancy before her, even to the time she lay lan-
guishing on her death bed. His education having
been in the Roman Catholic faith, he continued
steadily attached to the tenets of that religion ; and
during the reign f of Edward the Sixth, fell under the
suspicion of practising against the government, and
narrowly escaped the halter. After the death of his
patroness the queen, he left the nation, says Wood t,
for religion's sake, and settled at Mechlin in Brabant,
where he died about the year 1^65^, leaving several
The subsequent Ad Lector em is to the same effect ;
" Reader, if Heywood lived now againe,
Whom time of life, hath not of praise bereaved ;
If he would write, I could express his vaine :
This would he write, or else I am deceived."
Sir J. Harrington quotes one of He} wood's Epigrams in the
Notes to B. 88 of his Translation of Orlando Furioso; and Thomas
Wilson, in his Rhetorique, 1553, speaks of Hey wood's Proverbs,
adding, that his " paynes in that behalfe are worthye of immortalj
" prayse." In Barnaby Googe's Husbandry, " our English Martial],
" John Heywood," is quoted regarding Essex cheese. It would
not be difficult to add several other authors who quote or applaud
him. C.
* Athen. Oxen. vol. 1. p. 149.
t " But to step backe to my teske (though everie place I step
" to, yeeldes me sweeter discourse) what thinke you by Haywood
" that scaped hanging with his mirth ; the King being graciously
" and (as I thinke) truly perswaded, that a man that wrate so
" pleasant and harmelesse verses, could not have any harmful! con-
" ceit against bis proceedings, and so by the honest motiim of a
" gentleman of his chamber saved him from the jerke of the six-
" string'd whip."
Harington's Metamorphoses of Ajax, 1596, p. 25.
t Athen. Oxon. vol. 1. p. 149.
§ The subsequent anecdote is given by Puttenham, in his Ane of
English Poesk, 1589, p. 230.
47
children; one of whom, Jasper Heywood, translated
three of Seneca's Plays, and wrote several Poems,"
printed in the Paradise of Dainty Devises, 4to. 1578.
This Jasper Heywood was, according to Fuller, exe-
cuted in the reign of Queen Elizabeth; but more pro-
bably, as Sir Richard Baker asserts, was among those
who were taken in 1585, and sent out of England *.
John Heywood f appears to be the second English
" The like hapned on a time at the Duke of Northumberland's
" bourd, where merry John Heywood was allowed to sit at the
" table's end. The Duke had a very honourable and noble mynd
" alwayes to pay his debts well, and when he lacked money would
" not stick to sell the greatest part of his plate : so had he done a
" few days before. Heywood being lotli to call for his drinke so
" oft as he was dry, turned his eye toward the cupboard and said,
" * I finde great misse of your Grace's standing cups.' The Duke
" thinking he had spoken it of some knowledge that his plate
" was lately sold, said somewhat sharply, * Why, sir, will not
" * those cuppes serve as good a man as yourself!' Heywood
" readily replied, ' Yes, if it please your Grace ; but I would have
" ' one of them stand still at mine elbow, full of drinke, that I might
" ' not be driven to trouble your men so often to call for it.' This
" pleasant and speedy revers of the former wordes, holpe all the
" matter againe, whereupon the Duke became very pleasaunt, and
" dranke a bolle of wine to Heywood, and bid a cup should be
" alwayes standing by him."
This story, in itself of very little worth, serves to shew the sort
of terms Heywood was upon with the nobility of his time. C.
•-The editor of the last edition of the Biographical Dictionary
asserts, but without citing his particular authority for the fact,
that " after many peregrinations, he died at Naples, January the
9th, 1598." C.
t Dr. Palsgrave, whose Play of Acolastiis was printed in the year
1529, seems to have been the first. See Ames, 166.
Here is a mistake, which has likewise been fallen into in a note
on Cymbeline, edit. 1778, vol. 9, p. 317. Acolastus was not printed
so early as 1529. The original Latin was, I think, produced in
that year. Not having the play by me, I cannot exactly account
for the misinformation given in that note ; hut, if my memory is to
be trusted, the original Latin is in verse, the translation in prose ;
and the title runs thus : Comedia Acolastus dicta, cum ecphrasi
Anglica, per Johannem PaUgravium. Lond. per Thomam Bertheletum,
4to. 1540. S.
Ames, whose authority is quoted to prove the existence of the
early edition of Acolastus, mentions both that and the later one, as
though he had seen each. How far his accuracy is to be relied on,
must be left to the reader's judgment.
48
dramatic writer. Oldys* says, he began to write
about the year 1530, but that he could not find he
pubhshed any thing so early.
The following is a List of his Works :
" A Play betwene Johan the Husband, Tyb the
** Wife, and Sir Johan the Priest, by John Heywood,
" 4to. Tmprvnted at London, by Willliam Rastall,
« the 12th Day of February, 1533." (Oldys's MS.
Notes, and Companion to the Play-house).
" A Mery Play betwene the Pardoner and the
^^ Frere, the Curate, and neybour Pratte, 4to. Im-
'' prynted by Will"- Rastell, 5th of April, 1533."
Ames, 182. (Oldys's MS. Notes, and Companion
to the Playhouse).
" The Playe called the Foure P.P. A newe and a
" very mery Enterlude of A Palmer, A Pardoner, A.
" Potycary, A Pedler. Made by John Heewood, 4to.
" Imprynted at London in fletestreete, at the Sign of
*' the George, by Wyllyam Myddylton. 4to. no date."
Also,
" A Play of Genteelness and Nobilitie. An Inter-
" lude in two Parts, 4to. no date." (Companion to the
Playhouse).
" A Play of Love. An Interlude, 4to. 1533." (Com-
panion to the Playhouse).
** A Play of tiie Weather, called A new and a very
" merry Interlude of all manner of Weathers, 1553,"
fo. (Companion to the Playhouse. Oldys's Ms.).
Also in 12mo, printed by Robert Wyer, no date.
(Ames, 157)
" The Spider and the Flie, a Parable made by John
<' Heywoodf. Imprinted by Tho. Powell, 1556," B. L.
4to.
* MS. Notes on Langbaine.
t This parable, apologue or allegory, (for it is one a;nd all three)
is not perhaps so " dull, tedious, anri trifling," as Warton contends ;
and if it be without much " fancj,"it has both meaning and moral.
In " the conclusion," Heywood informs us that he began the work
twenty years before it was finished, and that he did nothing to it
during an interval of nineteen years. He adds, that it was com-
menced " with the first, and ended with the last," of his " poor
49
** John Heywood's Woorkes. A Dialogue conteyn-
" ing the Number of the effectual Proverbes in the
" EngHsh Tongue, compacte in a matter concerning
" two Maner of Mariages : with one Hundreth of Epi-
" grammes; and three Hundreth of Epigrammes up-
*' pon three Hundred Proverbes, and a fifth hundred of
" Epigrammes. Whereunto are newly added, a sixte
*' hundred of Epigrammes, by the said John Heywoode.
" Imprinted by tho. Marshe, 1576,"* 4to. B. L,
Another E lition was printed by Felix Kyngston, in
4to. B. L. 1598.
*' A Brefe Balet, touching the trayterous takynge of
" Scarborow Castle. Imprinted at London by Thomas
*' Powel." On a broad side of two columns, B. L.
(Among the folio volumes of Dyson's Collections, in
the Library of the Society of Antiquarians). Tho.
Stafford, who took that Castle 23 April, 1557, and
proclaimed himself Protector of the realm, was be-
headed 28 May follov/ing, and three of his accomplices
were hanged. Oldys's Ms.
" A Balade of the meeting and marriage of the King
" and Queenes Highness. Imprinted by W. Ryddel."
One side of a large half sheet. Oldys.f
Winstanly I hath expressed a doubt, whether the
author of the epigrams and of the plays were not differ-
ent persons. The following epigram will be sufficient
to set that fact beyond contradiction, and at the same
time exhibit a specimen of the author's manner : —
works. The maid who sweeps down the spider, he explains to
mean Queen Mary, in" sense allegoricall," whom he calls " a mer-
ciful maiden ;" perhaps in " sense allegorical" also. C.
* Thos. Wilson, in his Rhetorique, published in 1553, speaks
of Heywood's Proverbs as then in print. They were also repub-
lished in 1561 ; and the title-page professes that the work has
been " newly oversene, and somewhat augmented, by the sayde
John Heywood." The only copy 1 have met with is imperfect at
the end, and the title-page does not state who was the printer of
it. " John Hey woodes Woorkes" were printed collectively by Henry
Wykes in 1566 : they consist of Proverbs and Epigrams.
t In vol. I. of the late edition of the Royal and Noble Authors, by
M. Park, a poem in praise of Queen Mary is printed, copied from a
MS. in the British Museum. C.
* Lives of English Poets, p. 45.
VOL.j. E
50
Art thou Hey wood J with thy mad merry wit?
Yea, forsooth, master, that name is even hit.
Art thou Heywoodf that appHest mirth more than thrift ?
Yes, sir, I take merry mirth a golden gift.
Art thou Heywood, that hast made many mad pU\ys ?
Yea, many plays, few good works in my days.
Art thou Heywood, that hath made men merry long ?
Yea, and will, if I be made merry among.
Art thou Heywood, that wouldst be made merry now?
Yes, sir, help me to it now, I beseech you.
Winstanly and Philips ascribe to him, I think,
falsely, the JPinner of Wakefield* and Philotus, printed
at Edinburgh, 1603.
Dr. Fullerf mentions a book written by our author,
intitled, Monumenta literaria ; which are said to be
Non turn lahore conditu, quatn lepore condita.
* Vol. 111. t Worthies, p. 221.
DRAMATIS PERSONS.
A Palmer,
A Pardoner,
A POTICARY,
A Pedler.
THE FOUR P's*.
^ Palmer. Now God be here ; who kepetb this place ?
Now by my faylh, I crye you mercy;
Of reason I must, sew for grace,
My revvdnes sheweth mef so homely.
Wherof your pardon axt and wonne,
I sew you 2, as curtesy doth me bynde,
To tell this whiche shalbe begonne.
In order as may come beste in mynde.
I am a Palmer, as ye^ se,
Whiche of my lyfe muche part have* spent
In many a fayre and farre^ cuntrie,
* Although more pains than usual were bestowed on the colla-
tion of this piece, yet, as it was printed originally by Dodsley
from the most corrupt of the old copies, many of the errors and
a few interpolations were allowed by the subsequent editor to re-
main. The orthography also, professed to be observed, was very
frequently abandoned. C.
1 Palmer'} " The difference between a pilgrim and a palmer was
" thus ; The pilgrim had some home or dwelling place ; but the
" palmer had none. The pilgrim travelled to some certain de-
" signed place or places ; but the palmer to all. The pilgrim went
" at his own charges ; but the i)almer professed wilful poverty, and
" went upon alms. The pilgrim might give over his profession,
" and return home ; but the palmer must be constant till he had
" obtained the palm, that is, victory over all spiritual enemies,
" and life by death, and thence his name Palmer, or else from a
♦' staft", or boughs of palm, which he always carried along him."
Staveley's Raman Horseleech, 1769, p. 93.
t 'I'he first edition gives this line,
" JMy rewdnes sheweth me no so homely,
and that of 1569 has it.
" My rudenes sheweth me not so homely."
The negative certainly seems to have been inserted by mistake.
C.
2 sew you] sue now, edition 1569. * ye] you, edit. 1569.
4 have] hath, 1st edit. ^ fayre andfarre] far and faire,
edit. 1569.
54 THE FOUR P S.
As pilgryms do of good intent.
At Hierusalem^ have I bene
Before Chryste's blessed sepulture :
The mount' of Calvery have I sene^
A holy place ye may be sure.
To Josaphat and Olyvete**
On fote, god wote, I vvente ryght bare :
Many a salts tere dyd I swete,
6 Hierusulem'], Jerusalem, edit, 15C9. "^ have I] I have,
edit. 1569.
^ 3o Josaphat and Olyvete,'] Maundevile thus mentions these
places. " And towards the Est syde, withoute the walles of the
" cytee (i. e. Jerusalem) is the vale of Josaphathe, that touchethe
" to the walles, as thoughe it were a large dyche. And anen that
" vale of Josaphathe out of the cytee, is the chirche of Seynt
" Stevene, where he was stoned to dethe." Voiage and Travaile, 8vo.
1725, p. 96. " And ahove the vale, is the mount of Olyvete; and
"it is cleped so, for the plentee of olyves, that growen there.
" That mount is more highe <han the cytee of Jerusalem is; and
" therefore may men upon tha* mount, see many the stretes of the
" cytee. And betwene that mount and the cytee, is not but the
" vale of Josaphathe, that is not fulle large. And fro that mount,
" steighe cure Lord Jesu Christ to hevene, upon Ascencioun-day :
" and zit there schewethe the schapp of his left foot in the ston,"
Voiage and I'ravaile, 8vo. 1725, p. 116.
In Dr. Andrew Borde's Introduction af Knouiedge, 1542, Sign.
N S. that writer, who had been on a pilgrimage to Jerusalem, says.
" and that there is a great confluence of pylgrims to the,, holy se-
" pulchre, and to many holy places, I will icy:<he somewhat that I
" doo know, and have sene in the place. Whosoever that dothe
" pretende to go to Jerusalem, let him prepare himselfe to set
" forth of England after Easter 7 or 8 dayes," &c. He then di-
rects the route a traveller ought to take, and adds, " when you
" come to Jerusalem, the friers which be called cordaline, they be
" of sayuct Fraunces, other they wyl receave you with devocion
" and brynge you to the sepulchre : the holy sepulchre is wythia
" the church, and so is the mount of Calvery, where Jesu Christ
" did suffer his passions. The churche is rounde lyke a temple, it
" is more larger than anye temple that I have sene amonges the
" Jues. The sepulchre is grated rounde aboute wyth yrone, than
" no man shall great or pycke out any stones. Ihe sepulchre is
" lyke a lytle house, the which by masons was dyged out of a
" rocke of stone. There maye stonde wythin the sepulchre a x or a
" xii parsons, but few or none dothe go into the sepulcre, except
" they be singulerly beloved, and then they go in by night wyth
" great feare and reverence."
THE FOUR P's 55
Before thys carkes coulde^ come thare
Yet have I bene at Rome also,
And gone the statyons ^° all arow :
Saynt peter's shryne and many mo,
Than yf I told all ye do know.
Except that there he any suche,
That hath ben there, and diligently
Hath taken hede, and marked muche,
Then can they speke as muche as I.
Then at the Rodes^°* also I was ;
And rounde about to Amias^'.
At Saynt Toncomber and Saynt Tronion''^:
At Saynt Bothulph '^ and Saynt Anne of Buckstoni4
^ coulde] would, e lit. 1569.
'• the statiions (stationes, orjurnee)] Answered to the stages be-
tween London and Rome, or Holy Land ; of which there is a map
in a Ms. of Math. Paris Roy. Libr. 14 C. VIL and Benet. Coll. c.
ix. and PI. VII. Brit. Topog. vol. I. p. 85. G.
In Borde's Introduction "(before quoted) it is said, and foras-
much as there may bee many that hath wrytten of the holy lands,
of the siacyoiis and of the jiirney or way, I doo passe over to speake
forther of this matter, &c.
10* Rodes\ Ehoiles, an island to which the Knights Hospitallers,
now Knights of Malta, retired, on being driven out of Jerusalem.
" Amias] Probably Emaus, near Jerusalem.
1- Saint Toncomhei' and Saynt Tronmi] Of these saints, or places,
I can give no accotint.
Mr. Steevens in a letter to the printer ef the Saint James's
Chronicle, points out the following mention of Saint Tronion, in
Geffi-ey Fenton's Tragical Discourses, 4to. 1567 fo. 114 b. " He re-
" turned in haste to his lodgynge, where he attended the approche
" of his bower of appointment wyth no lesse devocyon, than the
" Papistes in France performe their ydolatrous pilgrimage to the
" ydoll, Saynt Tronyon, upon the mount Avyon, besides Roan."
Regarding Saint Toncomber, he professes to be unable to add
any thing. I. R.
This worthy is also noticed in the following terms in Apius and
Virginia 1575. Sign. E. 2.
" Nay, softe, my maisters, by saincte Thomas of Trunions.
" I am not disposed to buy of yoi.r onions." C.
'3 Saynt Bothulph] Saint Bothulph is said to have been bom in
Cornwall, and was eminent for working miracles about the time of
Lucius. He was buried at Boston in Lincolnshire.
1* Saynt Anne of Bucksmi] " Within the parish of Bacwell, in
« ' Derbyshyre, is a chappel (somtyme dedicated to St. Anne), in a
56 THE FOUR P'S.
On the hylles of Armony, where I see»^ Noe's arke ^^ ;
With holy Job, and saynt George in Southwarke '^ ;
At Waltam'8 and at Walsyngham^^;
" place called Bucston, wheare is a hotte bathe, of such like qualitie
" as those mentioned in Bathe be. Hytherthey weave wont to run on
" ■pilgrimage, ascribinge to St. Anne miraculously, that thinge which
" is in that and son<lrye other waters naturally." Lombardes Dic-
tionarium, p. 48. Drayton says,
" — I can again produce those wondrous wells
" Of Bucston, as 1 have, that most delicious fount
" Which men the second Bath of England do account,
** Which in the primer reigns, when first this well began
" To have her virtues known unto the blest St. Anne,
** Was consecrated then." Poly Olhion, Song xxvi.
^* see] saw 2nd edition.
^6 hy'les of Armeny, where 1 see Noe's arhe ;] " And so passe men
" be this Ermonie, and entren the see of Persie. Fro that cytee of
" Artyroun, go men to an hille that is clept Sobissocolle. And there
" besyde is another hille, that men clepen ^rarut//e : but the Jewes
" clepen it Taneez ; where Noes schipp rested, and zit is upon that
" montayne: and men may seen it a ferr, in cleer wedre: and
" that montayne is wel a 7 myle highe. And sum men seyn, that
" thei han seen and touched the schipp ; and put here fyngres in
" the parties, where the feend went out, whan that Noe seyde,
'' Beneclicite. But they that seyn suche wordes, seyn here wille :
" for a man may not gon up the montayne, for gret plentee of
" snow, that is alle weys on that montayne ; nouther somer ne
" wynter : so that no man may gon up there, ne never man dide,
" sithe the tyme of Noe, saf a monk, that, be the grace of God
" broughte on of the plankes doun ; tkat zit is in the mynstre, at
" the foot of the montayne." Maundevile's Voiage and Travaile,
1727, p. 179.
" saynt George in Sutltiarhel Formerly belonging to the priory
of Bermondsey. See ^ tow's !:iurvey.
18 Waltam^ The famous holy Cross of Waltham : which tra-
dition says was discovered in the following manner : A carpenter,
in the reign of Canute, living at Lutegaresbyry, had a vision in the
night of Christ crucified, by whom he was commanded to go to the
parish priest, and direct him to walk, accompanied with his parish-^
ioners, in solemn procession to the top of an adjoining hill, where
on digging they would find a cross the very sign of Christ's pas-
sion. The man neglecting to peiform the orders of the image was
visited by it a second time, and his hands were then griped in such
a manner, th.at the marks remained some time after. He then ac-
quainted the priest, and, as they were ordered, they proceeded to
the place pointed out, where they discovered a great marble, hav-
ing in it of black Hint the image of the crucifix. They then in-
formed the lord of the manor of the transaction j and he imme-
THE FOUR P'S. 57
And at the good rood^° of dagnam'-^' ;
diately resolved to send the cross first to Canterbury, and after-
wards to Reading ; but on attempting to draw it to these places,
although with the force of twelve red oxen, and as many white
kine, it was found impracticable, and he was obliged to desist.
He then determined to fix it at ^Valtham, and immediately the
wain began to move thither of itself. In the way many persons
were healed of disorders ; and the relick soon became much re-
sorted to by the pilgrims on account of the miracles performed by
it. Lambarde's Dictionarium Anglic Topographicum 8^ Historicum,
4to. 17S0, p 431.
^^ Walsynghurn] " Walsingham, in Norfolk, where was anciently
" an image of the Virgin Mary, famous over all Europe for the
" numerous pilgrimages made to it, and the great riches it pos-
" sessed. Erasmus has given a very exact and humorous descrip-
" tion of the superstitions practised there in his time. See his Ac-
" count of the V^irgo paratiialassia, in his Colloquy, intitled,
" Peregrinatio Keligionis Ergo. He tells us the rich oflfer-
" ings in silver, gold, and precious st jnes, that were there shewn
" him, were incredible ; there being scarce a person of any note
" in England, but what some time or other paid a visit, or sent a
" present, to our Lady of Walsingham. At the dissolution of
" the monasteries, in 1538, this splendid image, with another from
" Ipswich, was carried to Chelsea, and there burnt in the pre-
" sence of commissioners." See Percy's Reliques of Ancient Poetry
vol. II. p. 79.
Robert Longland, in Pier's Pbwjnans Visiojis, 1550, p. 1. says,
" Herraets on a heape, wyth hoked staves,
" Wenten to Walsingham, and her wenches after.
" Great loubies and longe, yt loth were to swinke,
" Clothed him in copes to be knowen from other,
" And shopen hem her mets ; her ease to have.''
See also Weever's Funeral Moiiuments, p. 131,
*o rood] Hearne, in his Glossary to Peter Langtoft, p. 544. under
the word crms observes, that although the cross and the rood are
commonly taken for the same, yet the rood properly gignified
formerly the image of Christ on the cross, so as to represent both
the cross and the figure of our blessed Saviour as he suffered upon
it. The roods that were in churches and chapels were placed in
shrines, that were styled Rood-l-fti, " Rood-loft (saith Blount) a
" shrine, whereon was placed the cross of Christ. The rood was an
" image of Christ on the cross, made generally of wood, and
" erected in a loft for that purpose, just over the passage out of the
" church into the chancel." But rood-loft sometimes also signifies
a shrine, on which was placed the image or relicks of a saint, be-
cause generally a crucifix, or a cross, used likewise to attend such
image or relicks.
2' Dagnami i. e. Dagenham, in Essex.
58 THE rouii p's.
At saynt Cornelys -'^; at saynt James in Gales '^^ :
And at saynt Wynefryde's well^^ in Walles;
At our lady of Boston '^^; at saynt Edmund's byry*^^;
2* saynt Cm^nelys] Saint Cornelys, according to the Legenda
Aurea, succeeded Fabyan in the papacy, and was beheaded m the
reign of Decian, for refusing to sacrifice in the Temple of Mars.
There was a fraternity in his honour at Westminster. See their
pardon, Brit. Top. I. 772.
'3 saynt James in Galesi Weever in his Funeral Monuments,
p. 172. observes that " — the Italians, yea those that dwell neare
" Rome, will mocke and scoffe at our English (and other) pil-
" grims that go to Rome to see the Pope's holinesse, and St.
" Peter's chaire, and yet they themselves will runne to see the re-
" liques of Saint lames af Compostella in the kingdom of Galicia, in
" Spaine, which is above twelve hundred English miles." See also
Dr. Geddes's Tracts.
2* sayjit Wynefryde's welt] Saint Wenefrede's well, near Holy-
well, in the county of Flint, is a spring which rises at the foot of
a steep hill out of a rock, and is formed into a beautiful polygonal
well, covered with a rich arch s^ipported by pillars ; the roof ex-
quisitely carved in stone ; over the fountain, the legend of St.
Wenefrede on a pendent projection, with the arms of England at the
bottom. Numbers of fine ribs secure the arch, whose intersections are
coupled with some sculpture. To this place the resort of pilgrims
was formerly very great ; and, though considerably diminished,
there are still to be seen in the summer a few in the water in deep
devotion up to their chins for hours, sending up their prayers, or
performing a number of evolutions round the polygonal well ; or
threading the arch between well and well a prescribed number of
times. The legend of St. Wenefrede is well known. Those who
desire more information on this subject ; may be referred to The
Legenda Aurea, PAshop Fleetuvod's Works; or Mr. PennunVs Tour
into Wales, p. 28.
25 At our Lady of Boston^ Or Botolph's town, in Lincolnshire,
where St. Botolph was buried.
^" Delicious W'ytham leads to holy Botolph's town."
Poly Olhion, Song xxv.
^^ At saynt Edmimd's byry] " — is named of Kinge Edmunde,
" whom the comon Chronicles call St. Edmund, or Edmund the
'* Martyr; for Bury, is but to say a court or palace. It was first
" a colledge of priestes, founded by Athelstane the kinge of
" Ingland, to the honour and memorye of Edmund that was slayne
" at Hoxton (then called Eylesdund [or Eglesdon], as Leland
" thinketh,) whose bones he removed thyther. The hole hystorie
" of this matter is so enterlaced with miracles, that Polydor him-
" selfe (who beleaved them better than I) began to dalye with it ;
" sayinge, that Monkes tvere muche delighted with them." Lam-
barde's Dictionarium, p. 35.
THE FOUIl P'S. 59
And streyg'ht to saynt Patryke's purgatory-^ ;
At Ridybone^^ and at the blood of Hayles%
^7 Siiijnt Patryhe's 'purgatorui'] This place, which was much fre-
quented by pilgrims, was situate on a lake called Logh Derg, in
the Southern part of the county of Donegall, near the borders of
Tyrone and Fermanagh. It was surrounded with wild and barren
mountains, and was almost inaccessible by horsemen even in sum-
mer time, on account of great bogs, rocks, and j recipices, which
environed it. The popular tradition concerning it is as ridiculous
as is to be found in any Legend of the Romish Martyrology.
After continuing in gieat credit many years, it began to decline;
and in the 13th of Henry the Seventh was demolished with great
solemnity, on St. Patrick's- day, by the Pope's express order. It,
however, afterwards came into reputation again, insomuch that, by
an order of the Privy Council, dated 13th of September, 16S2, it
was a second time destroyed. From this period, as pilgrimages
grew less in fashion, it will appear extraordinary that the place
should be a third time restored to its original state, and as much
visited as in any former i)eriod. In this condition it continued
until the second year of Queen Anne, when an act of the Irish
Parliament declared, that all meetings und assemblies there should
be adjudged riots and unlawful assemblies, and inflicted a penalty
upon every person meeting or assembling contrary to the Statute.
The ceremonies to be performed by the pilgrims are very exactly
set forth in Richardson's Great Folly, Superstition, and Idolatry, of
Pilgrimages in Ireland, especially of that to St. Patrick's Purgatory
Dublin, Svo. 1727.
Enough I'.ath been already said on the siibject of Saint Patrick's
Fiirgatory, I shall therefore only add, that it is often mentioned in
Froiiisard's Chronicle, and that Sir James IMelvil who visited it in
3 545, describes it as looking " like an old coal-pit, which had
" taken fire, by reason of the smoke that came out 'of the hole."
Melvil's Memoirs, p. 9. edit. 1683.
It is mentioned in Erasmus's Praise of Folie, 1549, Sign. A.
'* Whereas before ye satte all heavie and glommyng, as if ye had
" come lately from Troponins cave, or Saint Pattricke's purgatorie."
*8 Ridubone.l i. e. Redburne within three miles of St. Alban's.
" At this place, says Norden, were founde thereliques of Amphi-
" ball, who is saide to be the instructour and convertour of Alban
" from Paganisme, of whose reliques such was the regard that the
" abbottes of tlie monasterie of Alban had, that they should be
" devoutly preserved, that a decree was made by Thomas then
" abbott, that a pryor and three munckes should be appointed to
" this holie function, whose allowance in those dayes amounted
" jearely to 20 pound, or upwardes, as much as three hundred
" pound in this age.'' Description of Hartfordshire, p. 22.
See also Weever's Funei-al Monuments, p. 585. Dr. Middleton,
in bis Letter from Rome, says, Bishop Usher has proved that this
60 THE FOUR P'S.
Where pilgrymes paynes ryglit much avayles ;
At saynt DaVys^ and at saynt Denis^' ;
saint never existed, and that we owe the honour of his saintship
to a mistaken passage in the Legend of St. Alban, where the
Amphibolus there mentioned is nothing more than a cloak."
29 blood of Hayles.'] The abbey of Hailes, in Gloucestershire, was
founded by Richard, king of the Romans, brother to Henry the
Third, 'ihis precious relick, which was commonly called the blood
of Hailes, was brought out of Germany by Richard's son Edmund,
who bestowed a third part of it upon his father's abbey of Hailes,
and some time after gave the other two parts to an abbey of his
OMVTi foundation at Ashrug, near Berkhamstead. It was given out,
and believed to have this property, that, if a man was in mortal
sin, and not absolved, he could not see it ; otherwise, he might
see it very well : therefore every man that came to see this mira-
cle, this most precious blood, confessed himself first to one of the
priests there ; and then, offering f^omething at the altar, was di-
rected to a chapel, where the miracle was shewed ; the priest who
confessed him, in the mean time retiring to the back part of the
said chapel, and putting forth a little cabinet, or vessel of crystal ;
which being thick on the on'^ side, that nothmg could be seen
through it ; but on the other side, thin and transparent, they used
diversely, as their interest required. On the dissolution of the
abbey, it was discovered to be nothing more than honey clarified
and coloured with saffron, " an unctowse gumme coloured, which
in the glasse apperyd to be a glisterynge red resemblyng partlie
the color of blood, and owte of the glasse apparaunte g^lystering
yelow colour like ambre or basse gold." Certificate of visitors,
printed at end of Hearne's Benedictus Abbas II. 751.
30 Saynt Davys] i. e. Saint David. Drayton, in his Poly Olbion,
Songxxiv. says,
" Whose Cambro Britons so their saints as duly brought,
" T' advance the Christian faith, effectually that wrought ;
" Their David (one deriv'd of th' royal British blood),
" Who 'against Pelagius' false and damn'd opinions stood ;
" And turn'd Menenia's name to David's sacred see,
" The patron of the Welsh deserving well to be."
See an account of him in an extract from Bale, in Godwin de
Precsidihis Aiiglice, p. 573. edit. 1745. He is said to have been
bishop 65 years, and to have lived 146. He died, according to
some accounts, in the year 546, according to others, in the year
542. His shrine, I am informed remains in the wall of his cathe-
dral in Pembrokeshire.
'1 saynt Denis.] St. Denis, the patron of France, is said to have
been the disciple of St. Paul, and the first who preached the gospel
to the French. The Legend concerning him affirms, that, after he
was beheaded near Paris, he walked four miles with his head in
his hands. His body was said to be intombed very magnificently
at the abbey of St. Denis, to which the pilgrims used to resort.
THE FOUR P'S. 61
At saynt Mathew, and saynt Mark in Venis'^ ;
At mayster Johan shorne at Canterbury 33 ;
The graet God of Katewades*, at kynge Henry s^
At saynt Savyour's^^ ; at our lady of Southwell ^7 ;
3' Sayyit Mark in Venis] At the Church of St. Mark, in Venice,
they pretend to have the body of that Evangelist, which was
brought thither by certain merchants from Alexandria in Egypt in
the year 810. Cory at says, that the treasure of this church was of
that inestimable value, that it was thought no treasure whatsoever
in any other place in Christendom might compare with it, neither
that of St. Denis in France, nor St. Peter's in Rome, nor that of
Madonna de Loretto in Italy, nor that of Toledo in Spain, nor any
other. See Coryat's Crudities, p. 2M : and The Commonwealth and
Government of Venice,hy Contareno, translated by Lewes Lewknor,
Esq. 1599, p. 175.
^^ mayster Johan shorne in Canterbury;'] Who this John Shoi^ne
■was I can give no account. In the Preface to The Accedence qf
Armorie, 4to. 1597, a story is told of one who had been called to
worship in a city within Middlesex, and who being desired by a
herald to shew his coat (i. e. of arms,) " called unto his mayd,
" commanding her to fetch his coat, which, being brought, was of
" cloth garded with a burgunian gard of bare velvet, well bawde-
" fied on the halfe placard, and squallotted in the fore quarters.
" Lo, quoth the man to the heraught, here it is, if ye will buy it,
" ye shall have time of payment, as fiist to pay halfe in hand, and
** the rest by and by. And with much boste he said, he ware not
" the same since he came last from Sir John Shorne, Sec,"
'■• Kateicade] Catwade-bridge is in Sampford hundred, in the
county of Suffolk, where there may have been a famous chapel and
rood. G.
35 Heyiry'] Herry, edit. 1569.
36 Saynt Savyotir's'] " In September, the same yeare (says
" Weever, p. 111.), viz. an. 30 Hen. VIII. by the special motion
" of great Cromwell, all the notable images, unto the which were
" made any especiall pilgrimages and offerings, as the images of
" our Lady of Walsingham, Ipswich, Worcester, the Lady of Wils
" don, the rood of grace of our Lady of Boxley, and the image of
" the rood of Saint Saviour at Bermondsey, with all the rest, were
" brought up to London, and burnt at Chelsey, at the command-
" ment of the foresaid Cromwell, all the jewels, and other rich
" offerings, to these, and to the shrines (which were all likewise
" taken away, or beaten to pieces) of other saints throughout both
*' England and Wales were brought into the king's treasure.'*
" at our lady of SorithweW] The church dedicated to Saint Mary
at Southwel, in Nottinghamshire.
62 THE FOUR P'S.
At Crome38, at Wylsdome*^, and at Muswel^°;
At saynt Rycharde^i, and at saynt Roke'*'^;
38 Crome] In the County of Kent, near Greenwich.
3!J Wyhdome] In Finsbury hundred, INIiddlesex, the chapel de-
dicated to St. Mary. See above, Note 36.
■*" at Muswell " Musxrell-hiU, called also Pinsen all-hill : there
" was a chappie sometime bearing the name of our ladie of Mus-
" well : where now Alderman Roe hath erected a proper houce,
" the place taketh name of the well and of the hill, Mousewell-
" hill ; for there is on the hill a spring of faire water, which is
" now within the compass of the house. There was sometime an
" image of the ladie of Muswell, whereunto was a continuall re-
" sort, in the way of pylgrimage, growing as is (though as 1 take
" it fabuloiislie) reported in regard of a great cure which was per-
" formed by this water, upon a king of Scots, who being strangely
" diseased, was, by some devine intelligence, advised to take the
" water of a well in England, called MusiceU, which after long
" scrutation and inquisition, this well was found and performed
" the cure." Norden's Speculum Britann'ut, p. S6. edit. 1723. I
am informed, that the mosaic pavement and pther ruins of this
well and its chapel were to be seen about 25 years ago.
*' saynte '^ycharde] This was probably Uichard Fitznige, bishop
of London, and treasurer of England, in the time of Henry the
Second. His shrine was, as Wcever observes, p. 714. in St. Paul's
Church ; and as he contributed largely to the building of the
church, he conjectures it to have been erected there on that
account. Drayton, however, in his Poly Olbion, Song xxiv. speaks
of others of that name, as
" Richard, the dear son to Lothar king of Kent,
" When he bis happy days religiously had spent ;
" And feeling the approach of his declining age,
" Desirous to see Rome in holy pilgrimage ;
" Into tliy country come, at Lucca left his life,
" Whose miracles there done, jet to this day are rife."
Again,
" So countries more remote with ours we did acquaint,
" As Ricluird for the fame his holiness had won,
" And for the wondrous things that through his prayers were done j
•' From this his native home into Calabria call'd,
" And of St. Andrew's there the bishop wasinstall'd ;
" For whom she haih profess'd much reverence to this land."
Again,
" So other southern sees, here either less or more,
" Have likewise had their saints
" ^ — we have of Chichester
" Saint Richard, and with him St. Gilbert, which do stand
*' InioU'd amongst the rest of this our mitred band."
*2 Saynt Roke] Saint Roke, or Roch, was born at Montpelier, in
THE FOUR P's. 63
And at our lady that standeth in the oke.*
To these, with other many one,
Devoutly have I prayed and gone,
Prayeing to thera, to pray for me
Unto the blessed trynytye,
By whose prayers and my dayly payne,
I truste the soner to obtain '^^
For my salvacyon, grace and mercy.
For be ye sure I thynke surely,***
Who seketh sayntes for Chryste's sake,
And namely suche as payne do take
On fote, to punysh their ^^ frail body.
Shall therby meryte more hyely
Then by any thynge done by man.
Pardoner. '^^ And when ye have gone as far as ye^''
can,
For all your labour and gostely entente,
Ye*^ will come home as wyse as ye wente.
Palmer, Why, syr, dyspyse ye pylgrymage ?
Pardoner. Nay, fore*'' god, syr, then dyd I rage;
I thynke ye ryght well oocupyed,
To seke these sayntes on every syde.
Also your payne ^° I nat dyspraise it;
But yet I discomende your wit:
And or ^^ we go even so shall ye,
If you in thys wyl answere me.
France ; and died in prison at Anglerye, in tlie province of Lom-
bardy, wliere a large church was built in honour of him. See
Legenda Aurea, p. 238.
* World of Wondei-s, Hie. O. G.
^3 obtain'] obtaye, 1st edit. ** surely] assuredly 2d edit.
*'^ their'} thy, 1st edit. *
46 Piirdoner] " Pardoners were certain fellows that carried
" about the Pope's Indulgences, and sold them to such as would
" buy them ; against whom Luther, by Sleydau's report, incensed
" the people of Germany in his time, exhorting them ne merces tarn
" viles tanti emerent." Cowei..
*T ye\ you, edit. 1569.
48 Ye tv ill come home] Yet welcome, 1st edit.
4" /ore] for, 1st edit. ^^ P^yne] paynes, 2d edit.
(»r] ere, edit. 15 69,
64
THE FOUR PS.
I pray you shew what the cause Is
Ye wente all these pylgTymages ?
Palmer. Forsoth,this lyfe I dyd begyii
To rydde the bondage of my syn :
For whiche these sayntes rehersed or this :
I have both sought and sene, I wys ;
Besechynge them to bear recorde
Of all my payne, unto the lord,
That gyveth all remyssion,
Upon eche man's contricyon :
And by thyr good mediacion,
Upon myne^^ humble submyssion,
I trust to have in very dede,
For my soule helthe the better spede.
Pardoner. Nowe is your owne confessyon lykely
To make yourselfe ^3 a fole quyckely.
For I perceyve ye wolde obtayn
No other ** thynge for all your payne.
But onely grace your soule to save :
Now marke in this what wyt ye have.
To seke so farre, and helpe so nye ;
Even here at home is remedy :
For at your dore myselfe doth dwell.
Who coulde have saved your soule as well ;
As all your wyde wandrynge shall do,
Though ye wente thryes to Jericho.
Nowe syns ye myght have spedde at home,
What have ye wone by ronnying ^^ at Rome ?
Palmer. If this be true that ye have moved,
Then is my wyt in dede reproved.
But let us here fyrste what ye are ?
Pardoner. Truly I am a pardoner.
Palmer. Truly a pardoner ! that may be true ;
But a true pardoner doth nat ensew.
^^ myne] my, edit. 1569. *3 yourself e\ you, edit. 1569.
** no other] nother, 1st edit.
5* ronnying] running, 1st edit.
This is a mistake, the first edition reading ronnying, which is
the old spelUng of running. Another error was committed in
printing it hitherto " running to Rome" the correct reading being
* ronnying at Rome." C.
THE FOUR P S.
65
Ryght selde is it sene, or never,
That treuth and pardoners dwell together,
For be your pardons never so great,
Yet them to enlarge ye wyll nat let,
With suche lyes, that ofttymes Cryste wot,
Ye seme to have that ye have nat.
Wherfore I went my selfe totheselfe thynge
In every place, and without faynynge :
Had as much pardon there assuredly,
As ye can promyse me here doutefully.
Howe be it, I thynke ye do but scolFe : '^
But yf ye hadde all the pardon ye speak *7 of,
And no whyt of pardon graunted
In any place, where I have haunted:
Yet of my labour I nothynge repent;
God hathe respect how eche tyme is spent.
And as in his knowlege all is regarded :
So by his goodnes all is rewarded.
Pardoner. By the ^s fyrste parte of this last tale,
It seemeth ye came of late *-' from the ale.
For reason on your syde so farre doth fayle,
That ye leve reasoning, ^o and begyn to rayle.
Wherin you '5' forget your owne part clerely
For you ^^ be as untrue as I :
And in one poynte ye are beyonde me.
For you ^^ may lye by aucthoryte.
And all that have ^^ wandred so farre,
That no man can be theyr controller.
And where you ^^ esteme your labour so muche ;
I say yet agayne my pardons are^^ suche.
That yf there were a thousand soules on a hepe,
^7 1 wold brynge them all to heven, as good chepe,
56 scoffe] scofte, 1st edit. *^ speak] kepe, let edit.
5» the] this, edit. 1569.
^^ ye came of late] you come late, 1st edit.
^reasoning] sonyng, 1st edit. ^^ you] ye, 1st edit.
*^ you] ye, 1 st edit. ^ ' you] ye, 1 st edit.
** hate] hath, 1st edit. ^^ yon] ye, 1st edit.
6^ are] be, 1st edit.
"^ I wold brynge them all to heven, as good chepe]. Cheap, as Dr.
JoliDson observes, is market, and good che<(p therefore is boti marche.
66
THE FOUR P S.
As ye have brought yourselfe on pylgrymage.
In the least ^^ quarter of your vyage,
Which is^'' far a this side heaven, by god:
There your labour and pardon is od.
With smale cost and without any payne,
These pardons bring '^ them to heven playne,
Geve me but a peny or two pens,
And assone as the soule departeth hens,
In halfe an houre, or thre quarters at the raoste,
The soule is in heven ; with the holy ghost.
Poticary. Sende ye any souls to heaven by water ?
Pardoner. If we doo,^' sir, what is the mater ?
Poticary. By god, I have a drye soule shulde
thyther ;
I praye you let our soules go to heven togyther,
So bysy you twayne be in soules helth ;
May nat a potycary come in-by stelth?
Yes, that I wyl ^^ by saynt Antony,
And by the leve of thys company.
Prove ye false knaves bothe, ere'^ we goo,
In parte of your sayenges, as thys, lo,
Thou, by thy travayle, thynkest heaven to gete :
And thou by pardons and reliques countest no lete '*,
To sende thyne owne soule to heaven sure ;
And all other whome thou lyste to procure.
The expression is very frequent in ancient writers, as in Church-
yard's Worthyne$s of Wales. Evans's Edition, 1776, p. 3.
" Victuals ^ood cheap in most part of Wales."
Euphnes, 1581, p. 8. " Seeing thou wilt not buie counsayle at
" the first hande g-ood c/(e«/;e, thou shalt buy repentance at second
" hand, at such an unreasonable rate that thou wilt curse thy hard
" penyworth, and ban thy Lard heart."
Dekkar's Behuans Night-walks, K 4. "He buyes other men's
" cunning good c/irap in London, and selsit deare in the countrey."
See other instances in Mr. Steevens's Note on First Part of King
Henry IV. A. 3. S. 3.
68 lenst'\ leste, 1st edit, least, edit. 1569.
And as least is probably the reading the author intended, and is
supported by both the old copies, it is restored ; the Pardoner
means in the smallest quarter of the Palmer's voyage. C.
69 is] as, 1st edit. '" bring] bryngeth, 1st edit.
7' doo] dyd, 1st edit. '2 Z" u;i^/] we will, edit. 1569.
^3 ere] or, 1st edit. '♦ lete] i. e. hinderance.
THE FOUR P*S. 67
If I toke an accyon, then were they blanke;
For lyke theeves the knaves ^^ rob away my thanke.
All souies in heven, havynge relefe,
Shall they thanke your craftes? nay, thanke myn
chefe.
No soule, ye knowe, entreth heven gate,
Tyll from the bodye he be separate ;
And whome have ye knowen dye honestly ''^,
Without helpe of the potycary ?
Nay, all that commeth to our handlynge,
Except ye happe to come to hangynge ;
That way, perchaunce, ye shall nat myster,
To go to heven without a glyster.
But be ye sure I wolde be wo '''^^
li"'^ ye shulde chaunce to begyle me so.
As good to lye with me a nyght.
As hang abrode in the mone light.
There is no choyse to fle my hand,
But, as I sayd, into the bande.
Syns of our souies the multitude
I sende to heaven, when all is vewd,
Who shulde but I then all togyther,
Have thanke of all theyr comynge thyther?
Pardoner. If ye kyl'd a thousande in an houre space,
When come they to heven dyenge out of grace "^^ ?
Poikary. If a thousande pardons about your necks
were teyd ;
When come they to heven, yf they never dyed ?
Palmer. Long lyfe after good workes in dede
Doth hinder manne's receyt of mede;
And deth before one dewty done.
May make us thynke we dye to sone.
7S rob] they rob, edit. 1569. '•> honestlij] bostely, 1st edit.
'7 I woide be wo] To be woe, is often used by old writers, to sig-
nify to be sorry. So Shakspeare's Tempest, A. 5. S. 1.
I am woe for't, Sir.
Cbaucer's Court of Love :
" I icolde be wo,
" That I presume to her is writin so."
See Mr.Steevens's Note on Shakspeare, vol. l.p. 106.
78 If] That, edit. 1569.
'^ dyenge out of grace] from state of grace, 1st edit.
68 THE FOUR P's.
Yet better tary a thing then ^° have it;
Then go to sone, and vaynly crave it.
Pardoner. The longer ye dwell in communicacion,
The lesse shall ye lyke thys ymagynacyon.
For ye*' may perceyve even at the fyrst chop,
Your tale is trapt in such a stop.
That, at the leste, ye seme worse than we.
Poticary. By the masse, I holde us nought all
thre.
Pedler, By our lady, then have I gone wronge ;
And yet to be here I thought it longe.
Poticary. Brother, he have gone wrong no wyt,
I prayse your fortune and your wyt,
That can dyrecte you so discretely,
To plante you in this company.
Thou a palmer, and thou a pardoner,
r a poticary.
Pedler. And I a pedler.
Poticary. Nowe, on my fayth, ful well watched;
Where the devyll were we foure hatched ?
Pedler. That maketh no matter, since we be matched,
I coulde be mery yf that I had catchyd
Some money for parte of the ware in my packe.
Poticary. What the devyll hast thou there at thy
back?
Pedler. What dost thou nat knowe, that every
pedler
In all kinde of trifles s* must be a medler?
Specyally in women's tryflinges ;
Those use we cheeflys^ above all thinges,
Whiche thyngs to se, yf ye be disposed^
Beholde what ware here is disclosed ;
This gere sheweth itself in suche bewte,
That eche man thynketh^'* it saith come bye me.
Loke where your self can lyke to be chooser,
Yourselfe shall make pryce, though I be looser.
80 then] Mr. Dodsley reads,-o«(/. ^^ ye] you, edit. J569.
*^ all kind of trifles] every tryfuU, 1st edit. ^a cheejiy] chefe
1st edit. 84 thynketh] thinks, edit. 1569.
THE FOUR P's. 69
Is here^^ nothynge for my father Palmer ?
Have ye nat a wanton in a corner?
For all your walkyng to holy places,
By cryste, I have herde of as straunge cases.
Who lyveth in love, and love wolde wynne,
Even at this packe he must begynne.
Wherin*^ is ryght many a proper token,
Of which by name parte shal be spoken :
Gloves, pynnes, combes, glasses unspottyd,
Pomanders, hookes, and lasses knotted s' ;
Broches, rynges, and all manner of bedes :
Laces 88 rounde and flat for women's hedes ;
®^ Nedyls, threde, thymbell, shers, and all suche
knackes.
Where lovers be, no suche thynges lackes :
Sypers^", swathbondes "', rybandes, and sieve laces,
Gyrdyls, knives, purses, and pyncases.
Poticary. Do women bye their pyncases of you ?
Pedler. Ye, that they do I make God a vow.
Poticary. So mot I thryve then for my parte,
I beshrewe thy knave's nakyd herte,
For makynge my wifeys pyncase so wyde.
The pynnes fall out, they cannat abyde:
Great pynnes she must have, one or other ;
Yf she lese one, she wyll fynde another.
Wherin I fynde cause to complayne ;
New pynnes to her pleasure, and to my payne.
•5 here] there, edit 1569.
^ Wherin] Where, 1st edit. ^7 knotted] unknotted, edit.
1569.
88 Laces] Lace, 1st edit.
89 Needles, thred, thimbles, and such other knacks, Edit. 1569.
*" Sypers] i. e. Cyj'rus ; thin stuff of which women's veils were
made. So, in Shakspeare's Wiiiter''s Tale, A. 4. S. 3.
" Lawn as white as driven snow,
" Cyprus black as any crow."
Again, in Twelfth Night:
" a cypi-us, not a bosom
" Hides my poor heart." S.
'1 swathbondes] i. e. rollers in which infants were swuth'd. So, in
Timon of Athens.
" Had thou, like us from thy first swath, &cc." S.
70
THE FOUR P S.
Pardoner, Syr, ye seme wel sene in women's causes
I praye you tell me, what causeth this :
That women after theyr arysynge ^^,
Be so longe in theyr apparelyng?
Pedler. Forsoth, women have many lettes,
And they be masked in many nettes :
As frontlettes ^3, fyllettes, partlettes ^4, and bracelettes ;
And then theyr bonettes and theyr poynettes^^.
By these lettes and nettes, the lette is suche.
That spede is small, whan haste is muche.
Poticary. Another cause why they come natforwarde,
Whiche maketh them dayly to drawe backwarde ;
And yet 9^ is a thynge they cannat forbere;
The trymmynge and pynnynge up theyr gere;
Specyally tlieyr fydling- with the tayle pyn ;
And when they wolde have it prickt^^ in,
If it chaunce to double in the clothe,
^^Then be they^^ wode, and swere'°° an othe.
^^ arysynge] uprising, edit. 1569.
^^frontlettes] Frontal Fr. A frontlet, or forehead-band. Cotgrave.
A frontlet is mentioned as part of a woman's dress, in Lyiy's
Midas, 1592 : " Hoods, frontlets, wires, cauls, curling irons, peri-
" wigs, bodkins, fillets,hair laces, ribbons, rolls, knotstrings, glasses,
&c.
■^ See also Mr. Steevens's Note on Kijig Lear, A. 1. S. 4.
^* partlettes] Eufts or bands for women. See Glossary to Dou-
glas's Translation of Virgil.
^5 poynettes] Little bodkins or puncheons. Cotgrave, voce poin-
^onnet.
^^ yet] it, edit. 1569.
^7 prickt] prycke, 1st edit.
^ Then he they node] IVode signifies mad, furious, or violent. So,
in Ascham's Toxojjhiliis, Bennet's Edition, 4to. p. 86. " How will
" you tliincke that such furiousnesse, with ivovde countenance, and
" brenninge eyes, with staringe and bragginge, with hart redye to
" leape out of the bellye for swellinge, can be expressed the tenthe
" part to ti;e uttermost."
Churchyard's Worthiness of Wales, p. 103. Evans's Edition, 1776.
" It flowes with winde, although no rayne there bee,
" And swelles like sea, with waves and foming flood :
" A wonder sure, to see this river Dee,
" With winde alone, to waxe so wyld and ioood,
" Make such a sturre, as water would be mad,
" And sbewe such life, as though some spreete it had.^*
°^ they] they be, edit. 1569. ^^'^ nicer el swereth, 1st edit.
THE FOUR P's. 71
Tyll it stande ryght they wyll not forsake it,
Thus though it may not, yet vvolde '°' they make it.
But be ye sure they do but defarre it ;
For when they wolde make it, ofte times marre it.
But prycke them and pynne them as nyche * as ye wyll,
And yet wyli they loke for pynnynge styll.
So that I durste holde with you a joynt,
Ye shall never have them at a full ^°^ point.
Pedler. Let women's maters passe, and marke myne :
What ever theyr poyntes be, these poyntes be fyne.
Wherfore yf ye be wyllynge to bye,
Lay downe money, come ofF'°^ quyckely.
Palmer. Nay, by my trouth, we be lyke fryers ;
We are but beggars, we be no byers.
Pardoner. Syr, ye may showe your ware for your
mynde.
But I thynke ye shall no profyte fynde.
Pedler. Well, though this journey acquyte no coste,
Yet thynke I nat my labour loste :
For by the fayth of my body,
I lyke ful well thys company.
Up shall this packe, for it is playne
I came not hyther al for gayne.
Who may nat play one day in a weke,
May thynke hys thryfte is farre to seyke.
Devyse what pastyme that ye thynke beste,
And make ye sure to fynde me prest '^.
'0' wolde] wyl, edit. 1569.
Neither edition reads wyl, nor wil, but wolde. C.
• The oldest copy has it " as nyche as ye wyll," and. the edition
of 1569, " as nie as ye wilt," perhaps the meaning is " as much as
" you will." C.
ioijul] fall, 1st edit.
lO^cowe of] i. e. pay dowu. See Note 65 to The Wits,
vol. VIII. p. 512.
iOi prest] i. e. ready ; pret, Fr. So, in Casar and Pompey, 1607:
" ^Vhat must be, must be ; Caesar's prest for all."
See a Note on The Merchant of Venice, A. 1. S. 1. S.
Again, Churchyard's Challenge, 1593, p. 80.
" Then shall my mouth, my muse, my pen and all,
" Be prest to serve at each good subject's call."
Cynthia's Revels, A. 5. S. 4.
" I am p'est for the encounter."
72 THE FOUtt P S.
Poticary. Why? be ye so unyversail,
That ye can do what so ever ye shall ?
Pedler. Syr, yf ye lyste for to oppose me;
What I can do, then shall you se.
Poticary. Then tell me thys, are you perfyt in
drynkynge ?
Pedler. Perfyt in drynkynge, as may be wysht by
thynkynge.
Poticary. Then after your drynking, how fall ye to
wynking?
Pedler. Syr, after drynkynge, whyle the shot^^^^ is
tynkynge ;
Some hedes be swymmyng ^^^, but myne will be
synkyng,
And upon drynkynge, my eyse will be pynkynge :
For wynkynge to drynkynge is alway lynkynge.
Poticary, Then drynke and slepe you can well do }
But yf ye were desyred therto,
I pray you tell me, can you synge 1
Pedler. Syr, I have some syght in syngynge.
Poticary. '°^But is your brest any thynge swete?
10* shot] i. e. the reckoning. See Mr. Steevens's Note to The
First Part of King Henrii IV. A. 5. S. 3.
Again, in Churchyard's Worthyiiess of Wales :
" Behold besides, a further thing to note,
" The best cheap cheare they have that may be found ;
" The shot is great when each mans pais his groate,
" If all alike the reckoning runneth round."
^0'' swymmyng] The second edition reads, swynking. See Note
26 to Gammer Gurtons Needle, vol. II.
107 B^it is your brest any thynge sicete] In Sir John Hawkins's
History of Musich, vol. III. p. 466. a passage, in Tussers Five Hun-
dred Points of Husbandry, 1680, is cited ; in which this line occurs :
" The better hre^t, the lesser rest ;"
upon which he makes this observation : " In singing the sound is
*• originally produced by the action of the lungs ; which are so
" essential an organ in this respect, that to have a good breast was
" formerly a common periphrasis to denote a good singer. The
" Italians make use of the terms Voce di Petto, and Voce di Tata, to
" signify two kinds of voice, of which the first is the best. In
" Shakespeare's Comedy of Tuefth Kight, after the Clown, is
•' asked to sing. Sir Andrew Aguecheek says,
" By my troth, the fool lias an excellent breast."
" And in the statutes of Stoke College, in Suffolk, founded by
THE FOUR P'S. 73
Pedler, What ever my breste be, my voyce is mete.
Poticary. That answere sheweth you a ryght syng-
ynge man.
Now what is your wyli, good father, than ?
Palmer. What helpeth wyll, where is no skyli?
Pardoner. And what helpeth sky 11, where is no wil^os ?
Poticary. For wyll or skyll what helpeth it,
Where frowarde knaves be lackynge wit^o^?
Leve of thys curyosytie,
And who that lyste, synge after me. [Here they synge,
Pedler. Thys lyketh me wel, so mot I the.
Pardoner. So helpe me god, it lyketh nat me.
Where company is met and well agreed,
Good pastynie doth ryght well in dede.
But who can syt in dalyaunce,
Men syt in suche a variaunce?
As we were set, or no ye came in,
Whiche stryfe thys man dyd fyrst begynne;
Allegynge that suche men as use
For love of god, and not^^' refuse
On fot to goo from place to place
A pylgrimage, callynge for grace,
'• Parker, Archbishop of Canterbury, is a provision in these words:
" Of which said queristers, after their breasts are changed (i. e.
" their voices broke,) we will the most apt of wil and capacity be
" helpen with exhibitions of forty shillings," &c.
See also the Notes of Mr. Warton and Mr. Steevens to Twelfth
Night, A. 2. S. 3.
Again, in Middletou's More Dissemblers besides Women, A. 1. S. 1.
Dondolo after a song by his Page, says, " Oh rich, ravishing, rare,
" and inticing. Well, go thy ways, for as sweet a brested page as
" ever lay at his master's feet in a truckle-bed."
Women beware of Women, A. 3. S. 2.
Duke. " Yea the voice too, sirV
Fab. " I and a sweet brest too, my lord, I hope,
" Or I have cast away my money wisely."
Yet in the very next line of the text, the Pedlar seems to take a
distinction between the breast and the i^oice, which induces the
Poticary to observe,
" That answere sheweth you a ryght syngynge man." C.
108 wit] wyt, 1st edit. los i^'n^ wyll, 1st edit.
"0 or] ere. See Note 48 to Gammer Gurton's Needle, vol. II.
1" and not] not and, 1st edit.
74 THE FOUR P'S.
Shall in that payne with penitence,
Obtayne discharge of conscyence :
Comparynge that lyfe for the beste
Enduccyon to your endles rest.
Upon these wordes * our mater grewe :
For yf he coulde avow them true,
As good to be a gardener.
As for to be a pardoner.
But when I harde hym so farre wyde,
I then aproched and replyed :
Sayenge this, that this^'" indulgence,
Havyng the foresaid penitence,
Dyschargeth man of all offence,
With muche more profyt then this pretence.
I aske but two pens at the moste ;
I wys this is nat very great coste,
And from ^'^ all payne without dyspayre,
My soule for his kepe ^^^* even his chayre,
And when he dyeth, he may be sure
To come to heven even at pleasure.
And more then heven he can "* nat get,
How farre so ever he lyste to jet.
Then is hys payne more then hys wit,
To walke "^ to heven, syns he may syt.
Syr, as we were in this contencion.
In came thys daw with hys invencyon ;
Revelynge us, hymselfe avauntynge,
That all the soules to heven assendynge,
Are most boundc to the poticary,
Bycause he helpeth moste men to dye
Before whiche deth he sayeth in dede,
No soule in heven can have hys mede.
Pedler. Why, do poticaries kyll men ?
Poticary. By God, men say so now and then.
Pedler. And I thought ye wolde nat have myt
To make them lyve as longe as ye lyste.
* Hitherto misprinted,
" Upon these twrhes our mfiter grewe." C
"2 this] his, edit. 1.369. from'] for, edit. 1569.
"3* his kepe] for to keep even in his chair, edit. 1569.
"* can] may, edit. 1569.. "^ ualke] wake, 1st edit.
THE FOUR P's. 75
Potkary. As longe as we lyste ? nay, as longe as
they can.
Pecller. So myght we lyve without you than.
Potkary. Ye, but yet it is''^ necessary
For to have a poticary :
For when ye fele your conscyens redy,
I can sende you to heven "'^ quyckly.
Wherfore concernynge our mater here,
Above these twayne I am best, clere ;
And yf ye * lyste to take me so,
I am content: you and no mo
Shal be our judge, as in thys case,
Whiche of us thre sliall take the best place.
Pedler. I neyther wyll judge the beste nor worste;
For be ye bleste or be ye curste.
Ye know it is no whyt my sleyght,
To be a judge in maters of weyght.
It behoveth no pedlers nor proctours,
To take on them judgemente as doctours ;
But yf your myndes be onely set
To worke for soule helthe, ye be well met ;
For eche of you somwhat doth showe
That soules towaide heven by you doe growe.
Then yf ye can so wel agree,
To contynue togyther all thre ;
And all you thre obay one wyll,
Then all your myndes ye may fulfyll.
As yf ye came all to one man.
Who shulde goo pylgrymage"^ more then he can ?
In that ye palmer, as debite,
May clerely dyscharde hym, parde ;
And for all other syns, ones had contryssyon.
Your pardons geveth hym full remyssyon.
11^ yet it is] it is very, edit. 1 569.
117 very} added in edit. 1569.
The first edition reads,
" And if he lyste to take me so."
wHcli is altered in the edit, of 1569, to ye, and it is probably
right. C.
118 ihulde goo pylgrymige] should go on pilgrimage, edit. 1569.
76 THE FOUR r'i$.
And then ye mayster poticary,
May sende hym to heven by and by.
Poticary. Yf he taste this boxe nye aboute the
pryme,
By the masse, he is in heven or even songe tyme.
My craft is suche, that I can ryght well
Sende my fryndes to heven, and myselfe to hell.
But, syrs, marke this man, for he is wyse,
*^9 Who coulde devyse suche a devyse :
For yf we thre may be as one,
Then be we ^^ lordes everychone ;
Betwene us all coulde nat be myste,
To save the soulcs of whome we lyste.
But for good order, at a worde,
Twayne of us must wayte on the thyrde.
And unto that I do agree,
'^' Forbothe you twayne shall wayt on me.
Pardoner, What chaunce is this, that suche an elf
Commaund two knaves besyde himself?
Nay, nay, ray frende, that wyll nat be ;
I am to good to wayt on the.
Palmer. By our lady, and I wolde be loth
To wayt on the better of you both.
Pedler. Yet be ye sewer, for all thys dout,
This waytynge must be brought about.
Men cannat prosper v^^ylefully ledde ;
All thyng decay '^^ where is no hedde.
Wherfore doutlesse, marke what I say.
To one of you thre, twayne must obey.
And synnes ye cannat agree in voyce
Who shall be hed, there is no choyce
>'9 Who] Howe, 1st edit.
'-0 he we] were we as, edit. 1569.
^'■'i For bothe, &c.] First edition reads,
For botlie you twajnie shall wayt on me.
"What chaunce is this, that suche an elfe
Commaunded two knaves be besyJe himselfe.
Both editions have it so, and the alteration was made by Dods-
ley and followed by Reed, although it is by no means necessary to
the due imderstanding of the passage. C.
122 things decay] thynge decayed, 1st. edit.
THE FOUR P*S. 77
But to devyse some maner thynge,
VVherin ye all be lyke connynge ;
And in the same who can do beste,
The other twayne to make them preste,
In every thynge of hys entente,
'^ Holy to be at commaundement.
And now have I founde one mastry,'^*
That ye can do indyfFerently ;
And is nother sellynge nor byenge,
But evyn onely very lyenge
And all ye thre can lye as well,
As can the falsest devyll in hell.
And though afore ye harde me grudge.
In greater maters to be your judge,
Yet in lyenge I can some skyll,*
And yf I shall be judge, I wyll.
And be you sure without flatery,
Where my consciens fyndeth the mastrye,
Ther shall my judgement strayt be founde.
Though I myght wynne a thousande pounde.
Palmer. Syr, for lyeng though I can do it :
Yet am I loth for to goo to it.
Pedler. Ye have no^*^ cause to fear, be bolde,'*^
For ye may here ^"' lie uncontrolde.
And ye in this have good avauntage,
For lyeng is your comen usage.
And you in lyenge be well spedde,
For all your craft doth stande in falshed.
M3 Holy] Holly, 1st edit.
124 one mastry] i. e, one magisterium ; a chyraical term expres-
sive of the higliest powers of transmutation, and sometimes used
for any masterly performance. S.
Mastery seems here used in the sense of mystery or trade,
which is derived from the French mestier and that perhaps from
magisterium. See Warton Hist. Engl. Poetry. Til. xxxvii. C.
* Both the old copies agree in reading,
" Yet in lyenge, I can some skyll"
which has hitherto been altered to
" Yet in lyenge I can boste some skyll."
a word having been foisted in as if the former editors were not
aware that " I can some skyll," was a phrase of the time and per-
fectly intelligible. C.
»-' no] not, 1st edit. ^^o heiolde] beholde, edit. 1569.
^26 may here'] may here, 1st edit, may lie, edit. 1569.
78 THE FOUR P's.
Ye nede nat care who shall begyn;
For eche of you may hope to wyn.
Now speke all thre evyn as ye fynde.
Be ye agreed to folowe my mynde ?
Palmer. Ye, by my trouth, I am contente.
Pardoner. Now, in good fayth, and I assente.
Poticary. If I denyed, I were a nody ;
For all is myne, by goddes body,
[Here the poticary hoppeth.
Palmer. Here were a hopper to hop for the rynge !
But, syr '^^ this gere goth nat by hoppynge.
Poticary. Syr, in thys hoppynge I wyll hop so well'
That my tonge shall hop better ^'^^ then my hele ;
Upon whiche hoppvnge, I hope and nat doute it,
To hop"o so, that ye shall hop'^* without it*.
Palmer. Syr, I wyll neyther boste ne brawll.
But take suche fortune as may fall :
And if ye wynne this mastry,
I wyll obaye you quietly :
And sure I thynke that quietnesse
In any man is great rychesse.
In any maner company,
To rule or be ruled '^^ indifferently.
Pardoner. By that host thou seraest a begger in
dede,
What can thy quyetnesse heipe us at nede?
Yf we shulde starve, thou hast nat, I thynke,
One peny to bye us one potte of drynke.
Nay yf richesse myghte rule the roste,
Beholde what cause I have to boste :
Lo, here be '^^ pardons halfe a dosyn.
For gostely ryches they have no cosyn.
And more over to me they brynge
Sufficient succour for my lyvynge.
"28 syr] sirs, edit. 1569. '^g better] as wel^ as, 1st edit.
^30 fwp] hope, 1st edit. i3i /joj?] hope, 1 st edit.
• The word it is omitted in the first edition, but is necessary for
the rhyme. C
132 be ruled'] to be rulde, edit. 1569.
'^^ here be] here are, edit. 1569.
THE FOUR P*S. 79
And here be ^^^ relykes of suche a kynde,
As in this world no man can *35 fynde,
Knele downe all thre, and when ye leve kyssynge,
Who lyste to offer shall have my blyssynge.
Frendes, here shall ye se evyn anone,
Of all Hallowes the blessyd jaw bone^^^,
Kys it hardely with good devocion.
Poticary. Thys kysse shall brynge us muche pro-
mocyon.
Fogh, by saynt savyour I never kyst a wars ;
Ye were as good kysse all Hallowe's ars;
For by all Hallowes, yet me thynketh,
That all Hallowe's breth stynketh.
Palmer. Ye judge all Hallowe's breth unknowen :
Yf any breth stynke, it is your owne.
Poticary. I knowe myne owne breth from all
Hallowes,
Or els it were tyme to kysse the galows.
Pardoner. Nay syrs, beholde, here may ye se
The great toe of the trinite,
Who to thys toe any money voweth,
And ones may role it in his moueth,
All hys lyfe after, I undertake,
>37 He shall never be vext with the tooth ake.
Poticary. I praye you torne that relyke aboute :
^^^ Either the Trinite had the goute,
Or elles, bycause it is iii. toes in one,
God made it asmuche ^^'^ as thre toes alone.
Pardoner. Well, lette that passe, and loke upon
thys.
Here is a relyke that doth nat mys
To helpe the leste as well as the moste :
This is a buttocke-bone of Pentecoste.
1" be] are, edit. 1569. '^ caii] may, edit. 1569.
'36 All hallowes, the blessyd jaw-hme] All hallowes is All Saints.
Mr. Steeveus, in his note on The First Part of King Henry IV, A. 1.
S. 2. remarks on the absurdity of appropriating a word formed to
express a community of saints to a particular one of the number.
137 He shall nei.^er be vext with the tooth ake.] He shall be ryd of the
toth ake, 1st edit.
i*** Either] Other, 1st edit. ^^^ asmuche] muche, 1st edit.
80 THE FOUR P's.
Poticary. By christe, and yet for all your boste,
This relyke hath be shy ten the roste.
Pardoner. Mark well thys relyke here is a whipper,
My frends^^o unfayned, here^'^^ is a slypper
Of one of the seven slepers be sure ^'**^.
Doutlesse thys kys shall do you great pleasure;
For all these two dajes it shall so ease you,
That none other savours shall displease you.
Poticary. All these two dayes ! nay, all these ^"^^ t^o
yere;
For all the savours that may come here
Can be no worse ; for at a worde,
One of the seven slepers trode in a torde.
Pedler. Syr, me thynketh your devocyon is but
smal.
Pardoner. Small ! mary me thynketh he hath none
at all.
Poticary. What the devyll care I what ye thinke ?
Shall I prayse relykes when they stynke ?
Pardoner. Heer is an eye toth of the great Turke.
Whose eyes be ones sette on thys pece of worke,
May happely lese parte of his eye-syght,
But nat tyll he be blynde out ryght.
Poticary. What so ever any other man seeth,
I have no devocyon unto^^* Turkes teeth :
For although I never sawe a greter.
Yet me thynketh J have sene many better.
^*ofreniks] freend, edit. 1569. ^*^ here] this, 1569.
^''2 One of the seven slepers be sure.] These seven slepers are
said to have lived at Ephesus in the time of the emperor Decian.
Being commanded to sacrifice according to the Pagan manner,
they fled to a cave in mount Ceylon, where they fell asleep, and
continued in that state 372 years, as is asserted by some, though
according te others only 208 years. They awoke in the reign of
the emperor Theodosian, who, being informed of this extraordinary
event, came from Constantinople to see them, and to satisfy himself
of the truth of the relation. Having communicated to him the
several circumstances of their case, they all, as the Legenda Aurea
expresses it, " enclyned theyr hedes to th' erth, and rendred their
" spyrites at the commaundement of our Lorde Jesu Cryst^ and soo
" deyed." &ee Legenda Aurea, 19Q.
*« these] thys, 1st edit. ^^^ to, 1st edit.
THE FOUR P S. 81
Pardoner. Here is a box ful of humble bees,
That stonge Eve as she sat on her knees,
Tastynge the frute to her forbydden.
Who kysseth the bees within this hydden,
Shall have as muche pardon of ryght,
As for any relyke he kyst thys nyght.
Palmer, Syr, I will kysse them with all my herte.
Poticary. Kysse them agayne, and take my parte.
For I am nat woorthy : nay, lette be,
Those bees that stonge Eve shall nat stynge me.
Pardoner. Good frendes, I have yet here^^^ in thys
glas,
Which on the drynke at the weddynge was
Of Adam and Eve undoutedly.
If ye honor this relyke devoutly.
Although ye thurste no whyt the lesse.
Yet shall ye drynke the more, doubtlesse:
After whyche drynkynge ye shall be as mete
To stande on your hede as on your fete.
Poticary. Ye mary, now I con^^^ you thanke ^*^;
In presens of thys the rest be blanke.
Wolde God thys relyke had come rather:
Kysse that relyke well, good father.
Suche is the payne that ye palmers take.
To kysse the pardon bowle for the drynke sake.
O holy yeste, that loketh full sowr and stale,
For goddes body, helpe me to a cuppe of ale.
The more I beholde '^* the, the more I thurste :
The oftener I kysse the, the more lyke to burste.
But sins I kysse the so devoutely,
Hyre me* and helpe me with drynke tyll I dye.
What, so muche prayeing and so lytell spede ?
Pardoner. Ye, for God knoweth whan it is nede
145 yet, edit. 1569. ^*^ can, 1st edit.
1*7 con vou thayike.] See note 34 to Gammer Gurton's Needle,
vol. II.
1^ beholde] see, edit. 1569.
* Hyre me is hear me, and afterwards we meet with this line,
" But answered you, and gevenyou hyring." C.
VOL. I. G
"^^IKi
82
THE FOUR r S.
To sende folkes drynke ; but by saynt Antony,
I wene be hath sent you to muche all redy.
Poticary. If I have never the more for the,
Then be thy relykes no ryches to me ;
Nor to thy selfe, excepte they be
More benefycyall then I can se.
Rycher is one boxe of this tryaclei'*^,
Then all thy relykes, that do no myrakell.
If thou haddest prayed but halfe so muche to me,
As I have prayed to thy relykes and thC;,
Nothynge concernynge myne occupacion,
But streyght shulde have wrought one '*° operation :
And as in value I pas you an ace.
So here lyeth muche rychesse in lytell space.
I have a boxe of rebarb here,
Whiche is as deynty as it is dere.
^^' So helpe me god, and hollydam.
Of this I wolde not geve a dram
To the beste frende I have in Englande's grounde,
Though he wolde give me xx pounde.
For though the stomake do it abhor,
It pourget you clene from the color ;
And maketh your stomake sore to waiter,
That ye shall never come to the halter.
Pedler. Then is that medycyn a soverayn thinge,
To preserve a man from hangynge.
Poticary. If ye wyll taste but thys crome that ye see,
If ever ye be hanged never truste me.
Here have I diapompholicus,
A speciall oyntement, as doctours discuse.
For a fistela or for a canker:
152 Thys oyntement is even shot anker ;
'^^ tryacle] theriaca, a remedy against poison. Blount.
The word triacle is also not unfrequently used for a balsam, or
indeed any kind of infallible or powerful medicine. C.
150 cm] in, 1st edit. isi So] Addition. ""
The word so is no addition, but is found in both the old copies.
C.
"■■^ Thys oyntement is even shot anker.] I should suppose we
ought to read sheet anchor. The sheet anchor is the largest belonging
to a ship, and is the last refuge of mariners ; for when that fails to
take hold of the ground, the vessel is left at the mercy of the
THE FOUR P*S. 83
For this medecyn ^^^ helpeth one and other,
Or bringeth them in case that they nede no other.
Here is a syrapus de Byzansis,
A lytell thynge is inough of this ;
For even the weyghtof one scryppall,
Shall '5^ make you as strong as a cryppuU.
Here are other, as diosfialios,
Diagalanga and sticados,
Blanka, manna, diospoliticon,
Mercury sublyme, and .netridaticon ;
Pellitory, and arsefetita ;
Cassy, and coUoquintita.
These be'^' the thynges that breke all stryfe
Betwene manne's sycknes and his lyfe.
From all payne these shall you delever,
And set you even at reste for ever.
Here is a medecyn no mo lyke the some ;
Whiche comenly is called thus by name,
Alikakabus or Alkakengy,
A goodly thynge for dogges that be '^"^ mangy.
Suche be these medycynes, that I can
Helpe a dogge as wel as a man.
Nat one thynge here partycularly.
But worketh universally;
For it doth me as muche good when I sell it,
As all the byers that taste it, or smell it.
Now syns my medycyns be so speciall.
And in one operacion so generall,
And redy to worke when so ever they shall.
So that in ryches I am principall ;
If any rewarde may entreat ye,
I besech your masshyp be good to i"nie,
And ye shall have a boxe of marmelade,
So fyne that you may dyg it with a spade.
Pedler. Syr, I thankeyou, but your rewarde
Is nat the thynge that I regarde :
storm. The sheet anchor was called by the ancients, anchora sacra ;
and by the French maitresse ancre. S.
'53 medecyn] oyntment, edit. 1569. '^^ Shatf] Wil, edit. 1569.
"* fee] are, edit. 1569. i50 ^g] are, edit. 1569.
'*7 to] unto, edit. 1569.
84 THE FOUR P's.
I muste and wyll be indifferent.
Wherfore precede in your intente.
Poticary. Nowe yf 1 wyst thys wysh no synne,
I wolde to God I myght begynne.
Pardoner. I am content that thou lye fyrste.
Palmer. Even so am I ; now ^^^gay thy vvorste.
Now let us here of all thy lyes,
The greatest lye thou mayst devyse.
And in the fewyst wordes thou can.
Poticanj. Forsoth, ye be ^*^ an honest man.
Pedler. There sayde ye rnuche, but yet no lye.
Pardoner. Now lye ye bothe, by our lady.
Thou lyest in host of hys honestie,
And he hath lyed in affyrminge the.
Poticary. Yf we both lye, and ye say true,
Then of these lies your parte adew :
And if ye wyn, make none avaunt,
For you are sure of one yll servaunte.
You may perceyve by the wordes he gave,
He taketh your mashyp '^o but for a knave.
But who tolde truthe'^' or lyed in dede,
That wyll I knowe or "^^ we procede.
Syr, after that I fyrste began
To prayseyou for an honest man,
When ye affyrmed it for no lye^^^.
Now, by your '^'^ fayth, speke even truely ;
Thought ye your afFyrmacyion true ?
Palmer. Ye mary, for I wolde ye knewe,
I thynke my selfe an honest man.
Poticary. What thought ye in the contrary than ?
Pardoner. In that I sayde the contrary,
I thynke from trouth I dyd nat vary.
Poticary. And what of my wordes?
Pardoner. I thought ye lyed.
Poticary. And so thought I, by god that dyed.
"8 now] and, 1st edit. '" yehe\ you are, edit. 1569.
'^° your ma&kyp] i. e. your mastership. S.
>®' truthe] true, 1st edit. '^' orl ere, edit. 1569.
1^3 for to lye] for no lie, edit. 1569.
'«* yourl our, 1st edit.
THE FOUR p's. 85
Nowe have you twayne eche for hym selfe layde.
That none 'es hath lyed, but bothe true sayd :
And of us twayne none hath denyed,
But bothe afFyrmed that I have lyed.
Now syns bothe ye '^^ the trouth confes,
'^7 How that I lyed, doo bear witnes.
That twain of us may soon agree,
And that the Iyer the wynner must be,
Who coulde provyde suche evydens.
As I have done in this pretens?
Me thynketh this mater sufficient
To cause you to gyve judgement;
And to gyve me the mastrye,
For ye perceyve these knaves can nat lye.
Palmer. Though neyther*^^ of us as yet had lyed.
Yet what we can do is untryed ;
For as yet we have devysed nothynge,
But answered you, and geven you hyring.
Pedler. Therfore I have devysed one waye,
Wherby all thre your mindes may saye.
For eche of you one tale shall tell,
And whiche of you telleth most mervell,
And most unlikest '^^ to be true.
Shall most prevayle, what ever ensew.
Poticary. If ye be set on mervaylynge,
Then shall ye here a mervaylouse thynge.
And though in dede all be nat true,
Yet suer the most parte shall be new,
I dyd a cure no longer ago.
But in Anno domini millesimo,
On a woman yonge and so fayre,
That never have I sene a gayre.
God save all women of '^^ that lyknes.
This wanton had the fallen syknes,
'^ jwne] one, edit. ]569. '^^ ye] your, 1st edit.
'^7 How, &c.] First edition reads.
And that we both my lye so witnes,
That twayne of us tlire in one agree.
1*58 neyther] nother, 1st edit. ^''^ unlikest] unlyke, 1st. edit.
1/0 of] from, 1st edit.
86 THE FOUR P'S
Whiche by dissent came lynyally,
For her mother had it naturally :
Wherfore this woman to recure,
It was more harde ye may be sure.
But though I boste my crafte is suche,
That in suche thynges I can do muche :
How ofte she fell were muche to reporte,
But her hed so gydy and her helys so shorte.
That with the twynglynge of an eye,
Downe wolde she falle evyn by and by.
But or ''7' she wolde aryse agayne,
I shewed muche practyse miiche to my payne.
For the tallest man within thys towne
Could 172 nat with ease have broken her swowne.
Although for lyfe I dyd nat doute her,
Yet I dyd take more paines ^'^^ about her,
Then I wolde take with my owne syster.
Syr, at the last I gave her a glyster :
^^* I thrust a thampyon in her tewell,
And bad her kepe it for a Jewell ;
But I knew there '''''** it was to heevy to cary.
That I sure was it wolde nat tary :
171 or] ere, edit. 1569.
^"^'^ Could] Shulde, 1st edit. ^"^^ paines] payne, 1st edit.
'74 I trust a thampyon m her tewel] The allusion is to gunnery,
Thampion (^tampon, Fr. a bung, cork, or plug of wood) is now writ-
ten tompion, and sij;-nifies the stopjier with which the mouths of
cannon are closed up, to prevent the admission of rain, or sea-
water, whereby their charges might be rendered incapable of ser-
vice.— A teuel (tuynii or tuyal, Fr.) is a pipe ; and is here used (for
the sake of continuing the metaphor) for hore or caliber. Moxon,
in his Mechanick Exercises, defines the tewel to be that pipe in a
smith's forge into which the nose of the bellows is introduced ; and
in a Ms. fragment, said to be written by Sir Francis Drake, con-
cerning the stores of one of the ships under his command, the
word tewel is applied to a gun. S.
In Lambarde's Dictionarium Topographicum S^ Historicufn, p. 129.
it is said, " It happened in the reigne of Quene Marye, that the
" master of a shippe passinge by while the court lay theare, and
" meaning (as the manner is) with sayle and shot to honour the
" place, unadvisedly gave fire to a piece charged with a stone in-
*' stede of a tampion, which lightinge on the Quene's house
" ranne throughe a chamber, and did no further harme."
THE FOUR p's. 87
For where gonpouder is ones fyerd,
The Thampyon wyll no lenger be hyerd :
Whiche was well sene in tyme of thys chaunce,
For when I had charged this ordynaunce,
Sodeynly, as it had thonder'd,
Even at a clap losed her bumberd '7^.
Now marke, for here begynneth the revell :
This thampion flew x longe myle levell,
To a fayre castell of lyme and stone,
For strength 1 know nat suche a one,
Whiche stode upon a hyll full hye,
At fote wherof a ryver ranne bye,
So depe tyll chaunce had it forbyden,
^'^ Well might the regent there have ryden.
But when this thampyon at this ''' castle did lyght,
It put the castel so farre to flyght,
That downe they came eche upon other,
No stone lefte standynge by goddes mother.
But rolled downe so faste the hyll
In suche a nomber, and so dyd fyll
From botom to bryme, from shore to shore,
Thys foresayd ryver, so depe before.
Our antiquary writes like one unacquainted with his subject,
no man, I beUeve, ever talked ofchargiyig a gun with a tamjnon ;
neither would the said tampion (consisting of a piece of hard oak)
have done much less mischief than a stone, if pointed from the
Thames at the Queen's Palace at Greenwich. S.
17<* there'] Addition in the 2d edit.
l'?'^ biaiiherdi A piece of ordnance. S.
17G \Ygii mi/ght the regent there have ruden] The Regent was one of
the largest ships of war in the time of King Henry the Eigh».h. In
the fourth y<=ar of his reign, Sir Thomas Knevet, master of the
horse, and Sir John Carew, of Devonshire, were appointed captains
of her, and in company with several others she was sent to fight
the French fleet near Erest haven. An action accordingly ensued,
and the Kegent grappled with a French Carrick, which would
have been taken had not a gunner on board the vessel, to prevent
her falling into the hands of the English, set fire to the }X)wder-
room. This communicating the flames to both ships, they shared
the same fate together, being both burnt. On the part of the
French 900 men were lost ; and on that of the Englisli more than
700. See Hall's Chronicle, tempore Henry VllE fol. 21,
1'' this] on thys castell lyght, 1st edit.
b8
THE FOUR r 3.
That who lyste nowe to walke thereto,
May wade it over and wet no shoo.
So was thys castell layd wyde open,
That every man myght se the token.
But in a good houre maye these wordes ^'s be
spoken :
After the thampyon on the walles was wroken,
And pece by pece in peces broken.
And she delyvered, with suche violens,
Of all her inconveniens,
I left her in good helth and luste ;
And so she doth contynew, I truste.
Pedler. Syr, in your cure I can nothynge tell;'
But to your ^^^ purpose ye have sayd w^ell.
Pardoner. Well, syr, then marke what I can
say
I have ben a pardoner many a day.
And done greater * cures gostely.
Then ever he dyd bodely.
Namely thys one, whiche ye shall here,
Of one departed within thys seven yere,
A frendc of myne, and lykewyse I
To her agayre was as frendly:
Who fell so syke so sodeyiily,
That dede she was even by and by.
And never spake with preste nor clerke.
Nor had no whyt of thys holy warke ;
For I was thens, it coulde nat be.
Yet harde I say she asked for me.
But when I bethought me howe thys chaunced,
And that I have to heven avaunced
So many soules to me but straungers.
And coude nat kepe my frende from daungers.
But she to dy so daungerously.
For her soule helth especyally ;
'78 these] this, edit. 1569.
^TO i/ojir] our, 1st. edit.
* The edit, of 1569 has this line,
" And done more cures ghostely."
THE FOUR P'S. 89
That was the thynge that greved me soo,
That nothynge could release my woo,
Tyll I had tryed even out of hande,
In what estate her soule dyd stande.
For whiche tryall, shorte tale to make,
I toke thys journey for her sake.
Geve ear, for here begynneth the story :
From hens I went to purgatory,
And toke with me thys gere in my fyste,
Wherby I may do there what I lyste.
I knocked and was let in quyckly:
But Lorde, how lowe the soules made curtesy;
And I to every soule agayne
ISO j)y(^ gyye a beck them to retayne,
And axed them thys question than,
If that the soule of suche a woman
Dyd late amonge them there appere ?
Wherto they sayd, she came nat here
Then ferd I muche it was nat well;
Alas, thought I, she is in hell;
For with her lyfe I was so acqueynted,
That sure I thought she was nat saynted.
With thys it chaunced me to snese ;
Christe helpe, quoth a soule that ley for his fees.
Those wordes, quoth I, thou shalt nat lees ;
Then with these pardons of all degrees, <
I payed his tole and set hym so quyght,
That strayt to heaven he toke his fiyght,
And I from thens to hell that nyght,
To help this wo nan yf I myght;
Nat as who sayth by authorite,
But by the waye of entreate.
And fyrst to the devyll that kept the gate
I came, and spake after this rate.
All hayle, syr devyll, and made lowe curtesy:
Welcome, quoth he, thus '^' smillyngly.
1^ Dyd gyve a beck them to retayne] A beck among other signifi-
cations has that of a salutation with the head. So, in Shaks-
peare's Timon of Athens :
" A serving of becks, and jutting out of bums." S.
'^^ thus'] thys, 1st edit.
90 THE FOUR p's.
He knew me well, and I at laste
Remembred him syns longe time paste:
For as good happe wolde have itchaunce,
This devyll and I were of olde acqueyntaunce ;
182 -poT oft, in the play of corpus Cristi,
He hath playd the devyll at Coventry.
By his acqueyntaunce and my behavoure,
He shewed to me ryght frendly favoure,
And to make my returne the shorter,
I sayd to this devyll, good mayster porter,
For all olde love, yf it lye in your power,
Helpe me to speke with my lorde and your.
Be sure, quoth he, no tongue can tell,
What tyme thou coudest have come so well :
For as on ^^^ thys daye lucyfer fell,
Whiche is our festyvall in hell,
Nothynge unreasonable craved thys day,
That shall in hell have any nay.
But yet be ware thou come natin,
Tyll tyme thou may '*^* thy pasporte wyn.
Wherfore stand styll, and I will wyt'^^,
Yf I can get thy sa.ve condy t.
He taryed nat, but shortely gat it
Under seale, and the devyls hande at it,
In ample wyse, as ye shall here;
Thus it began : Lucyfere,
'^2 For oft, in the flay of corpus Cristi,
He hath playd the devyll at Coventry.] " Before the suppres-
" sion of the monasteries, this city (i. e. Coventry) was very
" famous for the pageants that were play'd therein upon Con-pus
" Christi day (this is one of their ancient faires), which occasioning
" very great confluence of people thither from far and near, was no
" small henefit thereto ; which pageants being acted with mighty
" state and reverence by the friers of this house, had theaters for
" the several scenes very large and high, placed upon wheels, and
*' drawn to all the eminent parts of the city, for the better advan •
" tage of spectators, and contained the story of the New Testa-
" ment, composed in old English rithrne, as appeareth bj' an
"ancient Ms. entitled, Ludus Corporis Christi, or Ludus Coventri(e,
" in Bibl. Cotton, (sub Effigie Vesp. D. 9)." Dugdale's War-
wickshire, ■p. 116.
'^3 as on] Add in the 2d edit. ^^^ may] maist, edit, 1569.
185 wyt] Mr. Dodsley has write.
THE FOLTR P's. 91
By the power of god chyefe devyli of hell.
To all the devyls that there do dwell,
And every of them we sende gretynge,
Under streyght charge and commaundynge,
That they aydynge and assystent be
To suche a Pardoner, and named me.
So that he may at lybertie
Passe save without any ^se jeopardy,
Tyll that he be from us extyncte,
And clerely out of belle's precincte.
And hys pardons to kepe in savegarde;
We wyll they lye in the porter's warde.
Gevyn in the fornes of our palys,
In our highe courte of maters of malys,
Suclie a day and yere of our reyne.
God save the devyli, quoth I, amain '^'.
I truste thys wrytynge to be sure :
Then put thy truste, quod he, in euer ^ss
Synsthou art sure to take no harme.
Thys devyli and I walket arme in arme,
So farre, tyll he had brought me thyther,
Where all the devylls of hell togyther
Stode in a ray, in suche apparell
As for that day there metely fell.
Theyr homes well gylt, theyr clowes full clene,
Theyr taylles wel kempt, and, as 1 wene,
With sothery ^^^ butter theyr bodyes anoynted ;
I never sawe devylls so well appoynted ^"°.
The mayster devyli sat in his jacket,
And all the soules were playinge at racket.
None other rackettes they hadde in hande,
Save every soule a good fyre brand ;
Wherwith they played so pretely,
That Lucyfer laughed merely ;
'86 any] hys, 1st edit. '^^ amain'] for playne, 1st edit.
'88 euer] cure, edit. 1569.
See note 12 to Ferrex and Porrex, in this vol. C.
'^3 sothery.] Sweet or fresh made from the old word sate.
'9" well appointed] See Note 8 to The Ordinary, vol. X.
92 THE FOUR P^S.
And all the resedew of the feends'^',
^92 Did laugh thereat ful wel like freends.
But of my frende I sawe no whyt,
Nor durst not axe for her as yet.
Anone all this rout was brought in silens,
i\.nd I by an usher brought in presens
"^ Of Lucyfer : then lowe, as wel I could,
I"knelyd, whiche he so well alovvde,
That thus he beckte, and by saynt Antony
He smyled on me well favourediy,
Bendynge his browes as brode as barne durres^
Shakynge hys eares as ruged as burres ;
Rolynge his eyes as rOunde as two bushels ;
Flastynge the fyre out of his nose thryls;
Gnashinge hys teeth so vaynglorously,
That me thought tyme to fall to flatery,
Wherwith I tolde, as I shall tell.
0 plesantpycture ! O prince of hell !
Feutred"*in fashyon abominable,
And syns that is inestimable
For me to prayse the worthyly,
1 leve of prayse, as unworthy
To geve the prays, besechynge the
To heare my sewte, and then to be
So good to graunt the thynge I crave;
And to be shorte, thys wolde I have:
The souleof one which hyther is flytted,
Dehvered ^^^ hens, and to me remitted.
And in thys doynge though al be nat quyt,
Yet in some parte I shall ^^'^ deserve it,
'^' feends] frendes, 1st edit.
'22 Did, &c.] First edition reads,
Dyd laugh full well togyther lyke frendes.
'"* Of Lxicifer, &c.J First edition reads,
Tlien to Lucyfer low as 1 coude.
'9* Feutred in fashyon ahominahle] Feutrer, Fr. — fairs de
/«ttrc— garnir de feutre.— To stuff ynthfelt. Feutr^ d'herbe, over-
grown with grass. S.
?9* Delivered] Deliver, edit. 1569. l^* shaW] wil, edit. 1569.
THE FOUR P's. 93
As thus : I am a pardoner,
And over soules as controller,
Thorough out the erth my power doth stande,
Where many a soule lyeth on my hande,
That spede in maters as I use them,
As 1 receyve them or refuse them.
V/herby, what tyme thy pleasure is,
I ^^' shall requyte any part of thys,
The leste devyll here that can come thyther,
Shall chose a soule and brynge him hyther.
Ho^'*^, ho, quoth the devyll, we are well pleased;
What is hys name thou woldesthave eased?
Nay, quoth I, be it good or evyll.
My comynge is for a she devyll.
What calste her quoth he thou whoorson^*^?
Forsooth quoth I Margery Coorson.
Now by our honour, sayd Lucyfer,
No devyll in hell shall withholde her;
And yf thou woldest have twenty mo,
Wert not for justyce, they shulde goo.
For all we -"" devylls within thys den
Have more to do with two women,
Then with all the charge we have besyde :
Wherfore yf thou our frende wyll be tryed,
Aply thy pardons to women so,
That unto us there come no mo.
To do my beste I promysed by othe ;
Which I have kepte, for as the fayth goth
At thys day ^', to heven I do procure
Ten women to one man, be sure.
Then of Lucyfer my leve I toke.
And streyght unto the mayster coke
I was hadde, into the kechyn.
For Margerie's offyce was therin.
'87 Ye] I, 1st edit.
And properly, the meaning being that the Pardoner is ready to
requite part of this favour whenever it shall be tae devil's pleasure.
C.
'•* Ho] Nowe, 1st edit. '^^ whoasoTi] horyson, 1st edit.
200 ^yg-j ti^e, edit. 1569. 201 ^-ay] dayes, 1st edit.
94 THE FOUR P*S.
All thyngs handled there discretely,
For every soule bereth oiFyce metely :
Woiche myght be sena to se her syt
So bysely turnynge of the spyt.
For many a spyt here hath she turned,
And many a good spyt hath she burned :
And many a spyt ful both hath rosted,
Before the meat coulde be halfe rosted
And or*°- the meate were halfe rosted in dede,
I toke her then fro the spyL with spede.
But when she sawe thys brought to pas,
To tell the joy wherin she was ;
And of all the devylls, for joy how they
Did rore at her delyvery,
And how the cheynes in hell dyd rynge,
And how all the soules therin dyd syuge ;
And how we were brought to the gate,
And how we toke our ieve therat,
Be suer lacke of tyme sufFeryth nat
To reherse the xx parte of that,
Wherfore thys tale to conclude brevely.
Thys woman thanked me chyefly.
That she was ryd of thys endles deth,
And so we departed on newmarket heth.
And yf that any man do mynde her,
Who lyste to seke her, there shalle he fynde her,
Pedler. Syr, ye have sought her wunderous^°' well,
And where ye founde her as ye tell,
To here the chaunce ye had '^ in hell,
I finde ye were in great peril "°\
Palmer. His tale is all muche perilous ^°^;
But parte is muche more mervaylous :
As where he sayde the devylls complayne,
That women put them to suche payne.
Be theyr condicions so croked and crabbed,
Frowardly fashonde, so wayward and wrabbed^^^,
^0- or] ere.
^^^ wiinderous] wonders, 1st edit. ^o* had] founde, 1st edit.
'^^ peril] parell, 1st edit. ^^ peri bm] ]^dj:ellouiS, 1st edit.
20' wayioard ami wrabbed] I suppose wrabbed to be a word coined
for the sake of rhime. S.
TILE FOUR P'S. 95
So farre in devision, and sturrynge suche stryfe,
That all the devylls be wery of theyr life.
This«o« in effect he tolde for ^^^ trueth.
Whereby muche marveil to rae ensueth,
That women in hell suche shrewes can be,
And here so gentyll as farre as I se.
Yet have I sene many a myle,
And many a woman in the whyle.
Nat one good cytye, towne nor borough
In cristendom, but I have ben thorough,
And this I wolde ye shulde understande,
I have sene women v hundred thousande :
And oft with them have longe tyme taried *'^
Yet in all places where I have ben,
Of all the women that 1 have sene,
I never sawe nor knewe in my conscyens.
Any one woman out of paciens,
Poticary. By the masse, there is a great lye.
Pardoner. I never harde a greater, by our Lady
Pedler. A greater! nay, knowe ye any so great?
Palmer. Syr, whether that I lose or get.
For my parte judgement shall be prayd.
Pardoner. And I desyer as he hath sayd.
Poticary. Procede, and ye shall be obeyed.
Pedler. Then shall nat judgment be delayd,
Of all these thre yf eche mannes tale
In Poole's churche yarde were set on sale,
In some mannes hande that hath the sleyghte,
He shulde sure sell these tales byweyght:
For as they wey, so be they worth,
But whiche weyth beste, to that now forth.
Syr, all the tale that ye dyd tell,
I here in mynde, and yours as well :
And as ye sawe the mater metely,
So lyed ye bothe well and discretely
208 Tliis] Thus, edit. 1569. p^for] of, edit. 1569.
210 taried] maryed, 1st edit. It will "be observed that there is no
rhime to the line
" And oft with them have long tyme taried"
and it is probable that a line has here dropped out ending with
maryed, which is the word in the oldest of the two editions. C.
M
THE FOUR P S.
Yet were your lyes with the lest, truste me ;
For yf ye had said ye had made fle
Ten tampyons out of ten women's tayles,
Ten tymes ten myle to ten castles or jayles,
And fild ten ryvers ten tymes so depe,
As ten of that whiche your castell stones dyd kepe :
Or yf ye ten tymes had bodely
^" Fet ten soules out of purgatory ;
And ten tymes so many out of hell :
Yet, by these ten bonnes I coulde right well,
Ten tymes sooner all that have beleved,
Then the tenth parte of that he hath meved
Poticary. Two knaves before i, lacketh ii knaves of
fyve:
Then one, and then one, and bothe knaves alyve.
Then two, and then two, and thre at a cast,
Thou knave, and thou knave, and thou knave at laste.
Nay knave, yf ye try me by nomber,
I wyll as knavishly you accomber^^^
Your mynde is all on your pryvy tythe.
For all in ten me thynketh your wyt lythe.
^^^Now ten tymes I beseche hym that hye syttes,
Thy wives x commaundementes may serch thy v wittes.
Then ten of my tordes in ten of thy tech.
And ten on thy nose, whiche every man seth ;
And twenlie tymes ten, this wyshe I wolde
That thou haddest been hanged at ten yere olde :
For thou goest about to make me a slave ;
I wyll thou knowe yf I am a gentleman ^^^ knave.
2n Fet ten soules, &c.] i. e. fetcb'd. The word is used by Tusser,
Spenser, and Shakspeare. S.
See also Note 73 to Gammer Gurton's Needle, vol. II.
,"12 accomber] overcome. See Note * on God's Promises, p. 21.
1213 ]\Tow ten tymes I beseech hum that hye syttes,
^ Thy wives ten commaundemeTites may serch thy five loyttes.]
So Eleanor, in The Second Fart of King Henry VI. A.l. S. 3. says,
" I'd set my ten commandments in your face."
Ten Commandments seem to have been cant terms for tlie nails of
the hands.
See also Mr. Steevens's Note on the above passage.
2'* gentleman'] gentle, edit. 1569.
THE FOUR P'S. 97
And here is an other shall take my parte.
Pardoner. Nay fyrste I beshrew your knave's herte,
Or I take parte in your knavery :
I wyll speak fair, by our^^^ lady,
Syr, I beseeche your mashyp to be
As good as ye can^^^ be unto me.
Pedler. I vvolde be glade to do you good ;
And hym also, be he never so wood^^^*.
But dout you not I wyll now do
The thynge my consciens ledeth me to.
Both your tales I take farre unpossyble,
Yet take I his farther incredyble.
Not only the thynge itselfe alloweth it.
But also the boldenes therof avoweth it.
I knowe nat where your tale to trye ;
Nor yours, but in hell or purgatorye.
But hys boldnes hath faced a lye,
That may be tryed evyn in thys companye.
As yf ye lyste to take thys order,
Amonge the women in thys border,
Take thre of the yongest, and thre of the oldest,
Thre of the hotest, and thre of the coldest,
Thre of the wysest, and thre of the shrewdest,
Thre of the chastest, and thre of the lewdest -^^
Thre of the lowest, and thre of the hyest,
Thre of the farthest, and thre of the nyest,
Thre of the fayrest, and thre of the maddest,
Thre of the foulest, and thre of the saddest.
And when all these threes be had asonder
Of eche thre, tw^o justly by nomber
Shall be founde shrewes, excepte thys fall,
That ye hap to fynde them shrewes all.
Hymselfe for trouth all this doth knowe.
And oft hath tryed some of thys rowe ;
And yet he swereth by his consciens,
He never saw woman breke patiens.
^'* our'\ one, 1st edit.
^'8 ye can] you may, edit. 1569,
^'O* wood] mad, furious. See Note 98,
^'"^ Addition in the second edition.
VOL, I. H
98 THE FOUR P'S.
Wherfore consydered with true entente,
Hys lye to be so evident.
And to appere so evydently,
That both you afFyrmed it a ly ;
And that my consciens so depely,
So depe hath sought thys thynge to try,
And tryed it with mynde indyfFerent ;
Thus I awarde by way of judgement:
Of all the lies ye all have spent,
His lye to be most excellent.
Palmer. Syr, though ye were bounde of equyte
To do as ye have done to me,
Yet do I thanke you of your payne,
And wyll requyte some parte agayne.
Pardoner. Mary, syr., ye can no les do.
But thanke hym asmuche as it cometh to ;
And so wyll 1 do for my parte.
Now a vengeaunce on thy knave's hearte,
I never knewe a pedler a judge before,
Nor never wyll truste pedlynge knave more.
What doest thou there, thou horson nody ?
Poticary. By the masse, lerne to make curtesy,
Curtesy before, and curtesy behynde hym,
And then on eche syde, the devyll blynde hym.
Nay, when ye-*^ have it perfytly,
Ye shall have the devyll and all of curtesy :
But it is nat sone lerned, gentle ^^^ brother,
One knave to make curtesy to another.
Yet when I am angry, that is the worste,
I shall call my master knave at the fyrste.
Palmer. Then wolde some mayster perhappes clowt
ye,
But as for me ye nede not doute ye ;
For I had lever 220 be without ye,
Then have suche besynesse aboute ye.
*»8 ye] I, 1st edit.
-'^ gentle] Addition in the second edition.
=*2o lever] rather, edit. 1569.
THE FOUR P S,
99
Poticary. So helpe me god, so were ye better ;
What shulde a begger be a jetter--^?
It were no whyt your honestie,
To have us twain jet after ye.
Pardoner. Syr, be you sure he telleth you true,
Yf we shulde wayt thys wolde ensew :
It wolde be sayd, truste me at a worde,
Two knaves made*" curtesy to the thyrde.
Pedler. Now, by my trouth, to speke my mynde,
Syns they be so loth to be assyned ^"^.
To let them lose I thynke it beste.
And so shall ye lyve the better'^* in rest.
Palmer. Syr, I am nat on them so fonde,
To compell them to kepe theyr bonde ;
And syns ye lyste nat to wayte on me,
I clerely of waytinge do dyscharge ye.
Pardoner. Marry, syr, I hertely thanke you.
Poticary. "^ And likewise I, to God I vow.
Pedler. Now be ye all evyn as ye begoon ;
No man hath loste, nor no man hath woon.
Yet in the debate wherewith ye began,
By waye of advyce I wyll speke as I can.
I doo perceyve that pylgrymage
Is chyefe '^^ the thynge ye have in usage ;
Wherto in effect, for the love of Chryst,
Ye have, or shulde have been entyst :
And who so doth with suche intent,
Doth well declare hys tyme well spent.
^' ajetter] i. e. one who struts or agitates his body in a pompous
manner. So, in Shakespeare's Twelfth Night,
" How he Jets under his advanced plumes." S.
See also Note 23 to Edward 11. vol. II.
222 made] make, edit. 1569.
223 assyned] 1 believe we should read affind, i. e. joined by affi-
, nity to each other. So, in Othelb,
" If partially afm'd or leagued in office." S.
It probably means assigned to the Palmer to wait on him, which
was part of the agreement before the contention began. C.
224 better'] beste, 1st edit.
223 And likewise I, Sec] First edition reads.
And I lykewyse, I make God a vowe.
226 chyefe] cheefest, edit. 1569.
100 THE FOUR P*S.
And so do ye ia your pretence,
If ye procure thus"^ indulgence
Unto your neyghbours charytably,
For love of them in god onely.
All thys may be ryght well applyed
To shew ^"^ you both well occupyed:
For though ye walke nat bothe one waye,
Yet walkynge thus, thys dare I saye,
That bothe your walkes come to one^"^ end ;
And so for all that do pretende
By ayde of goddes grace to ensewe
Any maner kynde of vertiie ;
As some, great almyse for to gyve :
Some, in wyllfull povertie to lyve :
Som.e, to make hye wayes and suche lyke ^^ warkes,
And some, to mayntaine prestes and clarkes,
To synge and praye foi soule departed :
These, with all other vertues well marked,
Although they be of sondry kyndes.
Yet be they nat used with sondry myndes.
But as god otdy doth all those move,
So every man onely for his love,
With love and drecl obedeindy
Worketh in these vertues unyformly.
Thus every vertue yf we lyste to scan,
Is pleasaunt to god and thankfull to man.
And who that by grace of the Holy Goste
To any one vertue is moved moste.
That man by that grace that one apply,
And therin serve god moste plenty fully "^'^
Yet nat that one so farre wyde to wreste,
So lykynge the same to myslyke the reste.
For who so wresteth his worke is in vayne;
And even in that case I perceyve you twayne,
Lykynge your vertue in suche wyse.
That eche other's vertue ye doo dyspyse.
m thus] this, edit. 1569. ^^ shew] shewell, 1st edit.
229 one] on, edit. 1569. -^^ like] other, let edit.
1131 plentyfully] plenteously, edit. 1569.
THE FOUR P S.
101
Who walketh thys way for god wolde fynde hym,
The farther they seke hym, the farther behyiide hym-
One kynde of vertue to dyspyse another,
Is lyke as the syster myght hange the brother.
Poticary. "^^ For fere lest suche parels * to me myght
fall,
I thanke god I use no vertue at all.
Pedler. That is of all the very worste waye ;
For more harde it is, as I have harde saye,
To begynne vertue where none is pretended,
Then where it is begonne th' abuse to be mended.
How be it, ye be^^-' nat all to begynne.
One syne of vertue ye are entred in :
As thys, I suppose ye did saye true
In that ye sayd ye use no vertue.
In the whiche wordes T dare well reporte,
You are well beloved of all thys sorte.
By your raylynge here openly
At pardons and relyques so leudly.
Poticary. In that I thinke my faute nat great;
For all that he hath I knowe counterfete.
Pedler. For his, and all other that ye knowe fayned,
You be not^** counceled nor constrayned
To any suche thynge in any suche case,
To give any reverence in any suche place.
But where ye dout, the truthe nat knowynge,
Belevynge the beste, good may be growynge.
In judgynge the beste, no harme at the leste;
In judging the worste, no good at the beste.
But beste in these thynges it semeth to me.
To make^^^ no judgement upon ye;
But -cs the churche doth judge or take them,
So do ye receyve or forsake them.
And so be you sure ye cannat erre,
But may be a frutfull folower.
^^- For fere lest suche parels to me myght fall.] Perhaps by parels is
meant pareilles, Fr. i. e. things similar, or parels. Or it may be
be only a corruption oi perils, S.
* i. e. perils. See notes 205 and 206. C.
2«6e] are, edit. 1569. "i^* not] nother, 1 st edit.
•■^35 make] take, edit. 1569.
102 THE FOUR P*S.
Poticanj. Go ye before and as I am true man,
1 wyll iblovv as fast as I can.
Pardoner. And so wyll I, for he hath sayd so well,
Reason wolde we shulde folowe hys counsell.
Palmer. Then, to our reason, god gyve us his grace,
That we may folowe with fayth so fermely
Hys commaundements, that we may purchace
Hys love, and so consequently
To byleve hys churche, faste and faythfully ;
So that we may, accordynge to his promyse.
Be kepte out of errour in any wyse.
And all that hath scapet^^ us here by neglygence,
We clerely revoke and forsake it ;
To passe the tyme in thys without offence,
Was the cause why the maker dyd make it;
And so we humbly beseche you to take it,
Besechynge our lorde to prosper you all,
In the fayth of his churche universail.
^^ scapet] escapte, edit. 1569o
103
EDITIONS.
(1.) '' The playe called the foure PP. A newe and
** a very mery enterlude of A Palmer, A Pardoner, A
" Potycary, A Pedler. Made by John Heewood.
" Imprynted at London in Fletestrete, at the sygne of
" the George, by Wyllyam Myddylton."
This Edition must have been printed at least as early
as the year 1547, at which time William Middleton
either died or retired from business. See Ames's
Typographical Antiquities, p. 218, 258.
(2.) '* The Play called the Foure P. A very mery
" Enterlude of A Palmer, A Pardoner, A Poticary, A
" Pedler. Imprinted at London, at the long Shop
" adjoyning unto S. Mildreds Churche in the Pultrie,
" by John Allde, Anno Domini 1569, Septembris 14."
Both these Editions are in the Collection of Mr.
Garrick.
FERREX AND PORREX.
Thomas Sackville, Lord Buckhurst, was related to
Queen Elizabeth by her mother Ann Boleyn. He was
born in 15:56,* and educated at Hart-Hall, in the
University of Oxford ; from whence he went to Cam-
bridge, and afterwards to the Temple. In his younger
days he travelled mto France and Italy ; and at the
early period of his life only he was, as Mr. Spence ^ ob-
serves, what perhaps all persons of his birth ought to
be, a poet. His father, dying in 1566, left him a large
fortune, the greatest part of which he soon spent by
his magnificent manner of living, but in the end be-
came a I etter economist. He served in parliament both
in the reign of Queen Mary and Elizabeth In 1567,
he was created Baron Buckhurst; in 1571, was sent
ambassador to Charles IX, king of France ; and in
1587, to the States of the United Provinces. In 1588,
he was made one of the Knights of the Garter; in
1591, Chancellor of the University of Oxford; and in
1598, Lord High Treasurer of England. He was con-
tinued in that office by King James, who in 1603 ad-
vanced by him to the dignity of Earl of Dorset. He
died suddenly at the council board, in 1608, f of a fit
of the apoplexy X
* Mr. A. Chalmers (Biogr. Diet, xxvii. 16, fixes the date of
his birth in 15'^7, while Sir E. Brydges, in his new edit, of the
Theatnun Poetarum, 66, says with Mr. Reed that this event did
not happen until 1636. C.
' Some account of Lord Buckhurst and his Writings, prefixed
to the edition of Gorboduc printed in 17 8G.
t He had been ill for some time, and his life was despaired of
nine months before he died, on the 19th April, 1608. C.
t His funeral Sermon was preached by Dr. Abbot, Dean of
Winchester, on May 26th, 1608. It was printed soon afterwards
and the follo%\'ing curious papers are extracted from it.
" Her Majesty not long before her death, being pleased as it
seemeth with some special piece of service which his Lordship had
done unto her grew at large to discourse touching this nobleman,
as an honourable person and a counsellor of estate, in writing hath
advertised me. Her highness was then pleased to decypher out
108
He was the Author of
(1) The Introduction to the Mirror for Magistrates,
first pubhshed by WiUiam Baldwin in 4to. 1550;
again, with the second part in 4to, 1563; re-pubHshed
with additions in 1575 ; and a fourth time further
augmented and published by Richard Nicols in 1610.
*' The wurke (says the original publisher) was begun,
*• and part of it prynted in Queene Maries tyme, but
" hyndred by the Lorde Chauncellor that then was ;
*' nevertheles, through the meanes of my Lord Staf-
" ford, the fyrst parte was licenced and imprynted the
his life by seven steps or degrees. The first was his younger
days, the time of his scholarship when first in that famous Uni-
versity of Oxford, aud afterward in the Temple (where he took the
degree of Banister) he gave tokens of such pregnancy, such studi-
ousness and judgment that he was held no way inferior to any of
his time or standing. And of this there remain good tokens, both
in English and Latin published unto the world."
In the margin opposite the latter words is this note. "The
Life of Treiilian in the Mirror of Magistr. Epist. prefix. Aulic Earth
Gierke," from whence it seems that the Reverend Dean was not so
well informed regarding the English writings of Lord Dorset, as
the events of his life. He then proceeds : — " The second was his
travel, when being in France and Italy he profited very much in
the languages, in nmtter of story and state. And being prisoner
in Rome for the space of fourteen days, (which trouble was
brought upon him by some who hated him for his love to religion
and his duty to his sovereign) he so prudently bare himself that
by the blessing of God, and his temperate kind of carnage, he'was
freed out of that danger. The third step which lier Majesty did
think good to observe was (upon return in England) his coming
unto her Court, where on divers occasions he bountifully feasted
her Highness and her nobles ; and so he did foreign ambassadors.
At that time he entertained musicians, the most curious which any
where he could have, and therein his lordship excelled unto his
djmg day. Then was his discourse judicious, but yet witty and
delightful. Thus he was in his younger days a scholar and a
traveller and a courtier of special estimation."
The Sermon then notices some events of I-ord Dorset's public
life, and particularly the present of a ring set with diamonds,
which king James sent to him by the hand of Lord Hay when Lord
Dorset was sick, in the beginning of June, 1607, and was not ex-
pected to recover. It quotes a passage from his will, in which he
bequeathed this valued gift to his son, and afterwards to his
nephew. C.
109
*' fyrst yeare of the raygne of thys our most noble and
'• vertuous Queene, Since whych time, although I
" have bene called to an other trade of lyfe, yet my
** good Lorde Stafforde hath not ceased to call upon
*' me to publish so much as I had gotten at other
** mens hands, so that through his Lordshippe's earnest
*' meanes I have now also set furth an other parte con-
'* teyning as little of myne owne, as the fyrst part
'* doth of other mens." In this second part Lord
Buckhurst's Induction first appeared. The cause of
writing it was as follows: *< After that he (Lord
" Buckhurst) understode that some of the counsayle
*' would not suffer the booke to be printed in suche
" order as we had agreed and determined, he purposed
" with himselfe to have gotten at my handes all the
" tragedies that were before the duke of Buckingham's,
*' which he woidd have preserved in one volume; and
** from that time backward even to the time of William
** the Conqueror, he determined to continue and per-
" feet all the story himselfe in such order as. Lydgate
** (following Bocchas) had already used ; and there-
** fore to make a meete induction into the matter,
" he devised this poesye." We are informed, that
this design was laid aside on the Author's being called
to a more serious expence in the great state aflfairs
of his most royal Lady and Sovereign. The Induc-
tion, in 1759, was re-printed by Mr. Cape), in his
Proli(sio)!S.
Those praises which were bestowed on the poetry of
Lord Buckhurst by his contemporaries are not to be as-
cribed to his rank or fortune. The best judges have
ratified the sentence passed by the criticks of the time,
and even gone beyond them in their commendations.
Mr. Warton, speaking of the The Mirror for Magis-
trates, says (Observations on Spenser, vol. IL p. 109.) :
** There is one Poem indeed among the rest which ex-
** hibits a groupe of imaginary personages, so beanti-
" fully drawn, that in all probability they contributed
. " to direct, at least to stimulate, Spenser's imagination
110
" in the construction of the like representations. Thus
" much may be truly said, that Sackvilles Induction
" approaches nearer to the Fairy Queen, in the
<* richness of allegoric description, than any previous
** or succeeding poem."
(2) The Complaynt of Henrye, duke of Bucking-
ham, in the Mirror for Magistrates^
(3.) A Latin Letter to Dr. Bartholomew Clerke,pre-
fixed to his Translation of Balthazar Castillo, De
Curiali sive Aulico, first printed at London about
1571.
(4.) Verses prefixed to Hobby's Translation of Cas-
tillo's Courtier, 4to. 1577, in commendation of the
Work.
(5.) Letters in the Cabala, and one to the Earl of
Sussex, in Howard's Collection, p. 297.
Thomas Morton, who joined with Lord Buckhurst
in writing this play,* was, according to Wood '^ who
gives him the title of a forward and busy calvinist, a
native of, or resident at, Sharpenhaule, otherwise
Sharpenhoe, in the county of Bedford. He lived some
time in the Temple, became a barrister ^ at law.f and
solicitor for the city of London ^ He translated some
of the Psalms in Sternhold and Hopkins's Version,
and was the author and translator of several polemical
* It is only on the titles of what are considered the spurious
copies of this play that it is stated that Norton wrote the three
fxst, and Sackville the two Inst acts. Mr. Warton doubts whether
Norton had by any means so great 'a share in it. C.
^ Athenas Oxonienses, 77.
3 Ibid.
t In the books of the Stationers' Company are entries of fees
paid to Thomas Norton, and hence it has been concluded that he
was Counsel to that Body. Here we find also the latest memorial
of him in an entry between 1588 and 1584, and it is supposed
either that after that date he was not employed, or that
" ugly death
Depriv'd him of his office and his breath." C.
* Maibury's Book of Monarchy, as quoted by Oldys, in his MS.
Notes on Laagbaine.
Ill
and political Works,! which are enumerated in Wood's
Athense Oxonienses*. §
t Thomas Norton's " Address to the Queene's JMajesties poor
deceavey'd subjectes," is noticed at length in Censiira Literaria X.
97. O- G.
5 P. 77. p. 155.
§ The portrait of Norton, or at least a figure intended for him,
is preserved in a small work of six folio pages, and containing five
plates, called " Descriptiones quondam illius inhumanic et multiplicis
persecutionis quam in Anglia proptis Jidem sustinent Catholici Chris-
tiani." The third plate is entitled Tormenta in carceribus injiicta, and
here is inserted the supposed likeness of Norton, who is called
Nortonus archicarnifex, and is accompanied suis sateUitibus. A
further account of the work may be seen in Censura Literaria VII.
7?. C.
112
ARGUMENT OF THE TRAGEDIE.
GoRBODuc, Icing of Brittaine, divided his realme in his
life-time to his sonnes^ Ferrex and Porrex. The sonnes
Jell to discention. The yonger killed the elder. The
mother that more dearely loved the elder, for revenge
killed the yonger. The people moved ivith the crueltie
of the fact, rose in rebellion, and slew 'both father and
mother. The Nobilitie assembled, and most terribly
destroyed the Rebels, and afterwards for want of issue
of the Prince, whereby the succession of the Crowne
became uncertaine, they fell to Civil fVarre, in which
both they and many of their issues were slain, and the
land for a long time almost desolate and miserably
wasted.
113
THE P [printer] to THE READER,
Where this Tragedie was for furniture of part of the
grand Christmasse in the Inner-Temple, first written
dbout nine yeares agoe by the right honourable Thomas,
now Lorde Buckherst, and by T. Norton, and after
shewed before her majestie, and never intended by the
Authors thereof to be published : yet one W. G. getting
a copie thereof at some yong man's hand that lacked a
little money, and much discretion in the last great
plage an. 1565, about 5 yeares past, while the said
lord was out of England, and T. Norton farre out of
London, and neither of them both made privie, put it
forth excedingly corrupted : even as if by meanes of a
broker for hire he should have entised into his house a
faire maide and done her villanie, and after all to
bescratched her face, torne her apparell, berayed and
disfigured her, and then thrust her out of dores dis-
honested. In such plight after long wandring, she came
at length home to the sight of her frendes, who scant
knew her but by a few tokens and markes remayning.
They, the authors I meane, though they were very
much displeased that she ranne abroad without leave,
whereby she caught her shame as many wantons do;
yet seeing the case as it is, remedilesse have for com-
mon honestie and shamefastnesse new apparelled,
trimmed, and attired her in such a forme as she was
before. In whicli better forme since she hath come to
me, I have harbored her for her frendes sake and her
owne; and I do not dout her parentes, the authors,
will not now be discontmt that she goe abroad among
you good readers, so it be in honest companie. For
she is by my encouragement and others somewhat lesse
ashamed of the dishonestie done to her, because it was
by fraude and force. If she be welcome among you,
and gently enterteined in favor of the house from
VQL. I. I
114
whence she is descended, and of her owne nature
courteously disposed to offend no man, her frendes will
thanke you for it. If not, but that she shall be still
reproched with her former missehap, or quarelled at
by envious persons, she, poore gentlewoman, will surely
play Lucreces part, and of herself die for shame, and 1
shall wishe that she had taried still at home with me,
where she was welcome ; for she did never put me to
more charge but this one poore blacke gowne lined
with white, that I have now geven her to goe abroad
among you withall.
NAMES OF THE SPEAKERS.
GoRBODUC, king of Great Brittain,
ViDENA, queene and wife to king Gorboduc.
Ferrex, elder sonne to king Gorboduc.
PoRREX, yonger sonne to king Gorboduc.
Cloyton, duke of Cornewall,
Fergus, duke oj Aibanye.
Mandud, duke of Loegris.
Gwenakd, duke of Cumberland.
EuBULUS, secretarie to the kbig.
Arostus, a counsellor to the king.
DoRDAN, a counsellor assigned by the king to his eldest
sonne Ferrex.
Philander, a counsellor assigned by the king to his
yongest son Porrex.
[Both being of the olde kinges counsel before.
Hermon, a parasite remaining with Ferrex.
Tyndar, a parasite remaining with Porrex.
NuNTius, a messenger of the eldest brother's death.
NuNTius, a messenger of duke Fergus rising in arms.
Marcella, a lady of the queenes privie-chamber.
Chorus, ^oure auncient and sage men of Britiaine.
The Order of the Domrae Shew before the first Act
and the Signification therof.
Firsty the musiche of violerize began to plaij, during
which came in upon the stage size wilde men, clothed
in leaves. Of whom the first bore on his necke a
fagot of small stickes, which they all both severallye
and together assayed with all their str en g the s to breake,
but it could not be broken by them. At the length one
of them plucked out one of the sticks, and brake it:
and the rest plucking out all the other stickes one
after another, did easely breake the same being se-
vered, which being enjoyned, they had before attempted
in vaine. After they had this done, they departed the
stage, and the musick ceased. Hereby was signified,
that a state knit in unitie doth continue strong against
all force, but being divided, is easily destroyed ; as befel
•upon duke Gorboduc dividing his lande to his two
sonnes, ivhich he before held in monarchic, and upon
the discention of the brethren to whom it was divided.
FERREX AND PORREX^
ACTUS PRIMUS. SCENA PRIMA.*
ViDENA. FeRREX,
Videna. The silent night thatbringes the quiet pawse,
From painefull travailes of the wearie day,
Prolonges my careful! thoughtes, and makes me blame
The slowe Aurora, that so for love or shame
Doth long delay to shewe her blushing face ;
^ This play we are told by the printer of the second Edition was
first acted at the Inner-Temple, and afterwards before Queen Eli-
zabeth. Its first appearance was at a grand Christmas celebrated
with unusual magnificence, as may be seen by the description of it
in Dugdale's Origines Juridiciales, p. 160. It is here printed from the
second Edition ; the third, of 1590, from which it was published
in 1736, by Mr. Spence and by Mr. Dodsley, in this collection be-
fore, appearing to be only a republication of the first imperfect copy
complained of by the Authors as published in their absence without
their knowledge or consent. The testimony of Sir Philip Sidney
concerning this play is as follows : " Gorboduc is full of stately
" speeches and well-sounding phrases, climbing to the height of
" Seneca his style, and as full of notable morality : which it doth
" most delightfully teach, and thereby obtain the very end of
" poetry." And Mr. Pope was of opinion, " That the writers of
" the succeeding age might have improved as much in other respects
" by copying from him a propriety in the sentiments, an unaffected
" perspicuity of style, and in an easy flow in the numbers ; in a
" word, that chastity, correctness, and gravity of style, which are
" so essential to tragedy, and which all the tragic poets who fol-
" lowed, not excepting Shakespeare himself, either little under-
" stood, or perpetually neglected."
* The edition of this tragedy of 1590, is said to be a reprint of
the spurious copy first published. As the variations, verbal and
otherwise, are generally curious and sometimes useful, they are
noted at the bottom of the page, and for this purpose a careful
comparison has been made. C.
118 FERREX AND PORREX. [aCT f.
And now the day renewes my griefull plaint.
Ferrex. My gracious lady, and my mother deare,
Pardon my griefe for your so grieved minde
To aske what cause tormenteth so your hart.
Videna. So g;reat a wrono^ and so unjust despite.
Without all cause a^i^ainst all course of kinde —
Ferrex. Such causelesse wrong and so unjust des-
pite,
May have redresse, or, at the least, revenge.
Videna. Neither my sonne : such is the froward will.
The person such, such ray misehappe and thine,
Ferrex. Mine ! know I none, but grief for your dis-
tresse.
Videna. Yes, mine for thine, my sonne. A father?
no:
In kinde a father, not in kindliness"^.
Ferrex. My father ? why, I know nothing at all,
Wherin I have misdone unto his grace.
Videna. Therfore, the more unkinde to thee and
mee:
For knowing well (my sonne) the tender love
That I have ever borne, and beare to thee,
He greved thereat, is not content alone.
To spoile thee of my sight, my chiefest joye,
7 In kinde a father, not in kindlinesa] Kind is nature. Hamlet has
almost tlie sarr.e sentiment,
A little more than kin, and less than Kind.
In several other places of this play the same word in the like
sense occurs. Again, in Julius Ctesar, A. 1. S. 3.
" But if you would consider the true cause,
" Why birds and beastes from quality and kind,
" Why all these thinges chan; e from their ordinance,
" Their natures, and presumed faculties
" To monstrous quality "
Titus Andronicus, A. 2. S. 1.
" The forest walks are wide and spacious,
" And many unfrequented plots there are
•' Fitted by kind for rape and villainy."
Antony and Cleopatra, A. 5. S. 2. " You must think this, look
" you, that the worm will do his kind."
For these instances I am indebted to a writer in the Saint
James's Chronicle, Nov. 5, 1774. See also Mr. Steevens's Note on
Hamlet,A.l.S.2.
1
SCI.] FERREX AND POllREX. 119
But thee, of thy birth-right and heritage,
Causelesse, unkindly and in wrongfull wise,
i\gainst all lawe and right he will bereave :
Halfe of his kingdome he will geve away.
Ferrex. To whom?
Videna. Even, to Porrex his yonger sonne,
Whose growing pride I do so sore suspect.
That being raised to equall rule with thee,
Mee thinkes I see his envious hart to swell,
Filled with disdaine and with ambicious hope.
The end the goddes do know, whose altars I
Full oft have made in vaine of cattel slaine
To send the sacred smoke to heaven's throne.
For thee my sonne, if thinges do so succede,
As now ray jelous minde misdemeth sore.
Ferrex. Madam, leave care and careful! plaint for
me:
Just hath my father bene to every wight.
His first unjustice he will not extend
To me, I trust, that geve no cause therof.
My brother's pride shall hurt himselfe, not me.
Videna. So graunt the Goddes : but yet thy father so
Hath firmely fixed his unmoved minde
That piaintes and prayers can no whit availe,
(For those have I assaid) but even this day
He will endevour to procure assent
Of all his counsell to his fonde devise.
Ferrex. Their ancestors from race to race have borne
True fayth to my forefathers ; and their seede,
I trust they eke will beare the like to me.
Videna. There resteth all; but if they faile thereof,
And if the end bring forth an ill successe,
On them and theirs the mischiefe shall befall.
And so I pray the Goddes requite it them ;
And so they will, for so is wont to be
When lordes and trusted rulers under kinges,
To please the present fancie of the prince.
With wrong transpose the course of governance,
Murders, mischief, or civill sword at length.
Or mutual treason, or a just revenge,
120 rERllEX AND PORREX. [aCT I.
When right succeding line returnes again
By Jove's just judgement and deserved wrath,
Bringes them to cruell,* and reprochfuU death,
And rootes their names and kindredes from the earth.
Ferrex. Mother, content you, you shall see the end.
Videna. The end ? thy end 1 feare : Jove end me
first !
ACTUS PRIMUS. SCENA SECUNDA.
GoRBODuc. Arostus. Philander. Eubulus.
Gorboduc, My lords, whose grave advise and faithfull
aide
Have long upheld my honour and my realme.
And brought me to this age from tender yeres,
Guidyng so great estate with great renowne ;
Nowe more importeth mee than erst ^ to use
Your fayth and wisdome whereby yet I reigne ;
That when by death my life and rule shall cease,
The kingdome yet may with unbroken course
Havecertayne prince, by whose undoubted right
Your wealth and peace may stand in quiet stay :
And eke that they whome nature hath preparde,
In time to take my place in princely seate,
While in their father's tyme their pliant youth
Yeldes to the frame of skilfull governaunce,
Maye so be taught, and trayned in noble artes,
As what their fathers which have reigned before
Have with great fame derived downe to them,
With honour they may leave unto their seede;
And not be thoughtf for their unworthy life.
And for their lawlesse swarvynge out of kinde.
Worthy to lose whatlawe and kind them gave;
But that they may preserve the common peace,
(The cause thatiirst began and still mainteines.
The lyneall course of kinges inheritance)
* " Civil." Edit. 1590. ^ erst] formerly, heretofore,
t " Taught." Edit. 1590.
SC. II.] FEllREX AND PORREX. 121
For me, for myne, for you, and for the state
Whereof both I and you have charge and care.
Thus do I meane to use your wonted fayth
To me and myne, and to your native lande.
My lordes, be playne without ail wrie respect,
Or poysonous craft to spealce in pleasyng wise.
Lest, as the blame of yll succedyng thinges
Shall lighten you, so light the harmes also.
Arostus. Your good acceptance so (most noble king)
Of suche our faithfulnesse, as heretofore
We have employed in duetiesto your grace,
And to this realme whose worthy head you are.
Well proves that neyther you mistrust at all.
Nor we shall neede in boasting wise to shewe
Our trueth to you, nor yet our wakefullcare
For you, for yours, and for our native lande.
Wherefore (O kyng) I speake as one for all,
Sithe all as one do beare you egall faith :
Doubt not to use our counsells and our aides
Whose honours, goods and lyves are whole avowed,
To serve, to ayde, and to defende your grace.
Gorboduc. My lordes, I thanke you all. This is the
case.
Ye know, the Gods, who have the soveraigne care.
For kings, for kingdomes, and for common weales,
Gave me two sonnes in my more lusty age.
Who nowe in my decayeng* yeres are growen
Well tovvardes ryper state of minde and strength.
To take in hande some greater princely charge.
As yet they lyve and spende their hopefull dales
With me and with their mother here in courte.
Their age nowe asketh other place and trade,
And myne also doth aske an other chaunge.
Theirs to more travaile, myne to greater ease.
Whan fatall death shall endemy mortall hfe.
My purpose is to leave unto them twaine.
The realme divided in two sondry partes :
The one, Ferrex myne elder sonne shall have,
The other, shall the yongerf Porrex rule.
* " Deceiving." Edit. 1590. f " Other." Edit. 1590.
4
}22 FERIIEX AND PORREX. [aCT I,
That both my purpose may more firmely stande,
And eke that they may better rule their charge,
I meane forthwith to place them in the same;
That in my life they may both learne to rule,
And I may joy to see their ruling well.
This is, in summe, what I would have ye wey:
First whether ye allowed my whole devise,
And thinke it good forme, for them, for you,
And for our countrey, mother of us all :
And if ye lyke it, and allowe it well,
Then for their guydinge and their governaunce.
Shew forth such meanes of circumstance,
As ye think meete to be both knowne and kept.
Loe, this is all; now tell me your advise.
^ Arostus. And this is much, and asketh great advise ;
But for my part, my soveraigne lord and kyng,
This do I thinke. Your majestic doth know,
How under you, injustice and in peace.
Great wealth and honour longe we have enjoyed,
So as we cannot seeme with gredie mindes
To wishe for change of prince or governaunce;
But if we lyke your purpose and devise,
Our lyking must be deemed to proceede
Of rightfull reason, and of heedefull care.
Not for ourselves, but for our common state :
Sithe our owne state doth neede no better change.
I thinke in all, as erst your grace hath saide :
Firste when you shall unlode your aged mynde
Of hevye care and troubles manifolde,
And laye the same upon my lordes your sonnes,
Whose growing yeres may beare the burden long.
And long I pray the Goddes to graunt it so :
And in your life while you shall so beholde
Their rule, their vertues, and their noble deedes,
Suche as their kinde behighteth '^ to us all,
^ alhwe] i. e. approve. So, in King Lear, A. 2. S. 4.
" — if your sweet sway
" Allow obedience."
See Mr. Steevens's Note thereon.
'0 behighteth] i. e. promiseth. So Spenser, in his Fairy Queen,
B. 4. C. U.S. 6.
SC. II.] FERREX AND PORREX. 123
Great be the profites that shall growe thereof;
Your age in quiet shall the longer last.
Your lastinii" age sb.al be their longer stay.
For cares of kynges, that rule as you have ruled,
For publique wealth, and not for private joye,
Do waste mannes lyfe and hasten crooked age,
With furrowed face, and with enfeebled lymmes,
To draw on creepyng death a swifter pace.
They two yet yong shall beare the parted reigne
With greater ease than one, now olde, alone
Can welde the whole, for whonj muche harder is
With lessened strength the doubled vveight to beare.
Your eye, your counsell, and the grave regarde
Of father, yea, of such a father's name,
Now at beginning of their sondred reigne.
When is the hazarde of their whole successe,
Shall bridle so their force of youthfull heates,
And so restreine the ra^e of insolence.
Which most assailes the yong and noble mindes.
And so shall guide and traine in tempred stay
Their yet greene bending wittes with reverent awe,
As now inured with vertues at the first,
Custome (O king) shall bring delightfulnesse :
By use of vertue, vice shall growe in hate.
But if you so dispose it, that the daye
Which ends your life shall first begin their reigne,
Great is the perill, what will be the ende,
When such beginning of such liberties,
Voide of such staves* as in your life do lye,
Shall leave them free to randon '' of their will
An open praie to trailerous flatterie,
The greatest pestilence of noble youthe :
Whiche perill shall be past, if in your life
Their tempred youthe with aged father's awe
Be brought in ure'-'-^ of skilfull stayednesse.
" And for his paines a whistle him beliight,
" That of a fishe's shell was wrought with rare delight."
* " States," edit. 1590.
" ratidGii] To go without any restraint. Randonner, Fr.
'■! in ure.] Ure is an old word, signifying habit, practise. It is used
by Spenser and others. So, in Edward III. A. 1. S. 1.
i~4 FERREX AND PORREX. [aCT I.
And in your life their lives disposed so
Shall length your noble life in joyfulncsse.
Thus thinke I that your grace hath wisely thought,
And that your tender care of common weale
Hath bred this thought, so to divide your lande,
And plant your sonnes to beare the present rule, •
While you yet live to see their rulinge well,
That you may longer lyve by joye therein.
What furder meanes behovefuU are and meete
At greater leisure may your grace devise,
When all have said, and when we be agreed
If this be best, to part the realme in twaine,
And place your sonnes in present governement:
Whereof as I have plainely said my mynde,
So woulde I here the rest of all my lordes.
Philander, In part I thinke as hath been saide
before ;
In part agayne my minde is otherwise.
As for dividing of this realme in twaine,
And lotting out the same in egall partes
To either of my lordes your graces sonnes.
That thinke I best for this your realmes behofe,
For profite and advauncement of your sonnes,
And for your comfort and your honour eke.
But so to place them while your life do last,
To yelde to them your royall governaunce,
To be above them onely in the name
Of father, not in kingly state also,
I thinke not good for you, for them, nor us.
This kingdome since the bloudie civill fielde
13 Where Morgan slaine did yeld his conquered part
" Ned, thou must begin
" Now to forget thy study and thy books,
" And ure thy shoulders to an armour's weight."
Ascham's Toxophikis, p. g7. Bennet's Edition :
" What thing a man in tender age hath most in ure,
" That same to death always to kepe he shall be sure."
13 Where Morgan slaine did yeld his conquered part
Unto his cosins sworde in Camherland,'] See GeofFry of Mon-
mouth, b. ii. c. 15. He is there called Margan, and is said to have
been killed by his brother Cunedagius, in a contest similar to the
present between ierrex and Porrex,
SC. II.] FliRREX AND PORREX. 125
Unto his cosins sworde in Caraberland *,
Conteineth all that whilome did suffice
Three noble sonnes of your forefather Brute ;
So your two sonnes it may suffice also,
The moe '^ the stronger, if they gree in one :
The smaller compasse that the realme doth holde.
The easier is the swey thereof to welde,
The nearer justice to the wronged poore,
The smaller charge, and yet ynoughe for one.
And whan the region is divided so
That brethren be the lordes of either parte,
Such strength doth nature knit betwene them both
In sondrie bodies by conjoyned love,
That not as two, but one of doubled force,
Eche is to other as a sure defence:
The noblenesse and glory of the one
Doth sharpe the courage of the others mynde
With vertuous envie to contende for praise.
And such an eagalnesse ^^ hath nature made
Betweene the brethren of one father's seede,
As an unkindly wrong it seemes to be,
To throwe the brother-subject under feete
Of him whose peere he is by course of kinde:
And nature that did make this egalnesse
Ofte so repineth * at so great a wrong.
That ofte she rayseth up a grudginge griefe
In yonger brethren at the elders state :
Wherby both townes and kingdomes have been rased,
And famous flockes of royall blood destroied ;
The brother that shoulde be the brothers aide,
• " Cumberland," edit. 1590.
'< moe] i. e. more. The ancient way of spelling and pronouncing
this word.
'5 egalnesse] i.e. equality. So, in Erasmus's Praise of Folk, 1549,
Sign. D : " And friendship is never properly knitte, but betweene
" men of egall estate and condition."
Hall's Chronicle, Henry IV. p. 24 : " — affinnyng farther, that no
" kyng anointed of very dutie was either bound or obliged to an-
" swere any challenge but to his pere of egall estate and equivolent
" dignitie."
t " Sore pineth." edit. 1590.
126 FERREX AND PORREX. [aCT I.
And have a wakefull care for his defence,
Gapes for his death, and blames the lyngering yeres,
That draw * not forth his ende with faster course ;
And, oft impacient of so longe delayes.
With hatefull slaughter he prevents the fates,
And heapes a just rewarde for brothers bloode,
With endlesse vengeaunce on his stocke for aye.
Such mischiefes here are wisely mette withall.
If egall state may nourishe egall love,
Where none hath cause to grudge at others good.
But nowe the head to stoupe beneth them both,
Ne kinde, ne reason, ne good ordre beares.
And oft it hath ben seene, where nature's course
Hath ben perverted in disordered wise,
When fathers cease to know that they should rule,
And children cease to know ihey should obey,
That often over kindly f tendernesse
Is mother of unkindly stiibbornesse,
I speake not this in envie or reproche,
As if I grudgded the glorie of your sonnes,
Whose honour I besech the Gocides encrease :
Nor yet as if I thought there did remaine,
So filthie cankers in their noble brestes.
Whom I esteeme (which is their greatest praise,
Undoubted children of so good a kyng ;
Onelie 1 meane to she we by certaine rules,
Which kinde hath graft within the mind of man.
That nature hath her ordre and her course.
Which (being broken) doth corrupt the state
Of myncles and thinges even in the best of all.
My lordes, your sonnes, may learne to rule of you,
Your owne example in your noble course
Is fittest guyder of their youthful yeares.
If you' desire to see some preseni joye
By sight of their weli-rulynge in your lyfe.
See them obey, so shall you see thern rule
Who so obeyeth not with humblenesse
Will rule with outrage and with insolence.
* " Brings." edit. 1590.
t '•' Our unkindly." edit. 1590.
SC. II.] FERREX AND PORREX. 127
Longe may they rule, I do beseche the Goddes,
But longe may they learne, ere they begyn to rule.
If kinde and fates would suffre I would wishe
Them aged princes and immortal kinges :
Wherfore, most noble kynge, I will assent,
Betwene your sonnes that you divide your realme,
And as in kinde, so match them in degree :
But while the Goddes prolong your royall life,
Prolong your reigne, for therto lyve you here,
And therfore have the Goddes so long forborne
To joyne you to themselves, that still you might
Be prince and father of our common vveale.
They when they see your children ripe to rule,
Will make them roume, and will remove you hence.
That yours in right ensuynge of your life
May rightly honour your immortall name.
Eubidus. Your wonted true regarde of faithfuU hartes
Makes me (0 kinge) the bolder to presume
To speake what I conceive within my brest,
Although the same do not agree at all
With that which other here my lordes have said,
Nor which yourselfe have seemed best to lyke.
Pardon I crave, and that my wordes be demed
To flowe from hartie zeale unto your grace,
And to the safetie of your common weale.
To parte your realme unto my lordes your sonnes
I thinke not good for you, ne yet for them,
But worste of all for this our native lande :
Within *one land, one single rule is best :
Divided reignesfdo make divided hartes,
But peace preserves the countrey and the prince.
Suche is in man the gredy minde to reigne,
So great is his desire to climbe alofte,
In worldly stage the stateliest partes to beare,
That faith and justice and all kindly love
Do yelde unto desire of soveraigntie,
Where egall state doth raise an egall hope
To winne the thing that either wold attaine.
* « For T^'ith." Edit. 1590. t Regions. Edit. 1590.
128 FERREX AND PORREX. [aCT II.
Your grace remembreth how in passed yeres,
The mightie Brute, first prince of all this lande^®,
Possessed the same, and ruled it well in one;
He thinking that the compasse did suffice
For his three sonnes, three kingdoms eke to make,
Cut it in three, as you would now in twaine ;
But how much British bloud hath since bene spilt,
To joyne againe the sondred unitie !
What princes slaine before their timely houre !
What waste of townes and people in the lande!
What treasons heaped on murders and on spoiles!
Whose just revenge even yet is scarcely ceased,
RuthefuU remembraunce is yet rawe in minde.
The Gods forbyd the like tochaunce againe!
And you (O king) geve not the cause thereof.
My lord Ferrex your elder sonne, perhappes
Whome kinde and custome geves a rightfull hope
To be your heire and to succede your reigne,
Shall thinke that he doth suffer greater wronge
Then he perchaunce will beare, if power serve;
Porrex, the younger, so upraised* in state,
Perhappes in courage will be raysed also ;
If flatterie then, which fayles not to assaile
The tendre mindes of yet unskilfull youth,
In one shall kindle and encrease disdaine,
And envie in the others harte enflarae;
This fire shall waste their love, their lives, their land,
And ruthefuU ruine shall destroy them both.
I wish not thys (0 kyng) so to befall.
But feare the thing, that I do most abhorre.
Geve no beginning to so dreadfuU ende,
Kepe them in order and obedience.
And let them both by now obeying you,
Learne such behaviour as beseemes their state ;
The elder myldenesse in his governaunce,
The yonger, a yelding contentednesse :
And kepe them neare unto your presence still,
16 The mightie Brute, first p-ince of all this land.'] See Geoftry of
Monmouth, book i.
* " Unpaised." Edit. 1590.
SC. II.] FERREX AND PORIlEX. 129
That they, restreyned by the awe of you,
May live in compasse of well-tempred staye.
And passe the perrilles of their youthfull yeares.
Your a^ed life clrawes on to febler tyme,
Wherin you shall lesse able be to beare
The travailes that in youth you have susteyned.
Both in your person's and your realme's defence.
If planting now your sonnes in furder partes,
You sende them furder from your present reach,
Lesse shall you know how they themselves demeane :
Traiterous corrupters of their plyant youth
Shall have unspied a muche more free accesse :
And if ambition, and inflamed disdaine
Shall arme the one, the other, or them both,
To civill warre, or to usurping pride.
Late shall you rue that you ne recked '^ before.
Good is I graunt of all to hope the best.
But not to live still dreadlesse of the worst.
So truste the one, that th'other be forsene,
Arme not unskiltulnesse with princely power.
But you that long have wisely ruled the reynes
Of royaltie within your noble realme,
So holde them, while the Gods for our avayles
Shall stretch the thred of your prolonged daies.
To soone he clambe into the flaming carre
Whose want of skill di i set the earth on fire:.
Time and example of your noble grace,
Shall teache your sonnes both to obey and rule :
When time hath taught them, time shall make them
place,
The place that now is full ; and so I pray
Long it remaine, to comforteof us all.
Gurboduc, I take your faithful harts in thankfuU part ;
But sithe I see no cause to draw my minde,
To feare the nature of my loving sonnes,
Or to misdeme that envie or disdaine
Can there worke hate, where nature planteth love.
* " Demaund." Edit. 1590.
" reckecl] See Note 33 to Tattered aid Gismanda,vo\. II.
130 FERREX AND PORREX. [aCT I.
In one selfe purpose do I still abide.
My love extendeth egally to both,
My lande suffiseth for them both also :
Humber shall parte the marches of theyr realmes :
The sotherne parte the elder shall possesse,
The northerne shall Porrex the yonger rule:
In quiet I will passe mine aged dayes,
Free from the travaile and the painefull cares
That hasten age upon the worthiest kinges.
But lest the fraude that ye do seeme to feare,
Of flattering tongues, corrupt their tender youth
And wrythe them to the wayes of youthfuU lust,
To climyng pride or to revenging hate,
Or to neglecting of their careful! charge
Lewdely to live in wanton recklessnesse,
Or to oppressing of the rightfull cause,
Or not to wreke the wronges done to the poore,
To treade downe truth, or favour false deceit,
I meane to joyne to either of my sonnes,
Some one of those whose Ions: approved faith
And wisdome tryed may well assure my harte,
That mynyng fraude shall finde no way to crepe
Into their fensed eares with grave advise.
This is the ende, and so I pray you all
To bear my sonnes the love and loyaltie
That I have founde within your faithfull brestes.
Arostus. You, nor your sonnes, our soveraign lord,
shall want
Our faith and service while our lives do last.
Chorus. When settled stay doth holde the royall
throne.
In stedfast place by knowen and doubtles right;
And chiefely when discent on one alone
Makes single and unparted reigne to light ;
Ech chaunge of course unjoints the whole estate
And yeldes it thrall to mine by debate.
The strength that knit by faste accorde in one,
Against all forrein power of mightie foes,
Could of itselfe defend itselfe alone,
Disjoyned once, the former force doth lose.
SC. ir.] FERREX AND PORREX. 131
The stickes, that sondred brake so soone in twaine,
In faggot bounde attempted were in vaine.
Oft tender minde that leades the parciall eye
Of erring parents in their childrens love,
Destroyes the wrongly * loved childe therby :
This doth the proud sonne of Apollo prove,
AVho, rashely set in chariot of his sire,
Inflamed the parched earth with heavens fire.
And this great king that doth devide his lande,
And chaunge the course of his descending crowne,
And yeldes the reigne into his childrens hande,
From blisful state of joy and great renowne,
A myrrour shall become to princes all.
To learne to shunne the cause of such a fall.
The Order and Signification of the Domme Shew
before the second Acta.
First the musicke of cornettes began to playe, during
which came in upon the stage a king accompanied with
a nombre of his nolilitie and gentlemen. And after
he had placed himself in a chaire of estate prepared
for him, there came and kneled before him a grave and
aged gentleman, and offred up a cuppe unto him of
wyne in a glasse, which the king refused. After him
commes a brave and lustie yong gentleman, and pre-
sentes the king with a cup of golde filled with poyson,
which the king accepted, and drinking the same, imme-
diately fell downe dead upon the stage, and so was
carry ed thence away by his lordes and gentlemen, and
then the musicke ceased. Hereby was signified, that
as glasse by nature holdeth no poyson, but is clere and
may easily be seen through, ne boweth by any arte ; so
afaythfull counsellour holdeth no treason, but is play ne
and open, ne yeldeth to anie undiscrete afiection, but
geveth holesome counsell, which the yll advised prince
refuseth. The delightfull golde filled with poyson
betokeneth Flattery, which under faire seeming of
pleasaunt wordes beareth deadly poyson, which destroyed
* " Wrongful!," edit. 1590.
132 FERREX AND TORREX. [aCT
^X
the prince that recei/veth it. As befell in the two
brethren Ftrrex and Porrex, who, refusing the holesome
advise of grave counsellours, credited tJtese young para-
sites, and brought to themselves death and destruction
therby.
ACTUS SECUNDUS. SCENA PRIMA.
Ferrex, Hermon, Dordan.
Ferrex. I mervaiJe much what reason ledde the
king
My father thus without all my desert
To reve me halfe the kingdome, which by course
Of lawe and nature should remayne to me.
Hermon. If you with stubborne and untamed pryde
Had stood against him in rebelling* wise,
Or if with grudging minde you had envied
So slow a sliding ot his aged yeres,
Or sought before your time to haste the course
Of fatall death upon his royall head,
^ Or stained your stocke with murder of your kyn,
^vf Some face of reason might perhaps have seemed,
■V ^ To yelde some likely cause to spoyle ye thus.
Y^ Ferrex. The wrekeful gods powre on my cursed
s , head
Jq Eternall plagues and Jiever dying woes :
^ The hellish prince adjudge my dampned ghost
To Tantales thirste, or prcude Ixions wheele,
Or cruell gripe ^' to gnaw my growing f harte,
To during tormentes and unquenched flames;
If ever I conceyved so foule a thought,
To wishe his ende of life, or yet of reigne.
Dordan. Ne yet your father (O most noble prince)
Did ever thinke so fowle a thing of you ;
For he with more than fathers tender love
While yet the fates do lende him life to rule,
* " Rebellious," edit 1590.
ripe.] Agrii
See Cotgrave. S.
t " Groaning," edit. 1590.
sc. I.] FERREx a:nd porrex. 133
(Wlio long might lyve to see your ruling well)
To you my lorde, and to his other sonne,
Lo he resignes his realme and royaltie ;
Which never would so wise a prince have done,
If he had once misdemed that in your harte
There ever lodged so unkinde a thought.
But tendre love (my lorde) and setled truste
Of your good nature, and your noble minde,
Made him to place you thus in royall throne,
And now to geve you half his realme to guide,
Yea and that halfe which in * abounding store
Of things that serve to make a welthy realme,
In stately cities and in fruteful soyle.
In temperate breathing of the mihier heaven,
In things of nedefull use, which frendly sea
Transportcs by traffike from the forreine partes,
In flowing wealth, in honour and in force.
Doth passe the double value of the parte
That Porrex hath allotted to his reigne.
Such is your case, such is your father's love.
Ferrex. Ah love, my frends ? love wrongs not whom
he loves.
Dordan. Ne yet he wrongeth you that geveth you
So large a reigne ere that the course of time
Bring you to kingdome by discended right.
Which time perhaps might end your time before,
Ferrex. Is this no wrong, say you, to reave from m
My native right of halfe so great a realme,
And thus to match his yonger sonne with me
In egall power, and in as great degree?
Yea and what sonne? the sonne whose swelling pride
Woulde never yelde one pointe of reverence,
When I the elder and apparaunt heire
Stoode in the likelihode to possesse the whole;
Yea and that sonne which from his childish age
Envieth myne honour, and doth hate my life,
What will he now do? when his pride, his rage.
The mindfull malice or his grudging harte ».
* " Within," edit 1590.
134 FERREX AND PORREX. [aCT II,
Is armed with force, with wealth and kingly state ?
Hermon. Was this not wrong? yea yll advised
wrong,
To give so mad a man so sharpe a sworde,
To so great perill of so great missehappe,
Wide open thus to set so large a waye ?
Dordan. Alas, my lord, what griefull thing is this
That of your brother you can thinke so ill ?
I never saw him utter likelie signe
Whereby a man might see or once misdeme
Such hate of you, ne such unyelding pride :
111 is their counsell, shameful! be their ende,
That raysmg such mistrustful feare in you,
Sowing the seede of such unkindly hate,
Travaile by treason to destroy you both.
Wise is your brother and of noble hope,
Worthie to welde a large and mighty realme ;
So much a stronger frende have you therby,
Whose strength is your strength, if you gree in one.
Hermon. If nature and the goddes had pinched so
Their flowing bountie and their noble giftes
Of princelie qualities from you, my lorde.
And povvrde them all at ones in wastfuU wise
Upon your fathers yonger sonne alone,
Perhappes there be that in your prejudice
Would say that birth should yeld to worthinese:
But sithe in eche good gift and princelie arte *
Ye are his matche, and in the chiefe of all
In mildnesse and in sobre governaunce.
Ye farre surmount ; and sith there is in you ♦
Sufficing skill and hopefull towardnesse,
To weld the whole and match your elders prayse ;
I see no cause why ye should loose the halfe,
Ne would I wishe you yelde to such a losse.
Lest your milde sufferaunce of so great a wronge
Be deemed cowardishe and simple dreade ;
Which shall geve courage to the fiery head
Of your yonge brother to invade the whole.
* " Acte/' edit. 1590.
S.C. I.] FERREX AND PORREX. 135
While yet therfore stickes in the peoples minde
The lothed wrong of your disheritaiince,
And ere your brother have by settled power,
By g:uilefull cloke of an alluring showe,
Got him some force and favour in the realme :
And while the noble queene your mother lyves,
To worke and practise all for your availe,
Attempt redresse by arms, and wreake yourself'^
Upon his life that gayneth by your losse,
Who nowe to shame of you, and griefe of us,
In your owne kingdome triumphes over you.
Shew now your courage meete for kingly state,
That they which have avowed to spend theyr goods,
Their landes, their lives and honours in your cause,
May be the bolder to mainteyne your parte
When they do see that cowarde feare in you
Shall not betray, ne faile their faithfuU hartes.
If once the death of Porrex ende the strife.
And pay the price of his usurped reigne.
Your mother shall perswade the angry kyng,
The lords your frends eke shall appease his rage
For they be wise and well they can forsee.
That ere long time your aged fathers death
Will bryng a time when you shall well requite
Their friendlie favour, or their hateful spite,
Yea, or their slacknesse to avaunce your cause.
*' Wise men do not so hang on passing state
" Of present princes, chiefely in their age,
" But they will further cast their reaching eye
" To viewe and weye the times and reignes to come."
Ne is it likely though the king be wrothe,
That he yet will, or that the realme will beare
Extreme revenge upon his onely sonne ;
Or if he woulde, what one is he that dare
Be minister to such an enterprise ?
And here you be now placed in your owne,
Amyd your frendes, your vassalles and your strength
We shall defende and kepe your person safe,
Till either counsell turne his tender minde,
19 loreake yourself] i. e. levenge yourself.
136 FERREX AISD PORREX. [aCT II.
Or age or sorrow ende his werie dayes.
But if the feare of goddes, and secret grudge
Of natures law. repining at the fact,
Witholde your courage from so great attenapt;
Know ye that hjst of kingdomes hath no law,
The goddes do beare and well allow in kinges
The thin^es that they abhorre in rascall routes.
" When kinges on slender quarrels runne to wanes*
" And then in cruell and unkindely wise
'* Commaund theftes, nipes. murder of innocents,
*' To spoile of townes, mines of mighty realms,
*' Thinke you such princes do suppose themselves
" Subject to lawes of kinde and feare of gods?"
Murders and violent theftes in private men
Are hainous crimes and full of foule reproch ;
Yet none offence, but deckt with glorious name
Of noble conquestes in the handes of kinges.*
But if you like not yet so bote devise,
Ne list to take such vauntage of the time,
But, though with perdl of your owne estate.
You will not be the first that shall invade.
Assemble yet your force for your defence,
And for your safetie stand upon your garde.
Dofdan. O heaven ! was there ever heard orknowne,
So wicked counsell to a noble prince?
Let me (my lord) disclose unto your grace
This hainous tale, what mischiefe it contanes;
Your fathers death, your brothers, and your owne,
Your present murder and eternall shame.
Heare me (O king) and suffer not to sinke
So high a treason in your princely brest.
Ferrex. The mighty goddes forbid that ever I
Should once conceave such mischiefe in my hart !
Although my brother hath bereft my realme,
And beare perhappes to me an hatefuU minde, •
Shall I revenge it with his death therefore?
Or shall I so destroy my father's life
That gave me life ? The gods forbid, I say ;
• In the copy of 1590, this and the three preceding lines are
transposed so as to make nonsense of the passage. C.
SC. I.] FERREX ANDPORREX. 137
Cease you to speake so any more to me,
Ne you my frend with answere once repeate
So f'oule a tale. In silence let it dye:
What lord or subject shall have hope at all,
That under me they safely shall enjoye
Their goods, their honours, landes and liberties,
With whom, neither one onely b[Other deare,
Ne father dearer, could enjoye their lives?
But sith, I feare my yonger iDrother's rage,
And siih perhapes some other man may geve
Some like advise, to move his grudging head
At mine estate, which counsell may perchaunce
Take greater force with him, then this with me,
1 will in secrete so prepare myselfe,
As if his malice or his lust to reigne,
Breake forth in armes or sodeine violence
I may withstand his rage and keepe mine owne.
Dordan. I feare the fatal time now draweth on,
When civill hate shall end the noble line
Of famous Brute and of his royall seede ;
Great Jove defend the mischiefes now at hand!
O, that the secretaries wise advise
Had erst bene heard, when he besought the king
Not to divide his land, nor send his sonnes
To further partes from presence of his court,
Ne yet to yelde to them his governaunce.
Lo such are they now in the royall throne
As was rashe Phaeton in Phoebus carre ;
Ne then the fiery stedes did draw the flame
With wilder randon through the kindled skies.
Than traitorous counsell now will whirle about
The youthfull heades of these unskilfull kinges.
But i hereof their father will enforme ;
The reverence of him perhappes shall stay
The growing mischiefes, while they yet are greene :
If this helpe not, then woe unto themselves.
The prince, the people, the divided land.
138 lERREX AND PORREX. [aCT II
ACTUS SECUNDUS. SCENA SECUNDA.
PoRREx. Tyndar. Philander.
Porrex, And is it thus ? and doth he so prepare
Against his brother as his mortall foe ?
And now while yet his aged father lives?
Neither regardes he him, nor feares he me?
Warre would he have? and he shall have it so.
Tyndar. I saw myselfe the great prepared store
Of horse, of armour, and of weapons there,
Ne bring I to my lord reported tales,
Without the ground of seen and searched trouth.
Loe secrete quarrells runne about his court,
To bring the name of you my lorde in hate;
Ech man almost can now debate the cause,
And aske a reason of so great a wrong.
Why he so noble, and so wise a prince,
Is as unworthy reft his heritage.
And why the king, misseledde by craftie meanes,
Divided thus his land from course of right?
The wiser sort holde downe their griefull heades,
Eche man withdrawes from talke and company
Of those that have bene knowne to favour you
To hide the mischiefe of their meaning there-
Rumours are spread of your preparing here:
The rascall numbers of unskilfuU sort
Are filled with monstrous tales of you and yours.
In secrete I was counselled by my frendes
To hast me thence, and brought you as you know
Letters from those that both can truely tell.
And would not write unlesse they knew it well.
Philander, My lord, yet ere you move unkindly warre,
Send to your brother to demaund the cause :
Perhappes some traiterous tales have filled his eares
With false reportes against your noble grace.
Which once disclosed shall end the growing strife,
That els not stayed with wise foresight in time
Shall hazarde both your kingdom.es and your lives.
Send to your father eke, he shall appease
SC. II.] FERREX AND PORREX. 139
Your kindled mindes, and rid you of this feare.
Porrex. Ridde me of feare? I feare him not at all,
Ne will to him, ne to my father send :
If danger were for one to tary there,
Thinke ye it safetie to returne againe?
In mischiefes such as Ferrex now intendes,
The wonted courteous lawes to messengers
Are not observed, which in just warre they use.
Shall I so hazard any one of mine ?
Shall I betray my trusty frendes to him
That hath disclosed his treason unto me?
Let him entreate that feares, I feare him not :
Or shall I to the king my father send?
Yea and send now while such a mother lives,
That loves my brother and that hateth me?
Shall I geve leasure by my fonde delayes
To Ferrex to oppresse me all unware?
I will not, but I will invade his realme
And seeke the traitour prince within his court :
Mischiefe for mischiefe is a due reward.
His wretched head shall pay the worthy price
Of this his treason and his hate to me.
Shall I abide, and treate, and send and pray,
And holde my yelden throate to traitours knife ;
While I with valiant minde and conquering force
Might rid myselfe of foes and winne a realme?
Yet rather when I have the wretches head,
Then to the king my father will I send,
The bootelesse case may yet appease his wrath ;
If not, I will defend me as I may.
Philander. Lo here the end of these two youthful
kings,
The fathers death, the ruine of their realmes.
** O most unhappy state of counsellors,
" That light on so unhappy lordes and times,
" That neither can their good advise be heard,
" Yet must they beare the blames of ill successe !"
But I will to the king their father haste.
Ere this mischiefe come to the likely end,
That if the mindful! wrath of wrekefuU gods,
4
140 FERREX AND PORREX. [aCT HI.
Since mightie Ilions fall not yet appeased
With these poore remnaiites of the Trojan name
Have not determin'd by unmoved fate
Out of this realme to raise the Brittishe* line,
By good advise, by awe of father's name,
By force of wiser lordes, this kindled hate
May yet be quenched ere it consume us ail.
Chorus. When youth not bridled with a guiding stay
Is left to randon of their own delight.
And welds whole realmes by force of sovereign sway,
Great is the daunger of unmaistred might.
Lest skillesse rage throwes downe with headlong fall
Their lands, their states, their lives, themselves and all.
When growing pride doth fill the swelhng brest,
And gredy lust doth rayse the climbing minde,
Oh hardlie maye the perill be represt,
Ne feare of angrie goddes, ne lawes kinde,
Ne countries care can fired hartes restrayne
Whan force hath armed envie and disdaine :
When kinges of foresette*'^ will neglect the rede^^
Of best advise, and yelde to pleasing tales,
That do their fansies noysome humour feede,
Ne reason, nor regarde of right availes:
Succeding heapes of plagues shall teach to late
To learne the mischiefes of misguided state.
Fowle fall the traitour false that undermines
The love of brethren to destroye them both.
Wo to the prince, that pliant care enciynes
And yeldes his minde to poysonous tale that floweth
From flattering mouth ; and woe to wretched land
That wastes itselfe with civill sworde in hande,
Loe, thus it is, poyson in golde to take,
And holsome drinke in homely cuppe forsake.
• " Brutishe" Edit. 1590.
"^ foresette] i e. foresight.
Mr.Reed's opiuion that/oresefte is to be understood/oresig/it seems
very questionable : the meaning of the line seems rather to be
" when kings of fore-set purpose will neglect to listen to the best ad-
" vice." There is no instance in any other author where foresight
is spehforesette. C-
2' rede], i. e. advice. See Note 42 to Gammer Gurton's Needle,
vol. ir.
SC, I.] FERREX AND PORREX, 14L
The Order and Signification of the Domme Shewe
before the thirde Act.
First, the mus'icke of flutes began to playe, during which
came in upon the stage a company of mourners all
clad in hlacke, betokening death and sorrowe to ensue
upon the ill advised misgovernement and discention of
brethrene, as befell upon the murder of Ferrex, by his
yonger brother. After the mourners had passed thryse
about the stage, they departed, and then the musicke
ceased.
ACTUS TERTIUS. SCENA PRIMA.
GoRBODUc. EuBULUs. Arosilts. Philander.
NUNTIUS.
Gorboduc, O cruell fates, O mindful wrath of goddes.
Whose vengeance neither Simois slayned streaiues
Flowing with bloud of Trojan princes slaine ;
Nor Phrygian fieldes made ranck with corpses dead
Of Asian kinges and lordes can yet appease,
Ne slaughter of unhappie Pryam's race,
Nor Ilions fall made levell with the soile,
Can yet suffise : but still continued rage
Pursues our lyves, and from the farthest seas
Doth chase the issues of destroied Troye.
Oh no man happie till his ende be scene?
If any flowing wealth and seemynge joye
In present yeres might make a happy wight,
Happie was Hecuba, the wonderfullest wretch
That ever lyved to make a myrrour of,
And happie Pryam with his noble sonnes,
And happie I till nowe. Alas, I see
And feele my most unhappie wretchednesse !
Beholde, my lordes, read ye this letter here,
Loe it conieins the ruine of our realme,
If timelie spede provide not hastie helpe.
Yet, (O ye goddes,) if ever wofull kyng
142 FERREX AND PORREX. [aCT III.
Might move ye, kings of kinges, wreke it on me
And on my sonnes, not on this giltlesse reahne.
Send downe your wasting flames from vvrathfull skies,
To reve me and my sonnes the hateful breath.
Read, read my lordes ; this is the matter why
I called ye nowe, to have your good advyse.
The letter from Dor dan the counsellour of the elder prince.
[Eubulus readeth the letter.
My soveraigne lord, what I am loth to write
But lothest am to see, that I am forced
By letters nowe to make you understande.
My lord Ferrex, your eldest sonne, misledde
By traitorous fraude of yong unterapred wittes,
Assembleth force agaynst your yonger sonne,
Ne can my counsell yet withdrawe the heate
And furious panges of his enflamed head:
Disdaine (saith he) of his disheritance,
Arraes him to wreke the great pretended wrong*
With civyll sword upon his brother's life.
If present helpe do not restraine this rage.
This flame will wast your sonnes, your land and you.
Your maj est j/s faithfully and most humble subject j
Dor dan.
Arostus. O king, appease your griefe and stay your
plaint.
Great is the matter and a wofull case ;
But timely knowledge may bring timely helpe.
Send for them both unto your presence here :
The reverence of your honour, age, and state.
Your grave advice, the awe of father's name
Shall quicklie knit agayne this broken peace:
And if in either of my lordes your sonnes
Be suche untamed and unyelding pride
As will not bende unto your noble hestes^*;
* i. e. intended wrong. See note 48 to the Jew of Malta, vol.
VIII. -where various instances of tte use of 'pretend for intend are
given, C.
-■- he&tes,'] Commands. See note 5 to Tancred and Gismunda
vol. II.
SC. r.] FERREX AND PORREX. 143
If Ferrex th' elder sonne can bear no peere,
Or Porrex not content, aspire to more
Than you him gave above his native right,
Joyne with the juster side ; so shall you force
Them to agree, and holde the lande in stay.
Eubulus. What meaneth this ? loe yonder comes in
hast
Philander from my lord your yonger sonne.
Gorboduc. The goddes sende joyful newes !
Philander. The mightie Jove
Preserve your majestie, O noble king.
Gorboduc. Philander, welcome : but how doth my
sonne ?
Philander. Your sonne, sir, lyves and healthie I him
left:
But yet (O king) this want of lustfull health
Could not be halfe so griefefull to your grace,
As these most wretched tidynges that I bryng.
Gorboducy 0 heavens, yet more ? no ende of woes to
me 1
Philander. Tyndar, O king, came lately from the
court
Of Ferrex, to my lord your yonger sonne,
And made reporte of great prepared store
For warre, and sayth that it is wholly ment
Agaynst Porrex, for high disdayne that he
Lyves now a king and egall in degree
With him, that claimeth to succede the whole,
As by due title of discending right.
Porrex is nowe so set on flaming fire,
Partely with kindled rage of cruell wrath,
Partely with hope to gaine a realme thereby,
That he in hast prepareth to invade
His brother's land, and with unkindely warre
Threatens the murder of your elder sonne :
Ne could I him perswade that first he should
Send to his brother to demaunde the cause :
Nor yet to you to stale this hateful strife.
Wherefore sith there no more I can be hearde,
I come myselfe now to enforme your grace,
144 FERREX AND PORREX, [aCT III.
And to beseche you, as you love the life
And safetie of your children and your realme,
Now to employ your wisdome and your force
To slaye this mischiefe ere it be too late.
Gorboduc. Are they in amies ? would he not sende
to me?
Is this the honour of a father's name ?
In vain we travaiie to asswage their mindes,
As if their hartes, whom neither brother's love,
Nor father's awe, nor kinodomes care can move,
Our counsells could withdrawe from raging heat.
Jove slay them both, and end the cursed line !
For though perhappes feare of such mightie force
As I, my lordes, joyned with your noble aides,
Maye yet raise, shall represse their present heate,
The secret grudge and malice will remayne :
The fire not quenched, but kept in close restraint
Fedde still within, breakes forth with double flame.
Their death and myne must peaze "^ the angrie gods.
Philander. Yelde, not, O king, so much to weake
dispeire ;
Your sonnes yet lyve, and long I trust they shall.
If fates had taken you from earthly life,
Before beginning of this civyll strife.
Perhaps your sonnes, in their unmaistered youth,
Loose from regarde of any lyvyng wight,
Would runne on headlong, with unbridled race
To their owne death, and ruine of this realme :
But sith the gods that have the care for kinges,
Of thinges and times dispose the order so
That in your life this kindled flame breakes forth.
While yet your lyfe, your wisdome and your power
May stay the growing mischiefe, and represse
The fierie blaze of their inkindled heate,
It seemes, and so ye ought to deeme thereof,
That lovyng Jove hath tempred so the time
23 peaie.'] i. e. appease. S.
It is used iu the same way in the first scene of the next act. The
printer of the copy of 1590, perhaps, not thinking that it would be
understood, printed it appease. C.
SC. I.] FERREX AND PORREX* 145
Of this debate to happen in your dayes.
That you yet lyving may the same appeaze,
And adde it to the glory of your age"*,
And they your sonnes may learne to live in peace.
Beware (O king) the greatest harme of all,
Lest by your waylefull plaints your hastened death
Yelde large roume unto their growing rage : *
Preserve your life, the onely hope of stay :
And if your highnes herein list to use
Wisdome or force, counsell or knightly aide,
Loe we, our persons, powers, and lyves are yours ;
Use us tyll death, O king, we are your owne.
Eubiilus. Loe here the perill ihat was erst foresene.
When you (O king) did first devide your lande,
And yelde your present reigne unto your sonnes.
But now (O noble prince) now is no time
To waile and plaine, and wast your wofull life,
Now is the time for present good advise,
Sorow doth darke the judgement of the wytte ;
*' The hart unbroken and the courage free
*< From febie faintenesse of bootelesse despeire
" Doth either ryse to safetie or renowne,
" By noble valure of unvanquisht minde,
" Or yet doth perishe in more happy sort."
Your grace may send to either of your sonnes
Some one both whe and noble personage,
Which with good counsell and with weightie name
Of father shall present before their eyes
Your best, your life, your safetie, and their owne;
The present mischiefe of their deadly strife :
And in the while assemble you the force
Which your commaundement and the spedy hast
Of all my lordes here present can prepare :
The terrour of your mightie power shall staye
The rage of both, or yet of one at lest.
** your age,] The second and third editions read, your latter age.
The alteration by Mr. Spence,
* The edit, of 1590 has this line thus :
" Yelde larger roume unto this growing rage ;"
which is an improvement of the metre ; and so Mr. Hawkins re-
printed it in tis Origin of the English Drama. C.
VOL. I. L
146 FERREX AND PORREX. [aCT IV.
Nuntius. O king, the greatest griefe that ever princd
dyd heare,
That ever wofuU messenger did tell,
That ever v^^retched land hath sene before
I bryng to you. Porrex your yonger sonne
With soden force invaded hath the lande
That you to Ferrex did allotte to rule :
And v^ith his owne most bloudy hand he hath
His brother slaine, and doth possesse his realme.
Gorboduc. O heavens send down the flames of your
revenge !
Destroy, I say, with flash of wreakefull fier
The traitour sonne, and then the wretched sire.
But let us go, that yet perhappes I may
Die with revenge, and peaze the hatefull gods.
Chorus. The lust of kingdome knowes no sacred
faith.
No rule of reason, no regarde of right,
No kindely love, no feare of heaven's wrath,
But with contempt of goddes, and man's despite.
Through blodie slaughter doth prepare the waies,
To fatal! scepter and accursed reigne.
The sonne so lothes the father's lingering daies,
Ne dreades his hand in brother's blode to staine.
0 wretched prince, ne dost thou yet recorde
The yet fresh murthers done within the lande
Of thy forefathers, when the cruell sworde
^^ Bereft Morgan his life with cosyn's hand?
Thus fatall plagues pursue the giltie race.
Whose murderous hand, imbrued with giltlesse blood,
Askes vengeance still before the heavens face,
With endlesse mischiefes on the cursed broode.
The wicked childe thus bringes to wofull sire
The mournefull plaintes to wast his very life :
Thus do the cruell flames of civyll fier
Destroy the parted reigne with hatefull strife.
And hence doth spring the well from which doth flow,
The dead black streames of mourning, plaints and
woe.
2* Bereft Morgan his life, &c.] See Act 2. Sc. 2.
SC. 1.1 FERREX AND PORREX. 147
The Order and Signification of the Domme Shew
before the fourth Act.
First the mus'ick of howeboies began to playe, during
which there came from under the stage, as though out
of hell, three furies, Alecto, Megera, and Ctisiphone,
clad in blacke garmentes sprinkled with bloud and
flames, their bodies girt with snakes, their heds sprnd
with serpentes in stead of heir e, the one bearing in her
hand a snake, the other a whip, and the third a burn-
ing firebrand; er.h driving before them a king and a
queene, ivhich moved by furies unnaturally had slaine
their owne children. The names of the kings and
queenes were these, Tantalus, Medea, Athamas, Ino,
Cambises, Althea ; after that the furies and these had
passed about the stage thrise, Iheij departed, and than
the musick ceased : hereby was signified the unnaturall
murders to follow, that is to say, Porrex, slaine by his
owne viother ; and of king Gorboduc, and queen
Vldena, killed by their owne subjects.
ACTUS QUARTUS. SCENA PRIMA.
VlDENA sola.
Why should I lyve and linger forth my time
In longer life to double my distresse?
O me most wofuU wight ! whome no mishappe
Long ere this day could have bereved hence.
Mought not these handes by fortune or by fate
Have perst this brest, and life with iron reft ?
Or in this palace here where I so long
Have spent my daies, could not that happie houre
Once, once have hapt in which these hugie frames
AVith death by fall might have oppressed me ?
Or should not this most hard and cruoll soile,
So oft where I have prest my wretched steps,
Some time had ruthe of myne accursed life,
To rende in twayne and swallow me therein ?
So had my bones possessed now in peace
Their happie grave within the closed grounde,
148 FERREX AND PORREX. [aCT IV,
And greadie wormes had gnavven this pyned hart
Without my feeling payne : so should not now
This lyving brest remayne the ruthfull tombe
Wherin my hart, yelden to death, is graved ;
Nor driery thoughts with panges of pining griefe
My doleful! minde had not afflicted thus.
O my beloved sonne, O my swete childe,
My deare Ferrex, my joye, my lyves delight,
Is my beloved sonne, is my sweete childe,
My deare Ferrex, my joye, my lyves delight
Murdred with cruell death ? O hatefuU wretch,
O heynous traitour both to heaven and earth,
Thou Porrex, thou this damned dede hast wrought,
Thou Porrex, thou shalt dearly bye^^ the same!
Traitour to kinne and kinde, to sire and me,
To thine owne fleshe, and traitour to thyself.
The Gods on thee in hell shall wreke the wrath,
And here in earth this hand shall take revenge
On thee Porrex, thou false and caitife wight.
If after bloud so eigre were thy thirst,
And murderous minde had so possessed thee.
If such hard hart of rocke and stonie flint
Lived in thy brest, that nothing els could like
Thy cruel tyrantes thought but death and bloud,
Wilde savage beasts mought not their slaughter serve,
To fede thy greedie will, and in the middest
Of their entrailes to staine thy deadly handes
With blood deserved, and drinke thereof thy fill ?
Or if nought els but death and bloud of man
Mought please thy lust, could none in Brittaine land.
Whose hart betorne out of his panting brest
With thine owne hand, or worke what death thou
wouldst.
Suffice to make a sacrifice to peaze *
That deadly minde and murderous thought In thee.
But he who in the selfe same wombe was wrapped,
Where thou in dismall hower receivedst life?
Or if nedes, nedes thy hand must slaughter make,
Moughtest thou not have reached a mortall wound,
25 bye] aby. See Note 1 1 to George a Green, vol. III.
♦ " Appease," edit. 1590.
SC. II.] FERREX AND PORREX.
149
And with thy sword have pearsed this cursed wombe
That the, accursed Porrex, brought to hght,
And geven me a just reward therefore?
So, Ferrex, yet sweet Hfe mought have enjoyed
And to his aged father comfort brought,
With some yong sonne in whom they both might Hve.
But whereunto waste I this ruthfull speche
To thee that hast thy brother's bloud thus shed?
Shall I still thinke that from this wombe thou sproug ?
That T thee bare, or take thee for my sonne ?
No traitour, no : I thee refuse for mine:
Murderer, I thee renounce, thou art not mine.
Never, O wretch, this wombe conceived thee,
^Nor never bode I painfull throwes for thee;
Changeling to me thou art, and not n^y childe,
Nor to no wight that spark of pitie knew,
Ruthelesse unkinde, monster of natures worke,
^' Thou never suckt the milke of woman's brest,
But from thy birth the cruell tigers teates
Have nursed thee, nor yet of fleshe and bloud
Formde is thy hart, but of hard iron wrought ;
And wilde and desert woods bredde thee to life.
But canst thou hope to scape my just revenge,
Or that these hands will not be wrooke'^^ on thee?
Doest thou not know that Ferrex mother lives
That loved him more dearly than herselfe?
And doth she live, and is not venged on thee ?
ACTUS QUARTUS. SCENA SECUNDA.
GoRBODuc. Arostus. Eubulus. Porrex.
Marcella.
Gorboduc. We marvell much wherto this lingring stay
Falles out so long: Porrex unto our court
By order of our letters is returned ;
'^ Nor never bode I, &c.] bode, from the verb to bide. S.
*7 Thou never suckt the milke of woman's brest, &c.]
Nee tibi diva parens, generis nee Dardanus auctor,
Perfide, sed duns genuit te cautibus horrens
Caucasus, Hyrcanaeque admorunt ubera tigres. Virgil,
2* wrooke] Revenged, from the verb to wreak. S,
150 FERREX AND PORREX. [aCT IV;
And Eubulus receaved from us bybest,
At his arrivall heere to geve him charge
Before our presence straight to make repaire,
And yet we have no worde whereof he stayes.
Jrostus. Lo where he commes, ami Eubulus with him.
Eubulus. According to your highnesse best to me
Here have I Porrex brouiiht, even in such sort
As from his weried horse he did alight,
For that your grace did will such hast therein.
Gorbuduc. We like and praise this spedy will in you
To worke the thing that to your charge we gave.
Porrex, if we so farre should swarve from kinde,
And from those boundes which lawes of nature sets,
As thou hast done by vile and wretched deede
In cruell murder of thy brother's life,
Our present hand could stay no longer time.
But straight should bathe this blade in bloud of thee,
As just revenge of thy detested crime.
No, we should not offend the lawe of kinde
If now this sword of ours did slay thee here :
For thou hast murdered him, whose henious death
Even nature's force doth move us to revenge
By bloud againe : and justice forceth us
To measure death for death, thy due desert.
Yet sithens thou art our childe, and sith as yet.
In this hard case what worde thou canst alledge
For thy defence by us hath not bene heard,
We are content to staye our will for that
Which justice biddes us presently to worke,
And geve thee leave to use thy speche at full,
If ought thou have to lay for thine excuse,
Porrex. Neither, O kmcr, 1 can or will denie
But that this hand from Ferrex life hath reft:
Which fact how much my dolefuU hart doth waile.
Oh woulde it mought as full appeare to sight
As inward griefe would poure it forth to me:
So yet perhappes if ever ruthefuU hart
Melting in teares within a manly brest,
Througii depe repentance of his bloudy fact,
If ever griefe, if ever wofull man
SC. II.] FERREX AND PORREX. 151
Might move regreite with sorrowe of his faulte,
I thinke the torment of my mournefull case
Knowen to your grace, as I do feele the same,
Would force even wrath herselfe to pitie me.
But as the water troubled with the mudde
Sbewes not the face which els the eye should see,
Even so your irefull minde with stirred thought.
Cannot so perfectly discerne my cause.
But this unhappe, amongst so many heapes
I must content me with, most wretched man,
That to myselfe I must reserve my woe
In pining thoughtes of mine accursed fact:
Since I may not shewe my smallest griefe*
Suche as it is, and as my brost endures.
Which I esteeme the greatest miserie
Of all mishehappes that fortune now can send.
Not that I restin hope with plaint and teares
To purchase life : for to the Gods I clepe*'^
For true recorde of this my faithful speche.
Never this hart shall have the thoughtfull dread
To dye the death that by your graces dome
By just desert shall be pronounced to me ;
Nor never shall this tongue once spend the speche,
Pardon to crave, or seeke by sute to live.
1 meane not this as though I were not touchde
With care of dreadfull death, or that I helde
Life in contempt ; but that I know, the minde
Stoupes to no dread, although the flesh be fraile :
And for my gilt, I yelde the same so great
As in myselfe I find a fear to sue
For graunt of life.
Gorboduc. In vaine, O wretch thou shewe st
A wofull hart? Ferrex now lyes in grave,
Slaine by thy hand.
* The edit, of 1590 has this line more perfectly
" Since I may not shewe heere my smallest griefe.''
Mr. Hawkins also adopted this improvement. C.
29 I clepe] I call. See Note 5 to Grim the Collier of Croydon, vol.
XI.
152 FERIIEX AND PORREX. [aCT IV.
Porrex. Yet this, O father, heare,
And then I end: Your majestie well knows,
That when my brother Ferrex and my selfe
By your owne hest were joyned in governaunce
Of this your grace's realme of Brittaine land,
I never sought, nor travailled for the same ;
Nor by my selfe, nor by no frend I wrought,
But from your highnesse will alone it sprong,
Of your most gracious goodnesse bent to me :
But how my brother's hart even then repined,
With swollen disdaine against mine egall rule,
Seeing that realme, which by discent should grow
Wholly to him, allotted halfe to me;
Even in your highnesse court he now remaines,
And with my brother then in nearest place
AVho can recorde what proofe therof was shewde
And how my brother's envious hart appearde:
Yet I that judged it my parte to seeke
His favour and good will, and loth to make
Your highnesse know the thing which should have
brought
Grief to your grace, and your offence to him.
Hoping my earnest sute should soone have won,ne
A loving hart within a brother's brest.
Wrought in that sort, that, for a pledge of love
And faithfull hart, he gave to me his hand.
This made me thinke^ that he had banisht quite
All rancour from his thought, and bare to me
Such hartie love, as T did owe to him.
But after once we left your graces court
And from your highnesse presence lived apart,
This egall rule still, still did grudge him so,
That now those envious sparkes which erst lay rakte
In living cinders of dissembling brest,
Kindled so farre within his hart disdaine.
That longer could he not refraine from proofe
Of secrete practise to deprive me life
By poy son's force ; and had bereft me so,
If mine owne servant hired to this fact,
SC. II.] FERREX AND POIIREX. 153
And moved by trouth with to work the same,*
In time had not bewrayed it unto me.
Whan thus I sawe the knot of love unknitte,
All honest league and faithful! promise broke,
The law of kinde and trouth thus rent in twaine.
His hart on mischiefe set, and in his brest
Black treason hid; then, then did I despeire
That ever time could winne him frend to me,
^^Then saw I how he smiled with slaying knife
Wrapped under cloke, then saw I depe deceite
Lurke in his face and death prepared for me :
Even nature moved me then to holde my life
More deare to me then his, and bad this hand,
Since by his life my death must nedes ensue
And by his death my life mote be preserved.
To shed his bloud, and seeke my safetie so,
And wisdome willed me without protract ^^
In speedie wise to put the same in ure'*.
Thus have I tolde the cause that moved me
To worke my brother's death, and so I yeld
My life, my death, to judgement of your grace.
Gorboduc. Oh cruell wight, should any cause pre-
vaile
To make thee staine thy hands with brother's bloud ?
But what of thee we will resolve to doe,
Shall yet remaine unknowen. Thou in the meane
Shalt from our royal I presence banisht be,
Untill our princely pleasure furder shall
To thee be shewed. Depart therefore our sight,
Accursed childe. What cruel destenie,
* Hate seems omitted in this line : it is furnished by the copy
of 1590.
** And moved by troth with hate to woorke the same."
The passage is not intelligible without some addition of the
kind. C.
*'"' Then smo I how he smiled with slaying knife
Wrapped under cloke,] This image is from Chaucer's Knight's Tale,
V. 2000. Tyrwhitt's Edition :
" The smiler with the knif under the cloke." S.
^' protract] i. e. delay. S.
^^ ure] See note 1 2 to tliis play.
J 54 FEllREX AND PORREX. [aOT IV.
What froward fate hath sorted us this chaunce^^.
That even in those, where we should comfort find,
Where our dehght now in our aged dayes
Should rest and be even there our only griefe
And depest sorrowes to abridge our life.
Most pyning cares and deadly thoughts do grow?
Arostus. Your grace should now in these grave yeres
of yours
Have found ere this the price of mortall joyes ;
How short they be, how fading here in earth,
How full of change, how brittle our estate.
Of nothing sure, save onely of the death,
To whom both man and all the world doth owe
Their end at last : neither should nature's power
In other sorte against your hart prevaile.
Then as the naked hand whose stroke assayes
The armed brest where force doth light in vaine.
Gorhuduc. Many can yelde right sage and grave
advice
Of patient sprite to others wrapped in woe.
And can in speche both rule and conquere kinde,
Who, if by proofe they might feele nature's force,
Would shew themselves men as they are indede,
Which now wil needes be gods. But what doth meane
The sory chere of her that here doth come?
Marcella. Oh where is ruth, or where is pitie now ?
Whether is gentle hart and mercy fled ?
Are they exiled out of our stony brestes,
Never to make returne? is all the world
Drowned in bloud, and soncke in crueltie?
If not in women mercy may be found.
If not (alas) within the mother's brest
To her owne childe, to her owne flesh and bloud ;
If ruthe be banished thence, if pitie there
May have no place, if there no gentle hart
Do live and dwell, where should we seeke it then ?
Gorboduc. Madame (alas), what meanes your vvofull
tale?
^^ sorted us this cJmtnce ;] i. e. chosen out for us. S.
SC. II.] FERREX AND PORREX. 155
Marcella. O silly woman I ! why to this houre
Have kinde and fortune thus deferred my breath,
That I should live to see this dolefuU day?
Will ever wight beleve that such hard hart
Could rest within the cruell mother's brest,
With her owne hand to siaye her onely sonne ?
But out (alas) these eyes behelde the same,
They saw the driery sight, and are become
Most rutlielull recordes of ihe bloody fact.
Porrex (alas) is by his mother slaine,
And with her hand a wotull thing to tell;
While slumhring on his careful! bed he restes,
His hart stabde in with knife is reft ot life.
Gorboduc. O Eubulus, oh draw this sword of ours,
And pearce this hart with speed ! O hatefull light,
O loathsome life, O svveete and welcome death,
Deare Eubulus, worke this we thee besech !
Eubulus, Pacient your grace ^"^j perhappes he liveth
yet,
With wound receaved but not of certaine death.
Gorboduc. O let us then repayre unto the place,
And see if Porrex live, or tluis be slaine.
Marcella. Alas, he liveth not, it is to true.
That with these eyes, of him a perelesse prince,
Sonne to a king, and in the flower of youth,
Even with a twinkle ^^ a senselesse stocke I saw.
Arostus. O damned deede !
Marcella. But heare hys ruthefuU end.
The noble prince, pearst with the sodeine wound,
Out of his wretched slumber hastely start.
Whose strength now fayling straight he overthrew,
When in the fall his eyes even now unclosed
Behelde the queene, and cryed to her for helps ;
We then, alas, the ladies which that time
3* Pacient your grace.] Compose yourself. This verb is used in
Titus Andronicus, A. 1. S. 2.
Patient yourself, madam, and pardon me.
See other instances in Mr. Steevens's Note on this passage.
35 Even with a twinkle-l i. e. the twdnkling of an eye. See The
Taming of the Shrew. S.
156 FERREX AND PORREX. [aCT IV.
Did there attend, seeing that heynous deede,
And hearing' him oft call the wretched name
Of mother, and to crye to her for aide,
Whose direfull hand gave him the mortall wound,
Pitying, alas, (for nought els could we do)
His ruthefuU end, ranne to the wofull bedde,
Dispoyled straight his brest, and all we might
Wiped in vaine with napkins next at hand,
The sodeine streames of bloud that flushed fast
Out of the gaping wound : O what a looke,
O what a ruthefuU stedfast eye me thought
He fixt upon my face, which to my death
Will never part from me, when with a braide ^^
A deepe fet sigh ^^ he gave, and therewithal!
Clasping his handes, to heaven he cast his sight,
And straight pale death pressing within his face
The flying ghost his mortall corpes forsooke.
Arostus. Never did age bring forth so vile a fact.
Marcella. O hard and cruell happe, that thus
assigned
Unto so worthy a wight so wretched end ;
But most hard cruell hart that could consent
To lend the hatefull destinies that hand,
By which, alas, so heynous crime was wrought.
O queen of adamant, O marble brest,
If not the favour of his comely face,
If not his princely chere and countenance,
His valiant active armes, his manly brest,
If not his faire and seemely personage.
His noble limmes in such proportion cast
^ when loith aln-aide.] A braide was a start or a motion of the bead,
occasioned by pain, uneasiness, or affright. It is a word used by
Chaucer, in The Legend of Dido, ver. 239 :
" This noble quene unto her rest ywent,
" She sighed sore, and gon herself to tourment,
" She walketh, waloweth, and made many braied
*' As doen these lovers, as I have herd saied."
Scogin's Jests, p. 10. " The woman, being afraid, gave a braid
" with her head, and ran her away."
8' o deepe fet sigh.] i. e. a deepf etched sigh. See Note 73 to Gammer
Gurtmi's Needle, vol. II.
SC. II.] FERREX AND PORREX. 157
As would have wrapt a sillie woman's thought ;
If this mought not have moved thy bloodie hart,
And that most cruell hand the wretched weapon
Even to let fall, and kiste him in the face,
With teares for ruthe to reave such one by death ;
Should nature yet consent to slay her sonne ?
O mother, thou to murder thus thy childe !
Even Jove with justice must with lightning flames
From heaven send downe some strange revenge on
thee.
Ah, noble prince, how oft have I behelde
Thee mounted on thy fierce and trampling stede,
Shining in armour bright before the tilt,
38 And with thy mistresse sieve tied on thy helme,
And charge thy staffe, to please thy ladies eye,
That bowed the head peece of thy frendly foe I
How oft in armes on horse to bend the mace.
How oft in armes on foot to breake the sworde,
Which never now these eyes may see againe !
Arostus. Madame, alas, in vaine these plaints are
shed ;
Rather with me depart, and helpe to swage
The thoughtfuU griefes that in the aged king
Must needes by nature growe by death of this
His onely sonne, whome he did holde so deare.
Marcella. What wight is that which sawe that I did
see.
And could refraine to waile with plaint and teares ?
Not I, alas, that hart is not in me :
But let us go, for I am greved anewe,
To call to rainde the wretched father's woe.
Chorus, When gredy lust in royall seate to reigne
Hath reft all care of goddes and eke of men.
And cruell hart, wrath, treason, and disdaine,
Within arabicious brest are lodged ; then
^8 And with thy mistresse sieve tied on thy helme.] See Extract
from Hall's Chronicle, quoted ia Note 33 to Alexander and Campaape,
TOl. II.
158 FERREX AND PORREX. [aCT V.
Beholde how mischiefe wiJe her selfe displayes.
And with the brother's hand the brother slayes.
When bloud thus shed doth staine the heavens face,
Crying: to Jove for veng:eance of the deede,
The mightie God even moveth from his j3lace
With wrath to v/reke, then sendes he forth with spede
The dreadfull furies, daughters of the night.
With serpentes girt, carying the whip of ire,
With heare of stinging snakes, and shining bright
With flames and bloud, and with a brand of fire:
These for revenge of wretched murder done,
Do make the mother kill her onely sonne.
Blood asketh blood, and death must death requite :
Jove by his just and everlasting dome
Justly hath ever so requited it.
This times before recorde, and times to come
Shall finde it true, and so doth present proofe
Present before our eyes for our behoofe.
O happy wight that sufFres not the snare
Of murderous minde to tangle him in blood!
And happy he that can in time beware
By others harmes, and turne it to his good :
But wo to him that, fearing not to offend,
Doth serve his lust, and will not see the end.
The Order and Signification of the Domme Shew
before the fifth Act.
First the drommes and fiuites began to sound, during
which there came forth upon the stage a company of
hargabusiers and of armed men all in order of battaile.
These, after their pieces discharged, and that the
armed men had three times marched about the stage,
departed, and then the drommes and fluits did cease.
Hereby was signified tumults, rebellions, armes, and
civil warres to follow, as fell in the realme of Great
Brittayne, which by the space of fiftie yeares and more
continued in civill warre betwene the nobilitie after the
SC. I.] FERREX AND PORREX. 159
death of king GorboduCf and of his issues, for want of
certayne Umitacion in succession of the crowne, till the
time of Dunwatlo Molmutius*, who reduced the land
to monarchie.
ACTUS QUINTUS. SCENA PRIMA.
Clotyn. Mandud. Gwen arc Fergus. Eubulus.
Clotyn. Did ever age bring forth such tyrant harts ?
The brother hath bereft the brother's life;
The mother she hath died her cruell handes
In bloud of her owne sonne; and now at last
The people, loe, forgetting trouth and love,
Contemning quite both law and loyall hart.
Even they have slaine their soveraigne lord and
queene.
Mandud. Shall this their traitorous crime unpunished
rest ?
Even yet they cease not, caryed on with rage
In their rebellious routes, to threaten still
A new bloud shed unto the prince's kinne
To slay them all, and to uproote the race
Both of the king and queene; so are they moved
With Porrex death, wherin they falsely charge
The giltlesse king without desert all,
And traitorously have murdered him therfore,
And eke the queene.
Gwenard. Shall subjectes dare with force
To worke revenge upon their princes fact?
Admit the worst that may; as sure in this
The deede was fowle, the queene to slaye her sonne.
Shall yet the subject seeke to take the sworde,
Arise agaynst his lord, and slaye his king?
O wretched state where those rebellious hartes
Are not rent out even from their living breastes.
And with the body throwen unto the foules,
* According to Henslowe's'MS. William Eankin, who after-
wards attacked plays and players so furiously, in his Mirror of
Monsters, wrote a historical play called MnlmuthtsDonwallow. C.
160 FERREX AND PORREX. [aCT I.
As carrion foode, for terrour of the rest !
Fergus. There can no punishment be thought to
great
For this so grevous cryme ; let spede therefore
Be used therein, for it behoveth so.
Euhulus. Ye all my lordes, I see, consent in one.
And I as one consent with ye in all :
I holde it more then neede, with sharpest law
To punish their tumultuous bloudy rage ;
For nothing more may shake the common state,
Than sufferance of uproares without redresse,
Wherby how some kingdomes of mightie power,
After great conquestes made, and florishing
In fame and wealth, have ben to mine brought :
I pray to Jove that we may rather wayle
Such happe in them, then witnesse in ourselves.
Eke fully with the duke my minde agrees
'* 3*^ That no cause serves, wherby the subject may
" Call to account the dooinges of his prince ;
" Much lesse in blood byswoorde to woorke revenge;
*' No more then may the hand cut of the head.
*' In acte nor speech, no not in secret thought
*' The subject may rebell against his lord,
*' Or judge of him that sits in Csesar's seate,
" With grudging minde to damne those he mislikes."
Though kinges forget to governe as they ought,
Yet subjectes must obey as they are bounde.
But now, my lordes, before ye farder wade
Or spend your speach, what sharpe revenge shall fall
By justice plague on these rebellious wightes ?
Me thinkes ye rather should first search the way
By which in time the rage of this uproare
Mought be repressed, and these great tumults ceased.
•Even yet the life of Brittayne land doth hang,
In traitours balaunce of unegall weight,
Thinke not, my lordes, the death of Gorboduc,
Nor yet Videnae's blond will cease their rage :
33 That no cause serves, (S>:c.] This and the lines following marked
with commas are only to be found in the spurious edition of this play.
And in the reprint of that spurious edition in 1590. C.
SC. I.] FERREX AND PORREX. 161
Even our owne lyves, our wives, and children deare,
Our countrey, dearest of all, in daunger standes,
Now to be spoiled, now, now made desolate,
And by ourselves a conquest to ensue :
For geve once swey unto the people's lustes,
To rush forth on, and stay them not in time,
And as the streame that rowleth downe the hyll,
So will they headlong ronne with raging thoughtes
From bloud to bloud, from mischiefe unto moe,
To ruine of the realme, themselves and all ;
So giddy are the common people's mindes,
So glad of chaunge, more wavering than the sea.
Ye see (my lordes) what strength these rebelles have,
What hugie nombre is assembled still,
For though the traiterous fact for which they rose
Be wrought and done, yet lodge they still in field ;
So that how farre their furies yet will stretch
Great cause we have to dreade : that we may seeke
By present battaile to represse their power,
Speede must we use to levie force therfore,
For either they forthwith will mischiefe work,
Or their rebellious roares forthwith will* cease:
These violent thinges may have no lasting long.
Let us therfore use this for present heipe :
Perswade by gentle speach, and offre grace
With gift of pardon save unto the chiefe ;
And that upon condicion that forthwith
They yelde the captaines of ti^eir enterprise.
To beare such guerdon *^ of their traiterous fact
As may be both due vengeance to themselves.
And holsome terrour to posterilie-
This shall, I thinke, scatter* the greatest parte,
That now are holden with desire of home.
Weried in field with cold of winter's nightes,
And some (no doubt) striken with dread of law.
•Theedit. of 1590 reads,
" Or tlieir rebellious roares forthwith must cease,"
which is perhaps an improvement to the sense of the passage. C
''" gerudon] reward. See Note 46 to The Spanish Tragedy, vol. III.
*" Flatter," edit. 1590.
VOL. I. M
162 FERREX AND PORREX. f[ACT IV.
Whan this is once proclamed, it shall make
The captaines to mistrust the multitude,
Whose safety biddes them to betray their heads,
And so much more bycause the rascall routes,
In thinges of great and perillous attemptes,
Are never trustie to the noble race.
And while we treate and stand on termes of grace,
We shall both stay their furies rage the while,
And eke gaine time, whose onely helpe sufficeth
Withouten warre to vanquish rebelles power.
In the meane while, make you in redynes -
Such band of horsemen as ye may prepare.
Horsemen (you know) are not the commons strength,
But are the force and store of noble men.
Wherby the unchosen and unarmed sort ^'
Of skillesse rebelles, whome none other power,
But nombre makes to be of dreadfull force.
With sodeyne brunt may quickely be opprest.
And if this gentle meane of proffered grace
With stubborne heartes cannot so farre avayle
As to asswage their desperate courages.
Then do I wish such slaughter to be made.
As present age and eke posteritie
May be adrad'^^ with horrour of revenge,
That justly then shall on these rebelles fall ;
This is, my lords, the summc of mine advise.
Clotyn. Neither this case admittes debate at large;
And though it did, this speach that hath ben sayd
Hath well abridged the tale I would have tolde.
Fully with Eubulus do I consent
In all that he hath sayde ; and if the same
To you my lordes may seeme for best advise,
I wish that it should streight be put in ure.
^' unchosen and unarmed sort] multitude. See Note 4 to Gammer
Gurton's Needle, vol. II.
^' may be adrad.] A^rad is the participle passive of adrede:
afraid. S.
So in Erasmus's Praise of Folie, 1549, Sign. R 4 : " — lyke as
" great princes have wysemen in jelousie and suspicion, as Julius
*' Cassar had Brutus and also Cassius, whereas he nothinge helde
" hymselfe adradde of drunken Mark Anthony."
SC. I.] FERREX AND PORREX. 163
Mandud. My lordes, then let us presently depart
And follow this that liketh*' us so well.
Fergus. If ever time to gaine a kingdoms here
Were ofFred man, now it is offred me!
The realme is reft both of their king and queene,
The offspring of the prince is slaine and dead,
No issue now remaines, the heire unknowen,
The people are in armes and mutynies,
The nobles they are busied how to cease
These great rebellious tumultes and uproares :
And Brittayne land now desert left alone
Amyd these broyles uncertayn where to rest,
Offers herselfe unto that noble hart
That will or dare pursue to beare her crowne.
Shall I that am the duke of Albanye
Discended from that line of noble bloud,
Which hath so long florished in worthy fame
Of valiaunt hartes, such as in noble brestes
Of right should rest above the baser sort,
Refuse to adventure life to winne a crowne ?
Whom shall I finde enemies that will withstand
My fact herein, if I attempt by armes
To seeke the same now in these times of broyle?
These dukes power can hardly well appease
The people that already are in armes:
But if perhappes my force be once in field,
Is not my strength in power above the best
Of all these lordes now left in Brittayne land.
And though they should match me with power of men,
Yet doubtfuU is the chaunce of battailes joyned.
If victors of the field we may depart,
Ours is the scepter then of great Brittayne !
If slayne amid the playne this body lye.
Mine enemies yet shall not deny me this,
But that I dyed geving the noble charge
To hazarde life for conquest of a crowne.
Forthwith therefore will I in post depart
To Albanye, and raise in armour there
All power I can : and here my secret frendes
« liketh} pleaseth. ■ See Note 8 to Cornelia, vol. II.
164 FERllEX AND PORREX. [aCT V.
By secret practise shall soUicite still
To seeke to wynne to me the people's hartes,
ACTUS QUINTUS SCENA SECUNDA.
EuBULus. Clotyn. Mandud. Gwenard. Arostus,
NUNTIUS.
Euhulus. O Jove, how are these people's harts abusde!
What blind fury thus headlong caries them?
That though so many bookes, so many rolles
Of auncient time recorde what grevous plagues
Light on these rebelles aye, and though so oft
Their eares have heard their aged fathers tell
What juste reward these traitours still receyve ;
Yea though themselves have senedepe death andbloud
By strangling cord and slaughter of the sword
To such assigned, yet can they not beware;
Yet can not stay their lewde rebellious handes, *
But suffring, loe, fowle treason to distaine
Their wretched myndes, forget their loyall hart,
Reject all truth, and rise against their prince,
A ruthefull case, that those whom duties bond,
Whom grafted law, by nature, truth, and faith
Bound to preserve their country and their king.
Borne to defend their common wealth and prince,
Even they should geve consent thus to subvert
Thee Brittaine land, and from thy wombe should bring
(O native soile) those, that will needs destroy
And ruyne thee and eke themselves in fine.
For lo, when once the duke had ofFred grace
Of pardon sweete (the multitude misledde
By traiterous fraude of their ungracious heades)
One sort that saw the dangerous successe
Of stubborne standing in rebellious warre.
And knew the difference of princes power,
From headlesse nombre of tumultuous routes,
Whom common countreies care and private feare
Taught to repent the errour of their rage,
Layde hands upon the captaines of their band,
* " Yet caii they not stay their rebellious haads." edit. 1590.
SC. II.] FERREX AND PORREX. l65
And brought them bound unto the mightie dukes.
And other sort, not trusting yet so well
The truth of pardon, or mistrusting more
Their owne offence than that they could conceive
Sure hope of pardon for so foule misdede,
Or for that they their captaines could not yeld,
Who fearing to be yelded fled before,
Stale home by silence of the secret night.
The third unhe\^py and enraged sort
Of desperate hartes, who stained in princes bloud,
From trayierous furour could not be withdrawen
By love, by law, by grace, ne yet by feare,
By proffered life, ne yet by threatned death.
With mindes hopelesse of life, dreadlesse of deaths
Carelesse of countrey, and avvelesse of God.
Stoode bent to fight, as furies did them move
With violent death to close their traiterous life.
These ail by power of horsemen were opprest.
And with revenging sworde slayne in the field,
Or with the strangling cord hangd on the tree,
Where yet the caryen carcases do preach*
The fruites that rebelles reape of their uproares,
And of the murder of their sacred prince.
But loe, where do approche the noble dukes,
By whom these tumults have ben thus appeasde.
Clotyn. I thinke the world will now at length beware,
And feare to put on arraes agaynst their prince.
Mandud. If not, those trayterous hartes that dare
rebell.
Let them beholde the wide and hugie fieldes
With bloud and bodies spread of rebelles slayne ;
The lofty f trees clothed with corpses dead
That strangled with the cord do hang thereon.
Arostus. A just rewarde, such as all times before
Have ever lotted to those wretched folkes.
* So Marlow, in Edward II. vol. II. p. 318.
" Brother, revenge it, and let these their heads
" Preach upon poles for trespass of their tongues." C.
t "^Zttstt/ trees," edit. 1590.
166 FEllREX AND PORllEX. [aCT V.
Gwenard. But what meanes he that commeth here
so fast ?
Nuntius. My lordes, as dutie and my trouth doth
move,
And of my countrey worke a care in me,
That if the spending of my breath availed
To do the service that my hart desires,
I would not shunne to imbrace a present death;.
So have I now in that wherein I thought
My travayle mought performe some good effect
Ventred my life to bring these tydings here.
Fergus, the mightie duke of Albanye,
Is nowe in armes, and lodgeth in the fielde:
With twentie thousand men hether he bendes
His spedy march, and mindes to invade the crowne.
Dayly he gathereth strength, and spreads abrode,
That to this realme no certaine heire remaines,
That Brittayne land is left without a guide,
That he the scepter seekes, for nothing els
But to preserve the people and the land
• Which now remaine as shippe without a sterne**:
Loe this is that which I have here to say.
Clotyn. Is this his fayth ? and shall he falsely thus
Abuse the vauntage of unhappie times?
O wretched land, if his outragious pride,
His cruell and untempred wiifulnesse,
His deepe dissembling shewes of false pretence,
Should once attaine the crowne of Brittaine land.
Let us, my lordes, with timely force resist
The new attempt of this our common foe.
As we would quench the flames of common fire.
Mandud, Though we remaine without a certain prince
To weld the realm, or guide the wandring rule,
Yet now the common mother of us all,
Our native land, our countrey that conteines
Our wives, children, kindred, ourselves, and all
That ever is or may be deare to man.
Cries unto us to helpe ourselves and her :
^* without a Sterne] A steme was the antient term for the ruddero
See King Henry V, S.
SC. II.] FERREX AND PORREX. 167
Let US adyaunce our powers to represse
This growing foe of all our liberties.
Gwenard. Yea let us so, my lordes, with hasty speede.
And ye (O goddes) send us the welcome death,
To shed our bloud in field, and leave us not
In lothesome life to lenger out our dayes,*
To see the hugie heapes of these unhappes,
That now roll downe upon the wretched land,
Where emptie place of princely governaunce.
No certaine stay now left of doubtlesse heire,
Thus leave this guidelesse realme an open pray
To endlesse stormes and waste of civill warre.
Arostus. That ye (my lordes) do so agree in one
To save your countrey from the violent reigne
And wrongfully usurped tyrannic
Of him that threatens conquest of you all.
To save your realme, and in this realme yourselves
From forreine thraldorae of so proud a prince.
Much do I prayse ; and I besech the goddes
With happy honour to requite it you.
But (O my lords) sith now the heavens wrath
Hath reft this lande the issue of their prince ;
Sith of the body of our late soveraigne lorde
Remaines no moe ; since the yong kinges be slaine,
And of the title of discended crowne,
Uncertainly the diverse mindes do thinke
Even of the learned sort, and more uncertainly
Will parciall fancie and affection deeme ;
But most uncertainly will climbing pride
And hope of reigne withdraw to sundrie partes
The doubtfuU right and hopefull lust to reigne;
When once this noble service is atchieved,
For Brittaine land the mother of ye all,
When once ye have with armed force represt,
The proude attemptes of this Albanian prince.
That threatens thraldome to your native land.
When ye shall vanquishers returne from field
And find the princely state an open pray,
To greedie lust and to usurping power;
* ♦' To lenger out our lives." Edit. 1690.
168 TERREX AND PORREX. [aCT
Then, then (my lordes) i» ever kindly care
Of auncient honour of your auncesters,
Of present wealth and noblesse of your stockes,
Yea of the lives and safetie yet to come
Of your deare wives, your children, and yourselves.
Might move your noble hartes with 2:eijtle ruth,
Then, then have pitie on tlie torne estate.
Then helpe to salve the wel neare hopel; sse sore!
Which ye shall do, if ye yourselves withholds
The slaying knife fi'om yourowne mother's throate,
Her shall you save, and you and yours in her,
If ye shall all with one assent forbeare
Once to lay hand, or lake unto yourselves,
The crowne by colour of pretended right;
Or by what other meanes so ever it be,
Till first by common counsell of you all
In parliament, the regall diademe
Be set in certaine place of pfovernaunce,
In which your parliament and in yourchoise
Preferre the right (my lordes) without ^^ respect
Of strength or frendes, or whatsoever cause
That may set forward any others part :
For right will last, and wrong can not endure.
Right meane I his or hers, upon whose name
The people rest by meane of native line.
Or by the veitue of some former lawe,
Already made their title to advaunce:
Such one (my lordes) let be your chosen king.
Such one so borne within your native land.
Such one preferre, and in no wise admitte.
The heavie yoke of forreine governance.
Let forreine titles yelde to publike wealth.
And with that hart wherewith ye nou' prepare
Thus to withstand the proude invading foe,
With that siime hart (my lordes) keepe out also
Unnaturall thraldome of strangers reis^ne,
Ne suffer you against the rules of kinde,
Your mother land to serve a forreine prince.
Euhulus. Loe here the end of Brutus royall line,
*= withoute\ with, edit. 1590.
SC. II.] FERREX AND PORREX, 169
And loe the entry to the wofull wracke
And utter ruine of this noble realme.
The royall king, and eke his sonnes are slaine;
No ruler restes within the regali seate:
The heire to whom the scepter lon^es, unknowen ;
That to eche force of forreine princes power,
Whom vauntage of your wretched state may move,*
By sodeine armes to gaine so riche a realme,
And to the proud and gredie minde at home
Whom blinded lust to reigne leades ro aspire,
Loe Brittaine realme is left an open pray,
A present spoyle by conquest to ensue.
Who seeth not now how many rising mindes
Do feede their thoughts, with hope to reach a realme?
And who will not by force attempt to winne
So great againe that hope perswades to have?
A simple colour shall for title serve:
Who win lies the royall crowne will want no right,
Nor such as shall display by long discent
Alineall race to prove him lawfuU king.f
In the meane while these civil armes shall rage.
And thus a thousand mischiefes shall unfolde
And farre and neare spread thee (O Brittaine land).
All right and lawe shall cease, and he that had
Nothing to-dav, to-morrowe shall enjoye
Great heapes of golde, and he that flowed in wealth,
Loe he shall be bereft of life and all ;
And happiest he that then possesseth least.
The wives shall suffer rape, the maides defloured.
And children fatherlesse shall weepe and waile :
With fire and sworde thy native folke shall perishe,
One kinsman shall bereave an others life.
The father shall unwitting slay the sonne,
The Sonne shall slay the sire and know it not.
Women and maides the cruel souldiers sword
Shall perse to death, and sillie children loe
That playing '*^ in the streetes and fieldes are found,
* " May move," omitted in Edit, of 1590.
t " To prove himself a king." Edit. 1590.
••6 playing] play, edit. 1590.
170 FERREX AND TORREX. [aCT \
By violent hand shall close their latter day.
Whom shall the fierce and bloudy souldier
Reserve to life ? whom shall he spare from death ?
Even thou (O wretched mother) halfe alive,
Thou shalt beholde thy deare and onely childe
Slaine with the sworde while he yet suckes thy brest.
Loe, giltlesse bloud shall thus eche where be shed :
Thus shall the wasted soyle yelde forth no fruite
But dearth and famine shall possesse the land.
The townes shall be consumed, and burnt with fire;
The peopled cities shall waxe desolate,
And thou O Brittaine, whilome in renowne,
Whilome in wealth and fame, shalt thus be tome :
Dismembred thus, and thus be rent in twaine,
Thus wasted and defaced, spoyled and destroyed.
These be the fruites your civill warres will bring.
Hereto it commes when kinges will not consent
To grave advise, but follow wilfuU will :
This is the end, when in fonde prince's hartes
Flattery prevailes, and sage rede hath no place;
These are the plages when murder is the meane
To make new heircs unto the royall crowne :
Thus wreke the Gods when that the mother's wrath
Nought but the bloud of her own childe may swage:
These mischiefes spring, when rebells will arise,
To worke revenge and judge their prince's fact :
This, this ensues when noble men do faile
In loyall trouth, and subjectes will be kinges:
And this doth growe, when loe unto the prince,
Whome death or sodeine happe of life bereaves,
No certaine heire remaines ; such certein heire,
As not all onely is the rightfull heire.
But to the realme is so made knowen * to be,
And trouth therby vested in subjectes hartes,
To owe fayth there, where right is knowen to rest.
Alas, in parliament what hope can be.
When is of parliament no hope at all.
Which though it be assembled by consent,
Yet is not likely with consent to end :
* " Unknowne." Edit. 1590.
SC. II.] FERREX AND PORREX. 171
While eche one for himselfe, or for his frend,
Against his foe, shall travaile what he may :
While now the state left open to the man,
That shall with greatest force invade the same.
Shall fill ambicious mindes with gaping hope
When will they once with yelding hartes agree ?
Or in the while how shall the realme be used ?
No, no ; ihen parliament shonld have bene holden,
And certaine heires appointed to the crowne
To staye the title on established right.
And in the people plant obe;iience,
While yet the prince did live, whose name and power
By lawfull sommons and authoritie,
Might make a parliament to be of force,
And might have set the state * in quiet stay.
But now, O happie man, whom spedie death
Deprives of life, ne is enforced to see
These hugie mischiefes and these miseries.
These civill warres, these murders, and these wronges.
Of justice yet must God f in fine restore,
1 his noble crowne unto the lawfull heire :
For right will alwayes live, and rise at length,
But wrong can never take deepe roote to last.
* " Realm," edit. 1590. t " Jove," edit. 1590.
172
EDITIONS.
(1.) "The Tragedie of Gorboduc ; whereof three
" Actes were written by Thomas Nortone, and the two
" laste by Thomas Sackvyle. Settforthe as the same
'* was shewed before the Queenes most excellent
** Majestie, in her hignes court of Whitehall, the 18
" Jan. 1561. By the Gentlemen of Thynner Temple,
" in London, Sept. 22." 4to. Printed for William
Griffith. (See Ames's Typographical Antiquities^
p. 316.)
This Edition I have not seen. It appears to be the
first spurious one complained of by the Authors.
(2.) " The Tragedie of Ferrex and Porrex. Set-
" forth without addition or alteration ; but altogether
*' as the same was shewed on stage before the Queenes
" Majestie about nine yeares past, viz. the xviii day of
" Januarie, 1561, by the Gentlemen of the Inner
" Temple. Seen and allowed, &c. Imprinted at
'< London by John Daye, dwelling over Aldersgate/'
B. L. 8vo.
In the Bodleian Library, and in the possession of
Thomas Pearson, Esq.
(3.) " The Tragedie of Gorboduc ; whereof three
" Actes were written by Thomas Norton, and the two
" last by Thomas Sackvyle. Set forth as the same
" was shewed before the Queenes most excellent
" Majesty, in her hignes Court of Whitehall, by the
" Gentlemen of the Inner Temple. At London,
" printed by Edward Allde for John Perrin, and are to
" be sold in Paule's Churchyard, at the signe of the
" Angell, 1590." B. L. 4to.
In the Collection of Thomas Pearson Esq. and also
173
in that of Mr. Garrick. In the last-mentioned copy
is a discourse entitled, The Serpent of Devision *.
* At the end of the address " To the Gentlemen Readers,"
prefixed to The Seiyent of Division, the printer says — " Heere
" shah thou see also, if with content thou peruse it, the woful
" Tragedie of Gorboduc, and Ferrex and Porrex his two sonnes, as
*' it was presented before the Queenes Majestie, by the Gentlemen
" of the Inner Temple." The Sei-pent of Division appears to be a
translation. C.
DAMON AND PITHIAS
Richard Edwards, a Somersetshire man, was born
in the year 1523, admitted a scholar of Corpus Christi
College on the 11th of May, 1540, and probationer
fellow on the 11th of August, 1544. At the founda-
tion of Christ Church, by King Henry the Eighth, in
the year 1547, he was chosen a student of the upper-
table, and in the same year took the degree of Master
of Arts. From the University, he removed to Lincoln's-
Inn ; and in the beginning of Queen Elizabeth's reign
was appointed one of the gentlemen of her chapel, and
master of the children there*. He died, according to
Sir John Hawkins », on the 31st of October, 1566,
He was the author of
(1.) Damon and Pithias : a Comedy. Acted before
the Queen by the children of her chapel, and published
in 4to. 1571. 4to. 1582 f.
(2.) Palsemon and Arcyte : A Comedy. In two
parts. Acted in Christ-Church-Hall, 1566. This
piece was represented on the 2d and 3d of September.
The first evening, it was scarcely begun to be per-
formed before it became a Tragedy, for by the weight
of the multitudes the scaffold fell down. Five men
were greatly hurt and wounded, and three killed by
• It has been conjectured that he came early to Court, for there
exist in IMS. some Poems with his name, addressed to the beauties
of the Court of Queen JMary. See the new edition of Niigce An-
tique, by jMr. Park, vol. 2. p. 392. The third Poem in the Paradise
if Dayntie Devises, is by Edwards upon this subject, and the first
stanza shews that he was a young man when he sought to " become
" one of the courtly trayne :" it begins,
" In youthfull yeeres when fyrst my young desyres began
*' To pricke me foorth to serve in Court, a sclender tall young
man,'' (Sec. C.
' History of Music, vol. 2. p. 541.
+ By the words " newly imprinted" on the title-page of the
edition of 1571, it is perhaps to be understood, that it had been
published before ; or it may only mean that the Play was then
" newly imprinted" from the MS. Some biographers have noticed
a supposed edition of Damon and Pithias, in 1570, but this is a mis-
take for the year following. C.
VOL. I. N
178
the fall of a wall ^. On the second evening, the Queen
is said to have been much entertained. After the play
■was ended, she called the author to her, commended
his work, promised what she would do for him, and
talked to him in the most familiar way. One of the
performers, supposed to be young Carew, pleased her
so much, that she made him a present of eight guineas.
See Wood's Athence Oxoniensis, vol. 1. p. 151.; and
Peshall's History of the University of Oxford, 227, 228.
Chetwood says, both parts of this play were printed,
with the Author's Songs and Poems, in 1585. Wood
assures us, that there were several other dramatic
pieces by him, which he did not live to finish ; and that
it was the opinion of many, he would have run mad
had he continued to exercise his talents as a writer for
the stage.
He was also the Author of
Some Poems printed in The Paradise of Dainty
Devises, 4to. 1575, and a Poem called Edward^ s Soul-
knil ; or The Soules knell: written in his last illness.
He appears to have obtained a considerable reputa-
tion as a dramatic writer, which will appear from the
following testimony in Puttenham's Art of Poetry : " I
'* think that for Tragedy the Lord Buckhurst and
'' Maister Edward Ferrys, for such doings as I have
'' seen of theirs, do deserve the highest price; the Earl
*' of Oxford, and Mr. Edwards of her Majesty's
*' Chapel, for Comedy and Interlude." An Epitaph on
him is said to be printed among the Poems of George
Turberville*.
^ Ppshall's History of the University of Oxford, 227.
* This production, which Mr. Reed had not seen, does exist ;
and is to be be found in Turberville's Epitaphes, Epigrams, Songes,
and Simets, printed in 1570. It opens as follows :
" Epitaph on Maister Edwards, sometime Maister of the Chil-
" dren of the Chapell, and Gentleman of Lyncolues Inne
" Court.
" Ye learned Muses nine, and Sacred Sisters all,
" Now lay your cheerful! cithrons downe, and to lamenting fall.
179
** Rent oflf those garlandes greene, doe laurel leaves away,
" Remove the myrtill from your browes, and stint on strings *o
play ;
" For he that led the daunce, the cheefest of your traine,
" I mean the man that Edwards hight, by cruell death is slaine.
" Ye courtiers chaunge your cheere, lament in wailefuU wise,
" For now your Orpheus has resjgnd, in clay his carcas lies,
" O ruth! he is bereft, that whilst he lived here,
" For poet's pen and passinge witte, could have no Englishe
peere.
" His veine in verse was such, so stately eke his style,
" His fate in forging sugred songes, wdth cleane and curious file ;
"As all the learned Greekes and Romaines would repine,
" If they did live againe, to viewe his verse with scornefuU eine."^
The rest of this production is in the same strain, and the above
will be a sufficient specimen. C.
THE PROLOGUE.
On everie syde, wheras I glaunce my rovyng eye,
Silence in all eares bent I playnly doe espie :
But if your egre lookes doo longe such toyes to see.
As heretofore, in commycall wise, were wont ahroade to
bee.
Your lust is lost, and all the pleasures that you sought,
Is frustrate quite of toying playes. A soden change is
wrought :
For loe, our aucthors muse, that masked in delight.
Hath for st his penne against his kinde^, no more such
sportes to write.
Muse he that lust, {right worshipfull) for chaunce hath
made this change,
For that to some he seemed too much in yonge desires to
range :
In whiche, right glad to please, seyng that he did offende,
Of all he humblie pardon craves: his pen that shall
amende.
And yet (worshipfull audience) thus much I dare advouche,
In commedies the greatest skyll is this, rightly to louche
All thynges to the quick e ; and eke to frame eche person so.
That by his common talke, you may his nature rightly
knoiv :
A royster ought not preache, that were to straunge to
heare,
But as from vertue he doth swerve, so ought his wordes
appeare :
The olde man is sober, the yonge man rashe, the lover
triumphyng in joyes.
The matron grave, the harlot wilde, and full of wanton
toyes.
'^ kinde] See note 7 to Ferrex and Porrex in this vol.
181
Whiclie all in one course, they no wise doo agree ;
So correspondent to their kinde their speeches ought to be.
Which speeches well pronounste^ with action lively framed.
If this offende the lookers on, let Horace then be blamed,
Which hath our author taught at schole, from whom he
doth not swarve,
In all suche kinde of exercise decorum to observe.
Thus much for his defence (he sayth) as poetes earst have
donne.
Which heretofore in commodles the self same rase did
ronne.
But now for to be brief e, the matter to expresse.
Which here wee shallpresent, is this : Damon and Pithias.
A rare ensample offrendship true, it is no legend lie,
But a thynge 07ice donne tndeede, as hystories doe discrie.
Whiche doone of yore in huge time past, yet present
shall be here.
Even as it wtre in dooyngenow, so lively it shall appeare.
Lo here in SiracuscE th' auncient towne, which once the
Romaines wonne,
Here Dionisius pallace, within whose courte this thing
most strange was donne.
M^hich matter mixt with myrth and care, a just name to
applie.
As seemes most ft, wee have it termed, a tragicall com-
medie.
Wherein talkyng of courtly toyes,we doe protest this fat,
Wee talke of Dionisius courte, wee meane no court but
that :
And that we doo so meane, who wysely calleth to minde
The time, the place, the author^, here most plainely shall
it finde.
Loe this I speake'^for our defence, lest of others we should
be shent^ :
But worthy audience, wee you pray, take thinges as they
be ment;
3 author] autliours, 1st. edit.
* speake] spake, 2d. edit.
5 be shent : To ahend, says Mr. Steevens, is to reprove harshly, to
treat with injurious language. Note to Hamlet, A. 3. S. 2.
Again, in Ascham's Report and Discourse. Bennet's Edition,
182
Whose upright judgement we doo crave, with heedfull
ears and eye
To here the cause, and see tW effect of this newe tragicall
commedie. [Exit.
p. 38 : "A wonderfuU follie in a great man himselfe, and some
" piece of miserie in a whole commonwealth, where fooles chiefly
" and flatterers may speake freely what they wilJ, and wise men
" and good men shal commonly be shent, if they speake what they
*' should."
THE SPEAKERS NAMES.
Aristippus, a pleasant gentUman.
Carisophus, a parasite.
Damon, | two gentlemen of Greece,
Stephano, servant to Damon and Piihias,
Will, Aristippus lackey.
Jacke, Car.sophus lackey.
Snap, the porter.
DiONisiu>, the kynge.
EuBULUs, the kynge' s counselour.
G RON NO, the hangman.
Grimme, the colyer.
DAMON AND PITHIAS.*
Here entreth Aristippus.
Aristippus. Tho' strange (perhaps) it seemes to some,
That I, Aristippus, a courtier am become:
A philosopher of late, not of the meanist name,
But now, to the courtly behaviour, my lyfe I frame;
Muse he that lyst, to you of good skill,
I say that I am a phylosopher styll.
Lovers of wisdom, are termed philosophers^,
Then who is a philosopher so rightly as I ?
For in lovyng of wisdom, proofe doth this trie,
Thditfrustra sapit, qui non sapit sibi,
I am wyse for myselfe, then tell me of troth,
Is not that great wisdom, as the world goth ?
* Although it is obvious that great paius were taken by Mr.
Reed and others, (to say nothing of Dodsley,) in the collation of
this dramatic piece, yet they left it in a very imperfect state. In
the course of it not less than fifty important variations and errors
have been detected, consisting of words omitted, and words acci-
dentally inserted independently of errors of the press for which of
course an Editor was not responsible. It is hoped that it will be
now found more uniformly correct, although the Editor can scarcely
flatter himself that the reprint may not be still found defective. C.
^philosophers,'] Philosophie, both Editions. The alteration by
Mr. Dodsley.
And both the editions are perhaps right, as far as this word is
concerned : the error lies elsewhere ; for it will be remarked that
the rhime requires philosophy and not philosophers, which Mr. Dodsley
substituted. The following is suggested as the correct and original
reading.
" Lovyng of wisdom is termed philosophie,
" Then who is a philosopher so rightly as 1 V
In the next line the author expressly speaks of lovyng of wisdom,
as if intending to employ the words he had used before. At the
same time the Editor was not so well assured of the accuracy of his
emendation as to warrant the insertion of it in the text in opposition
to previous authorities, C.
186 DAMON AND riTlIlAS.
Some philosophers in the streete go ragged and torne,
And feede on vyie rootes, whom boyes laugh toscorne :
But I in fine silkes haunt Dionisius pallace,
Wherin with dayntie fare myselie I do solace.
I can talke of philosophic as well as the best,
But the stray te kynde of lyfe I leave to the rest.
And 1 professe now the courtly philosophic,
To crouche, to speake fayre, myselfe 1 applie,
To feede the kinges humour with pleasant devises.
For which, I am called Regius canis.
But wot ye who named me first the kinges dogge"?
It was the roage Diogenes, that vile grunting hogge.
Let him rolle in his tubbe, to winne a vaine praise,
In the conrte pleasantly I wyll spende all my dayes;
Wherin, what to doo, I am not to learne,
What wyll serve myne owne turne, I can quickly dis-
cearne.
All my tyme at schoole I have not spent vaynly,
I can helpe one, is not that a good poinctof philosophy?
Here entrelh Carisophus.
Carisophus. 1 beshrew your fine eares, since you
came from schoole,
In the court you have made many a wiseman a foole:
And though you paint out your fayned phylosophie.
So God helpe me, it is but a playne kinde of flattery.
Which you use so finely in so pleasant a sorte.
That none but Aristippus now makes the kinge sporte.
Ere you came hyther, poore I was sombody,
The king delighted in mee, now I am but a noddy.
Aristippus. In faith, Carisophus, you know yourselfe
best,
But I will not call you noddie, but only in jest,
And thus I assure you, though I came from schoole
To serve in this court, I came not yet to be the kinges
foole ;
Or to fill his eares with servile squirilitie :
That office is yours, you know it right perfectlie.
Of parasites and sicophants you are a grave^ bencher,
The king feedes you often from his owne trencher.
^ grave] great, 2d edit.
DAMON AND PITHIAS.
187
I envye not your state, nor yet your great favour,
Then grudge not at all, if in my behaviour
I make the kinge mery with pleasant urbanitie,
Whom I neverabused to any man's injurie.
Carisophns. Be cocke sir, yet in the courte you doo*
best thrive,
For you get more in one day then I doo in five.
Aristippus. Why man, in the court, doo you not see
Rewardes geven for vertue to every degres?
To rewarde the unworthy that worlde is done,
The court is changed, a good thread hath bin sponne
Of dogges woll heretofore, and why ? because it was
liked,
And not for that it was best trimmed and picked :
But now men's eares are finer, such grosse toyes are
not set by,
Therfore to a trimmer kynde of myrth myselfe 1 applye:
Wherein though I please, it commeth not of my desert,
But of the kinge's favour.
Carisophits. It may so be ; yet in your prosperitie,
Dispise not an olde courtier : Carisophus is he,
Which hath long time fed Dionisius' humor:
Diligently to pledse, styll at hand; there was never
rumour
Spread in this^ towne of any smale thinge, but I
Brought it to the kinge in post by and by.
Yet now I crave your friendship, which if I may attayne.
Most sure and unfained frindship I promyse you againe :
So we two linckt in frindshippe, brother and brother.
Full well in the court may helpe one another.
Aristippus. Bir Lady, Carisophus, though you know
not philosophic.
Yet surely you are a better courtier then I :
And yet I V.ot so evyll a courtier, that wyll seerae to
dispise
Such an olde courtier as you, so expert and so wyse.
But where as you crave myne, and offer your friendship
so willingly,
With hart I geve you tharikes for this your great
curtesie :
3 doo] omitted in 2d edit. ^ this] the, 2d edit.
188 DAMON AND PlTHIAS.
Assuring; of friendship both with tooth and nayle,
Whiles life lasteth, never to fayle.
Carisophus. A thousand thankes I gave you, oh friend
Aristippus.
Aristippus. O friend Carisophus.
Carisophus. Howjoyfull am I, sith T have to friend
Aristippus now !
Aristippus. None so glad of Carisophus friendship as
I, I make God a vowe,
I speake as 1 thinke, beleve me.
Carisophus. Sith we are now so friendly joyned, it
seemeth to mee,
That one of us help eche other in every degree:
Prefer you my cause when you are in presence,
To further your matters to the kinge, let me alone in
your absence.
Aristippus. Friend Carisophus, this shall be done as
you would wish:
But I pray you tell mee thus much by the way,
Whither now from this place wyll you take your
journay ?
Carisophus. I wyll not dissemble, that were against
friendship,
I goe into the citie some knaves to nip.
For talke with their goodes, to encrease the kynges
treasure,
In such kinde of service I set my cheefe pleasure :
Farev/el, friend '° Aristippus, now for a time. [Exit.
Aristippus, Adewe, friend Carisophus — In good faith
now.
Of force I must laugh at this solempne vow.
Is Aristippus linkt in friendship with Carisophus ?
Quid cum tanto asino, talis philosophus ?
They say, Morum similitudo consuUat amiddas* ;
Then how can this friendship betwene us two come to
^^ friend] omitted in 2d edit.
* "-Morum similitudo conmltat amicitias.] I tliink we should read
conciliat. Conciliat et conjungit inter se liominei?. Cic. Oft', i. 16.
DAMOX AND PITIIIAS. 189
^^ We are as like in condicions as Jacke Fletcher and
his bowlt ;
I brought up in learnyng, but he is a very dolt,
As touching good letters; but otherwise such a craftie
knave,
Yf you seeke a whole region his lyke you can not have :
A villaine for his life, a varlet died in graine,
You lose money by him ''^ if you sell him for one knave,
for hee serves for twaine :
A flatteryng parasite, a sicophant also,
A common accuser of men, to the good an open foe.
Of halfe a worde, he can make a legend of lies.
Which he wyll advouch with such tragicall cryes>
As though all were true that comes out of his mouth.
Were he indede to be hanged by and by,*
He cannot tell one tale, but twyse he must lie.
He spareth no man's life to get the kinge's favour.
In which kind of servis he hath got such a savour,t
That he wyll never leave. Methinke then that I
Have done verie wisely to joyne in friendship with him,
lest perhaps I
Comming in his way might be nipt ; for such knaves
in presence.
We see oft times put honest men to silence :
" We are as like in condicions, as Jacke Fletcher and his bowlQ A
Fletcher is a maker of arrows, from Jleche an arrow, Fr. The
Fletchers Company had several charters granted to them, though at
present, I believe, they have only a nominal existence. Aristippus
means to say, that he differs as much in disposition from Cari-
sophns, as Jack the arrousmith varies in quality from a bolt or arrow
of his own making. S.
1^ — if you sell him for one knave, for hee serves for tivainel So, in
Leke to Leke, quoth the Devil to the Collier, 1.589 :
" There thou mayst be called a knave in grane,
" And where knaves be scant thou mayst go for twayne."
See a Note on TJie Two Gentlemen of Ferona, vol. 1, edit. 1778,
p. 176. S.
* Both the old editions give this line as follows :
" Where in dede to he hanged by and by."
The change was necessary to the sense. C.
t This whole line is omitted in the latest of the two old copies,
and as BIr. Reed and his friend remarked in their notes, sometimes
even the variation of letters, it is singular that they should have
passed over this circumstance without obsen'ation. C.
190 DAMON AND PITHIAS.
Yet I have played with his beard in knitting this knot,
I promist friendship, but you love few wordes ; I spake
it, but I meant '^ it not.
Who markes this friendship betwene us two
Shal judge of the worldely friendship without any more
a doo.
It may be a ryght patron thereof; but true friendship
in deede
Of nought but of vertue doth truly proseede.
But why do I now enter into philosophic,
Which doo professe the fine kind of curtesie ?
I wyll hence to the court with all haste I may ;
I thinke the king be stirring, it is now bright day.
To wait at a pinche, still in sight I meane,
For wot ye what ? a new broome sweepes cleane >*.
As to hie honor I mynde not to clime,
So I meane in the court to lose no time :
Wherein, happy man be his dole'% I trust that I
Shall not speede worst, and that very quickly. [Exit,
Here enireth Damon and Pithias lyke mariners.
Damon. O Neptune, immortall be thy prayse,
For that so safe from Greece we have past the seas
To this noble citie Siracusse, where we
The auncient raygne of the Romaines may see.
Whose force Greece also here tofore hath knowne,
Whose vertue the shrill trump offame so farre hath blowne.
Pithias. My Damon, of right high prayse we ought to
geve
To Neptune and all the gods, that we safely dydarryve:
" meant] meane, 2d edit.
^* a new broom e sweepes cleane] This was proverbial. See Ray's
Collection of Proverbs, p. 140.
" happy man he his dolel A proverbial expression often found in
ancient writers. Dole, Mr. Steevens observes (Note to The Taming
of the Shrew, A. 1. S. 1.), is any thing dealt out or distributed,
though its original meaning was the provision given away at the
doors of great men's houses. It is generally written he his dole,
though Ray, p. 116, gives it as in the 2d 4to. by his dole. Shak-
speare also uses the phrase in The Merrif Wives of Whtdsor,
Again, in Hudibras, P. 1. C. S. 1. 637":
"Let us that are unhurt and whole
" Fall on, and happy man he^sdole,'"
2
DAMON AND PITHIAS.
191
The seas, 1 tbinke, with contrary winds never raged so;
I am even yet so seasicke, that I faynt as I go ;
Therfore let us get some lodgyng quickely.
But where is Stephano?
Here entreth Stephano.
Stephano. Not farre hence : a pockes take these
maryner knaves,
Not one would healpe mee to carry this stufFe, such
dronken slaves
I thinke be accursed of the goddes owne mouthes.
Damon. Stephano, leave thy ragyng, and let us enter
Siracusse, *
We wil provide lodgyng, and thou shalt be eased of thy
burden by and by.
Stephano. Good mayster make haste, for I tell you
playne,
This heavy burden puts poore Stephano to muchpayne.
Pithias. Come on thy wayes, thou shalt be eased,
and that ano^. [Exeunt.
Here entreth Carisophus.
Carisophus. It is a true saying, that oft hath bin
spoken.
The pitcher goeth so longe to the water, that it ^^
commeth home broken.
My owne proofe this hath taught me, for truly sith 1
In the citie have used towalkevery slyly.
Not with one can 1 meete, that wyll in talke joynewith
mee.
And to creepe into men's bosomes^''' : some talke for to
snatche,
But whiche, into one trip or other, I might trimly them
catche.
And so accuse them : now, not with one can I meete,
That wyl joyne in talke with me, I am shun'd lyke a
devill in the streete.
My credite is crackte where I amknowne; but, I heare
say,
Certaine straingers are arrived, they were a good pray,
'" it] he, 1st edit, '7 hosomes] bosome, 2d edit.
192 DAMON AND PITIIIAS.
If happely I might meete with them, I fear not I,
But in talke I should trippe them, and that very finely,
Whiche thinge, I assure you, I doo for myne owne gayne.
Or els I woulde not plodde thus up and downe, I tell
you playne.
Well, I wyll for a whyle to the court, to see
What Aristippus doth ; I would be loth in faver he
should overrun me;
He is a subtile chyle! , he flattereth so fynely, that I
feare mee
He w^U licke the fattefrom my lippes, and so outwery
mee:
Therfore I wyll not be longe absent, but at hand.
That all his fine driftes I may understande. lExit.
Here entreth Wyll and Jacke.
Wyll. I v\7onder what my master Aristippus meanes
now adaies.
That he leaveth philosophie, and seekes is to please
Kyng Dionisius with such mery toyes :
In Dionisius' court now he only joyes,
As trim a courtier as the best,
Ready to aunswer, quicke in tauntes, pleasaunt to jeste ;
A lusty companion to devise with fine dames,
Whose humour to feede, his wylie witte he frames.
Jacke. By cocke, as you say, your maister is a minion ;
A foule coyle he keepes in this court; Aristippus aione
Now rules the roaste with his pleasant devises,
That I feare he wyll put out of conceit my maister
Carisophus.
Wyll. Feare not that, Jacke ; for like brother and
brother.
They are knit in true friendship the one with the other ;
They are fellowes you knowe and honest men both,
Therfore the one to hinder the other they will be iothe.
Jacke. Yea, but I have heard say there is falshod in
felowshippe.
In the court sometimes one geves another finely the
slippe:
'^ seekei] seeketh, 2d edit.
DAMON AND PITHIAS. 193
Which when it is spied, it is laught out with a scoffe '^
And ^yith sporting and playing quietly '° shaken of:
In which kinde of toying thy master hath such a grace,
That he wyll never blush, he hath a wodden face.
But, Wyll, my maister hath bees in his head,
If hee fynde mee heare pratinge, I am but dead :
He is still trotting in the citie, there is sumwhat in the
winde ;
His lookes bewrayes his inwarde troubled mynde :
Therfore I wyll be packing to the courte by and by;
If he be once angry, Jacke shall cry wo the pye.
Wyll. Byr lady, if I tary longe here of the same
sauce shall I tast,
For my master sent mee on an errand, and bad mee
make haste,
Therfore we wyll departe together. [Exeunt.
Here entreth Stephano.
Stepliano. Ofte times I have heard, before I came
hether,
That no man can sei-ve two maisters together;
A sentence so true, as moste men doo take it,
At any time false that no man can make it :
And yet by their leave, that first have it spoken,
How that may prove false, even here I wyll open :
For I Stephano, loe, so named by my father.
At this time serve two masters together.
And love them a lyke the one and the other;
I dueiy obey, I can doo no other.
A bondman I am, so nature hath wrought me,
One Damon of Greece, a gentleman, bought me.
To him I standebond, yet serve I another,
Whom Damon my master loves as his ov/ne brother :
A gentleman too, and Pithias he is named.
Fraught with vertue, whom vice never defamed.
These twoo, since at schoole they fell acquainted.
In rautuall friendship at no time have fainted.
But loved so kindly and friendly eche other.
As thoughe they were brothers by father and mother.
19 scoffe] grace, 2d edit. '^° quietl\f\ quickly, 2d edit.
194 DAMON AND PITHIAS.
Pythagoras learnynge these two have embrased,
Which bothe are in vertue so narrowly laced,
That all their whole doings do fall to this issue,
To have no respect but onely to vertue :
All one in effecte, all one in their goynge,
All one in their study, all one in their doyng.
These gentlemen both, beyng of one condicion,
Both alike of my service have all the fruition :
Pithias is joyful! if Damon be pleased :
Yf Pithias be served, then Damon is eased.
Serve one, serve both, so neare, who would win them ?
I thinke they have but one hart betwene them.
In travelyng countreyes, we three have contrived 21,
Full many a yeare, and this day arrived
At Siracusse in Sicilia, that auncient towne,
Where my masters are lodged ; and I up and downe
,Go seekyng to learne what news here are walkyng,
To harke of what thynges the people are talkynge.
I lyke not this soyle, for as I goe ploddynge,
I marke there two, there three, their heades alwayes
noddinge,
In close secret wise, styll whisperyng together.
If I aske any question, no man doth answer :
But shakyng their heads, they go their wayes speak-
inge,
I marke how with teares their wet eyes are leakynge :
Some strangnesse there is, that breedeth this musinge.
Well, T wyll to my masters, and tell of their using.
That they may learne, and walke wisely together :
T feare we shall curse the time we came h ether. [Exit,
^^ — ive three have Contrived,
Full many a yeare ;] To contrive, in this place, signifies to wear
away, to spend, from contero, Lat. So, in Shakspeare's Taming of
the Shrew, A. 1. S. 2.
Please you we many contrive this afternoon 1
Totum hunc contrivi diem. S.
See also the Notes of Dr. Warburton and Dr. Johnson on the
above line in Shakspeare. ,
DAMON AND PITIIIAS. 195
Here entreth Aristippus and Wyll.
Aristippus. Wyll, didst thou heare the ladies so
talke of mee ?
What ayleth them? from their nippes^^* shall I never
be free ?
Wyll. Good faith, sir, all the ladies in the courte do
plainly report,
That without mencion of them you can make no
sporte :
They are your playne song to singe descant upon ^^;
If they weare not, your mirth were gone.
Therfore, master, jest no more with women in any
wise.
If you doo, by cocke, you are lyke to know the price.
Aristippus. Byr lady, Wyll, this is good counsell :
playnely to jest
Of women, proofe hath taught mee it is not the best:
I wyll change my coppy, how be it I care not a
quinche^
I know the galde horse will soonest winche :
But learne thou secretly what prively they talke
Of me in the courte : among them slyly walke,
And bring me true newes thereof.
fVylL I wyll, sir, maister therof have no doubt,
fori
Wheare they talke of you wyll enforme you perfectly.
Aristippus. Do so, my boy : if thou bringe it finely
to passe,
For thy good service thou shalt go in thine olde coate
at Christmas. [Exeunt,
^I* nippes] taunts, or sarcasms. See Johnson. N.
"■■^^ playne song, to singe descant npon,'] Plain song, is planus cantus,
uni^form modulation. Descant, is musical paraphrase. See a Note
on The Midsummer Night's Dream, vol. 3, p. 6S. ; and another on
King Richard III. vol. 7. p. 6. edit. 1778. S.
'■i^ I care not a quinche.] Spenser has this word, which, as Dr.
Johnson observes, appears to be the same as loinch. It should seem
to be expressive of some slight degree of pain, and in this instance
to mean the same as if the speaker had said, I care not sl fillip. S. ^
196 DAMON AND PITHIAS.
Enter Damon, Pjthias, Stephano.
Damon. Stephano, is all this true that thou hast tolde
me?
Stephano. Sir, for lies hetherto ye never controlde
mee.
Oh that we had never set foote on this land,
Where Dionisius raygnes with so bloody a hande !
Every day he sheweth some token of crueltie,
With blood he hath filled all the streetes in the citie :
I tremble to heare the people's murmuring,
I lament to see his most cruell dealyng :
I thinke there is no suche tyraunt under the sunne.
O, my deare masters, this mornyng, what hath he
done!
Damon. What is that ? tell us quickly.
Stephano. As I this mornyng past in the streete.
With a wofull man (going to his death) did I meete.
Many people folowed, and I of one secretly
Asked the cause, why he was condemned to die ?
Whispered in mine eare, nought hath he done but
thus,
"^ In his sleape he dreamed he had killed Dionisius :
Wliich dreame tolde abrode, was brought to the kinge
in poste,
By whome, condemned for suspicion, his lyfe he hath
lost.
Marcia was his name, as the people sayde.
Pithias. My deare friende Damon, I blame not
Stephano
For wishyng we had not come hether, seeyinge it is so,
2* In his sleape he dreamed he killed Dionisius.'] A late writer observes,
that " Dionysius the tyrant is said to have punished with death
" one of his subjects, for dreaming he had killed him. This was
*' hardly more iniqiutous than the execution of the gentleman, who
" having a white deer in his park, which was killed by Edward the
" Fourth, wished the deer, horns and all, in the belly of him that
*' counselled the king to kill it, whereas in truth no man counselled the
" king to it: or than the attainder and execution of Algernon
" Sydney, on the evidence of private and unpublished papers,
" without any proof, or even a suggestion, of their intended pub-
i' lication." Principles of Penal Law, C. 11.
DAMON AND PITHIAS. l97
That for so small cause, suche cruell death doth insue.
Damon. My Pithias, where tirantes raigne suche
cases are not new.
Which fearynge their owne state for great crueltie^,
To sit fast as they thinke, doo execute speedely
All suche as any light suspition have tainted.
Stephano. With such quicke karvers I lyst not be
acquainted.
Damon. So are they never in quiet, but in suspicion
styll.
When one is made away, they take occasion another to
kyll:
Ever in feare, having no trustie friende, voyd of all
people's love,
And in their owne conscience a continuall hell they
proove.
Pithias. As thynges by their contraryes are always
best prooved.
How happie then are mercifull princes of their people
beloved !
Havyng sure friends every wheare no feare doth touch
them,
They may safely spend the daye pleasantly, at night
Secure dormiunt in utramque aurem,
O my Damon, if choyce were oifred mee, I would
choose to be Pithias
As I am (Damon's friende) rather then to be kyng
Dionisius.
Stephano. And good cause why ; for you are entierly
beloved of one.
And as farre as I heare, Dionisius is beloved of none.
Damon. That state is moste miserable : thrice happy
are wee.
Whom true love hath joyned in perfect amytie :
Which amytie first sprong, without vaunting be it
spoken, that is true,
Of likelines of maners, tooke roote by company, and
now is conserved by vertue ;
'^^ for great crueltie.] With crueltie, 2d edit.
98 DAMON AND PITHIAS-
Which vertue alwaies though ^^ worldly things do not
frame,
Yet doth she atchive to her followers immortall fame :
Wherof if men were carefull, for vertues sake onely
They would honour friendship, and not for commoditie.
But such as for profite in friendship do lincke.
When stormes come, they slide away sooner then a man
wyll thinke.
My Pithias, the somme of my talke falles to this issue,
To prove no friendship is sure, but that which is
grounded on vertue.
Pithias. My Damon, of this thyng there needes no
proofs to mee,
The gods forbyd, but that Pithyas with Damon in al
things shuld agree.
For why is it said, Amicus alter ipse,
But that true friendes should be two in body, but one
in minde ?
As it were transformed into another, which against
kynde
Though it seeme, yet in good faith, when I am alone,
I forget I am Pithias, methinke I am Damon,
Stephano. That could I never doo, to forget myselfe ;
full well I know,
Wheresoever I go, that I am pauper Stephano :
But I pray you, sir, for all your phylosophie.
See that in this courte you walke very wisely.
You are but newly come hether ; beyng straungers ye
know.
Many eyes are bent on you in the st.reetes as ye go :
Many spies are abroad, you can not be too circum-
spect.
Damon. Stephano, because thou art carefull of mee
thy maister, I do thee praise ;
Yet thinke this for a suertie, no state to displease
By talke or otherwise : my friende and I entende, we
wyll here
As men that come to see the soyle and maners of al
men of every degree.
-® though'] through, both editions. The alteration by Mr. Dodsley.
DAMON AND PITHIAS. 199
Pithagoras said, that this worlde was Hke a stage '^',
Wheron many play their partes : the lookers-on, the
sage
Phylosophers are, saith he, whose parte is to learne
The raaners of all nations, and the good from the bad
to discerne.
Stephana. Good faith, sir, concernynge the people
they are not gay.
And as farre as I see they be mummers; for nought
they say,
For the moste parte, what so ever you aske them.
The soyle is suche, that to live heare I can not lyke.
Damon. Thou speakest accordynge to thy learnynge,
but I say,
Omne solum Jorti patricBf* a wise man may lyve every
vvheare ;
Therfore, my deare friende Pithias,
Let us view this towne in everie place,
And then consider the peoples maners also.
Pithias. As you wyll, my Damon ; but how say you
Stephano ?
Is it not best ere we go further to take some repast?
Stephano. In faith, I lyke well this question, sir: for
all your haste,
To eate somewhat, I pray you, think it no folly ;
It is hie dinner time, I know by my belly.
Damon. Then let us to our lodging departe : when
dinner is done.
We wyll view this citie as we have begonne. [Exeunt.
Here entreth Carisophus.
Carisophus. Once agayne in hope of good wynd, I
hoyse up my sayle,
I goe into the citie to finde som pray for myne availe :
I hunger while I may see the straungers that lately
Arrived, I were safe if once I might meete them happily.
Let them barke that lust at this kinde of gaine.
He is a foole that for his profit will not take payne :
^"^ was like a stage] is lyke unto a stage, 2d edit.
* This sentence stands in the old copies,
Omnis solum fortis pairia. C.
200 DAMON AND PITHIAS.
Though it be joyned with other mens hurt, I care not
at all,
For profit I wyll accuse any man, hap what shall.
But soft, syrs, I pray you huysh : what are they that
comes here?
By their apparell and countinuaunce some strangers
they appeare.
I wyll shrowde my selfe secretly, even here for a while.
To heare all their talke, that I may them beguyle.
Htre entreth Damon and Stephano.
Stephana. A shorte horse soone curried'^*; my belly
waxeth thmner,
I am as hungry now, as when I went to dinner:
Your philosophicall diet is so fine and small.
That you may eate your dinner and supper at once, and
not surfaite at all.
Damon. Stephano, much meat breedes heavynes;
tliinne diet makes thee light.
Stephano. I may be lighter thereby, but I shall never
run the faster.
Damon. I have had sufficiently discourse of amitie
Which I had at dinner with Pithias ; and his pleasaunt
companie
Hath fully satisfied me : it doth mee good to feede
myne eyes on him.
Stephano. Course or discourse, your course is very
course ; for all your talke,
You had but one bare course, and that was pike, rise
and walke:
And surely, for all your talke of philosophic,
I never heard that a man with wordes could fill his
belly.
Feede your eyes (quoth you) the reason from my wis-
dom swarveth,
I stared on you both, and yet my belly starveth.
Damon. Ah Stephano, small diet maketh a fine
memorie.
Stephano. I care not for your craftie sophistrie,
-s A shorte horse soone curried ;] See Ray's Proverbs, p. 156.
DAMON AND PITHIAS. 201
You two are fine, let mee be fed like a grose knave styll
I pray you licence mee for a while to have my will,
At home to tary, whiles you take vevv of this citie :
To fynde some odde victualles in a corner I am verie
wittie.
Damon. At your pleasure, sir, I wyll wayte on my
selfe this daye ;
Yet attende upon Pithias, whiche for a purpose tarieth
at home :
So doyng, you wayte upon mee also.
Stephana. With winges on my feete I go. [Exit.
Damon. Not in vain the poet sayeth, Naturam furcd
erpellas, tamen usque recurrit ;
For trayne up a bondman never to so good a behaviour,
Yet in some poinct of servilitie he wyll savour :
As this Stephano, trustie to mee his master, lovyng and
kinde.
Yet touchyng his belly a very bondman I him finde.
He is to be borne withall, beyng so just and true,
I assure you, I would not chaunge him for no new :
But mee thinkes, this is a pleasant citie.
The seate is good ^'\ and yet not stronge, and that is
great pittie.
Carisophus. I am safe, he is myne owne.
Damon. The ayre subtle and fine, the people should
be wittie.
That dwell under this climate in so pure a region :
A trimmer plotte I have not seene in my peregrination.
Nothing mislyketh mee in this countrey.
But that I heare such mutteryng of crueltie :
Fame reporteth strange thynges of Dionisius,
But kynges matters passyng our reache, pertayne not
to us.
Carisophus. Dionisius (quoth you) since the worlde
began,
In Cicilia never raygned so cruell a man :
si> The seate is good,'] The seate means the situation. See, in Dr.
Johnson's Dictionary, instances of it, from Raleigh, Hayward,
Bacon, and B, Jonson. N.
So Duncan, in Macbeth, says :
" This castle hath a pleasant seat.
202 DAMON AND PITMIAS.
A despightfull tirant to all men, I marvayie I,
That none makes him away, and that sodaynly.
Damon. My friende, the goddes forbyd so crueli a
thynge,
That any man should lift up his sworde against the
kynge :
Or seeke other meanes by death him to prevent.
Whom to rule on earth the mightie goddes have sent.
But, my frende, leave ofF this talke of kynge Dionisius.
Carisophus. Why, sir ? he cannot hear us.
Damon. What then? An nescis longas regibus esse
manus ?
It is no safe talkynge of them that strykes afarre off.
But leavyng kynges matters, I pray you shew me this
curtesie.
To describe in few wordes the state of this citie.
A travayler I am, desirous to know
The state of eche countrey, wher ever I go :
Not to the hurt of any state, but to get experience
therby.
It is not for nought, that the poet doth crye.
Die mihi musa virum, captce post tempera Troja,
Qui mores hominum multorum vidit et urbes. *
In whiche verses, as some writers do scan,
The poet describeth a perfect wise man :
Even so, I beyng a stranger, addicted to phylosophie,
To see the state of countreyes my selfe I applie.
Carisophus. Sir, I lyke this entent, but may I aske
your name without scorne ?
Damon. My name is Damon, well knowen in my
countrey, a gentleman borne.
Carisophus. You do wisely, to serche the state of
eche countrie
To beare intelligence therof, whether you lust. He
is a spie,
* This quotation is given as follows in both the old copies.
Die mihi musa viruvi captcc post tempora TrqjcE ^
Multorum homines mores qui vidit et urbes.
Query — Was it meant by the Author that Damon should mis-
quote. C.
DAMON AND PITMIAS. 203
Sir, I pray you, have pacience a while, for I have to
do here by :
View this weak parte of this citie as you stand, and I
very quickly
Wyll retourne to you agayne, and then wyll I show
The state of all this countrie, and of the courte also.
[Exit.
Damon. I thanke you for your courtesie. — This
chaunceth well that I
Met with this gentleman so happely,
Whiche, as it seemeth, misliketh some thynge,
Els he would not talke so boldly of the kynge,
And that to a stranger : but loe were he comes in
haste.
Here entreth Carjsophus and Snap.
Carisophus. ^° This is he, felow : Snap snap him
up : away with him.
Snap. Good felow, thou must go with mee to the
courte.
Damon. To the court, sir ? and why ?
Carisophus. Well, we wyll dispute that before the
kynge. Away with hym quickly.
Damon. Is this the curtesie you promysed mee, and
that very lately :
Carisophus. Away with hym, I say.
Damon. Use no violence, I wyll go with you
quietly. [Exeunt omnes.
Here entreth Aristippus.
Aristippus. Ah, sira, byr lady, Aristippus lykes Dio-
nius' court very well,
Whiche in passyng joyes, and plasures, doth excell.
Where he hath DapsilcB ccenas gemalis lectes tt auro
Fulgentii turgmani zonam, *
I have plied the harvest, and stroke when the yron was
hotte ;
When I spied my time, I was not squemish to crave,
God wotte.
30 This is he, &c.] This is the, &c. 2d edit.
* Instead of this corrapted nonsense, I suppose we should read,
204 DAMON AND PITIIIAS.
But with some pleasant toye^^, I crept into the kinges
bosome,
For whiche Dionisius gave me Juri talentum magnum ;
A large rewarde for so simple services.
What then? the kinges prayse standeth chiefly in
bountifulnesse :
Which thynge, though I tolde the kyng very plea-
santly,
Yet can I proove it by good writers of great anti-
quitie :
But that shall not neede at this time, since that I have
aboundafltly.
When I lack hereafter, 1 wyll use this poinct of phy-
losophie :
But now, where as I have felt the kynges lyberalytie.
As princely as it came, I wyll spende it as regallie :
Money is current, men say, and currant comes of Cur-
rendo : ^
Then wyll I make money runne, as his nature requir-
eth, I trow.
For what becomes a philosopher best.
But to dispise mony above the rest?
And yet, not so despise it, but to have in store,
Enoughe to serve his owne tourne, and somewhat
more.
With sondrie sportes and tauntes, yester night I de-
lighted the kinge,
That with his lowde laughter the whole courte did
ring,
And I thought he laught not merier then I, when I
got this money.
But, mumbouget^* for Carisophus I espie
dapsUes ctEuas, genioles lectos, et auro
Fulgentem tyranne zonam.
i. e. plentiful suppers, luxurious couches, and the king's purse
full of gold at command.
Aristippus was not intended for a blunderer. S.
3' toyes,^ tyoe, 1st edit.
32 mumbouget] A cant term for be silent ; mum and budget are
the words made use of by Slender and Ann Page in Tlie Merry
Wives of Windsor,
DAMON AND PlTHIAS. 206
In haste to come hether : I must handle the knave
finely.
Oh, Carisophus, my dearest frinde, my trusty com-
panyon !
What newes with you ? where have you been solonge ?
Here entreth Carisophus.
Carisophus. My best beloved friend Aristippus, I
am come at last,
I have not spent all ray time in wast.
I have got a pray, and that a good one, I trow.
Arisiippus. What pray is that? faine would I know.
Carisophus. Such a crafty spie I have caught, I dare
say,
As never was in Cicilia before this day ;
Suche a one as vewed every weake place in the citie,
Survewed the haven, and each bulwarke, in talke very
wittie :
And yet by some wordes him selfe he dyd bewray.
Aristippus. I thinke so in good faith, as you did
handle him.
Carisophus. I handled him darkly, I joyned in talke
with himc ourteously :
But when we were entred, I let him speake his wyll,
and I
Suckt out thus much of his words, that I made him
say playnely.
He was come hether to know the state of the citie ;
And not onely this, but that he would understande
The state of Dionisius' courte, and of the whole land.
Which wordes when I heard, I desired him to staye.
Till I had done a little businesse of the way.
Promising him to returne agayne quickly ; and so did
convaye
Myselfe to the court for Snap the tipstafFe, which
came and upsnatched him,
Brought him to the court, and in the porter's lodge
dispatched him,
After I ran to Dionisius, as fast as I could.
And bewrayed this matter to him, which I have you
tolde; . ,.
206 DAMON AND PITH I AS.
WTiich thinge when hee heard, beinge very mery be-
fore,
He soddainly fell in durap, and fomynge like a bore,
At last, he swore in g.eat rage, that he should die
By the sworde, or the wheele, and that very shortly.
I am too shamiast, for my travell and tovle
I crave nothinge of Dionisus, but onelv his spoyle :
Litle hath he abjut him. but a few motheaten crownes
of golde,
Cha poucht them up all readv, thev are sure in
hold :
And now I goe into the citie, to say sooth.
To see what he hath at his lodginge to make up my
mouth.
Ariitippus. My Carisophus, you have don good ser-
vice. But what is the spie's name ?
Carisophus. He is called Damon, borne in Greece,
from whence latly he came.
Aristippus. By my trouth, I will goe see him, and
speak with him to if I may.
Carisophus. Doo so, I pray you ; but yet by the way,
As occasion sen-eth, commende my sers-ice to the
kinge.
Aristippus. Dictum sapienti sat est \ friend Cariso-
phus, shal I forget that thinge ?
No. I warrant you : though I say litle to your face,
I wyll lay on with my mouth for you to Dionisius *,
when I am in place.
If I speake one worde for such a knave hang mee.
[Exit.
Carisophus. Our fine Phylosopher, our trimme learned
elfe,
Is gone to see as false a spie as himselfe.
Damon smatters as well as he, of craftie pilosophie,
And can tourne cat in the panne '^ very pretily:
* The first ediuon reads ;
*•■ I wyll lay one mouth fnr you to Dionisius," £tc.
which was altered in the 2d ediuon as it stands in the text. C.
** toume cat in the pannel A proverbial erpression, of which it is
difficult to give a satisfactory explanation, though the meaning of it
is sufficiendy obvious, A gentleman, who formerly wrote in Tf.e
DAMON AND PITIIIAS. 907
But Carisophus hath given him such a mightie
checke,
As I thinke in the ende will breake his necke
What care I for that? why would ^ he then prie,
And learn the secret estate of our countrey and citie ?
He is but a strangrer, bv his fall let others be wise,
I care not who fall so that I raav rvse.
As for fine Aristippus, I wyll keepe in with hym,
He is a shrewde foole to deale withall, he can swvm ;
And yet by my trouth, ^^ to speake my conscience
plavnelv,
I wyll use his friendship to mvne owne coramodytie :
While Dionisius favoureth him. Aristippus shal be
mine ;
But if the kyng once frowne on him, then good night,
Tomaline :
He shal be as straunge, as though e I never sawe hvm
before.
But I tarie too longe, I wyll prate no more.
Jacke come away.
Jacke. At hande, syr.
Carisophus. At Damon's lodgyngr if that you see
Any sturre to arise, be styll at hand by race :
Gentleman's '^Ta^azin e nnier a feigiied name, supposes the word cat
should be changed to rate ; " an old word for a cal:e, or other au-
" malette, which being usually /r?Vcf. and conseqoenfly turnd in the
" pan, does therefore very aptly express the changing^ of sides
" in politics or religion, or, as we otherwise say, the turning one's
" coat.*' Gent. Ma^. 1754. p. 66. Another -wTiter, however, gives
the followins: explanation of it : " Catipan, to turn catipan, from a
" people called Catipani, in Calabria and Apulia, who got an ill name
" bv reason of their perfidy ; very falsely by \is called Cat in pan."
Ibid. p. 172.
'^ uould] should, 2d edit.
^ — to speake mmi conscience playnely,
I iLXjH use his friendship to mune ou'ne commodytie :] CoTHmoditv is
interest. So, in the former part of this Play,'p. 19B,
" They would honour friendship, and not for c<mmoditie :" '
Km^ John, A. 2. S. 2.
Commodity, the bias of the world.
208 DAMON AND PITHIAS.
Rather than I wyll lose the spoyle, I wyll blade it out.
[Exeunt,
Here entereth Pithias and Stephano.
Pithias. What straunge newes are these! ah, my
Stephano,
Is my Damon in pry son, as the voyce doth go ?
Stephano. It is true, oh cruell happe ! he is taken
for a spie,
And as they say, by Dionisius owne mouth condempned
to die.
Pithias. To die! alas ! for what cause ?
Stephano. A sicophant falsely accused hym : other
cause there is none.
But oh Jupiter, of all wronges the revenger,
Seest thou this unjustice, and wilt thou staie any
longer
From heaven to sende downe thy hot consumying
fire,
To destroy the workers of wronge, whiche provoke thy
just ire?
Alas ! maister Pithias, what shall we do,
Being in a strange countrey, voyde of friendes, and
acquaintance too ?
Ah, poor Stephano, hast thou lived to see this daye,
To see thy true mayster unjustly made away ?
Pithias. Stephano, seeyng the matter is come to this
extremytie,
Let us make vertue our friend, of meare necessytie.
Runne thou to the court, and understand secretly
As muche as thou canst of Damon's cause, and I
Will make some means to entreate Aristippus :
He can do much as I heare with king Dionisius.
Stephano. I am gone, sir — Ah, I would to God my
travayle and payne,
Myght restore my mayster to his lybertie ag ayne !
Pithias. Ah wofuU Pithias I sithe now 1 am alone,
What way shall I first beginne to make my mone?
What wordes shall I finde apt for my complaynte t
Damon, my friend, my joy, my life, is in peril, of force
I must now faint.
DAMON AND PITHIAS. 209
But, oh musicke, as in joyfull tunes* thy mery notes I
did borow,
So now lend mee thy yernfull tunes, to utter my sor-
row.
Here Pithias singes, and the regalles^^ play .
Awake ye woful wightes,
That longe have wept in wo :
Resigne to mee your plaintes and teares.
My haplesse hap to sho.
My wo no tongue can tell^
Ne pen can well descrie :
O ichat a death is this to heare
Damon my friende must die !
The losse of worldly wealthy
Mannes wisdome may restore,
And physicke hath provided too
A salve for everie sore :
But my true frende once lost,
No arte can well supplie :
Then, what a death is this to heare,
Damon my friend must die !
My mouth refuse thefoode,
That should my limmes sustayne :
Let sorow sinke in to my hrest,
And ransacke every vayne :
* Pertaps we ought to read " as ia joyfull times" wliicli seems
more consistent with the context, and tunes is an ordinary error of
the press. C
36 regalles] Regale sorta di strumento simile all' organo, ma-
minore. Altieri Dizion. Ital. ed Ing. Lord Bacon distinguishes
between the regal and the organ in a manner which shews them to
be instruments of the same class. " The sounds that produce tones
" are ever from such bodies as have their parts and pores equal, as
" are nightingale pipes of regals or organs." Nat. Hist. Cent. 2. Sect.
102. But, notwithstanding these authorities, the appellative regal
has given great trouble to the lexicographer, whose sentiments with
regard to its signification are collected and brought into one point
of view by Sir John Hawkins, in his History of Miisick, Vol. 11. p.
448, from whence this Note is extracted. See also a Note, by the
Hon. Daiaes Banington, to Hamlet, A. 3. S. 2. in the Edition of
Shakspeare 177S, omitted in that of 1778.
VOL. I. P
210 DAMON AXD PITIIIAS.
You Furies all at once
On me your torments trie :
Why should I live, since that ^s / heare
Damon my friend must ss die !
Gripe me, you greedy greefs,
And present pangues of death,
You systers three, tvith cruell handes,
With speed come ^^ stop viy breath :
Shrine me in clay alive,
Some good man stop mine eye :
0 death com now, seing I heare
Damon my friend must die.
He speakeih this after the songe.
In vaine I call for dearb, which heareth not my
complaint :
But what wisdome is this, in such extremytie to faint?
Multum juvat in re mala animus bonus.
1 wyll to the court my selfe, to make friendes, and that
presently.
I wyll never forsake my friende in time of miserie —
But do I see Stephano amazed hether to ronne?
Here enireth Stephano.
Stephano. O Pithieis, Pithias, we are all undone !
Mine owne eares have sucked in mine owne sorow ;
I heard Dionisius sweare, that Damon should die to
morrow.
Pithias. How camest thou so neare the presence of
the kynge,
That thou mightest heare Dionisius speake this thynge ?
Stephano. By friendship I gate into the courte, where,
in great audience,
I heard Dionisius with his owne mouth geve this cruell
sentence,
By these expresse wordes : that Damon the Greeke,
that craftie spie,
Without farther judgement, to morow should die :
37 sj/ice that] seeing, 2d edit. ^ must] should, 1st edit.
39 come] noTV, 1st edit.
DAMON AND PITHIAS. 211
Beleeve mee, Pithias, with these eares I heard it m -
selfe.
Pithias. Then how neare is my death also. Ah, woe
is mee !
Ah, my Damon, another myselfe, shall I forgo thee?
Stephano. Syr, there is no tyme of lamentyng now :
it behoveth us
To make meanes to them which can doo much with
Dionisius,
That he be not made awaye, ere his cause be fully
heard ; for we see,
By evyll reporte, thynges be made to princes farre
worse then they bee.
But lo, yonder commeth Aristippus, in great favour
with kyng Dionisius,
Entreate hym to speake a good worde to the kynge
for us,
And in the meane season I wyll to your lodgyng to see
all thynges safe there. \^Exit.
Pithias. To that T agree : but let us slip aside his
talke to heare.
Here entreth Aristippus.
Here is a sodayne chaunge indeede, a strange meta-
morphosis.
This courte is cleane altered: who would have thought
this?
Dionisius of late so pleasant and mery
Is quite changed now into suche melancholy,
That nothyng can please hym : he walked up and
downe,
Fretting and chafyng, on everie man he doth frowne ;
In so much, that when I in pleasant wordes began to
play.
So sternly he frowned on mee, and knit me up so short,
I perceyve it is no safe playing with lyons, but when it
please ihem ;
If you claw where it itch not, you shall disease them.
And so perhaps get a clap ; myne owne proofe taught
mee this,
That it is very good to be mery and wise.
212 DAMON AND PITIIIAS.
The onel^ cause of this hurly-burly is Carisophus, that
wicked man,
Which lately tooke Damon for a spie, a poore gentle-
man,
And hath incenced the kynge against him so despigbt-
f.iliy.
That Dionisius hath judged him tomorow to die.
I have talkt with Damon, whom though in words I
found very wittie,
Yet was he more curious then wise in viewyng this
citie :
But truly, for aught I can learne, there is no cause
why
So sodenly and cruelly he should be condempned to
die:
How soever it be, this is the short and longe,
I dare not gainsay the kynge, be it right or wrong :
I am sory, and that is all I may or can doo in this case :
Nought avayleth perswasion where frowarde opinion
taketh place.
Pithias. Sir, if humble sutes you would not dispise,
Then bow on ^° mee your pitiful! eyes.
My name is Pithias, in Greece well knowne,
A perfect friend to that wofull Damon,
Whiche now a poore captive in this courte doth lie,
By the kynges owne mouth, as 1 here, condemned to die ;
For whom I crave your masterships goodnesse,
To stand his friende in this his great distresse.
Nought hath he done worthy of death, but very fondly,
Being a straunger, he vewed this citie
For no evill practises, but to feede his eyes. .
But seing Dionisius is informed otherwise,
My sute is to you, when you see time and place,
To asswage the kinges anger, and to purchase his
grace :
In which dooyng, you shall not doo good to one onely,
But you shall further too*, and that fully.
4" on] unto, 2d edit.
* i. e. " But you shall further Uco," and so the 2d. edition prints
it. C.
(
DAMON AND PITHIAS. 2l3
Aristippus. My friend, in this case I can doo you no
pleasure.
Pithias. Syr, you serve in the court, as fame doth tell.
Aristippus, I am of the court, in deede, but none of
the counsell.
Pithias. As I heare, none is in greater favour with
the king, then you at this day.
Aristippus. The more in favour, the lesse I dare say.
Pithias. It is a courtiers prayse to helpe straingers
in miserie.
Aristippus. To help an other, and hurte myselfe, it
is an evyll point of courtesie.
Pithias. You shall not hurt yourselfe to speake for
the innocent.
Aristippus. He is not innocent whom the kinge
judgeth nocent.
Pithias. Why, sir, doo you thinke this matter paste
all remedie?
Aristippus. So farr past, that Dionisius hath sworne,
Damon to morow shall die.
Pithias. This word my trembling heart cutteth in
two.
Ah, sir, in this wofull case what wist I best to doo ?
Aristippus. Best to content yourselfe, when there is
no remedie,
He is well relived that forknoweth his miserie :
Yet if any comfort be, it resteth in Eubulus,
The chiefest counsellour about kinge Dionisius :
Which pitieth Damons case in this great extremitie,
Perswadyng the kynge from all kinde of cruel tie.
Pithias. The mightie gods preserve you, for this
worde of comforte.
Takyng my leave of your goodnesse, I wyll now resorte
To Eubulus, that good counseller :
But harke ! methinke I heare a trompet blow.
Aristippus. The kyng is at hande, stande close in the
prease"*^ : beware, if he know
You are friend to Damon, he wyll take you for a spie
also.
■" prcase] crowd. See Note ii9 to Tancred and Gismiinda, vol, II.
214 DAMON AND PITHIAS.
Farewel, I dare not be seene with you.
Here entreth Kyng Dionisius, Eubulus the Court-
seller, and Gronno the Hangman.
Dionuivs. Gronno, doo my commaundement : strike
of Damons irons by and by.
Then bryng hym foorth, I my selfe will see him exe-
cuted presently.
Gronno. O mightie king, your commaundement wyll
I doo speedely.
Dionisius. Eubulus, thou hast talked in vain, for
sure he shall die.
Shall I suffer my lyfe to stand in peryll of every spie?
Eubulus. That he conspired against your person, his
accuser cannot say.
He only viewed your citie, and wyll you for that make
him away ?
Dionisius What he would have done the gesse is
great: he minded mee to hurt,
That came so s^yly, to serch out the secret estate of my
courte.
Shall I styll lye in feare ? no, no : I wyll cut off such
impes betime,
Least that to my farther daunger too hie they clime.
Eubulus. Yet have the mightie goddes immortal!
fame assigned
To all worldly princes, whiche in mercie be inchned.
Dionisius. Let fame talke what she lyst, so I may
lyve in safetie.
Eubulus. The onely meane to that, is, to use
mercie.
Dionisius. A milde prince the people despiseth.
Eubulus. A cruell kinge the people hateth.
Dionisius. Let them hate me, so they feare mee.
Eubulus. That is not the way to lyve in safetie.
Dionisius. My sword and power shall purchase my
quietnesse.
Eubulus. That is sooner procured by mercy and
gentlenesse.
Dionisius. Dionisius ought to be feared.
Eubulus. Better for him to be wel beloved.
DAMON AND PITHIAS. 21;
Dionisius. Fortune maketh all thinges subject to my
power.
Eubulus. Beleeve her not, she is a light goddesse ;
she can laugh and lowre.
Dionisus. A kinges prayse standeth in the reveng-
ing of his enemie.
Eubulus. A greater prayse to winne him by clemen-
cie,
Dionisius. To suffer the wicked to live it is no
mercie.
Eubulus. To kill the innocent it is great cruel-
tie.
Dionisius. Is Damon innocent which so craftely
underminded Carisophus,
To understand what he could of kinge Dionisius?
Which survewed the haven, and eche bulwarcke in the
citie,
Where battrie might be layde, what way best to ap-
proche? shall I
Suffer such a one to live that worketh mee such dis-
pite ?
No, he shall die, then I am safe : a dead dogge can-
not bite.
Eubulus. But yet, O mightie king*, my dutie bind-
eth mee
To geve such counsell, as with your honour may best
agree :
The strongest pillers of princely dignitie,
I finde is"*^ justice with mercy and prudent liberalitie :
The one judgeth all thinges by upright equitie,
The other rewardeth the worthy, flying eche extremitie.
As to spare those which offend maliciously,
It may be called no justice, but extrcaT.e injurie :
So upon suspicion of cache thinge not well proved,
To put to death presently whom envious flattery ac-
cused,
* " king'* is omitted in the first edition, and supplied by the
second. C.
*• is] this, 1st edit.
216 DAMON AND ^.ITIIIAS.
It seemeth of tiranny ; and upon what fickle ground
al tirants doo stand,
Athenesand Lacedemon can teacheyou, yf it be rightly
scande.
And not only these citezens, but who curiously seekes
The whole histories of all the world, not only of Ro-
maines and Greekes,
Shall well perceyve of all tirauntes the ruinous fall,
Their state uncertaine, beloved of none, but hated of
all.
Of mercifull princes, to set out the passyng felycitie,
I neede not : ynoug h of that even these dayes do tes-
tifie.
They live devoid of feare, their sleapes are sound, they
dreed no enemie,
They are feared and loved : and why ? they rule with
justice and mercie,
Extendyng justice to such as wickedly from justice
have swarved,
Mercie unto those where opinion simplenesse have
mercie deserved.
Of lybertie nought I say, but only this thynge,
Lybertie upholdeth the state of a kynge :
Whose large bountifulnesse ought to fall to this issue,
To rewarde none but such as deserve it for vertue.
Whiche mercifull justice if you would folow, and pro-
vident liberalytie;
Neither the caterpillers of all courtes Et fruges consu-
mere nati,
Parasites with wealth puft up, should not looke so
hie ;
Nor yet, for this simple fact, poore Damon should die.
Dloiiisius, With payne mine eares have heard this
vayne talke of mercie.
I tell thee, feare and terrour defendeth kynges only:
Tyll he be gone whorae I suspect, how shall I lyve
quietly,
Whose memorie with chilling horror fils my beast day
and night violently ?
DAMON AND PITHJAS. 2l7
My dreadfuil dreames of him bereves my rest ; on bed
Hie
Shakyng and trembling, as one ready to yelde his
throate to Damon's sword.
This quakyng dread nothyng but Damon's bloud can
stay:
Better he die then I to be tormented with feare al-
way.
He shall die, though Eubulus consent not thereto :
It is lawful I for kinges, as they list, all thynges to
doo.
Here Gronno hringeth in Damon, and Pithias
meeteth him by the way.
Pithias. Oh, my Damon !
Damon. Oh, my Pithias! seying death must parte
us, farewel for ever.
Pithias. Oh, Damon, oh, my sweete friende !
Snap. Away from the prysoner ! what a prease have
we here?
Gronno. As you commaunded, O, mighty kinge, we
have brought Damon.
Dionisius. Then go to : make ready. I will not
stirre out of this place,
Til I see his head stroken off before my face.
Gronno. It shall be done, sir. Because your eyes
have made such a doo,
I wyl knock down this your lantern, and shut up your
shop-window too.
Damon. O, mightie king, where as no truethmy in-
nocent lyfe can save,
But that so greedily you thirst"*' my giltlesse bloud to
have,
Albeit (even in thought) I had nof^ ought against
your person :
Yet now I plead not for lyfe, ne wyll I crave your
pardon.
*3 thirst] thrust, 1st edit.
** (even in thought) I had not] (even for thought) for I had not ;
Both Editions, The alterations by Mr. Dodsley.
218 DAMON AND PlTHlAS.
But seyng: in Greece, my countrey, where well I am
knowne,
I have worldly thinges fit for mine aliance, when I am
gone,
To dispose them or I die if I might obtaine lea-
sure,
I would account it (0 kyng) for a passyng great plea-
sure :
Not to prolonge my lyfe therby, for which I reken not
this,
But to set my thynges in a stay : and surely I wyll not
misse,
Upon the faith which all gentylmen ought to embrace,
To returne agayne at your lime to appoynte, to
yeeld my body here in this place.
Graunt me (O kinge) such time to dispatch this in-
jurie,
And I wyll not fayle when you appoint, even here my
lyfe to pay ''^
Dionisius. A pleasant request ! as though I could
trust him absent,
Whom in no wise I can not trust beinge present.
And yet though I sware the contrarie, doo that I re-
quire,
Geve wee a pledge for thy returne, and have thine
owne desire.
He is as nere now as he was before.
Damon. There is no surer nor greater pledge then
the faith of a gentleman.
Dio7usius. It was wont to be, but otherwise now the
world doth stande ;
Therefore doo as I say, els presently yeeld thy necke
to the sword.
If I might with my honour I would recall my worde.
Pithias. Stand to your worde, O kinge, for kinges
ought nothing say,
But that they would performe in perfect deeds alway.
45 pay] yeelde speedily, 2d edit.
DAMON AND PITHIAS. 219
A pledge you did require when Damon his sute did
meeve,
For which with heart and stretched handes most hum-
ble thankes I geve :
And that you may not say but Damon hath a frinde,
That loves him better then his owne life, and will doo to
his ende,
Take mee O mightie king my lyfe I pawne^^ for his:
Strike off my head, if Damon hap at his day to misse.
Dionisius. What art thou, that chargest me with my
worde so boldly here ?
Piihias. I am Pithias, a Greeke borne, which holde
Damon my friend full deare.
Dionisius. To dere perhaps to hazard thy life for
him : what'*'^ foiidnes moveth thee?
Piihias. No fondiiesse at all, but perfect amitie.
Dionisius. A mad kind of amitie ! advise thyself well :
if Damon fayle at his day,
Which shal be justly appointed, w^ilt thou die for him,
to mee his lyfe to pay?
Pithias. Most wyilyngly, O mightie king: if Damon
fayle let Piihias die.
Dionisius. Thou seemest to trust his wordes, that
pawnest thy lyfe so franckly.
Pithias. What Damon saith, Pithias beleveth as-
suredly.
Dionisius. Take heede : for life worldly men breake
promise in many thinges.
Pithias. Though worldly men doo so, it never happes
amongst frindes.
Dionisius. What callest thou friendes, are they not
men ? is not this true ?
Pithias. Men they be, but such men as love one
another onely for vertue.
Dionisius. For what vertue doste thou love this spie,
this Damon ?
Pithias. For that vertue which yet to you is unknowne.
*^ I pawne] to pawne, 2d edit.
^fondnesl folly. Thus Spenser, in his Sonnets,
** Fondness it were for any, being free,
" To covet fetters, though they golden be."
220 DAMON AND PITHIAS.
Dionisius, Eubulus, what shall I doo ? I would dis~
patch this Damon fayne,
But this foolish felow so chargeth mee, that I may not
call back my worde againe.
Eubulus. The reverent majestie of a king stands
chieflye in keeping his promise.
What you have sayde this whole court beareth wit-
nesse.
Save your honour what so ever you doo.
Dionisius. For saveing mine honour, I must forbeare
my wyll : go to.
Pithias, seeing thou tookest me at my word, take Da-
mon to thee :
For two monthes he is thine : unbinde him, I set him
free;
Which time once expired, yf he appeare not the next
day by noone,
Without further delay thou shalt lose thy lyfe, and that
full sGone.
Whether he die by the way, or lie sick in his bead,
If he retourne not then, thou shalt either hange or lose
thy head.
Pithias^ For this, O mightie kinge, I yeld immortall
thankcs. O joy full day !
Dionisius. Gronno, take him to thee : bind him, see
him kept in safetie :
If he escape, assure thyselfe for him thou shalt die.
Eubulus, let us departe, to talke of this straunge thinge
within.
Eubulus. I folowe. [Exeunt,
Gronno. Damon, thou servest the Gods well to day,
be thou of comfort.
As for you, sir, I thinke you will be hanged in sporte.
You heard what the king sayde; I must kepe you
safely :
By cocke, so I wyll, you shall rather hange then I.
Come on your way.
Pithias. My Damon, farewel; the Gods have thee
in kepeing.
Damon. Oh, my Pithias, my pleadge, farewell; I
parte from thee weeping. ^
DAMON AND PITIIIAS. 221
But joyfull at my day appoynted I wyll retourne agayne,
When I wyll deliver thee from all trouble and paine.
Stephano wyll I leave behinde me to wayte upon thee
in prison alone,
And I, whom fortune hath reserved to this miserie, wyll
walke home.
Ah, my Pithias, my pleadge, my life, my friend, farewel.
Pithias. Farewel, my Damon.
Damon. Loth I am to departe. Sith sobbes my
trembling tounge doth stay,
Oh, musicke, sound my doleful! playntes when I am
gone my way. \^Exit Damon.
Gronno. I am glad lie is gone, I had almost wept to.
Come, Pithias,
So God help me, I am sory for thy foolish case.
Wilt thou venter thy life for a man so fondly ?
Pithias. It is no venter : my friende is just, for whom
I desire to die.
Gronno, Here is a mad man ! I tell thee, I have a
wyfe whom I love well,
And if iche would die for her, chould ich weare in hell.
Wyltthou doo more for a man then I woulde for a woman?
Pithias, Yea, that I wyll.
Gronno. Then come on your wayes, you must to
prison haste.
I fcare you wyll repent this folly at laste.
Pithias. That shalt thou never see. But oh, musick,
as my Damon requested thee,
Sounde out thy dolefull tunes in this time of calamitie.
[Exeunt.
Here the regalles play a mourning songe, and Damon
commeth in in mariners apparel and Stephano tvith
him,
Damon. Weepe no more, Stephano, this is but
destenie ;
Had not this hapt, yet I know I am borne to die :
Where, or in what place, the Gods know alone,
To whose judgment myselfe I commit. Therefore leave
of thy mone,
And wayte upon Pithias in pryson till I retourne agayne,
In whom my joy, my care, and lyfe, doth only remayne.
222 DAMON AND PITIIIAS*
Stephano. O, my deare master, let me go with you ;
for my poore com panic
Shal be some small comfort in this time of miserie.
Damon. Oh, Stephano, hast thou ben so longe with
me,
And yet doest not know the force of true amitie?
I tel thee once agayne, my friend and I are but one,
Waite upon Pithias, and thinke thou art with Damon.
Whereof I may not now discourse, the time passeth
away;
The sooner I am gone, the shorter shall be my journay:
Therfore farevvel, Stephano, commend me to my friende
Pithias,
Whom I trust to deliver in time out of this wofull case.
Stephano. Farewel, my deare master, since your
pleasure is so.
Oh, cruell happe ! oh, poore Stephano!
0 cursed Carisophus, that first moved this tragidie! —
But what a noyes is this? is all well within trow yee?
1 feare all be not well within, I wyll go see.—
Come out you wesell : are you seekinge egs in Damon's
cheste ?
Come out, I say, wylt thou be packing? by cocke you
weare best.
Carisophus. How durst thou, villaine, to lay handes
on me?
Stephano. Out, sir knave, or I wyll sende yee.
Art thou not content to accuse Damon wrongfully,
But wilt thou robbe him also, and that openly?
Carisophus. The kinge gave mee the spoyle : to take
myne owne wilt thou let me^'^ ?
Stephano. Thine owne, villaine ! where is thine au-
thority?
Carisophus. I am authoritie of myselfe ; dost thou
n( t kncAv ?
Stephano Byr ladie, that is somewhat ; but have you
no more lo show '
Carisophus. What if I have not?
Stephano. Then for an earnest penie take this blow.
*8 let me] hinder me.
DAMON AND PITHIAS. 223
I shall bumbast you, you mocking knave; schil put
pro in my purse for this time.
Carisophus Jacke, give me my sword and targat.
Jacke. I cannot com to you, maister, this knave doth
me let.— Hold, maister.
Stephano. Away, Jackanapes, els I wyll colpheg
you ^^ by and by :
Ye slave, I wyll have my penyworthes of thee therefore
if I die.
Aboute, villayne.
Carisophus. O, citezens, helpe to defend me.
Stephano Nay, they wyll rather helpe tohange thee.
Carisophus. Good felow, let us reason of the matter
quietly : beat me no more.
Stephano. Of this condition I wyll stay, if thou swere
as thou art an honest man.
Thou wylt say nothyng to the kinge of this when I am
gonne.
Carisophus. I wyll say nothyng, here is my hand, as
I am an honest man.
Stephano. Then say on thy minde : I have taken a
wise othe on him, have I not trow ye ?
To trust such a false knave upon his honestie ?
As he is an honest man (quoth you?) he may bewray
all to the kinge,
And breke his oth for this never a whit — But, my fra-
nion *°, I tell you this one thing :
If you disclose this, I wyll devise such a way,
That whilst thou livest thou shalt remember this day.
Carisophus. You neede not devise for that, for this
day is printed in ray memory,
I warrant you, I shall remember this beating till I die :
<9 colpheg you] I believe we should read, colaphize, i. e. box or
buffet. Colaphiser Fr. See Cotgrave's Diet. S.
60 But my franion] i. e. loose companion. So Spenser :
Might not be found a ra,nker franion.
Again,
A f?dre franion fit for such a pheere. S.
Again, in The First Part of King Edward IV. Sign. C. 5 : " Hees
" a franke franion, a merrie companion, and loves a wench well."
224 DAMON AND TITHIAS.
But seeing of courtesie you have granted that we should
talke quietly,
Methinkes, in calling mee knave, you doo me muche
injurie.
Stephaiio. Why so, I pray thee hartely ?
Carisophus. Because I am the kinges man : keepes
the kinge any knaves ?
Stephano. He should not; but what he doth, it is
evident by thee.
And as farre as I can learne or understand.
There is none better able to keepe knaves in all the
land.
Carisophus. Oh, sir, I am a courtier : when courtiers
shall heare tell.
How you have used me, they will not take it well.
Stephano, Nay, all right courtiers will kenne me
thanke*' ; and wot you why ?
Because I handled a counterfait courtier in his kinde so
finely.
What, syr ? all are not courtiers that have a counterfait
show;
In a trope of honest men, some knaves may stand, ye
know.
Such as by stelth creep in under the colour of honestie,
Which sorte under that cloke doo all kinde of villanie :
A right courtier is vertuous, gentill, and full of urbanitie.
Hurting no man, good to all, devoid of villanie :
But suche as thou art, fountaines of squirilitie, and
vayne delightes;
Though you hange by the courtes, vou are but flatting
parasites ;
As well deserving the right name of courtesie,
As the coward knight the true praise of chevalrie.
I could say more, but I wyll not, for that I am your
well wilier.
In faith, Carisophus, you are no courtier, but a cater-
piller.
*' kenne me tharilie] See Note 34 to Gammer Gurion's Needle,
vol. II.
D.AMON AND PTTHIAS. 225
A sicophant, a parasite, a flatterer, and a knave.
Whether I wyll or no, these names you must have :
How well you deserve this, by your deedes it is knowne,
For that so unjustly thou hast accused poore Damon,
Whose wofull case the gods helpe alone.
Carisophus. Syr, are you his servaunt, that you pitie
his case so?
Stephano. No bum troth, good man Grumbe, his
name is Stephano :
I am called Onaphets, if needs you wyll know.
The knave beginneth to sift mee, but I turne my name
in and out,
Cretiso cum Cre.iensc 5-, to make him a loute.
Carisophus. What mumble you with your selfe, mas-
ter Onaphets?
Stephano. I am reckoning with my selfe how I may
pay my debtes.
Carisophus. You have paide me more then you did
owe me.
Stephano. Nay, upon a farther reckoning, I wyll pay
you more, if I know
Either you talke of that is done, or by your sicophan-
ticall envye.
You pricke forth Dionisius the sooner, that Damon may
die :
I wyll so pay thee, that thy bones shall rattell ui thy
skinne.
Remember what I have sayde; Onaphets is my name.
[Exit.
Carisophus. The sturdie knave is gone : the devyll
him take.
He hath made my head, shoulders, armes, sides, and
all to ake.
Thou horson villaine boy, why didst thou waite no
better ?
As he payde mee, so wyll I not die thy debter.
" Cretiso cum Cretense] Read Kprili^w, Vide P>asm. Chiliad.
The Cretans were famous for double-dealing. Cretizare, however, is
a word employ'd by lexicographers, instead of mentiri. S.
VOT.. I. Q
226 DAMON AND PITHIAS.
Jacke, Mayster, why doo you fight with me ? I am
not your match, you see :
Your durst not fight with him that is gone, and wyll
you wreke your anger on mee?
Carisophiis. ThoU villaine, by thee I have lost mine
honour,
Beaten with a codgell hke a slave, a vacaboun, or a
lasie lubber,
And not geven one blow agayne. Hast thou handled
me well ?
Jacke. Maister I handled you not, but who did
handle you very handsomly you can tell.
Carisophus, Handsomly ! thou crake rope.*
Jacke. Yea, sir, very handsomily : I hold you a grote,
He handled you so handsomly, that he left not one
mote in your cote.
Carisophus. O I had firckt him trimly, thou villaine,
if thou hadst geven mee my sword.
Jacke. It is better as it is, maister, beleve me at a
worde.
If he had scene your weapon, he would have ben fierser,.
And so perhaps beate you worse, I speake it with my
harte.
You were never at the dealing of fence blowes, but you
had foure away for your part.
It is but your lucke, you are man good enough;
But the wealche Onaphets was a vengeance knave, and
rough.
Maister, you were best goe home and rest in your
bedde,
Meethinkes your cappe waxeth to little for your
heade.
Carisophus. What ! doth my head swell ?
* Crack-rope was a common term of contempt in old plays.
" You codshed, you cracke-rope, you chattering pye."
Apius and Virginia, 1575. Sign. B.
Again in that very rare play. The Two Italian Gentlemen :
" Then let him be led through every streete in the town,
" That every crachrope may fling rotten egs at the clown."
C.
DAMON AND PITIIIAS. 227
Jacke, Yea, as bigge as a codshed, and bleades too.
Carisophus. I am ashamed to show my face with this
hew.
Jacke. No shame at all ; men have bin beaten farre
better then you.
Carisophus. I muste go to the chirurgian's ; what
shal I say when I am a dressyng?"
Jacke. You may say truly you met with a knave's
blessing. [Exeunt.
Here entreth Aristippus.
Aristippus. By mine owne experience I prove true
that many men tell,
To live in courte not beloved, better be in hell :
What criyng out, what cursyng is there within of Cari-
sophus,
Because he accused Damon to kinge Dionisius :
Even now he came whining and crying into the courte
for the nonce,
Shewinge that one Onaphets had broke his knave's
sconce.
Which straunge name when they heard every man
laught hartely.
And I by myselfe scan'd his name secretly ;
For well I knewe it was some mad-heded chylde
That invented this name, that the log headed knave
might be begilde.
In tossing it often with myselfe two and fro,
I found out that Onaphets backward, spelled Stephano.
I smiled in my sieve, how to see by tournyng his name
he drest him,
And how for Damon his master's sake, with a wodden
cougell he blest him.
None pittied the knave, no man nor woman, but al
laught him to scorne.
To be thus hated of all, better unborne :
Farre better Aristippus hath provided, I trowe;
For in all the courte I am beloved both of hie andlowe.
I offende none, in so muche that wemen singe this to
my great prayse,
Omnis Aristippum decuit color, et locus et res.
228 DAMON AND PITHIAS,
But in all this joylytie one thinge maseth me,
The straungest thinge that ever was harde or knowne,
Is now happened in this court, by that Damon
Whom Carisophus accused ; Damon is now at libertie.
For whose return Pithias his friend lieth in prison, alas,
in great jeopardy.
To-morow is the day, which day by noone if Damon
returne not, ernestly
The kinge hath sworne that Pithias should die;
Wherof Pithias hath intelligence very secretly,
Wishing that Damon may not returne tyll he have payde
His lyfe for his friend. Hath it ben heare to fore ever
sayde.
That any man for his friend would die so willyngly ?
O, noble friendship! O perfect amitie !
Thy force is heare seene, and that very perfectlie.
The king himselfe museth heare at, yet is he farre out
of square
That he triisteth none to come nere him, not his €wne
dough ters will he have
Unsercht to enter his chamber, which he hath made
barbars his beard to shave.
Not with knife or rasour, for all edge-tooles hee feares,
But with bote burning nutshales they senge of his
heares.
Was there ever man that lived in such miserye?
Well, I wyll go in with a heavy e and pensive hart too.
To think how Pithias, this poore gentleman, to-morow
shall die. [Exit,
Here entreth Jacke and Wyll.
Jacks. Wyll, by mine honesty, I wyll marre your
moncke's face, if you so fondly prate.
Wyll. Jacke, by my troth, seeing you are without
the courte gate,
If you play Jacke napes, in mocking my master, and
dispising my face,
Even here with a pantacle^' I wyll you disgrace;
** Even here icith a pantacle] I suppose he means to say a pan-
tofie, i. e. a slipper. Perhaps he begins his attack with a kick. S.
The 2d edition reads,
DAMON AND PlTHIAS. 229
And though you have a farre better face then I,
Yet who is better man of us two these fistes shall trie,
Unlesse you leave your taunting.
Jacke. Thou began'st first ; didst thou not say even
nowe,
That Carisophus, my master, was no man but a cowe.
In takinge so many blowes, and geve ^* never a blow
agayn ?
ff'ylL I sayde so in deede, he is but a tame ruffian.
That can swere by his flaske and twiche-box=*, and
God's precious lady,
And yet will be beaten with a faggot-stick.
These barking whelpes were never good biters,
Ne yet great crakers were ever great fighters :
But seeinge you eg mee so much, I wyll somewhat
moreresight;
I say, Carisophus thy master is a flattring parisite ;
Gleniug away the sweet from the worthy in al the
courte.
What tragi'die hath he moved of late ? the devell take
him, he doth much hurt.
Jacke. I pray you, what is Aristippus thy master, is
not he a parisite to,
That with scoffing and jesting in the court makes so
much a doo?
Ifyll. He is no parisite, but a pleasant gentleman
full of curtesie.
Thy master is a churlish loute, the heyre of a doung-
fork ; as voyde of honestie
As thou art of honour.
" Even heere with z /aire pantacle I will you disgrace."
an epithet not found in the oldest copy, doxd hardly consistent with
the supposition that pantacle medins pantojie. C.
5* o-ere] gave, 1st edit.
*s his fiaske and Unche-hoi] INIore properly toueh-box. While
match-locks, instead of fire-locks, to guns were used ; the touch-box,
at which the match was lighted, was part of the accoutrement of a
soldier.
" When she his flask and touchrbox set on fire."
line of an Author, whose name I cannot at this tima recollect. S.
230 DAMON AND PITHIAS.
Jacke, Nay, yf you wyll needes be prating of my
master styll,
In faith I must coole you my frinde, dapper Wyll:
Take this at the beginning.
Wyll. Prayse well your winning, my pantacle is as
readie as yours.
Jacke. By the masse I wyll boxe you.
fVyll. By cocke, I wyll foxe you.
Jacke. Wyll, was I with you ?
ffyll. Jacke, did I flye?
Jacke. Alas, pretie cockerell, you are to weake;
Wyll. In faith, dutting DuttrelP^, you wyll crye
creake.
Here entreth Snap.
Snap. Away, you cracke ropes, are you fighting at
the courte-gate?
And I take you heare agayne, I will swindge you both:
what! [Exit.
Jacke. I beshrew Snap the tipstaffe, that great
knaves hart, that hether did come.
Had he not ben, you had cryed ere this, Victus, victttf
mctum :
But seing wee have breathed ourselves, if ye list,
Let us agree like friends, and shake eche other by the
fist.
Wyll, Content am I, for 1 am not malicious ; but on
this condition,
That you talke no more so brode of my master^as here
you have done.
But who have wee heere ? is Cohex epi " comming
yonder ?
Jacke, Wyll, let us slipp aside and vewe him well.
^'^ DuUreW] A Dottrel is a silly kind of bird whicli imitates the
actions of the fowler, till at last he is taken. So, in Butler's Cha-
racter of a Fantastic. Remains, vol. II. p. 182. " He alters his
" gate with the times, and has not a motion of his body that (like a
" Dottrel) he does not borrow from somebody else."
See also Note 8 to The Old Couple, vol. X.
'7 Cobex epi.] These I suppose to be words corrupted by the
ignorance of the transcriber. S.
DAMON AND PITHIAS. 231
Here enireth Grim me the Colier, whistling.
Orimme. What devell ! iche weene the porters are
drunke, wil they not dup the gate to-day ?
Take in coles for the king's owne mouth : wyll no body
stur, I say?
Ich might have layne tway howers longer in my bedde,
Cha taried so longe here, that my teeth chatter in my
heade,
Jacke. Wyll, after our fallinge out wilt thou laugh
merily ?
JVyll. I mary, Jacke, I pray thee hartely.
Jacke. Then folow me, and hemme in a worde now
and then.
What braulynge knave is there at the courte-gate so
early ?
IVyll. It is some brainesicke villaine, I durst lay a
pennie.
Jacke, Was it you *^, sir, that cryed so lowde I trow,
And bid us take in coles for the kinges mouth even
now ?
Grlmme. 'Twas I, indeede.
Jacke. Why, sir, how dare you speake such petie
treason ?
Doth the king eate coles at any season ?
Grimme. Heere is a gaye Avorld ! boyes now settes
olde men to scoole.
I sayde wel enough : what, Jack sawce, thinkst cham
a foole ?
At bakehouse, buttrie hatch, kitchen, and seller,
Doo *^ they not say for the kinges mouth ?
Wyll. What then, goodman collar?
Grimme. What then ! seing without coles thei cannot
finely dresse the kinges meat.
May I not say take in coles for the kinges mouth,
though coles he do not eate?
Jacke. James ! Christe ! came ever from a colier an
aunswer so trimme ?
You are learned, are you not, father Grimme?
*8 Was it you] It was you, Ist edit.
«9 Doo] Doth, 2d edit.
232 DAMON AND PITHIAS.
Grimme. Grimme is my name indeed, cham not
learned, and yet the king's colier :
This vortie winter cha bin to the king a serviter,
Though I be not learned, yet cha mother witte enough
whole and some.
WylL So it seemes, you have so much mother wit,
that you lacke your father's wisdome.
Grimme. Masse, cham well beset, here's a trimme
cast of Murlons ^°.
What be you, my pretie cockerels, that aske me these
questions?
Jacke. Good faith, maister Grimme®', if such Mar-
lines on your pouch may light,
Thei are so quick of winge, that quickly they can carie
it out of your sight;
And though we are cockerels now, we shall have spurs
one day,
And shall be able perhaps to make you a capon :
But to tell you the trouth, we are the porter's men,
which early and late
Wayte on such gentlemen as you, to open the court gate.
Grimme. Are ye servants then?
WylL Yea, sir ; are we not pretie men ?
Grimme. Pretie men (quoth you)? nay, you are
stronge men, els you coulde not beare these
britches.
WylL Are these such * great hose ? in faith, good-
man colier, you see with your nose :
^° a trimme cast of Mvrhms] i. e. a cast of that species of hawks
that were called Merlins. S.
He calls then. Murlons on account of tlieir size. Merlins were
the smallest species of hawks. Turberville says, " These merlyns
" are very much like tlie haygart falcon in plume, in seare of the
" foote, in beake and talons. So as there seemeth to be no oddes
" or difterence at al betwixt them save only in the bignesse, for she
" hath like demeanure, like plume, and very like conditions to the
" falcon, and in hir kind is of like courage, and therefore must be
" kept as choycely and as daintily as the falcon." The meWm was
chiefly used to fly at small birds ; and Latham says, it was particu-
larly appropriated to the service of ladies.
^' maister Grimme] father Grimme, 2d edit.
* " Such," adopted into the original text from the 2d edit. C.
DAMON AND PITHIAS. 233
By myne honestie, I have but one lining in one hose,
but seven els of roug.
Grimmer. This is but a little, yet it makes thee
seeme a great bugge.
Jacke, How say you, goodman colier, can you finde
any fault here^^?
Grimme. Nay, you should finde faught, mary here's
trim geare !
Alas, little knave, dost not sweat? thou goest with
great payne.
These are no hose, but water bougets, I tell thee
playne ;
Good for none but suche as have no buttockes.
Dyd you ever see two suche little Robin ruddockes ^
So laden with breeches ? chill say no more leste I
offende.
Who invented these monsters "■* first, did it to a gostly
ende.
To have a male readie to put in other folkes stufFe,
Wee see this evident by dayly proofFe.
One preached of late not farre hence, in no pulpet, but
in a wayne carte,
That spake enough of this ; but for my parte,
Chil say no more: your owne necessitie
In the end wyll force you to finde some remedy.
Jacke. Wyl ^\ holde this railinge knave with a talke
when I am gone :
I wyll fetch him his filling ale for his good sermone.
Wyll. Goe thy way, father Grimme, gayly well you
doo say,
It is but young mens folly, that liste to playe,
^ can you Jiruk any fault here?] what fault can you see heere ?
2d edit.
^3 Rohin niddockes,'] i. e. Robin red breasts. Sbakspeare uses
ruddock for red breast in Cymheline. S.
Again, Nash's Lenten Stuff, 1599 : " — he eft soons defined
" unto me, that the red herring was this old tickle cob, or magister
" fac totum, that brought in the red ruddocks, and the gnimmel
" seed as thick as oatmeal, and made Yarmouth for Argent to put
" down the city of Argentine."
64 monsters] hose at, 2d edit.
6b Wyl] Well, 1st edit.
234 DAMON AND PITHIAS,
And maske a whyle in the net of their owne devise ;
When they come to your age they wyll be wyse.
Grimme, Bum troth, but few such roysters come to
my yeares at this day;
They be cut off betimes, or they have gone halfe their
journey :
I wyll not tell why : let them gesse that can, I meane
somewhat thereby.
Enter Jac ke with a pot of wyne, and a cup to drinke on.
Jacke. Father Gnmme, because you are starring so
early,
I have brought you a bowle of wyne to make you mery.
Grimme. Wyne, mary ! this is welcome to colliers,
chyl swapt off by and by :
Chwas sturringe so early that my very soule is drye.
Jacke. This is stoutly done: wyll you have it
warmed, father Grimme ?
Grimme, No, it is warme enough ; it is very lousious
and trimme.
'Tis musselden ^^ ich weene ; of fellowship let me have
another spurt,
Ich can drink as easly now, as if I sate in my shurte.
Jacke. By cocke, and you shall have it ; but I wyll
beginne, and that anone,
Je bois a vous mon compagnon^"^.
Grimme. J'ai vous pleig^, petit Zawne ^8.
Jacke. Can you speake French ? here is a trimme
colier, by this day !
Grimme. What man ! ich learned this when ich was
a souldier;
^ 'Tis rmisselden.] An intended mistake ioi muscadine. S.
*' Je hois a vous mon compagnori] Jebit avow mon companion.
Both 4tos. S.
^8 J'ai vous pleige petit 2nwne^ Ihar vow pleadge, pety Zawne,
Both 4tos. I know not what is meant by Zawne.
Perhaps these lines are a translation of some song or"catch, dia-
logue wise, between Robin Hood and Little John.
L. J. 1 drink to you, my companion.
R. H. And I have pledged you, Little John.
Zawne, must then be received as a mispronunciation or corrup-
tion, as the reader pleases, of John, S.
DAMON AND PITHIAS. 235
When ich was a lusty fellow, and could yarke a whip
trimly,
Better then these boy coliers, that come to the courre
daily :
When there were ^^ not so many captious fellowes as
now,
That would toruppe men for every trifell, I wot not
how :
As there was one Damon, not longe since taken for a
spie;
How justly I know not, but he was condemned to die.
JVyll. This wipe hath warmed him, this comes well
to passe.
We shall know all now, for in Tlno Veritas.
Father Grimme, who accused this Damon to kinge
Dionisius ?
Grimme. A vengeaunce take him ! 'twas a gentleman,
one maister Crowsphus.
Wyll. Crowsphus I you clippe the kinge's language,
you would have said Carisophus ;
But I perceive now, either the winde is at the south,
Or els your tounge cleaveth to the roofe of your
mouth.
Grmme. A murian take thik wine, it so intoxicate
my braine,
That to be hanged by and by, I cannot speake plaine.
Jacke. You speake knavishly playne, seinge my mas-
ter you doo mocke :
In faith ere you go, I will make you a lobbe cocke.
Father Grimme, what say they of this Damon abrode ?
Grimme. All men are sorie for him, so helpe me
God.
The say a false knave cused him to the king wrong-
fully ;
And he is gone, and should be here to morow to die.
Or els his fellow which is in prison his rowme shall
supplie.
*' loere] was, 2d edit.
236 DAMON AND PITHIAS.
Chil not be his halfe for vortie shillinges I tell you
playne,
I thinke Damon be too wise to returne agayne.
Wt/U. Wyll no man speake for them in this wofull
case?
Grimme. No chill warrant you, one maister Stippus
is in place,
Where he may doo good, but he frames himselfe so.
Whatsoever Dionisius wylleth, to that he wyll not say
no:
'Tis a subtill vox, he will not tread on thornes for none,
A mery harecoppe'*' 'tis, and a pleasant companion ;
A right courtier, and can provide for one.
Jacke. Wyll, howe lyke you this geare ? your master
Aristippus also.
At this colier's hande hath had a bloe.
But in faith, father Grimme, cannot ye coliers
Provide for your selves far better then courtiers ?
Gnmme. Yes, I trowe : blacke coliers go in threade-
bare cotes,
Yet so provide they, that they have the faire white
groates.
Ich may say in counsell, though all day I moyle in
dourte,
Chil not change lives with any in Dionisius' courte :
For though their apparell be never so fine.
Yet sure their credit is farre worse then mine.
And by cocke I may say, for all their hie lookes,
I knowe some stickes full deepe in marchants bookes :
And deeper will fall in, as fame me telles.
As long as insteede of money they take up haukes hoods
and belles '^ :
'0 harecoppe] Coppe, in Chaucer, is used' for the top of any thing,
and here seems intended to signify the head, or, as the oommon
phrase is, a hare-brained fellow.
Hare coppe, may be a corruption of heark up, a phrase in use among
our ancient sportsmen. Hare cup is likewise one of the names of
the spring-flower called the hare hell. S.
" insteede of money they take up haukes hoods and belles] See Note
49 to The White Devil, vol. VI.
DAMON AND PITHIAS. 237
Wherby they fall into a swelling disease, which coliers
do not know ;
Tath a mad name it is called, ich weene, Centum pro
cento.
Some other in courtes make others laugh merily,
When they wayle and lament their owne estate secretly.
Friendship is dead in courte, hipocrisie doth raigne,
Who is in favour now, to morow is out agayne :
The state is so uncertaine, that I, by my wyll,
Will never be courtier, but a coHer styll.
Wyll. It seemeth that coliers have a very''^ trym life.
Grimme. Coliers get money styll : tell me of trouth,
Is not that a trim life now, as the world goeth ?
All day though I toyle with mayne and might.
With mony in my pouche 1 come home mery at night,
And sit downe, in my chayre by my wyfe faire Alison,
And tourne a crabbe in the fire, as mery as pope
John .
Jacke. That pope was a merry fellow, of whome
folke talke so much.
Grimme. H'ad to be merry withal, h'ad goulde
enough in his hutch.
Jacke. Can gould make men mery ? they say, who
can singe so mery a note,
As he that is not able to change a grote ?
Grimme. Who singes in that case, singes never in
tune. I know for my parte.
That a heavy pouch with goulde makes a light harte :
Of which I have provided for a deare yeare good store,
And these benters '^\ I trowe, shall anone get lae more.
}VylL By serving the courte with coles, you gaynde
all this money.
Grimme. By the court onely, I assure yee.
▼2 very] merie, 2nd edit.
7' And tourne a crabhe in the fire, as mery as Pope John] See Note
22 to Gammer Giir ton's Needle vol. II.
7< And these benters] Benne is the French word for a sack to carry
coals. See Cotgi-ave. He may, however mean debentures, i. e.
notes by which a debt is claimed. Jack mentions debentures af-
terwards. S.
238 DAMON AND PITHIAS.
Jacke. After what sorte, I pray thee tell mee ?
Grimme. Nay, ther bate an ace (quod Boulton '*) I
can weare a horne and blow it not.
Jacke. Byr ladie, the wiser man.
Grimme. Shall I tell you by what slite I got all this
money?
Then ich weare a noddy indeede ; no, no, I warreant
ye.
Yet in few words I tell you this one thinge.
He is a very foole that cannot gayne by the kinge.
Wyll. Well sayde, father Grimme : you are a wilie
colier, and a brave,
I see now there is no knave like to the olde knave.
Grimme. Suche knaves have mony, when courtiers
have none.
But tell me, is it true that abrode is blowne ?
Jacke. What is that?
Grimme. Hath the kinge made those fayre damsels
his daughters.
To be come now fine and trimme barbers ?
Jacke. Yea truly, to his owne person.
Grimme. Good fellowes beleve mee, as the case now
standes,
I would geve one sacke of coles to be washt at their
handes.
If ich came so neare them, for my wyt chould not geve
three chippes,
If ich could not steale one swap at their lippes.
75 Nay, ther hate an ace (quoth Boulton)-] Bate me an ace, quoth
Bolton, is among the Proverbs published by Mr. Ray. That gen-
tleman adds, " Who this Bolton was I know not, neither is it worth
" enquiring-. One of this name might happen to say. Bate me an
" ace, and, for the coincidence of the first letters of the two words
" BatB and Bolton, it grew to be a proverb. We have many of the
" like original ; as, v.g. Sup, Simon, &c. Stay, quoth Stringer, &c.
" There goes a story of Queen Elizabeth, that being presented
" with a Collection of English Proverbs, and told by the Author
" that it contained all the English Proverbs, nay, replied she, Bate
" me an ace quoth Bolton ; which Proverb being instantly looked for,
" happened to be wanting in his CoUectiou." Ray's Proverbs,
p. 1T7.
DAMON AND PITHIAS. 239
Jacke. Wyil, this knave isdrunke,letus dressehim;
Let us rifFell him so, that he have not one pennie to
blesse him,
And steale away his debenters too.
Wyll. Content : invent the way, and I am readie,
Jacke. Faith, and I wyll make him a noddie.
Father Grimme, if you praie mee weF^, I wyll wash
you and shave you too,
Even after the same fashion as the kinges daughters doo :
In all poyntes as they handle Dionisius, I» wyll dresse
you trim and fine,
Grimme. Chuld vaine learne that: come on then,
chil geve thee a whol pint of wine
At taverne for thy labour, when cha mony for my ben-
ters heare.
Here WYLLfetcheth a barbers bason, a pot with water,
a raysour, and clothes, and a payre of spectacles.
Jacke. Come, mine owne father Grimme, sit
downe.
Grimme. Masse, to beginne withall, heare is a trimme
chayre.
Jacke. What man, I wyll use you like a prince. —
Sir boy, fetche me my geare.
JVyll. Here, syr.
Jacke. Holde up, father Grimme.
Grimme. Me seeme my head doth swimme.
Jacke. My costly perfumes make that. — Away with
this, sir boy : be quicke.
Aloyse, aloyse^', how pretie it is! is not here a good
face?
A fine oules eyes, a mouth lyke an oven.
Father, you have good butter teeth, full seene ;
You weare weaned, els you would have ben a great
calfe.
Ah trimme lippes to sweepe a manger ! here is a chinne.
As soft as the hoofe of an horse.
this to pay mee ivet,
Ti Aloyse, aloyse] Aloue, Fr. is to allow, to approve, to praise. I
know of no other word that resembles that in the text. AU)sed, in
Chaucer, is praised^ S.
240 DAMON AND PITIIIAS.
Gr'imme. Doth the kinges daughters rubbe so harde ?
Jacke. Holde your head straite, man, els, all wyll be
marde.
Byr ladie, you are of good complexion,
A right Croyden sanguine *, beshrew mee.
Hould up, father Grimme. — Wyll, can you besturre ye?
Grimme. Me thinks, after a marvelous fashion you
do besmoure me.
Jacke, It is with unguentum of Daucus Maucus, that
is very costly :
I geue not this washinge ball to every body.
After you have ben drest so finely at my hande,
You may kisse any ladies lippes within this lande,
A, you are trimly washt ! how say you, is not this trimm
water ?
Gnmme. It may be holsome, but it is vengeaunce
sower.
Jacke. It scours the better. — Syr boy, geve me my
raysour.
Wyll. Here at hand, syr.
Grimme. Gods aymes ! 'tis a chopping knyfe, 'tis no
raysour.
Jacke. It is a raysour, and that a very good one ;
It came lately from Palermo'^';, it cost mee twenty
crownes alone.
Your eyes dassell after your washing, these spectacles
put on :
Now vew this raysour, tell mee, is it not a good one ?
Grimme. They be gay barnikels, yet I see never the
better.
Jacke. In deede they be a young sight, and that is
the matter ;
* From tlie manner in which this expression is used by Sir John
Harrington, in The Anatomic of the Metamorphosis of AJax, Sig. L. 7.
it seems as though it was intended for a sallow hue. " Both of a
" complexion inclining to the oriental colour of a Croyden sanguine.''
'^ It came lately from Palermo] The 4tos read Pallarrime. The razors
of Palermo were anciently famous. They are mentioned in more
than one of our old Plays, and particularly in The Wou7ids of Civill
War by Thomas Lodge, 1594, vol. Vlll. 83. " Neighbour sharpen
" the edge tole of your wits upon the whetsone of indiscretion, that
" your wordes may shave like the rasers of Palermo." S.
DAMON AND PITHIAS. 241
But I warrant you, this raysour is very easie.
Grimme, Go too then ; since you begonne, doo as
please ye.
Jacke. Holde up, father Grimme.
Grimme. O your raysour doth hurt my lippe.
Jacke. No, it scrapeth of a pimpell to ease you of the
pippe.
I have done now, how say you? are you not well?
Grimme. Cham lighter then ich was, the truth to tell.
Jacke. Will you singe after your shavinge?
Grimme. Mas, content; but chill be poide first or I
singe.
Jacke. Nay that shall not neede, you are pould neare
enough for this time.
Grimme. Go too then lustyly, I will singe in my man*s
voyce :
Chave a troublinge base busse.
Jacke. You are lyke to beare the bobbe, for we wyll
geve it :
Set out your bussyng base, and wee wyll quiddell
upon it.
Grim'M'E. singeth Busse.
Jacke singes. Too nidden, and too nidden.
IVyll singes. Too nidden, and toodle toodle doo
nidden ;
Is not Grimme the colier most finely shaven?
Grimme. Why, my fellowes, thinke iche am a cowe,
that you make such toying?
Jacke. Nay by'r ladie, you are no cow, by your
singmg;
Yet your wife told me you were an oxe.
Grimme. Did she so? 'tis a pestens queue '^, she is
full of such mockes.
But go to, let us singe out our songe merely.
The songe at the shaving of the colier.
Jacke. Suche barbers^ God send you at ait times of
neede.
Wyll. That can dress eyou finely, and make such quicke
speede.
7^ ■peitem qiism'\ He means a pestilent quean. S-
roL. I. R
242 DAMON AND PITHIAS.
Jacke. Your face like an income now shineth so gay —
Wyll. That I with your nostrels of force must needes
play,
With too Hidden, and too nidden.
Jacke. With too nidden, and todle todle doo nidden.
Is not Grimme the colicr most finely shaven ?
Wyll. With shaving you shine lyke a pestle of
porke*^.
Jacke. Here is the trimmest hogges-flesh from London
to Yorke.
Wyll. It would be trimme baken to hange up awhile.
Jacke. To play with this hogline, of force I must
smyle.
With too nidden, and too nidden.
Wyll. With too nidden, and todle, &c.
Grimme. Your shaving doth please me, I am now your
debter.
Wyll. Your wife now will busse you, because you are
sweater.
Grimme. Neare would I be poled, as neere as cham
shaven.
Wyll. Then out of your jerkin needes must you be
shaken.
With too nidden, nnd too nidden, &c.
Grimme. It is a trimme thing to be washt in the
courte.
Wyll. Their handes are so fine, that they never doo
hurte.
Grimme. Meihinke ich am lighter then ever ich was.
Wyll. Our shaveinge in the courte hath brought this
to passe.
With too nidden, and too nidden.
Jacke With too nidden, and todle todle doo nidden.
Is not Grimme the colier most finely '' shaven ? \Finis.
Grimme. This is trimly done : now chil pitche my
coles not farre hence,
And then at the taverne chil bestows whole tway pence.
8^ a pestle qfporke] i. e. gammon of bacon. Minshieu.
^^Jinely] trimly, 2d edit.
DAMON AND PITHIAS. 243
Jacke, Farewel cocke. Before the colier againe doo
us seeke,
Let us into the courte to parte the. spoyle, share and
share like.
fVyll. Away then. \^Exeunt.
Here entreth Grimme.
GTimme. Out alas, where shall I make my mone ?
My pouche, my benters, and all is gone!
Wher is that villayne that dyd me shave?
Hath robbed me, alas ! of all that I have.
Here entreth Snap.
Snap. Who crieth so at the courte gate ?
Grimme. I, the poore colier, that was robbed of kte.
Snap. Who robbed thee?
Grimme, Twoo of the porters men that dyd shave me.
Snap. Why, the porters men are no barbers.
Grimme. A vengance take them, they are quicke
carvers.
Snap. What stature weare they of?
Grimme. As little dapper knaves, as they trimly
could scoffe.
Snap. They were lackeyes, as neare as I can gesse
them.
Grimme. Such lackies make mee lacke; an halter
beswinge them :
Cham undon, they have my benters too.
Snap. Doest thou know them, if thou seest them ?
Grimme. Yea, that I doo.
Snap. Then come with me, we wyll finde them out,
and that quickly.
Grimme, I folow, mast tipstafFe ; they be in the
courte it is likely.
Snap. Then crie no more, come away. [Exeunt.
Here entreth Carisophds and Aristippus.
If ever you wyll shew your friendship, now is the time,
Seing the king is displeased with me, of my parte
without any crime.
Aristippus. It should appeare, it comes of some evell
behaviour.
That you so sodenly are cast out of favour.
244 DAMON AND PITHIAS.
Carisophus. Nothing have I done but this ; in talke
I overthwarted Eubulus,
When he lamented Pithias' case to kinge Dionisius.
Which to morrow shall die, but for that false knave
Damon,
He hath left his friend in the briers, and now is gone.
Wee grew so hot in talke, that Eubulus protested
playnely,
Dionisius®'^ held his eare open to parasitica!! flatterie.
And now in the kinges eare like a bell he ringes.
Crying, that flatterers have ben the destroyers of
kinges.
Wh\ch talke in Dionisius* harte hath made so deepe
impression,
That he trusteth me not, as heretofore, in no condition :
And some wordes brake from him, as though that hee
Began to suspect my trouth and honestie,
Which you of friendship I know wyll defend, how so
ever the world goeth :
My frind, for my honestie will you not take an othe ?
Aristippus. To sweare for your honestie, I should lose
mine owne.
Carisophus. Should you so indeede? I would that
were knowne.
Is your voyde friendship come thus to passe?
Aristippus. I folow the proverbe: Amicus usque ad
auras.
Carisophus. Where can you say I ever lost mine
honestie ?
^^ Dionisius.] Both the 4tos read Whiche. The alteration by
Mr. Dodsley.
Perhaps no alteration at all was necessary ; for in our old writers,
which and icho are sometimes used indifferently : at all events, it
would have been doing less violence to the text (especially taking
the measure into consideration) if merely wJio had been substituted
for which, as it stands in the old copies, and not Dionisius, as Mr.
Dodsley conjectured, and Mr. Reed allowed it to remain. The
sense of the passage is clearly this, " that Eubulus protested plainly
•• icho it was that held his ear open to parasitical flattery," viz.
Dionisius whom Carisophus intends to be understood rather than
expressly named. C.
DAMON AND PITIIIAS. 245
Aristippus. You never lost it, for you never had it,
as farre as I know.
Cariiiophus. Say you so, friend Aristippus, whom I
trust so well ?
Aristippus. Because you trust me, to you the truth 1
tell.
Carisophus. Wyll you not stretche one poynt, to
bring mee in favour agayne ?
Aristippus. I love no stretching ; so I may breede
myne owne payne.
Carisophus. A friende ought to shonne no payne, to
stand his friend in stead.
Aristippus. Where true friendship is, it is so in very
deede.
Carisophus. Why, sir, hath not the chaine of true
frindship linked us two together?
Aristippus. The chiefest linke, lacked therof, it must
needs desever.
Carisophus. What linke is that? faine would I
know.
Aristippus. Honestie.
Carisophus. Doth honestie knit the perfect knot in
true friendship ?
Aristippus. Yea, truely, and that knot so knit wyll
never shppe.
Carisophus. Belike then, there is no frindship but
betweene honest men.
Aristippus. Betwene the honest only; for, Amicitia
inter bonos *^, saith a, learned man.
Carisophus. Yet evell men use frindship in things
unhonest, wher fancy doth serve.
Aristippus. That is no frindship, but a lewde likeing ;
it lastes but a while. .
Carisophus. What is the perfectst frindship among
men that ever grew ?
Aristippus. Where men love one another, not for
profit, but for vertue.
^^ bones] bonus. Both 4tos.
246 DAMON AND PlTIllAS.
Carisophus. Are such frindes both ahke in joy and
also in smarte?
Aristippus. They must needs; for in two bodies they
have but one harte.
Carisophus. Friend Aristippus, deceave rne not with
sophistrie :
Is there no perfect frindship, but where is vertue and
honestie ?
Aristippus. What a devell then ment Carisophus
Tojoyne in frindship with fine Aristippus?
In whom is as much vertue, trueth and honestie,
As there are true fethers in the three Craines of the
Vintree'"* :
Yet their ^* fethers have the shadow of hvely fethers,
the truth to scan,
But Carisophus hath not the shadowe of an honest man.
To be piayne, because I know thy villany,
In abusinge Dionisius to many mens injury,
Under the cloke of frindship t playd with his head,
And sought meanes how thou with thine owne fancy
might be lead.
My frindship thou soughtest for thine owne commoditie,
As worldly men doo, by profile measuring amitie :
Which I perceaving, to the lyke myselfe I framed,
Wherein, I know, of the wise I shall not be blamed :
If you ask me, Quare ? I answer, Quia prudentis est mul-
tum dissimulare.
To speake more playner, as the proverb doth go,
In faith Carisophus, cum Cretense cretiso.
Yet a perfect frinde I shew myselfe to thee in one thing,
I doo not dissemble, now I say I wyll not speake for
thee to the king :
* the three Craines of the Vintree] Sometimes called New Queen
Street, where there seems to have been the sign of the three
Cranes.. Ben Jonson mentions this place in The Devil is an Ass,
A. l.S. 1.
" From thence shoot the bridge child, to the Cranes of the Vintry,
" And see there the gimblets how they make their entry I"
Stow says it was a place of some account for the Costermongers
who had ware-houses there ; and it appears from Dekkar's Belman
of London, Sign. E 2, that the beggars of his time called one of
their places of rendezvous by this name.
8* their2 these, 1st edit. 2
DAMON AND PITHIAS. 247
Therfore sinke in thy sorrow, I doo not deceave thee,
A false knave I found thee, a false knave I leave ihee.
[Exit,
Carisophus. He is gone ! is this frindship to leave
his friend in the plaine fielde?
Well, 1 see now I myselfe have beguyeld,
In matching with that false fox in amitie,
Which hath me used to his owne commoditie:
Which seeing me in distresse, unfainedly goes his
wayes.
Loe this is the perfect frindship among men now a
daies ;
Which kinde of frindship toward him I used secretly;
And he with me the like hath requited me craftly.
It is the Gods judgment, I see it playnely,
For all the woride may know, Incidi in foveam quam
feci.
Well, 1 must content my selfe, none other helpe I
knowe.
Until a raerier gale of winde may happe to blowe.
\_Exit.
, Enter Eubulus.
Eubulus. Who deals with kinges in matters of great
waight,
When froward wyll doth beare the chefest sway.
Must yeld of force ; there neede no subtile sleight,
Ne paynled^"^ speach the matter to convay.
No prayer can move when kindled is the ire.
The more ye quench, the more increased is the fire.
This thinge I prove in Pithias' woful case,
Whose heavy iiap with teareg 1 doo lament:
The day is come, when he in Damon's place,
Must lose his life : the time is fully spent.
Nought can my words now with the kingprevaile,
Against the wind and strivinge stream ^' I sayle:
For die thou must, alas! thou sely Greeke.
Ah, Phithas, now come is thy dolefuU houre :
A perfect friend, none such a world to seeke,
•8 paynteS vaunted, 2d edit. ^7 streams, 2d edit. '
248 UAMON AND TITHIAS.
Though bitter death shall geve thee sauce full sower,
Yet for thy faith enrold shall be thy name,
Among the gods, within the booke of fame.
Who knoweth his case, and will not melt in teares ?
His giltless bloud shall trickle downe anon,
THEN THE MUSES SINGE.
Mas, what happe hast thou, povre Pilhias, now to die !
Wo worth the man wJiich for his death hath geven us
cause to crie.
Eubulus. Methinke I heare, with yeloiv rented heares,
The Muses frame their notes, thy* state to mone :
Among which sorte, as one that morneth with harte,
In doleful tunes myself wy II beare a parte.
Muses. Wo worth the man which for his death, &c.
Eubulus. M^ith yelow rented heares, come on you
Muses nine;
Fyll now my breast with heavy tunesy to me your plaints
resigns :
For Pithlas I bewayle, which presently must die,
Wo worth the man which for his death hath geven us
cause, &c.
Muses. Wo worth the man which for his, &c.
Eubulus. Was ever such a man, that would die for his
friend ?
1 thinke even from the heavens above, the gods did him
downe sende
To shew true friendshipp's power, which forst thee now
to die.
Wo worth the man which for thy death, &c.
Muses. Wo worth the man, &c.
Eubulus. What tigars whelp was he, that Damon dyd
accuse ?
What faith hast thou, which for thy friend thy death doth
not refuse ?
* Both the old copies have it " my state to mone" which may be
right, and the substitution should not have been made without
notice. C.
DAMON AND PIT MI AS. 249
O heavy happe hadst thou to play this tragidie !
Wo worth the man which for thy death, &c.
Muses. Worth the vian, &c.
Eubulus. Thou young and worthy Greeke, that
showest such perfect love,
The gods receave thy simple ghost into the heavens above :
Thy death we shall lament with many a iveepinge eye.
Wo worth the man, which for his death, &c.
Muses. Wo worth the man, which for thy death hath
geven us cause to crie, [Finis.
Eubulus. Eternall be your fame, ye Muses, for that
in niiserie
Ye did vouchsafe to strayne your notes to walke.
My harte is rent in two with this miserable case.
Yet am I charged by Dionisius' mouth, to se this place
At all poynts ready for the execution of Pithias.
Neede hath no law : wylP* I, or nil I, it must be done,
But loe, the bloodie minister is even here at hande.
Gronno, 1 came hether now to understand,
If all thinges are well appoynted for the execution of
Pithias.
The kinge him selfe wyll se it done here in this place.
Gronno. vSir, all thinges are ready, here is the place,
here is the hand, here is the sword :
Here lacketh non but Pithias, whose head at a worde.
If he were present, I coulde finely strike of.
You may reporte that all thinges are ready,
Euhiilus. I go with an heavy harte to report it. Ah,
woful Pithias !
Full neare now is thy misery. [Exit.
Gronno. I marvell very much, under whatconstilation
All hangmen are borne, for they are hated of all,
beloved of none :
Which hatred is showed by this poynt evidently :
The hangman alwayes dwelles ir he vilest place of the
citie.
^8 wyll I, or nil I] Whether I will or not. See Note 23 to Grim
the Collier of Crovdon, vol, XT.
250 DAMON AND PITHIAS,
That such spight should be, I know no cause why,
Unlesse it be tor their offices sake, which is cruel and
bloody.
Yet some men must do it, to execute lawes.
Me thinke they hate me without any just cause.
But 1 must looke to my toyle ; Pithias must lose his
head at one blow,
Els the boyes wyil stone me to death in the streat as I
go.
But harke, the prisoner cometh, and the kinge also :
I see there is no help, Pithias his life must forgo.
Here entretli DiONisius and Eueulus.
Bring forth Pithias, that pleasant companion.
Which tooke mee at my worde, and became pleadge
for Damon.
It pricketh *^ fast upon noone, I doo him no injurie,
If now he lose his head, for so he requested me.
If Damon returne not, which now in Greece is full
mery :
Therfo\;e shall Pithias pay his death, and thatby and by.
He thought belike, if Damon were out of the citie,
I woBild not put him to death for some foolishe pitie :
But seeing it was his request, I wyll not be mockt, he
shall die;
Bring him forth.
Here entreth Snap.*
iS'wap. Geve place, let the prisoner come by; give
place.
Dionisius. How say you, sir; where is Damon, your
trustie friend ?
You have playd a wise part, I make God a vow :
You know what time a day it is, make you ready.
Pithias, Most ready 1 am, mightie king, and most
ready also
For my true friend Damon this lyfe to forgo,
Even at your pleasure.
^9 pricketh] i. e. it ride... fast upon noon. The word is used by
Spenser and many of our ancient writers.
* With Pithias in his custody, and Stephano, as is evident from
the rest of the scene. C.
DAMON AND PITHIAS. 251
iJionisius, A true frend ! a false traytor, that o
breaketh his oth.
Thou shalt lose thy life, though thou be never so loth.
Pithias. I am not loth to doo what so ever I sayde,
Ne at this present pinch of death am I distnayde:
The Gods now I know have heard my fervent prayer,
That they have reserved me to this passynge great
honour,
To die for my frend, whose faith even now I doo not
mistruste;
My frinde Damon is no false traytour, he is true and
juste:
But sith he is no God, but a man, he must doo as he
may.
The winde may be contrary, sicknes may let him^°, or
some misadventure by the way,
Which the eternall Gods tourne all to my glorie,
That fame may resound how Pithias for Damon did die :
He breaketh no oth which doth as much as he can.
His minde is heare, he hath some let, he is but a man.
That he mig;ht not returne of all the Gods I did require,
Which now to my joy do ^' graunt my desire.
But why doo I stay any longer, seing that one man's
death
May suffise, O king, to pacifie thy wrath?
O thou minister of justice, doo thyne office by and by,
Let not thy hand tremble, for I tremble not to die.
Stephano, the right patrone of true fidelitie,
Commend me to thy master, my sweet Damon, and of
him crave libertie
When I am dead, in my name; for thy trustie services
Hath well deserved a gift farre better than this.
Oh my Damon, farewell now for ever, a true friend, to
me most deare ;
Whyles lyfe doth laste, my mouth shall styll talke of
thee,
And when I am dead, my simple ghost, true witnes of
amitie.
Shall hoover about the place wheresoever thou bee.
^ let him,] i. e. hinder him. "' do] doth. Both 4tos.
252 DAMON AND PITllIAS.
Dionisius. Eubulus, this geare is straunge ; and yet
because
Damon hath falst his faith, Pithias shall have the lawe,
GronnO; dispoyle hym, and eke dispatch him quickly.
Gronno. It shal be done ; since you came into this
place,
I might have stroken off seven heades in this space.
Ber lady, here aie good garments, these are myne by
the roode !
It is an evyll winde that bloweth no man good.
Now Pithias kneele downe, aske me blessyng like a
pretie boy,
And with a trise, thy head from thy shoulders I wyil
convay.
Here entrelh Damon running, and staijes the sword.
Damon. Stay, stay, stay ! for the kinges advantage
stay!
O mightie kynge, myne appointed time is not yet fully
past;
Within the compasse of myne houre, loe here I come
at last.
A life I owe, and a life I will you pay :
Oh ! my Pithias, my noble pledge, my constant friend !
Ah ! wo is me ! for Damon's sake, how neare were thou
to thy ende !
Geve place to me, this rowme is myne, on this stag€
must I play.
Damon is the man, none ought but he to Dionisius his
blood to pay.
Gronno. Are you come, sir? you might have taried
if you had bene wyse :
For your hastie comming you are lyke to know the
prise.
Pithias. O thou cruel minnister, why didst not thou
thine office?
Did not I bidde thee make hast in any wyse?
Hast thou spared to kill me once, that I may die twyse ?
Not to die for my frend, is present death to me ; and
alas !
Shall I see my sweet Damon slaine before my face ?
DAMON AND PITHIAS. 253
What double death is this ? but, O mightie Dionisius,
Doo true justice now: way this aright, thou noble
Eubulus ;
Let mee have no wronge as now standes the case,
Damon ought not to die, but Pithias:
By misadventure, not by his wyll, his howre is past;
therefore I,
Because he came not at his just tyme, ought justly to
die :
So was my promise, so was thy promise, O kynge.
All this courte can beare witnesse of this thinge.
Damon. Not so, O mightie kynge : to justice it is
contrarie,
That for another man's faulte the innocent should die :
Ne yet is ray time playnly expirde, it is not fully noone
Of this my day appointed, by all the clockes in the
towne.
Pithias. Beleeve no clocke, the houre is past by the
Sonne.
Damon, Ah, my Pithias, shall we now breake the
bondes of amitie?
Will you now overthwart mee, which heretofore so well
did agree ?
Pithias. My Damon, the Goddes forbid but wee
should agree ;
Therefore agree to this, let mee perfourme the promise
made for thee.
Let mee die for thee ; doo mee not that injurie,
Both to breake my promise, and to suffer me to see thee
die,
Whome so dearly I love : this small request graunt mee,
I shall never aske thee more, my desire is but frindly.
Doo me this honour, that fame may reporte trium-
phantly.
That Pithias for his friende Damon was contented to die.
Damon. That you were contented for me to die fame
cannot denie ;
Yet fame shall never touch me with such a villanie.
To reporte that Damon did suffer his frind Pithias for
him giltles to die ;
2$4 DAMON AND PITHlAS.
Therfore content thysclfe, the Gods requite thy con-
stant faith.
None but Damon's bloud can appease Dionisius* wrath.
And now, O misrhtie kin2:e, to you my talke I convay,
Because you gave me leave my worldly thinges to stay,
To requite that good tourne ere I die, for your behalfe
this I say,
Although your regall state dame Fortune decketh so,
That like a kinge in worldly wealth abondantly ye
floe,
Yet fickle is the grounde whereon all tirrants treade,
A thousand sundrie cares and feares doo haunt their
restlesse head :
No trustie band, no faithful! friendes doo garde thy
hatefull state,
And why ? whom men obey for deadly feare, sure them
they deadly hate.
That you may safely raigne, by love get friends, whose
constant faith
Wyli never fayle, this counsell geves poore Damon at
his death :
Friendes are the surest garde for kinges, gold in time
doos ^'^ wear away.
And other precious thinges doo fade, frindship wyll
never decay.
Have friendes in store therefore, so shall you safely
sleape;
Have friends at home, of forraine foes so neede you
take no keepe.
Abandon flatring tongues, whose clackes truth never
tels;
Abase the yll, advance the good, in whome dame ver-
tue dwels ;
9^2 doos] doo, 1st edit.
The reading of both the old copies in this place is
• *' polden time doos wear away,"
If it were worth while to remark the difference between doo and
doos, it might have been as well not to make the change in the text
without notice, although it is probably right. C.
DAMON^ AND PITHIAS. 255
Let them your play felowes be : but 0, you earthly
kinges,
Your sure defence and strongest garde stands chifly in
faithfull friendes:
Then get you friends by liberall deedes ; and here I
make an ende :
Accept this counsell, mightie king, of Damon, Pithias
friende.
Oh, my Pithias ! now farewell for ever, let me kisse
thee or ^a I die,
My soule shall honour thee, thy constant faith above
the heavens shall flie.
Come Gronno, doo thine office now ; why is thy colour
so dead ?
My neck is so short, that thou wylt never have honestie
in striking of this head^.
Dionisius. Eubulus, my spirites are sodenly ap-
pauled, my limes waxe weake ;
This straunge friendship amaseth me so, that I can
scarse speake.
Pithias. O mightie kinge, let some pittie your noble
harte meeve ;
You require but one man's death, take Pithias, let Da-
mon live.
Eubulus. O unspeakable frindship I
Damon. Not so, he hath not offended, there is no
cause why
My constant friend Pithias for Damon's sake should
die.
93 or] ere, 2d edit.
3* Mil neck is so shorte that thou wilt never have honestie in striking
of this head.'] i. e. thou wilt derive no credit from striking off a head
so disadvantageously placed for the purpose of decollation. Hnn-
netete, Fr. antiently signified fame or refutation in the dextrous
execution of any undertaking, whether honourable or the contrary.
Honesty seems here to be used with the French meaning. S.
In this instance the Author appears to have had before him the
speech which Sir Thomas More made at his execution. Hall, in
his Chronicle tempore Henry VIII. p- 226, says, " Also thehang-
" man kneled doun to him askyng him forgevenes of his death (as
" the manner is), to whom he sayed I forgeve thee, but I promise
" thee that thou shalt never have honestie of the strykyng of my
" head, my neche is so short."
256 DAMON' AND PITH I AS.
Alas, he is but young, he may do good to many.
Thou cowarde minister, why doest thou not let mee
die?
Gronno. My hand with soden feare quivereth.
Pithias. O noble kinj^e, shewe mercy upon Damon,
let Pithias die.
Dionisius. Stay Gronno my flesh trembleth. Eubu-
lus, what shall I doo ?
Were there ever such frindes on earth as were these
tv;o ?
What harte is so cruell that would devide them asun-
der?
O noble friendship, I must yeld ; at thy force I wonder.
My hart this rare frindship, hath pearst to the roote,
And quenched all my fury : this sight hath brought
this about.
Which thy grave coansell, Eubulus, and learned per-
swasion could never doo.
O noble gentlemen, the immortal Gods above
Hath made you play this tragidie, I think, for my be-
hove :
Before this day I never knew what perfect friendship
ment.
My cruell mind to bloody deedes was full and wholly
bente :
My feareful life I thought with terrour to defende,
But now I see there is no garde unto a faithfuU friend.
Which wyll not spare his lyfe at time of present neede:
0 happie kinges who in* your courtes have two such
frinds indeed !
1 honour friendship now, which that you may playnly
see,
Damon, have thou thy lyfe, from death I pardon thee ;
For which good tourne, I crave this honour doe me
lend,
Oh frindly hart, let me linke with you, to you -^^ make
me the thirde friende.
* The two old copies have it
" O happie kinges witlim your courtes," &c. C
9* to you] two to, 2(1 edit.
DAMON AXD PITHIAS. 25^
My courte is yours ; dwell here with mee, by my com-
mission large,
Myself, my realme, my welth, my health, I commit to
your charge :
Make me a thirde friend, more shall I joye in {.hat
thing.
Then to be called as I am, Dionisius the mightiekinge.
Damon. O mightie king, first for my lyfe most hum-
ble thankes I geve,
And next, I prayse the immortall Gods that did your
liarte so raeve,
That you would have respect to friendships heavenly
lore,
Forseing wel he need not feare which hath true friends
in store.
For my part, most noble king, as a third frind, welcom
to our friendly societie ;
But you must forget you ar a king, for frindship stands
in tru equalitie.
Dionisius. Unequall though I be in great possessions.
Yet full equall shall you finde me in my changed con-
ditions.
Tirrannie, flatterie, oppression, loe, hear I cast away ;
Justice, truth, love, frindship, shall be my joy:
True friendship wyl I honour unto my lives end ;
My greatest glorie shall be to be counted a perfect
friende.
Pithias. For this your deede, most noble king, the
Gods ad' ance your name,
And since to friendship's lore you list your princely
harte to frame,
With joyfull hart, O kinge, most wellcome now to me.
With you wyll I knit the perfect knot of amitie :
Wherein I shall enstruct you so, and Damon here your
friend,
That you may know of amitie the mighty force, and
eke the joyful end :
And how that kinges doo stand uppon a fickle ground,
Within whose realme at time of need no faithful! friends
are found e.
358 DAMON AND PITHIAS.
Dionisius. Your instruction wyll I folow; to you
myself I doo commite.
Eubulus, make haste to set new apparell, fitte
For my new friends.
Eubulus. I go with joyful hart. O happie day !
[Exit.
Gronno. I am glad to heare this word. Though their
lives they doo not leese,
It is no reason ^® the hangman should lose his fees :
These are mine, I am gone with a trise. [Exit.
Here entreth Eubulus with new garmentes.
Dionisius. Put on these garmentes now ; goe in with
me, the jewelles of my court.
Damon and Pithias. We go with joyfuU harts.
Stephano. Oh, Damon, my deare master, in all this
joy remember me.
Dionisius. My friend Damon, he asketh reason.
Damon. Stephano, for thy good service be thou free.
[Exeunt Dion.*
Stephano. 0 most happie, pleasant, joyfull, and
triumphant day !
Poore Stephano now shall live in continuall joy :
Vive leroy,mth Damon and Pithias, in perfect amitie.
Vive tu Stephano, in thy pleasant liberalitie :
Wherein I joy as much as he that hath a conquest
wonne,
I am a free man, none so mery as I now under the
Sonne.
Farewel my lords, nowe the Gods graunt you al the
som of perfect amitie,
And me longe to enjoy my longe desired libertie. [F.xit.
Here entreth Eubulus heatijng Carisophus.
Away villaine ! away, you flatringe parasite !
Away the plague of this courte : thy filed tongue, that
forged lies,
96 not reasoW] no reason, 1st edit.
* This direction means that Dionisius, Damon, Pithias, and all
others go out, excepting Stephano. C.
DAMON AND PITHIAS. 259
No more here shall doo hurt: away, false sicophant !
wilt thou not?
Carisophus. I am gone, sir, seeing it is the kinges
pleasure.
Why whyp ye me alone ? a plague take Damon and
Pithias, since they came hither
I am driven to seeke releefe abrod, alas ! I know not
whither.
Yet, Eubulus, though I be gone, hereafter time shall
trie,
There shall be found even in this court as great flat-
terers as I.
Well, for a while I wyll forgo the court, though to my
great payne:
I doubt not but to spie a time when I may creepe in
againe. [Exit.
Eubulus. The serpent that eates men alive, flattery,
with all her broode.
Is whipte away in princes courtes, whiche yet did never
good.
What force, what mighty power true friendship may
possesse,
To all the worlde, Dionisius* courte now playnly doth
expresse ;
Who since to faithful! friendes he gave his willyng eare,
Most safely sitteth in his seate, and sleepes devoid of
feare.
Pourged is the court of vice, since friendship entred in,
Tirannie quailes, he studieth now with love eche hart
to win :
Vertue is had in price, and hath his just rewarde;
And painted speache, that gloseth for gayne, from gifts
is quite debard.
One loveth another now for vertue, not for gayne;
Where vertue doth not knit the knot, there friendship
cannot raigne ;
Without the whiche, no house, no land, ne kingdome
can endure.
As necessarie for man's lyfe, as water, ayre, and fier,
260 DAMON AND PITHIAS.
Which frameth the minde of man, all honest thinges
to doo :
Unhonest thinges friendshippe ne craveth, ne yet con-
sents thereto.
In wealth a double joye, in woe a present stay,
A sweete compagnion in each state true friendship is
alway :
A sure defence for kinges, a perfect trustie bande,
A force to assayle, a shield to defende the enemies
cruell hande ;
A rare, and yet the greatest gift that God can geve to
man
So rare, that scarce four couple of faithfull frends have
ben since the worlde began.
A gift so strange, and of such price, I wish all kyngs
to have ;
But chiefely yet, as duetie bindeth, I humbly crave,
True friendship and true friendes, full fraught with
constant faith,
The gever of friends, the Lord, grant her, most noble
Queene Elizabeth.
DAMON AND PITHIAS. 261
THE LAST SONGE.
The strongest garde that kynges can have,
Are constant friends their state to save :
True friendes are constant both in word and deede,
Truefriendes are present, arid helpe at each neede:
True friendes talke truely, they g lose for no gayne,
When treasure consiimeth, true frindes wyll remayne:
True frindes for their tru prince refuseth 7tot their death :
The Lord graunt her such frindes, most noble Queene
Elizabeth.
Longe may she governe in honour and wealth,
Voyde of all sicknesse, in most perfect health:
Which health to prolonge, as true friends require,
God graunt she may have her owne hartes desire:
Which friendes wyll defend with most stedfast faith,
The Lorde graunt her such friendes, most noble Queene
Elizabeth,
FINIS.
262
EDITIONS.
(1.) " The excellent Comedieof two the moste faith-
" fullest Freendes Damon and Pithias. Newly im-
" printed as the same was shewed before the Queenes
" Majestie, by the Children of her Graces Chappell,
" except the Prologue, that is somewhat altered for the
" proper use of them that hereafter shall have occasion
** to plaie it either in Private or open Audience. Made
" by Maister Edwards, then beynge Maister of the
" Children 1571. Imprinted at London, in Fleetelane,
" by Richarde Johnes, and are to be solde at his Shop
" joyning to the Southwest doore of Panic's Churche."
4to. Black Letter.
(2.) Another Edition in 4to, B. L. 1582.* Both in
Mr. Garrick's Collection.
* The following imprint is the only variation in the titles of the
two copies. " Imprinted at London, by Richarde Jones : dwelling
" neere untoHolbome Bridge, over against the syne of the Faulcon^
" Anno 1582." C.
NEW CUSTOME
I HAVE not been able lo discover who was the Author
of this Piece. But I think it is one of the most re-
markable of our ancient Moralities, as it was wrote
purposely to vindicate and promote the Reformation.
It was printed in 157':^, and contrived so that four
people might act it: this was frequently done, as 1 have
observed in the Preface, for the convenience of such as
were disposed to divert or improve themselves, by
representing these kinds of Entertainments in their own
houses. This, and God's Promises by Bishop Bale,
will serve as specimens of the ancient Mysteries and
Moralities.
THE PLAYERS NAMES IN TlilS ENTERlude
BE THESE.
THE PROLOGUE.
Perverse Doctrine, and old popishe Priest,
Ignoraunce, an other, but elder.
New Custome, a Minister.
Light of the Gospell, a Minister.
Hypocrisie, an olde Woman.
Creweltie, a Ruffier^.
Avarice, a Ruffler.
Edification, a Sage.
AssuRAUNCE, a Vertue.
GoDDEs Felicitie, a Sage.
FOWER MAY PLAY THIS ENTERLUDE.
, _ Justome.
1 Perverse Doctrine. ^
i New Gusto
\ Avarice.
( Assurance.
,„
ght of the Gos-
i Ignoraunce. V pell.
2^ Hypocrisie, 4<^ Creweltie.
(^and Edification. JGoddes felicitie.
^The Prologue.
1 Creweltie a Ruffier.'] i. e. a cheating bully, so called in several
Acts of Parliament during the reign of King Henry the Eighth. S,
THE PROLOGUE.
Jl thinges he not soe as in sight they doe seeme.
What so ever they resemble, or what ever men deeme.
For if our senses in their oivne objects ns do fayle
Sometimes, then our judgemente shall but little availe
In some thinges, as such, where doubt geveth deniall
Of them in the best wise to make any triall.
Which sayinge is evident, as well shall appeare
In this little Enterlude whiche we present heare ;
Whereby we may learn how grossly vje erre,
Taking one thinge for another, which differ sofarre
As good dothefrom badde. Example therefore
You may take by these persons if you marke no more.
For the primitive constitution, whiche ivasfyrst appointed
Even by God himself and by Christ his annoynted ;
Confirmed by tK appostles, and of great antlquitie :
See howe it is perverted by manners wicked iniquitie,
To he called newe Custome, or newe Constiiucion,
Surely a name of to much ungodly abusion.
Which our author indiff'erently scanninge in his minde.
In his simple opinion this cause hee dothfinde;
That by reason of ignorance which beareth great swaie,
And also stubberne doctrine, which shutteth up the waie
To all good instruction, and knowledge of right :
No marvell it was, though of the trueth we were igno-
raunt quight.
F'or truely in suche a case, the matter was but small.
To make the ignorant sowle to credite them all.
What so ever they saide^ were it trueth or a lye.
For no man able was then to prove them the contrarie.
Wherefore their ownefansies they sette in great prise,
Neglectinge the trewe ivaye, like menfarre unwise.
268
Making semblant of antiquitie in all that they didy
lo fh' intent that their subtiltie by suche meanes might
be hid.
Newe Cmtome also hath he named this matter veriliej
In consideration that the people so speaketh commonlie,
Confuting the same by reasons most manifest,
Whiche in consequent order of talke are exprest.
This sence hath our Author followed herein, as we saide.
For other meaning, moreover hee icill not have it denaide,
But diverse may invent muche distant from this,
Whiche in no wise he will have prejudiciall to his.
Nor his unto theirs, whatsoever they bee,
For many heades, many wittes, wee doo plainely see,
Onely hee desireth this of the worshipfull audience.
To take in good parte ivithout al manner oj^ence.
Whatsoever shall be spoken, marking the intenty
Interpreting it no otherwise but as it was ment.
And for us, if of pacience you list to attende.
Wee are readie to declare you the matter to the ende.
Finis Prologi.
NEW CUSTOME.
ACTUS I. SCENA I.
Perverse Doctrine and Ignorance enter.
Perverse Doctrine. Tr is even so in deede, the worlde
was never in so evyll a state.
But this is no time for us of these matters to debate.
It were good wee invented some politike waie
Our matters to addresse in good orderly staie.
And for us, reason would we loked to ourselves.
Do you not see howe these newe fangled pratling elfes
Prinke up so pertly of late in every place,
And go about us auncients flatly to deface ?
As who shoulde say in shorte time, as we)' learned as
wee,
As wise to the worlde, as good they mighte accomptid
bee,
Naye, naye, if many yeers and graie heares do knowe
no more,
But that every pevishe boye hath even as muche witte
in store :
By the masse then have I lyved to long, and I would
I were dead.
If I have not more knoweledge then a thousande of
them in my head,
For how should they have learning that were borne
but even now ?
As fit a sighte it were to see a goose shodde, or a
sadled cowe,
As to hear the pratlinge of any soche Jack Strawe.
For when hee hath all done I compte him but a very
dawe.
f
270 NEW CUSTOME. [aCT I.
As in London not longe since, you wot well where,
They rang to a Sermon, and we chaunced to be there.
Up start the preacher, I thinke not past twenty yeeres
olde,
With a sounding voyce, and audacitie bolde.
And beganne to revile at the hohe sacrament, and
transubstanciation.
I never hearde one knave or other make suche a decla-
ration :
But, if I had had the boye in a convenient place,
With a good rodde or twain not past one howre's
space.
I woulde so have scourged my marchant'^, that his
breeche should ake,
So longe as it is since that he those woordes spake.
What, younge men to be medlers in Divinitie ? it is a
godly sight !
Yet therein novve almost is every boye's delight,
No brooke nowe in their handes, but all scripture,
scripture,
Eyther the whole Bible, or the new Testament, you
may be sure.
The newe Testament for them ? and then to for cowle
my dogge ^.
This is the olde proverbe, to cast perles to an hogge.
2 my rnarchant] Merchant vas antiently used as we now use the
word chap. See Note on Brnneo and JuUet, A. 2. S. 4. S.
' — a7}d then to for cowle my dogge] Coule or rather coll, I sup-
pose to be the name of the dog. S.
Cojile- my dog, I am inclined to believe means ptit a cowle or hood
on a dog, and he will be as learned as a frier : the contempt into
which the order had at this period fallen will at least countenance
the explanation, if it should not be thought sufficient to prove it. 1
once was of opinion, that there might be an allusion to the case of
one Collins a crazy man, who seeing a priest bold up the host over
his head, lifted up a dog in the same manner, for which both he
ajid the animal were burnt in 1538. See Foxe, vol. II. 436.
My conjecture requires a little explanation. The speaker means
to say, " If the new testament is fit for the use of boys, so like-
wise is it adapted equally to the conception of coll my dog. The
one will understand and make a proper use of it as soon as the
other." S.
SC. I.] NEW CUSTOME. 271
Geve them that whiche is meete for them, a racket and
a ball,
Or some other trifle to busie their heades with all :
Playinge atcoytes or nine hooles'*, or shooting at buttes,
There let them be a goddes name, til their hartes ake
and their giittes.
Let us alone with divinitie, which are of ryper age.
Youth is rashe, they say, but olde men hath the know-
ledge.
For while they reade they know not what, they omit
the veritie.
And that is nowe the cause so many fall into heresie,
Every man hath his owne way, vsome that, and some
this,
It wolde almost for anger surreverence ^ make a man
to pisse,
To heare what they talke of in open communication,
Surely I feare me. Ignorance, this geare wyl make
some desolation.
Ignoraunce. I feare the same also, but as towching
that wherof you speake full well,
They have revoked diverse olde heresies out of hell.
As against transubstantiation, purgatory, and the masse,
And say that by scripture they can not be brought to
passe.
But that whiche ever hath ben a most trewe and con-
stant opinion,
And defended also hitherto by all of our religion.
That I, Ignorance, am the mother of true devotion,
And Knowle'dge the auctour of the contrarie affection :
They denie it so stoutely as thoughe it were not so ;
But this hath ben beleft many an hundred yeere ago.
Wherefore it greveth mee not a lyttle that my case
should so stande,
Thus to be disproved at every pratler's hande.
* Piayinge at coytes or nine hooles.'] By the Stat. S3 Hen. VIII. c.
9. s. 16. a penalty is imposed on certain persons therein mentioned,
who should play at the tables, tennis, dice, cards, bowls, clash,
coyting, legating, or other unlawful game. Coytes are the same as
quoits.
5 surreverence'] Perhaps a contraction of save your reverence. S.
272 NEW CUSTOME. ACT I.
Perverse Doctrine, Yea, doth ? then the more un-
wiseman you, as I trovve,
For they say as mnche by me, as you well do kiiowe.
And shall I then go vexe my selfe at theyr talke?
No, let them speake so longe as their tongues can
walke.
They shall not greve raee, for why ? in very south
It were foUie to endeavour to stop every manne's
mouth.
They have brought in one, a younge upstart ladde as
it appeares,
I am sure he hath not ben in the realme very many
yeares.
With a gathered frocke, a powlde head and a broade
hatte.
An unshaved bearde, a pale face, and hea teacheth
that
All our doings are naught, and hath ben many a day.
Hee disaloweth our ceremonies and rites, and teacheth
an other way
To serve God, then that whiche wee do use.
And goeth about the people's myndes to seduce.
It is a pestilent knave, hee wyll have priestes no corner
cappes to weare^',
Surplices are superstition, beades, paxes, and suche
other geare,
* — hee wyll have priestes no corner cappes to wearel Foxe, in the
third volume of his Acts and Monuments, p. 131, says, " Over
" and besides divers others things touching M. Rogers, this is not
" to be forgotten, how, in the daies of King of Edward the Sixth,
" there was a controversie among the Bishops and Clergie/or wear-
" i»g of priests caps, and other attyrebelongingto that order. Master
" Rogers being one of that number whicli never went otherwise
" than in a round cap during all the time of King Edward, affirmed
*' that he would not agree to that decreement of uniformitie,
" but upon this condition, that if they would needs have such an
" uniformitie of wearing the cap, tippet, &c. then it should be de-
" creed withall, that the papists for a difference betwixt them and
" others should be constrained to weare upon their sleeves a chalice
" with an host upon it. Whereunto if they would consent, he
" would agi-ee to the other, otherwise he would not he said con-
" sent to the setting forth of the same, nor ever weare the cap ;
" nor indeed he n^ver did."
SC. I.] NEW CUSTOM E; 273
Crosses, belles, candells, oyie, bran, salt, spettle, and
incense.
With sensing and singing, he accomptes not worth iii
half pense,
And cries out on them all, if to repete them I wist,
Suche holy thinges wherein our religion doth consist:
But hee commaundes the service in English to be
readde,
And for the Holy Legended, the Bible too put in his
steadde.
Every man to looke thereon at his list and pleasure.
Every man to studie divinitie at his convenient leasure ;
With a thousand newe guises more, you know as well
as I.
And to term him by his right name, if I should not lie,
It is new Custome, for so they do him call,
Both our sister Hipocrisie, Superstition, Idolatrie and all.
And truely me thinketh, they do justly and wisely
therein,
Since hee is so divers, and so lately crept in.
Ignoraunce. So they call him indeede, you have saide
ryght well.
Because he came newely from the devyll of hell,
New Custome, quoth you ? now a vengeance of his
newe nose.
For bringing in any suche unaccuston-ied glose ;
For hee hath seduced the people by mightie greate
flockes,
Bodie of God, it were good to set the knave in the
stockes.
Or elles to whyp him for an exaumple to all roges as
hee.
How they the authors of newe heresies bee.
Or henceforth do attempt any such strange devise.
Let him keepe himselfe from my handes, if he be wyse.
If ever I may take him within my rayne.
He is sure to have whipping theere ^ for his payne.
7 f/ie Holy Legeiide] I suppose the Legenda Aurea, the Golden Le-
gend of Jacobus de Voragine. S.
« theere] So the 4to. I think we should read cheere.
VOL. r. T
574 NEW CUSTOME. [ACT. I
For hee doth muche harme in cache phice throug-hout
the lande :
Wherefore, Perverse Doctrine, heere nedeth your
hande :
I meane, that ye be dihgent in any case.
If ye fortune to come where New Custoiue is in pUice,
So to use the villaine, you know what I meane.
That in all povntes you may discredite him cleane :
And when hee beginnes of any thyng-e for to clatter,
Of any controversie of learnyng, or divinitie matter.
So to cling fast unto every manne's thought.
That his wordes may seeme heresie, and his doinges
but nought.
Perverse Docirine, Tushe, let me alone with that,
for 1 have not so lyttle wit.
But I have practised this alreadie, and minde also to
do it.
Yet a further devise I have, I think, not amisse.
Hearken to mee, Ignorance, for the matter is this :
For the better accomplishing our subtiltie pretended,
It were expedient that bothe our names were amended ;
Ignorance shall be Simplicitie, for that comes very nie ;
And for Perverse Doctrine I will be called Souude
Doctrine, I.
And nowe that wee are both in snche sorte named,
Wee may goe in any place and never he blamed.
See then you remembre your name, sir, Simplicitie,
And mee at every worde Sounde doctrine to be;
Beware of tripping, but look in minde that you beare
Your fayned name, and what before you weare.
But who is this that hitherwarde doth walke?
Let us stande still to heare what he wyll talke.
ACTUS I. SCENA II.
New Custome eiitreth alone.
New Custome. When I consider the auncient times
before.
That have ben these ev^rht hundred vceres and more.
I
SC. II.] NEW CUSTOME. 275
And those conferre with these our later dayes,
My mind do these displease a thousand waies.
For sure hee that hath bothe perceaved aright,
Wyll say they differ as darkenes dothe from light.
For then playne-deallng; beare away the price,
All thing-es were ruled by men of good advise.
Conscience prevayled miiche, even every where,
No man deceived his neybour, and eke a thing full rare
It was to finde a man you might not trust :
But looke what once they promised, they did that well
and just.
If neighbours were at variance ihey ran not streight to
lawe,
Daiesmen 9 tooke up the matter, and cost them not a
strawe,
Suche delight they had to kyll debate and strife;
And, surely even in those dayes was there more godlier
life :
Howbeit men of all ages are wonted to dispraise
The wickednesse of time that florished at their daies,
As well hee may discerne who for that but lightly
lookes
In every leafe almost of all their bookes;
For as for Christ our maister, what hee thought of
Jewes,
And after hym th apostles, I think it is no newes.
Perverse Doctrine. Harke, Simplicitie, hee is some
preacher, I wyll lay my srowne,
He raindeth to make a sermon within this towne:
9 Daiesmanl i. e. umpires. So Spenser :
For what art thou
That makst thyself his daysmaii, to prolong
The vengeance past 1 — Faerie Queen. S.
A dayes-man, says Ray, in his Collection of Xorth Country
Words, p. 25. is " an arbitrator, an umpire or judge. For as Dr.
" Kammond observes, in his Annotation on Heb. x. 25. p. 752, the
" word day, in all languages and idioms, signifies judgment. So
" Man's Day, 1 Cor. iii. 13. is the judgement of men. So diem dicere
" in Latin is to implead."
276 NEW CUSTOME. [aCT. I.
Hee speaketh honestly yet, but surely if hee rayle at
mee,
I may not abide hira, by the masse, I promise thee.
New Custome. Paule to the Corinthians plainelydoth
tell
That their behaviour pleased him not well.
All our forefathers likewise have ben offended
With diverse faultes at their time, that might have ben
amended.
The doctours of the churche, great faulte they dyd
fynde,
In that men lived not after their mynde :
First with the rulers as examples of sinne.
Then with the people as continuing therin :
So that of them both this one thing they thought,
That the people was not good, but the rulers were
naught.
But in comparison of this time of miserie,
In those daies men lyved in perfecte felicitie.
Saincte Paule prophecied that worse tymes should
ensue,
In 7wvissimis vemeiit qitidam, saith hee, this is trewe,
Folowinge all mischiefe, ungodlinesse and evyll,
Leaning to all wickednesse and doctrine of the devyll ;
And spake hee not of these daies, thinke you, I praye?
The proofe is so playne that no man can denaye :
For this is sure, that never in any age before,
Naughtiness and sinne hath ben practised more,
Or halfe so muche, or at all, in respecte so I saye,
As is nowe (God amende all) at this present daye :
Sinne nowe no sinne, faultes no faultes a whit,
O God, seest thou this, and yet wylt suffer hit?
Surely thy mercie is great, but yet our sinnes I feare
Are so great, that of justice with them thou canst not
be are.
Adulterie no vice, it is a thinge so rife '°,
A stale jest nowe, to lie with another manue's wyfe :
'0 so rife] i e. so common, in such plenty. S.
SC. II.] NEW CUSTOMS. 277
For what is that but dahaunce ? Covetousnesse they
call
Good husbandrie, when one man would faine have
all.
And eke alike to that is unmerciful extorcion,
A sinne in sig^ht of God, of great abhomination:
For pride, that is now a grace ; for rounde about
The humble sprited is termed a foole or a lowte.
Who so will bee so drunken that he scarsly knoweth
his waye,
Oh, hee is a good fellowe, so now a daies they saye :
Gluttonie is hospitalitie, while they meate and drinke
spill,
Whiche wou4d relieve diverse whom famine doth kill.
As for all charitable deedes, they be gone, God
knoweth ;
Some pretende lacke, but the chiefe cause is slowth,
A vice most outragiouse of all others sure,
Right hatefull to God, and contrarie to nature.
Scarse bloud is punished, but even for very shame,
So make they of murther but a trifling game.
O how manie examples of that horrible vice
Do dayly among us nowe spring and arise?
But ihankes be to God that such rulers doth sende,
Whiche earnestly studie that fault to amende ;
As by the sharpe punishement of that wicked crime
Wee may see that committed was but of late time.
God direct their heartes they may alwaies continue
Suche just execution on sinne to ensue ;
So shall be saved the life of many a man,
And God wyll withdrawe his sore plagues from us
than.
Theft is but pollicie, perjurie but a face,
Suche is now the worlde, so farre men be from grace.
But what shall I say of religion, and knowledge
Of God, whiche hath ben indifferent in cache age
Before this ? howbeit his faltes then it had,
And in some poyntes then was culpable and bad.
Surely this one thinge I may say aright,
God hath rejected us away from him quight,
278 NEW CUSTOME. [aCT I.
And geven tfs up whollie unto our owne thought,
Utterly to destroy us, and bring; us to nought :
For do they not foilowe the niventions of men ?
Looke on the primitive churche, and tell mee then
Whether they served God in this same wise,
Or whether they followed any other guyse?
For since Godde's feare decayed^ and hypocrisie crept
in,
In hope of some gaines and lucre to win,
Crueltie bare a stroke, who with fagot and fier,
Braught all thinges to passe that hee did desier;
Next avarice spilt all, whiche lest it should be spide,
Hypocrisie ensued the matter to hide.
Then brought they in their monsters, their masses, their
light.
Their torches at noone, to darken our sight :
Their Popes and their pardones, their purgatories for
sowles.
Their smoking of the church, and flinging of cooles.
Igjwraintce. Stay yet a whyle, and let us heare more
communication.
Perverse Doctrine. I cannot, by godde's sowle, if I
might have all this nation.
Shall T suffer a knave thus to rayle and prate?
Nay, then I pray God, the devyll breake my pate.
I will be revenged, or '' hee depart away,
Ah, surrah, you have made a feire speake heere to-day.
Do you looke for any rewarde for your deede ?
It were good to beate thee till thy head bleede.
Or to scourge thee welfavouredHe at a carte's taylo,
To teache suche an horeson to blaspheme and rayle
At suche hoiie misteries, and matters so hie
As thou speakest of nowe, and rayledst at so latelie.
New Custome. What meane ye, sir, or to whom do
you speake?
Art you minded on mee your anger to wreake,
Whiche have not offended, as farre as I knowe ?
Perverse Doctrine. I speak to thee, knave, thou art
madde I trowe;
" or'\ i. e. before.
1
SC. I.] NEW CUSTOME. 279
What meanest thou to raile right nowe so contemp-
tuously
At the chefest secretes of all divinitie ?
New Custome. Verilie I railed not, so farre as I can
tell,
I spake, but advisedly, I knowe very well ;
For I wyll stand to it, whatsoever I sayde.
Perverse Doctrine. Wilt thou soe ? but I will make
the well apaide '%
To recant thy woordes, I holde thee a pounde,
Before thou departe hence out of this grounde.
New Custome. No, that shall you not do, if I die
therefore.
Perverse Doctrine. Thou shalt see anone, go too,
prattle no more,
But tell mee th' effect of the woordes whiche were sayde.
New Custome. To recite them agayn, I am not
afrayde :
I sayde that the Masse, and suche trumperie as that.
Popery, purgatorie, pardons, were flatt
Against Godde's woorde and primitive constitution,
Crept in through covetousnesse and superstition,
Of late yeeres, through blindnes, and men of no know-
ledge ;
Even suche as have ben in every age.
Perverse Doctrine. Now, preciouse horeson, thou
hast made a lie ;
How canst thou prove that, tell me by and by.
New Custome. It needeth small profe, the effect doth
appere.
Neither this is any place for to argue here.
And as for my saying I holde the negative,
It lyeth you upon to prove the affirmative ;
To shewe that such thinges were used in antiquitie,
And then I can easely prove you the contrarie.
Perverse Doctrine. Stand'st thou with mee on schole
poyntes ? dost thou so indeede ?
Thou hadst best to prove mee whether I can reede ;
1- loell apaide] well content. In Psalm kxxiii. ver. 8. we have :
And Assur eke is well apaid,
With them in league to be.
280 NEW CUSTOME. [aCT I.
Thinkest thou I have no logique, in deede thinkest
thou soe ?
Yes, prinkockes, that I have ; for fortie yeares ag-oe
I coulde smatter in a. Duns^^ pretelie; I do not jeste,
Better I am sure thcMi an hundred of you, v/hosoever is
the best.
New Custome. Trulie I beleve you, for in suche fonde
bookes
You spent ideUie your time and weried your lookes :
More better it had ben in bookes of hohe scripture,
Where as vertue is expressed, and religion pure,
To have passed your youth, as the Bible and suche,
Then in these trifles to have doited so muche ;
Not more to have regarded a Duns or a Questionist,
Then yon would the woordes of the holie evangelist.
Perverse Doctrine. What ! for a childe to meddle
with the Bible ?
New Custome. Yea sure, more better then so to be idle.
Perverse Doctrine. Is studie then idlenes? that is a
new terme.
New Custome. They say better to be idle then to do
harme.
Perverse Doctrine. What harme dothe knowledge? I
pray thee, tell mee.
Neiv Custome. Knowledge pufFeth up, in Saincte
Paule you may see,
Perverse Doctrine. Yee, but what knowledge meaneth
hee? tell me that.
New Custome. Even such knowledge as vee professe
flat;
For the truthe and the gospell you have in contempt,
And foUowe suche toyes as your selves do invent:
Forsaking Godde's lawes, and th' appostle's institution.
In all your procedinges, and matters of religion.
Perverse Doctrine. By what speakest thou that, let
me here thy judgment?
New Custome. Not by any gesse, but by that whiche
is evident.
'3 In a Duns] i. e. in the theological writings of Dims Scotiis, who
obtained the title of Doctor Subtilis. S.
See also Note 25 to The Revenger's Tragedy, vol. IV.
SC. II.] NEW CUSTOME. 281
As for the scriptures, you have aboHshed cleane;
New fashions you have constitute in religion ; agayne,
Abuse of the sacraments then hath ben tofore,
Have you brought, and in nombre have you made them
more
Then Christ ever made : wherfore shew your auctoritie,
Or els have you done to the churche great injurie.
Th' appostles never taught your transubstantiation
Of bread into fleshe, or any suche fashion ;
Howe be it they were conversant every day and howre,
And received that sacrament of Christ our saviour.
You feigne also that Peter was bishop of Rome,
And that hee first instituted the seateof your Popedome :
But, perverse nation, howe dare you for shame,
Your fansies on Christ, and th appostles to frame?
Perverse Doctrine. Marie avaunt, Jackesauce, and
pratling knave,
I will conjure thy cote if thou leave not to rave.
With all my harte, and a vengeance, come up and be
nought,
I see wee shall have an heretike of thee, as I thought.
These things were approved or thou wast born, dost
thou not see ?
And shall be when thou art hanged, I warrant thee.
New Custome. Ere I was borne ! nay sure that is not
trewe,
For in comparison of mee they be but newe.
Perverse Doctrine. Of thee ! ha, ha, ha ! what of
thee ? thou art mad.
New Custome. Surely in my sorte I am both sober
and sad.
Perverse Doctrine. Whie, how olde art thou? tellmee,
I pray thee hartely.
New Custome. Elder than you, I perceive.
Perverse Doctrine. What, older than I !
The younge knave, by the masse, not fully thirtie,
Would be elder than I that am above sixtie !
New Custome. A thousande and a halfe, that surely
is my age :
Ask and enquire of all men of knowlage.
282 NEW CUSTOME. [aCT
Perverse Doctrine. A thousand yeares 2 godde's pre-
ciouse sowle, I am out of my wittes;
He is possessed of some devyll, or of some evill
sprites.
Why thou art a young knave of that sorte, I saye,
That brought into this realme but the other daye
This new learning, and these heresies, and such other
things moe,
With strange guises invented not long agoe*
And I pray thee tell me, is not thy name New Cus-
tome?
New Cusiome. Trevvly so I am called of some,
As of suche as wante both witte and understanding,
As you do ncwe, 1 knowe by your talking :
But woe be to those that make no distinction
Betweene many thinges of diverse condition ;
As naught to be good, and hotte to be colde,
And old to be newe, and new to be olde.
Wherefore these disceytea you dayly invent,
The people to seduce unto your advertisement,
While with tales you assay, and with lies you begyn
The truth to deface, and your credite to wyn.
Perverse Doctrine. What is thy name, then? I pray
thee make declaration.
New Custome. In faith, my name is Primitive Con-
stitution.
Perverse Doctrine. Who ? who ? Praia Constitutio ?
even so I thought,
I wist that it was some suche thinge of nought i*.
* The original copy reads
" With strange guises invented 7iow long agoe."
but the sense seems to require the negative, which former editors
substituted for now. C.
'* aziche thinge of nought.'] So Hamlet, " The king is a iking of
" nothing." See the Notes of Dr. Johnson, Dr. Farmer, and Mr.
Steevens, on that passage, Edition of Shakspeare, 1778, vol. 10,
p. 336. This play on the words was very common.
Again, in TJie Humourous Lieutenant, A. . S. 6.
" Shall then that thing that honours thee
" How miserable a thing soever, yet a thing still,
" And, tho' a thing of nothings thy thing ever."
SC. II.] NEW CUSTOME. 283
Like lettuse ^^, like lippes ; a scab'd horse for a scald
squire.
New Custome. Primitive Constitution I saide> if you
heare,
Suche orders as in the primitive churche heretofore
Were used, but not nowe, the more pittie therefore,
Perverse Doctrine. Ah, ah ! in good time, sir, well
might you fare, Primitive Constitution,
That is your trewe name, you say, without all delution.
Primitive Constitution (quodes stowe) as muche as my
sleeve,
The devill on him which will such liers beleeve;
For my parte, if I credite such an hearie mowle.
The fowle fende of hell fetche mee, bodie and sowle.
New Custome. Trueth can not prevaile where Igno-
rance is in place.
Ignoraunce. Peace, or I will lay my beades on thie
face.
Hast thou nothing to raile at but Ignorance, I trowe ?
New Custome. You may use me even at your
pleasure, I know ;
For Perverse Doctrine, that is rooted soe fast,
That it may not be changed at no heavenlie blast,
May not heare the contrarie, but beginneth to kicke,
Like a jade when hee feleth the spurre for to pricke.
Perverse Doctrine. Yee ! saist thou soe, thou mis-
creant villaine ?
A little thing would make mee knocke out thy
brayne.
Hence out of my sight, away, packing, trudge,
Thou detestable heretike, thou caytife, thou drudge ;
"■s Like lettuse, like lippes.^ " Similes hahent lahra lactucas. A.
" tliistle is a sallet for an ass's mouth. We use when we would
" signify that things hajipen to people which are suitable to them,
" or which they deserve : as when a dull scholar happens to a stupid
" or ignorant master, a froward wife to a peevish husband, &c.
" Dignum puteUa operculum. Like priest, like people, and on the
*' contrary. These Proverbs are always taken in the worst sense.
" Tal came, tal culteilo, ItaL LiJie flesh, like knife." Ray's
Froverbs, 1742, p. 130.
284 NEW CUSTOME, [aCT II.
If I may take thee, it were as good thou weare deade,
For even with this portuse '^ I will battre thy Ueade.
[Exit.
Thoughe I hang therefore, I care not, I,
So I be revenged on a slave ere I die.
Sacrament of God ! who hath hearde suche a knave ?
Who after hee had done at Ignorance to rave,
Perverse Doctrine (quod hee) is also rooted so fast,
That hee may be changed by no heavenly blast.
No, Godde's sowle, I warrant him, 1 will see him
rotten,
Before that my doctrine I shall have forgotten :
Wherefore it behoveth us some councell to take,
Howe wee the stronger our matters may make,
i\gainstthe surprise of this newe invasion,
Begunne of late by this strange generation,
Of New Custome and his mates '', meaning to deface
Our anncient rightes, and religion, and to place
Their develishe doctrine the Gospell, and soe
Our gaines to debate, and ourselves to undoe.
I thinke it best therefore that our sister Hypocrisie
Do understand fully of this matter by and by.
Let us go and seeke her, the case for to shewe.
That wee her good councell may spedely knowe.
Ignoraunce. I am readie ; in following I will not be
slowe. \_ExemLt.
's portusei] Sometimes written portas, or portos, i. e. breviary,
Du Cange, iu Portiforium, " Portuasses, IMr. Tyrwhitt observes
" (Notes on Chaucer, ver. 13061), are mentioned amon;; other
" prohibited books in the Stat. 3 and 4 Edw. VI. c. 10. And, in
*' the Parliament Roll of 7 Edw. IV. n. 40. there is a petition, that
" the robbing of— Porteous — Grayell, Manuell, &c. should be made
*' felonie without clergy ; to which the King answered. La Roy
" s'avisera.''
The portuse is mentioned iu Green's llisiory of Fryer Bacon and
Fryer Bungay, vol. Vlll . p. 200.
*' I'ie hamper up the match,
" I'letake my /jortore forth, and wed you here."
'* mates.] The 4io reads makes. The alteration by Mr. Dddslcy,
Makes is the true reading. Hake is used {or mate throughout tho
works of Goiter. Shakspeare likewise, if I am not mistaken,
employs it in one of his sonnets. S.
SC. I.J NEW CUSTOME. 28^
ACTUS II. SCENA I.
Light of the Gospell and New Customs enter.
Light of the Gospell. Doubt you nothing at all, for
God will so provide,
Who leaveth not his elect to defende and to guide ;
That where ever I come suche grace you raay finde,
As shall in each poynte content well your minde,
And admit that they call you New Custome, what
then?
Attribute that follie to the ignorance of men,
That foUowe their fansies, and know not the right.
Well, you knowe where I come once, the light
Of the Gospell, whose beames do glister so cleare,
Then Primitive Constitution in each place you appeare ;
And as else where you have ben, so do not mistrust
But in this place hereafter be receved you must.
Neiv Custome. According to your nature, so do you
very well
To put mee in good hope, bright light of the gospell.
And seing you be trewe, I may in no wise
Misdeeme you the father or aucthour of lies:
For if trust to the gospell do purchase perpetuance
Of life unto him who therein hath confidence,
What shall the light doe ? whose beames be so bright.
That in cache respect all thinges else of light
Are but very darkenes, and eke terrestriall.
So the light of the Gospell overshineth them all.
Wherefore with great comforte I receive your counsel!.
With hartie thanks unto you, the light of the Gospell.
Light of the Gospell. Do so, and by faith, then shall
you obtaine
Whatsoever you desire, the scripture saith plaine :
For quicquid petieritis in nomine rneOf
It must of trueth needes be understode soe :
That without faith, whatsoever wee fortune to crave,
Wee may not looke for it our desire to have.
Faith moveth mountains, so it be pure faith indeede,
By fayth wee obtaine whatsoever wee neede :
286 NEW CUSTOME. [aCT
Then faith shall restore to you more thinges then this,
Beleve me, Primitive Constitution, whatsoever is amisse.
But where be those reprobates, devoyde of all grace,
Who lately misused you, as you saide, in this place?
New Custome. They be sodenly departed, I wote not
well whether,
For I left them right now bothe heere together :
They cannot be farre hence, I know very well,
Where they be, there is none if wee ask, but can tell.
Light of the Gospell. Do you knowe them agayne, if
you meete them aright
New Custome. Yea, sir, that I do, even at the first
sight.
Light of the Gospell. Then let us not tarie, but go
seek them straite.
New Custome. At hande I am readie on ypu for to
wayte. [Exeunt.
ACTUS II. SCENA II.
Hypocrisie, Perverse Doctrine, and Igno-
RAUNCE enter.
Hypocrisie. Perverse Doctrine, I say, take heede in
any sortc
That thou never beleve whatsoever they reporte,
Though they of the gospell never so muche do preache,
Every man will not credite whatsoever they teache.
They will not say, all beleeve, when they do not, I pro-
mise thee:
For that time will never come, in this world, trust mee.
Tushe, tushe, be thou busied in any case
To discredite their preachinge in every place.
If they teache them one thing, then teache thou the
contrarie ;
And if that no scripture for thy place thou have readie,
In woordes that suppiie, whiche wanteth in reason,
For ill thinges applied, somtime, in good season,
As of better eftsones do importe the wayte.
So they be well ordered by good poUicie and slayght.
SC. II.] NEW CUSTOME. 287
Howbeit their doctrine be sounde ; yet their vices fynd
out,
As this is a sloven, or this is a iowte :
Hee speaketh on envie, such a one for neede ;
This saith it in woordes, but h^e thiiiketh it not in deede.
Upon greatter occasion they sticke not to rave,
Saying, this is a whooremaster, viliaine, hee an heretike
knave,
An extorcioner, a theefe, a traytour, a murtherer,
A covetous person, a common userer.
This hee doth for my mistresse his wyve's sake, by the
roode,
The beiter to maintaine and supporte thefrenchehoode.
Remember also, that it weare a great shame.
For thee for to have forgotten thy ovvne name.
Perverse Doctrine, of right, must the trueth so perverte,
That hee never let it sinke into any manne's harte,
As farre as he can, with diligence withstande.
For ever it behoveth thee to be readie at hande.
To strenthen thine owne partes, and disprove other
doctrine,
Whatsoever shall be taught that is contrarie to thine :
Still pretende religion, whatsoever you say,
And that shall get thee good credite alway,
Pleasing the multitude with suche kinde of gear^*.
As with them to the whiche most enclined they are.
Square cappes, longe gownes, with tippettes of silke,
Brave coopes in the churche, surplices as white as
milke,
Beades, and suche like, all these beare the price ;
To these thinf2;es applie thy attendant devise :
And other likewise, which well you do knowe,
Whiche all of great holinesse do set forthe a shewe.
Though some of them doubtlesse, be indifferent, what
matter.
They furnishe our businesse never the latter.
For these of antiquitie, since that they do smell.
Our cause must commend right wonderful well :
^^ genri The 4to reads, grace. The alteration by Mr. Dodsley.
288 NEW CUSTOME, [aCT II.
And these be the thinges wherof thou hast neede,
The better of thy wyl and purpose to speede.
Then geve thy attendance, and so be sure of this,
That I will be readie and never wyll misse
To assist thee still in workinge thy purpose,
To th' advauncing of thee, and depressing thy foes.
Perverse Doctrine. Gramercie, good sister, even with
all my hearte,
For this your good councell ; and for my parte.
Whatsoever in this case may bee possibly donne,
I shall followe your preceptes as a natural sonne.
For the matter so standes if wee looke not well about.
That we quite perishe out of all doubt,
Unlesse some such way wee take out of hande.
Whereby wee may be able our foes to withstande.
And for this cause my brother Ignorance and I,
Lest it should chaunce us to fall into jeoperdie,
Through envie of our names in any manne's eare :
For this intent, I say, wee did diligently care.
Our names to counterfaite in such maner of sorte,
That where ever wee goe wee may win good reporte.
Hypocrisie. Of my faith that is very well done in
deede,
God sende thee a good wit still at thy neede.
And that in thy doinges suchsuccesse thou maist fynde,
That all thinges may chaunce to thee after thy minde.
My brother, if thou have ought else for to say,
Speake on, or that I departe hence away.
Perverse Doctrine, Great thankes for your councel,
and if yee chaunce to go thyther,
You may meete with Ignorance, to hasten him hyther.
Hypocrisie. Farewel he shall be here, you shall see
even anon. [Exit.
Perverse Doctrine. Alacke, alacke, now my . good
sister is gon,
Whose presence to enjoye is more pleasant unto mee.
Than any thing whatsoever in the worlde coulde bee.
Good occasion have I suche a sister to embrace,
For by her means I lyve and enjoye this place.
SC. II.] NEW CUSTOME. 289
Which yet I possesse as longe as I may,
And have heretofore many a faire day.
For since these newe heretickes, the devill take them all,
In all corners began to barke and to ball
At the catholike faith, and the olde religion.
Making of them bothe but matters of derision ;
Hypocrisie hath so helped at every neede,
That but for her, hardly were wee lyke for to speeds.
For be our case never so nye driven to the v/orst,
Through her meanes by some meane take no place at
the first:
Yet some meanes doth shee finde, by some meanes at
the length,
That her waiesdo prevaiie, and her matters get strength.
Shee can finde out a thousand guyles in a trice,
For every purpose a newe strong devise.
No matter so difficile for uian to find out,
No businesse so daungerous, no person so stowt,
But of th' one she is able a solucion to make,
And th' others greate peryll and moode for to slake.
And in fine, rauche matter in fewe woordes to containe,
She can finde out a cloke for every rayne'^.
What person is there that beareth more swaie
In all maner of matters at this present daye
Throughout the whole world, though of symple degree,
And of small power to sight shee seeme for to bee?
Consider all trades and condicions of lyfe,
Then shall you perceive that Hypocrisie is rife
To all kinde of men, and of every age.
So farre as their yeeres them therein may geve know-
ledge:
Lo, here a large fieJde, where at length hee may walke,
Who list of this matter at the full for to talke.
To declare of what power, and of what efficacie,
In every age, countrey and time is Hypocrisie.
But I may not about suche small pointes now stande,
The affaires they be greater that I have in hande.
'9 She can finde out a cloke for every rayne'] A Proverb. Tu bai
mantillo di ogni acqua. S.
VOL. I, V
290 KEW CUSTOME. [aCT II.
Ignorance is the cause that I so longe taiie heere,
And beholde where the blinde bussard doth appeere.
Come on, thou ^osse headed knave, thou whoro^on
asse, I say,
Where hast thou ben sence wee departed to-day?
Enter Igxoraunce.
Ignoraunce. Where have I ben, quod you? mary
even there I was.
Whereas I would have geven an hundred pounde, by
the Masse,
To have ben here ; for never sence the day I was borne
Was I so neere hande in peeces for to have ben torne.
For as I was goin^ up and downe in the streete.
To see if 1 coulde with Hypocrisie meete,
Beeholde afarre of I began to espie
That heretike New Custome, with another in his com-
panie.
As soone as they sawe mee, they hyde thera apace
Came towardes, and met mee full in the face.
I am glad wee have fouude you then, quod this heretike
knave,
For you, and your fellowe, this day sought wee have
In every place, and now cannot you flie;
And with these woordes both they came very nie.
Whereat I so feared, I may tell you playne,
That I thought at that howre I should have ben slayne.
This is he, quod the varlet, of whom I tolde you of late.
An enemie of the trewth, and incensed with hate
Against God and his Churche, and an impe of Hypo-
crisie,
A foe to the gospell, and to trewe divinitie.
Thou lyest, heritique, quod I, and naught elles coulde
I say.
But brake quickely from thera, and hither came away.
Perverse Doctrine. Who is hee that was with him,
Simplicitie, canst thou tell ?
Ignoraunce. Not I sure, but some call him the light
of the Gospell.
A good personable fellowe, and in countenaunce so
bright,
That I coulde not beholde him in the visage aright.
SC. II.] XEW CUSTOME. 291
Perverse Doctrine. Goddes preciouse woundes, that
slave ! marie tie on hira, de !
Body of our Lor-le, is be come into the conntrye?
I thinke all the hereliques in the worlde have taken in
haude.
By some solemne othe to pester this lande,
Wiih their wicked scisraes, and ahhominable sectes.
Now a vengeance on them all, and the devyll breake
their neckes.
Light of the Gospell ! lig:ht of a straw ; yet what ever
bee bee,
I wold bee were han£:ed as hie as I can see.
Ignoraunce. What, have vou hearde o( him before
this :
Perverse Doctrine. Heard of him ? vee, that have I
often I wis.
If there be any in the worlde, it is this horeson theefe,
Beleeve me, Simplicitie, that will worke us the mis-
chiefe.
Hath that same new Jack srotte hira suche a mate ?
Now with all my heart a pestilence on bis pate.
I woulde they were both hanged fairely together,
Or elles were at the devill, 1 care not muche whether.
For since these Genevian doctours carae so fast into
this lande.
Since that time it was never merie with Eaglande.
First came New Custome, and bee gave the onsav **.
And sithens tbinges have gone worse even.* dav.
But Simplicitie, dost thou knowe what is mine intent?
Ignoraunce. Tell mee, and I shall knowe what vou
have ment.
Perverse Doctrine. Our matters with Crewelde our
friende to discusse.
And to here him, what counsell in this case bee will
geve us.
And this is the cause I have taried for thee.
Because that to him I would have thee goe with mee.
But see where bee commeth with Avarice sadly walking.
Let us listen, if wee can, whereof they be talkinge.
* th4 cnsaM] i. e. the c-nset. S.
292 NEW CUSTOME. TaCT II.
ACTUS II. SCENA III.
Creweltie, Avarice entre. Perverse Doctrine
and Ignoraunce tarie.
Creweltie. Nay, by Godde's harte, if I might doe
what I list,
Not one of them all that should scape my fist.
His nayles ^', I would plague them one way or another.
I would not misse him, no, if hee were mine owne
brother.
With small faultes I might beare as I sawe occasion,
And punishe, or forgeve, at mine owne discretion,
For I wote that sometime the wisest may fall ;
But heresie, fie on that, that is the greatest of all.
Every stockes should be full, every prison and jayle.
Some would I beate with roddes, some scorge at a
carte's tayle.
Some hoyse their heeles upwarde, some beate in a
sacke,
Some manickle their fingers, some binde in the racke.
Some would I sterve for hunger, some would I hangie
privilie,
Saying, that themselves so dyed desperately.
Some would I accuse of matters of great weight,
Openly to hange them as trespassours streight.
A thousand mo waies could 1 tell, and not misse,
Whiche here in England, I may say to you, I have
practised ere this,
And trust by his woundes, Avarice, some agayne for to
trie,
How so ever the world goe before that I die.
Avarice. Now I will tel thee, Creweltie, by Godde's
sacrament 1 have swore.
It were pittie but thou were hanged before.
Creweltie. Ha, ha, ha ; I had as liefe they were
hanged as I.
2' Uis nayles] i. e. God's nails. So afterwards " By his wounds"
— " His blood*' — without repetition of the sacred name by way of
introduction. S.
SC. III.] NEAV CUSTOME. 293
By the masse, there is one thing makes me laugh
hartely, ha, ha, ha.
Avarice. I pray thee wliat is that ?
Creweltie. What? ha, ha, ha; I cannot tell for
Iciughinge, I wold never better pastime desire.
Then to here adosen of them howling together in thefier;
Whose noyse, as my thinketh, I could best compare
To a crie of houndes folowing after the hare.
Or a rablement of bandogges barking at a beare,
ha, ha, ha.
Avarice. I beshrew thy knaves fingers with my very
hearte,
The devill will reward thee, whose darling thou arte.
But, sirra, I pray thee, if it had chanced me in those
daies in thy handes to have fel,
I thinke, sure, thou wouldst have ordred mee well.
Creweltie. His bloud, I would I might have once
seene that chaunce,
I would have vext thee with a vengeaunce, for olde
acquaintance.
Avarice. Why so? I was alwaies thy furderer in
those daies, I am sure.
Creweltie. Yee, but what was the cause? thine owne
profit to procure.
For so that thou mightest vauntage and lucre obtaine,
Thou wouldest not sticke to bring thine owne brother to
payne.
Avarice, Ha, ha, ha ; no, nor father and mother, if
there were ought to be got,
Thou mightest sweare, if I could, I would bring them
to the pot.
Whereof a like historic I shall tell thee, Creweltie,
In Englande, which my self plaied in the daies of
queene Marie ^.
22 In Englande, which my self plaied in the duits cf queene Marie.]
In Foxe's third Volume of Ecclesiastical History, 1631, p. 799, is an
account of one Richard Woodman, who was burnt at Lewes, with
nine others, on the 22d of June, 1557. The circumstances attend-
ing his apprehension resemble those abovementioned, and seem to
be the same alluded to by the Author of this INIorality.
294 NKW CUSTOM E. [act II.
Twoo biotliors iIumg wore dwelling, youiiii: g;cntilmen,
bill \\\c hey re
Had substaiicinll rcvcncwos, his stocke also was fairc :
A man of i^ood conscience, and stndions of ll\e g'ospell.
Which (he other brother pereeivinu; very well,
Perswadod him by all meanes, since he was so bent,
To be constant in opinion, nnd not to relent,
Which done, hee iX^we notice to the officc^rs abont,
Howe they should come with searche to Inid his brother
out ;
Who, when hee was once in this sorte apprehended,
Shortly after his life in the fier hee ended.
The other had the most part of all his lyvinge.
How saist, sir knave? is not this the nere way to
thrivinge?
Creweli'ic. O unreasonable Avarice, unsaciable with
gayne.
Avarice. What, this? tushe, it was but a meric
trayne.
Crewel tie. For hiker's sake his owne brother to
betraye?
Hence, Judas, with these doinn-es T can not awayc^.
Avarice. T was ever with hitn, still readie at hande.
Continually sui;i;estini;' of the house and the lande.
And yet to tell you the trueth,asin deedethe thinge is,
Of my conscience I thinke the best part was his.
Crewellie. By Godde's glorious wounds, hee was
worthy of none ;
But thou to be whipped for thy greedie suggestion.
Avarice. Harte of God, man, be the meancs better
or worse,
T passe not, I, so it be good for the purse, ha, ha, ha.
^ I can not awnur.l An oxprossioii of dislike or aversion used by
almost every writer of the times. Hen Jonson's Cunthia's licveLs,
A. 4. 8.5.
" Of all nymphs i'the court, I ainiiot uwiiii rvith her ."
Poetaster, A. S. S. 4. " — and do not brin<j your ealin*; player
•' with you there ; I cannot incmy icith Jiiin."
Ihrtliolomcic Fair, A. 1. S. (>. " Good i'faitb, 1 will eat heartily
" too, because I will be no Jew, / could Jiewr dway with (hat stift-
" nocked generation."
Sr. III.] NF.V/ <ir»TOM K. 295
I'crverHc Doclrinc W yon love ihc. piirsu so well,
Avarice, aH yon H'.\y \n<\<'A'A\(t,
Tlien hcljx! moc with your c;ourK:f.'ll now at a necdc.
Avarice. What, Fervcrsf' Doctrine, and I;^noranncc
too, W(.'r<; yon hoth so iiC(;rc?
W(!c }iMfJ tliou^-Jit at om coinriiin^ that no jriao had hen
lieere.
Ignorauna;. Wee have })en in this place ever since
tliat yon staide,
And wee hav(i hearde also what ho ever yon havoHayde.
CreweUie. Welcome bothe, on my faith, and I am
glad it was our chaunce
To meete with yon here, PcrverHe Doctrine, and fgno-
raunce.
Whie, how p^othe the worlde? my tliinkes yon he sad.
PerveTHC Doctrine, Mary, Ciod have morcie, but there
is small cause to be {;lad :
For excepte you come upeedely with your lielpint^handc.
No doul)t wee shall shortly be banished the lande.
Avarice. Whie so, Perverse Doctrine?
CreweUie. I pray tli(;e, let rnect uriderstande.
Perverse Doclrine. Whie so? you knowe howe, since
lierisie came lately in place,
And New (/ustornc, that vile scismatifjue, bej^an to
deface
All ourolde doinj^s, our service, our rites, that of yore
Have bene of ^reat price in the olde time before:
Our selves have been enforced almost for to fiye
The countrie,or else covertly in some corner to lye.
CreweUie. liy the Masse that is trewe, for f dare not
apf)eere,
Who 80 ever would (^eve mee twenty ]>ounds landes by
the yeere.
Avarice. Ha, ha, ha; by C/odde's footc, and I was
never in better case in my lif,
For covetousries with the clerj^ie was never so rife.
Wherefore I have nocansein suchesortto be^^reeved,
Yet 1 woulde I could tell, sirs, how you rnif,^ht be rc-
leeved.
296 NEW cusroME. [act ir.
Perverse Doctrine. Nowe, sirha, to mende up this
matter with all :
Preciouse God, it fvettes mee to the very gall.
For now of late that slave, that varlet, that heretique,
Lighte of the Gospell,
Is come over the sea, as some credibly tell,
Whom New Custome doth use in all matters as a stale,
The mostennemie to us in the worlde alway;
Whose rancour is suche, and so great is his spight,
That no doubt hee will straightway banishe us quight,
Unlesse wee provide some remedie for the contrary,
And with speede ; this is treuth that I tell thee,
Creweltie.
Creweliie. His woundes, hart and bloud, is he come
without any naye ?
Ignoraunce. Yee verely, for with these eyes I sawe
him to daye.
Creweltie. Now I would hee were here, I woulde so
dresse the slave,
That I warranthee should beare mee a marke to his grave.
First I would buffet him thus, then geve him a fall;
Afterwarde I would dashe out his braynes at the wall.
Avarice. Holde your handes, you rude knave, or by
Godde's bodie I sweare,
I wyll quickely fetche my fist from your eare.
Perverse Doctrine. Tushe, tushe, it availes naught to
chafen,or to chide.
It were more wisedome with speede some redresse to
provide.
Creweltie. Redresse? nowe by Godde's guttes, I will
never staye,
Tyll I finde meanes to ridde the beast out of the
waye.
I wyll cuthim of the slampambes, I holde him a crowne,
Where so ever I meete him, in countrie, or towne.
Ignoraunce. What order you will take, it were best
make relation.
For moe wittes, as you knowe, may do better than
one.
SC. III.] NEW CUSTOME. 297
Creweltie. I wyll do then what so ever shall come in
my head,
I force, not I '^*, so the vyllaine were dead.
Ignoraunce. And of my furtherance, whatsoever I
may do, you be sure,
Your good state againe, if I can, to procure,
With my uttermost help to suppresse yonder rascail,
For by the masse, you papists I like best of all.
Perverse Doctrine. Then can wee not doo amisse, I
conjecture lightly,
For where as al these come, Perverse Doctrine, Ava-
rice, Ignoraunce, and Creweltie:
There goeth the hare, except all good lucke goe awrie.
But, sirs, it is good, lest your names you discrie.
To transpose them after some other kinde,
Els bee sure with the people much hatred to finde.
As for Perverse Doctrine, Sounde Doctrine ; for lo-no-
raunce, Simplicitee ;
With these coulours, of late, our selves clokedhave we.
Creweltie. Wliat then shall I, Creweltie, bee called
in your judgement?
Perverse Doctrine. Mary, Justice with Severitie, a
vertue most excellent.
Avarice. What will you terme Avarice, I pray you
let mee heare?
Perverse Doctrine. Even Frugalitie, for to that ver-
tue it commeth most neare.
Avarice. Contente by his woundes, I, but wee must
look to our feete.
Least wee stumble in these names when so ever wee
meete.
Perverse Doctrine. Yea, see you take heede to that
in any manner of case,
So may you delude the people in every place.
Creweltie. Come then, it . is time hence that away
wee departe.
Ignoraunce. Wee are redie to follow with a most
wyllyng hart.
. '■^^ I force, not I,] i. e. I care not. Camden in his Remains says,
" Iforce not of such fooleries." Shakspeare has the same phrase. S.
298 NEW CUSTOME. [aCT Hi.
Avarice. But, sirs, because wee have taried so longe.
If you bee good fellowes, let us depart with a songe.
Creweltie. I am pleased, and therefore let every man
Follow after in order as well as hee can.
The first Soinge.
Well handled, by the masse, on every side.
Come, Avarice, for wee twoo will no longer abide.
\^E:iit Creweltie and Avarice^
Perverse Doctrine, Farewell to you bothe, and God
sende you successe,
Suche as may glad us all in your present businesse.
Now they bee departed, and wee may not tary,
For it lieth us upon all to bee sturryng, by S. Mary.
New Custome prevayleth much every where,
But, no matter, they bee fooles that do geeve him suche
eare.
Let old custome prevayle rather, it is better than new,
This all will confesse, that thinke scripture is true.
Doo as thy fathers have doone before thee (quoth hee)
Then shalt thou bee certayne in the right way to bee.
And sure that is better then to followe the trayne
That echeman inventeth of his owne proper brayne.
Whichehath brought theworlde to this case, as we see,
That every day wee heere of some notorious heresie.
Yet all is the Gospell, whatsoever they say.
Well, if it chaunce that adogge hath a daye,
Woe then to New Custome, and all his mates, tushe,
tushe.
No man the Gospell will esteemethena rushe.
What will that other heretik do, Light of the Gospel, I
pray?
Dare not once shewe his face more than we at this day.
But come, Ignoraunce, let us follow after apace.
For wee have abidden all to long in this place.
Ignoraunce. Let us go then, but by the masse, I am
vengeance drie,
1 pray let us drinke at the ale-house herebie.
Perverse Doctrine. Content in fayth, thither with
speede let us hie.
SC. I.] NEW CUSTOM E. 299
ACTUS III. SCENA I.
Light of the Gospell, New Custome, Perverse
Doctrine.
Light of the Gospell. They be not, this way, as farre
as I can see :
Unlesse they have hidden them selves up privilie.
For in presence of Light of the Gospel, and Primative
Constitution,
Undoubtedly such reprobates can have no habitation.
New Custome. Verely I do fiiide it so even as you
have saide,
For at your sight they all flie away as dismaide.
Wherefore I have great cause to geeve you thankes,
Light
Of the Gospell, that put thus my enemies to flight.
Light of the Gospell. Nay, they be- my enemies also
that be enemies to you.
In so muche as your dealinges be both vertuouse and
true.
For what is the gospell else, whereof I am Light ?
But trewth, equitie, veritie, and right?
They be enemies to God too, and all liers impure,
In so muche as he is called veritie in the scripture.
And the lying lippes with speakers of vanitie,
The Lorde him selfe will revenge with extremitie.
But see, what is hea that aprocheth so nie?
New Custome. Of whom I tolde you, it is Perverse
Doctrine verelie.
Light of the Gospell. Then let us a little steppe out
of the waye,
If haplie wee may heare what hee will say.
Perverse Doctrine. A, sirrha, by my trothe there is a
vary good vaine:
Ignoraunce hath well lyned his cappe for the rayne,
I coulde have taried longer there with a good wyll,
But as the proverbe saith, it is good to keepe still,
One head for the reckoing, bothe sober and wise,
Wherefore in this thinge I have followed that guise.
300 NEW CUSTOM E. [aCT III.
Ignoraunce is but a dolte, it is I that must drudge.
For neede (they say) maketh the olde wife and man
both to trudge.
Suche snares wee shall laye for these heretikes, 1 trust.
That New Custome, and his fellowes, shall soone lye
in the dust.
If Creweltie may prevaile, hee will never slake,
Tyll hee have brought a thousand of them to a stake.
Avarice hath promised to do what in him laye,
Who hath ben in greate credite with the worlde alway.
But if Ignoraunce may get place, there shall wee do well,
Then adewe all idle heretikes, and vaine talke of the
gospell,
For me Perverse Doctrine, this shall be my fetche.
To keepe constant the mindes of all I can cetche.
Lest these glosers sometimes they chaunce to heare
preaching,
And thereby be converted, and credite their teachinge.
For I trust shortly to bring it to passe,
That lesse knowledge of the Gospell shall serve by the
masse.
Light of the Gospell. Let us inclose him, that hee may
not flie.
Else wyll hee be gone when hee doth us espie.
0 impe of Antechrist, and seede of the devyll I
Borne to all wickednesse, and nusled in all evylP^.
Perverse Doctrine. Nay, thou stinking heretike, art
thou there in deede?
Accordinge to thy naughtines thou must looke for to
speede,
New Custome. Godde*s holie woorde in no wise can
be heresie,
Though so you terme it never so falsly.
Perverse Doctrine. Yee preciouse whoreson, art thou
there too ?
1 thinke you have pretended some harme mee to doo,
Helpe, helpe, I say, let mee be gone at once.
Else I will smite thee in the face with my fist, by
Godde's bones.
-^ nuded in all evylf] i. e. nursed^ fostered. S.
SC. I.] NEW CUSTOME. 301
^ew Custome, You must be contented a little season
to stay,
Light of the Gospel!, for your profite, hath some thing
to say.
Perverse Doctrine. I will heare none of your preach-
inges, I promise you playne,
For what ever you speake, it is but in vayne.
Light of the GospelL In vayne it shall not be spoken,
I know very well.
For God hath alwaies geven suche power to his gos-
pel!,
That where ever, or by whom declared it bee.
It shall redounde unto his owne honour and glorie.
God is glorified in those whom hee dooth electe,
God is glorified in those also whom hee dooth rejecte.
The electe are saved, by that in the woorde they bee-
leeve.
But the other, because no credence they geeve
To the truthe, cannot bee but blameable,
Commytting a fault of all faultes most damnable.
For, Si ad eos non venissem, saieth Christ our Saviour,
If I had not come unto them with the worde, this is
sure,
In farre better case the unfaithfuU had ben
For in this one respect they had had no sinne.
But where the trueth is, and yet there contemned.
Of Christ his owne mouth all suche are condempned.
Thus the gospell of Christ, be it received or no,
Shevv^eth the glory of God where so ever it go.
Perverse Doctrine. I were contente to abide, and
knowe your pleasure :
But for businesse, at this time I have no leysure.
Light of the Gospell. What leisure ought a man at
all times more to have,
Then to endeavour bothe his body and sowle for to
save ?
New Custome. For that care, all other cares wee must
set 'aside.
Perverse Doctrine, Say on then, for paciently I minde
to abide.
302 XEAV CL^STOME. [aCT lil.
Light of the Gospell. Not to heare what is spoken is
onely sufficient,
But to put it in practice with sincere intent
What so ever is taught us concerning: good doing,
Expressing it plainely in our vertuouse lyving.
Perverse Doctrine. Whie what would you have mee
in living expresse ?
Light of the Gospell. Even the gospell, which is no-
thing else, doubtlesse.
But amendment of life, and renouncing of sinne:
With displeasure toward your selfe for the faultes you
were in.
Perverse Doctrine. How shall I displease my selfe in.
sinne I would knowe ?
Light of the Gospell. In considering that nothing
bnngeth man so lowe
Out of Godde's favour, as sinne : nothing setteth him
so hie.
As lothing the same, and calling to him for his mer-
cie.
Perverse Doctrine. Verely I am sorie for my fore-
passed demeanour,
But that can not availe mee but little, I am sure.
Light of the Gospell. Why think you so ? boldely
tell me your minde.
Perverse Doctrine. Because Godde's mercie is farre
enough behinde.
Light of the Gospell. Godde's mercie is at hande, if
you repent faithfully.
Perverse Doctrine. I repent my sinnes, and for them
am sorie hartely ;
But how shall I be sure mercie for to obtaine ?
Light of the Gospell. Credite mee trewly, for my
woordes are not vaine,
I am Light of the Gospell, and have full authoritie
To pronounce to the penitent forgivenesse of ini-
quitie,
So that in asking, you put your assurance to speede,
Then no doubt you have obtained mercie in deede.
SC. I.] NEW CUSTOME. 303
Perverse Doctrine. This assurance, how cometh it ?
declare, I pray you.
Light of the Gospell. In thinking that Christ his
woordes and promises are trewe ;
And as hee cannot deceive, so cannot be disceived,
Which faith of all Christians must nedes be received.
Perverse Doctrine. What thing is fayth ? I pray you
recite.
Light of the Gospell. A substance of thinges not
appering in sight,
Yet which wee looke for, for so saincte Paule doth
define.
To the Hebrews, the eleventh chapter and the first line.
Perverse Doctrine. How to purchase this faith, I
would I could tell.
Light of the Gospell. Certeinly by mee also, the Light
of the Gospell ;
For fayth commeth by the woorde, when we reade or
heare,
As by the same sainct Paule it doth plainely eppere.
Perverse Doctrine. Geve mee leave then to embrace
you, I pray you hartely.
Light of the Gospell With all my very heart, I re-
ceive you courtesely.
Perverse Doctrine. To thee I geve most humble
thankes, O God immortall.
That it hath pleased thee, mee from my.wickednesse to
call;
And where as I deserved no mercie, but judgement,
Yet to powre downe thy pardon on mee most aboundant,
Revoking mee from reprobates, and members of hell,
To win mee in societie v/ith the Light of the Gospell,
Light of the Gospell. Stande up, there is some what
else yet behynde.
Perverse Doctrine. I wholly yelde my selfe to you,
use me after your minde.
Light of the Gospell. Perverse Doctrine you shall be
calde no more after this.
But Sincere Doctrine, as now I trust your trewe
name is.
304 NEW CUSTOME. [aCT III.
Perverse Doctrine, By Godde's grace, while I live, I
will so endevour,
That my life and my name may accorde thus for ever.
Light of the Gospell. Then all wicked companie you
must cleane forsake,
And flie their societie, as a tode, or a snake.
Perverse Doctrine, I abandon them quite, what so
ever they bee.
New Custome. Well, Sincere Doctrine, hearken also
unto mee,
Whom needes you must followe if you wyll do well.
Since you have imbraced the Light of the Gospell.
I am not New Custome, as you have ben misled.
But am Primitive Constitution, from the verie head
Of the church, which is Christ and his disciples all,
And from the fathers, at that time, taking originall.
By mee then you must learne, for your owne beheast.
And for all vocations what is judged the best.
Perverse Doctrine. I receave you gladly, with thankes,
for your jentlenes,
At your handes craving earnestly for my trespas for-
gyvenes.
New Custome. It is easly forgeven.
Perverse Doctrine. Now as touching my apparell,
what councell do you give ?
For I see well that in the constitution primitive,
They used no suche ganiient as I have on heare,
But fashioned it after some other maner.
New Custome. So did they trewly, I confesse it in
deede ;
But in suche things a man ought not to take so greate
heede,
For the wearing of a gowne, cap, or any other garment,
Surely is a matter, as mee seemeth, indifferent,
Howbeit, wyse Princes, for a difference to be had,
Hath comrnaunded the clargiein suche sorte to be clad ;
But hee who puttes his religion in wearing the thing.
Or thinkes him selfe more holly for the contrarie doing.
Shall prove but a foole, of what ever condition
Hee bee, for sure that is but meere superstition.
SC. I.] NEW CUSTOME. 305
Other thinges there be which have ben abused,
Tollerable enough, if well they were used :
Wherefore use your apparell, as is comely and decent,
And not against scripture any where in my judgement,
Light of tlie Gospell. No sure : for God waieth not,
who is a sprite,
Of any vesture, or outward appearance a mite,
So the conscience be pure, and to no sin a slave,
That is all which hee most gladly would have.
New Custome. Well, these having declared, and suf-
ficiently taught,
And I trust on your parte perceaved as they ought:
By your pacience, I mind to departe for a season.
Light of the Gospell. If your businesse bee so, it is
but reason.
New Custome. With great thankes unto you, Light
of the Gospell, for the jentlenes I have found
At your handes, as of due desert I am bound.
Light of the Gospell. The Lorde be your guide whi-
ther so ever you departe.
Perverse Doctrine. Humble thankes, sir, I yelde you
from the bottome of my hearte.
Albeit in this parte so small be my skyll.
That I may not performe them according to my wyll.
New Custome. The peace of God be with you both
for ever more. [Exit.
Edification enireth.
Where so ever Light of the Gospell goeth before,
There I Edification do followe incontinent,
As unto the same a necessary consequent :
For though the letter alwaies woorke not that effect,
Yet surely in the congregation of Godde's elect,
Where the light and force taketh place, there Edifica-
tion
Of all right must I make my habitation,
Endevour then alwaies mee to retaine,
So shall your doctrine not be gyven in vayne.
Perterse Doctrine. I receive you most gladly ; and I
truste in the Lorde,
That for ever hereafter wee shall well accorde.
306 NEW CU9T0ME. [aCT III.
Edification. I trust so.
Light of the Gospell. Fare you well, now you are not
alone,
For this small while I must needes begone.
Here, take at my handes this testament booke,
And in mine absence therein I pray you ernestly looke.
Perverse Doctrine. Your commandement shal be
done, with thankes for your councel.
Light of the Gospell. Then shall yee sure finde great
delight in the gospell. [Exit,
AssURAUNCE entreth.
Edification without Assuraunce vayleth not muche.
Yet where they both do meete, surely there force is
suche,
That to Godde's kingdome they open the way,
The sweete place of rest, and perpetual joye.
For assurance in Christ Jesus without manne's further
merite.
Is fully sufficient Godde's favour to inherite :
Wherefore, Light of the Gospell willed mee soe,
That to you. Edification with all speede 1 should goe :
So that with Sincere Doctrine wee joyned in unitie,
Might in short time conduct him to Godde's perfect
Felicitie.
Perverse Doctrine. I embrace you, Assuraunce, that
biisse to obtaine.
Assuraunce. Then bee you assured, that you shall
not bee vayne ;
For if that Christe's woordes be faithfull and just,
Godde's perfect Felicitie is not far hence, I trust.
Godde's Felicitie entreth.
Verily, where Edification and Assuraunce in one are
alied,
Godde's Felicitie is at hande, it may not be denied,
Which hee promiseth to suche as unfeinedly crave.
With assurance that certainely the same they shall have;
Which Felicitie in person heere I do represente,
Who by God himselfe to the faythfull am sent,
Prepared for them, as he plainely hath sayde.
Since the time that the worlde's foundations werelaide ;
SC. I.] NEW CUSTOME. 307
Wherfore great thankes unto hym doubtlesse you owe,
That it would please him suche gifteson you to bestowe,
The most precious thing which manne's reason doth
excell,
No minde can conceave, muche lesse tongue can tell.
Perverse Doctrine. Too him therefore let us geve all
maner prayse,
That beareth such affection to mankinde alwaies.
O Lorde, thine honour might be great in heaven so hie,
And throughout the whole earth thie everlasting glorie.
Geeve grace to thy people, that after this transitorie
Life, they maye come to thy perfect felicitie.
Edification. Defende thy churche, O Christ, and thy
holy congregation,
Bothe heere in England, and in every other nation.
That wee thy trewth may attaine, and still followe the
same,
To the salvation of our sowles, and glorie of thy name.
Assuraunce. ^° Preserve our noble queene EHzabeth,
and her councell all.
With thy heavenly grace, sent from thy seate supernall.
Graunt her and them long to lyve, her to raigne, them
to see
What may alwaies be best for the weale publique's com-
modities^.
The Second Songe.
* Preserve our noble queene Elizabeth, &c.] It was a custom at the
end of our ancient interludes and plays to conclude with a solemn
prayer for the King or Queen, the council, the parliament, or the
nobleman by whom the players were protected. Many instances are
produced by Dr. Farmer and Mr. Steevens, in their last Notes on
the Epilogue to Second Part of Henry IV. and many other might be
added. See particularly the conclusion of Like will to like, quoth
the Devil to the Collier, 1587. TTie longer thou ll.vest the more a fade
thou art. B. L. N. D. Tlie storie of Darius. B. L. and others.
'''' commoditie.] interest. See p. 207.
308
^/3
K
EDITION.
'' A New Enterlude, no lesse wittie than pleasant, en-
titled Ncwe Custome ; devised of late, and for di-
verse causes nowe set forthe. Never before this tyme
imprinted, 1573. Imprinted* at London, in Fleet-
streete, by William Howe for Abraham Veale, dwell-
ing in Paule's Churcheyarde, at the signe of the
Lambe," 4to. B. L.
* The imprint is not upon the title page (which contains the
list of the persons and the manner in which the action may be
divided among four persons) but at the end of the piece.
END OF VOL. r.
T. WHITE, PRINJKR,
CRANE COf Rf.
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